Handwritten notes accompanying related print in photo file 12 reads, "Tripolis (?). Tur Mamluk inscriptions."
Additional information from Finding Aid reads, "Subseries 4.12: Photo File 12, "Syrian Inscriptions:" Image No. 35 (Negative Number: 3406). [Tripolis?] Two Mamluk inscriptions above doorway."
Arrangement:
Glass Negatives, numbered from 1 to 3850, are housed in document boxes, and stored on shelves."
Local Numbers:
FSA A.6 04.GN.3406
Date/Time and Place of an Event Note:
As early as 1893, Ernst Herzfeld, Moritz Sobernheim, and Max Freiherr von Oppenheim participated in Max Van Berchem's project to create a Corpus Inscriptionum Arabicarum. During the following 25 years, research materials such as glass negatives, photographic prints, drawings, maps, and notebooks were circulating among the four archaeologists. In the case of this glass negative, it may have been taken by Moritz Sobernheim on a visit to Tripoli and its surroundings in March 1905."
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Handwritten notes accompanying related print in photo file 12 reads, "Tripolis (?)."
Additional information from Finding Aid reads, "Subseries 4.12: Photo File 12, "Syrian Inscriptions:" Image No. 37 (Negative Number: 3401). [Tripolis?] Inscription on boulder."
Arrangement:
Glass Negatives, numbered from 1 to 3850, are housed in document boxes, and stored on shelves."
Local Numbers:
FSA A.6 04.GN.3401
Date/Time and Place of an Event Note:
As early as 1893, Ernst Herzfeld, Moritz Sobernheim, and Max Freiherr von Oppenheim participated in Max Van Berchem's project to create a Corpus Inscriptionum Arabicarum. During the following 25 years, research materials such as glass negatives, photographic prints, drawings, maps, and notebooks were circulating among the four archaeologists. In the case of this glass negative, it may have been taken by Moritz Sobernheim on a visit to Tripoli and its surroundings in March 1905."
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Handwritten notes accompanying related print in photo file 12 reads, "Tripolis (?)."
Additional information from Finding Aid reads, "Subseries 4.12: Photo File 12, "Syrian Inscriptions:" Image No. 38 (Negative Number: 3403). [Tripolis?] Inscribed plaque over lintel."
Arrangement:
Glass Negatives, numbered from 1 to 3850, are housed in document boxes, and stored on shelves."
Local Numbers:
FSA A.6 04.GN.3403
Date/Time and Place of an Event Note:
As early as 1893, Ernst Herzfeld, Moritz Sobernheim, and Max Freiherr von Oppenheim participated in Max Van Berchem's project to create a Corpus Inscriptionum Arabicarum. During the following 25 years, research materials such as glass negatives, photographic prints, drawings, maps, and notebooks were circulating among the four archaeologists. In the case of this glass negative, it may have been taken by Moritz Sobernheim on a visit to Tripoli and its surroundings in March 1905."
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Handwritten notes accompanying related print in photo file 12 reads, "Tripolis (?) (reversed)."
Additional information from Finding Aid reads, "Subseries 4.12: Photo File 12, "Syrian Inscriptions:" Image No. 39 (Negative Number: 3400). [Tripolis?] Lintel inscription in No.40 (reversed)."
Arrangement:
Glass Negatives, numbered from 1 to 3850, are housed in document boxes, and stored on shelves."
Local Numbers:
FSA A.6 04.GN.3400
Date/Time and Place of an Event Note:
As early as 1893, Ernst Herzfeld, Moritz Sobernheim, and Max Freiherr von Oppenheim participated in Max Van Berchem's project to create a Corpus Inscriptionum Arabicarum. During the following 25 years, research materials such as glass negatives, photographic prints, drawings, maps, and notebooks were circulating among the four archaeologists. In the case of this glass negative, it may have been taken by Moritz Sobernheim on a visit to Tripoli and its surroundings in March 1905."
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Handwritten notes accompanying related print in photo file 12 reads, "Tripolis (?) Mamluk inscription."
Additional information from Finding Aid reads, "Subseries 4.12: Photo File 12, "Syrian Inscriptions:" Image No. 40 (Negative Number: 3404). [Tripolis?] Correct view of No.39."
Arrangement:
Glass Negatives, numbered from 1 to 3850, are housed in document boxes, and stored on shelves."
Local Numbers:
FSA A.6 04.GN.3404
Date/Time and Place of an Event Note:
As early as 1893, Ernst Herzfeld, Moritz Sobernheim, and Max Freiherr von Oppenheim participated in Max Van Berchem's project to create a Corpus Inscriptionum Arabicarum. During the following 25 years, research materials such as glass negatives, photographic prints, drawings, maps, and notebooks were circulating among the four archaeologists. In the case of this glass negative, it may have been taken by Moritz Sobernheim on a visit to Tripoli and its surroundings in March 1905."
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Handwritten notes accompanying related print in photo file 12 reads, "Tripolis (?)."
Additional information from Finding Aid reads, "Subseries 4.12: Photo File 12, "Syrian Inscriptions:" Image No. 41 (Negative Number: 3405). [Tripolis?] Section of Mamluk inscription."
Arrangement:
Glass Negatives, numbered from 1 to 3850, are housed in document boxes, and stored on shelves."
Local Numbers:
FSA A.6 04.GN.3405
Date/Time and Place of an Event Note:
As early as 1893, Ernst Herzfeld, Moritz Sobernheim, and Max Freiherr von Oppenheim participated in Max Van Berchem's project to create a Corpus Inscriptionum Arabicarum. During the following 25 years, research materials such as glass negatives, photographic prints, drawings, maps, and notebooks were circulating among the four archaeologists. In the case of this glass negative, it may have been taken by Moritz Sobernheim on a visit to Tripoli and its surroundings in March 1905."
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Handwritten notes accompanying related print in photo file 12 reads, "Tripolis (?)."
Additional information from Finding Aid reads, "Subseries 4.12: Photo File 12, "Syrian Inscriptions:" Image No. 42 (Negative Number: 3399). [Tripolis?] Lintel with Mamluk inscription."
Arrangement:
Glass Negatives, numbered from 1 to 3850, are housed in document boxes, and stored on shelves."
Local Numbers:
FSA A.6 04.GN.3399
Date/Time and Place of an Event Note:
As early as 1893, Ernst Herzfeld, Moritz Sobernheim, and Max Freiherr von Oppenheim participated in Max Van Berchem's project to create a Corpus Inscriptionum Arabicarum. During the following 25 years, research materials such as glass negatives, photographic prints, drawings, maps, and notebooks were circulating among the four archaeologists. In the case of this glass negative, it may have been taken by Moritz Sobernheim on a visit to Tripoli and its surroundings in March 1905."
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Handwritten notes accompanying related print in photo file 12 reads, "Mamluk inscription left of lintel in No. 44. Tripolis (?)."
Additional information from Finding Aid reads, "Subseries 4.12: Photo File 12, "Syrian Inscriptions:" Image No. 43 (Negative Number: 3407). [Tripolis?] Left side. Mamluk inscription. Right side, No.44."
Additional information from Staff reads, "Paper squeezes applied on inscription. The paper squeezes are not preserved in the Ernst Herzfeld Papers, Series 6: Paper Squeezes of Inscriptions."
Arrangement:
Glass Negatives, numbered from 1 to 3850, are housed in document boxes, and stored on shelves."
Local Numbers:
FSA A.6 04.GN.3407
Date/Time and Place of an Event Note:
As early as 1893, Ernst Herzfeld, Moritz Sobernheim, and Max Freiherr von Oppenheim participated in Max Van Berchem's project to create a Corpus Inscriptionum Arabicarum. During the following 25 years, research materials such as glass negatives, photographic prints, drawings, maps, and notebooks were circulating among the four archaeologists. In the case of this glass negative, it may have been taken by Moritz Sobernheim on a visit to Tripoli and its surroundings in March 1905."
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Handwritten notes accompanying related print in photo file 12 reads, "Right of lintel in No. 43. Tripolis (?)."
Additional information from Finding Aid reads, "Subseries 4.12: Photo File 12, "Syrian Inscriptions:" Image No. 44 (Negative Number: 3402). [Tripolis?] Right side. Mamluk inscription. Left side, No.43."
Additional information from Staff reads, "Paper squeezes applied on inscription. The paper squeezes are not preserved in the Ernst Herzfeld Papers, Series 6: Paper Squeezes of Inscriptions."
Arrangement:
Glass Negatives, numbered from 1 to 3850, are housed in document boxes, and stored on shelves."
Local Numbers:
FSA A.6 04.GN.3402
Date/Time and Place of an Event Note:
As early as 1893, Ernst Herzfeld, Moritz Sobernheim, and Max Freiherr von Oppenheim participated in Max Van Berchem's project to create a Corpus Inscriptionum Arabicarum. During the following 25 years, research materials such as glass negatives, photographic prints, drawings, maps, and notebooks were circulating among the four archaeologists. In the case of this glass negative, it may have been taken by Moritz Sobernheim on a visit to Tripoli and its surroundings in March 1905."
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
