This collection, which dates from 1926-1986, documents the output of Moses Asch through the various record labels he founded and co-founded, and includes some of his personal papers. The Asch collection includes published recordings, master tapes, outtakes, business records, correspondence, photographs, and film.
Scope and Contents:
The Moses and Frances Asch Collection measures 841 cubic feet and dates from 1926-1987, with some contemporary, relevant correspondence, clippings, and ephemera added after 1987.
Most of the collection consists of audio recordings (commercial 78 rpm and long-playing records, open reel tapes, acetate discs, and test pressings), correspondence with recording artists and producers, artwork, photographs, ephemera, clippings, record production materials, writings, and business papers relating to Folkways Records. Materials relating to Folkways Records can be found primarily in the Correspondence, Folkways Production, Business Records, Photographs, Artwork, Sound Recordings, and Film series.
The collection also contains some biographical materials and personal correspondence, including materials related to Asch's first business, Radio Laboratories, located in the Biographical Materials series. Correspondence, ephemera, photographs, record production materials, business papers, and recordings relating to Asch's record labels before Folkways Records (Asch Recordings, Disc Company of America, Cub Records) are located in the Early Label Materials series as well as the Audio Recordings and Photographs series.
Arrangement note:
The collection is arranged in 10 series:
Series 1: Correspondence, 1942-1987
Series 2: Folkways Production, 1946-1987
Series 3: Business Records, 1940-1987
Series 4: Woody Guthrie papers, 1927-1985
Series 5: Early Label Materials, 1940-1949
Series 6: Biographical Materials, 1926-1987
Series 7: Photographs
Series 8: Artwork
Series 9: Audio Recordings
Series 10: Film
At this time, the collection is partially processed. Please contact rinzlerarchives@si.edu for more information.
Biographical/Historical note:
The son of Yiddish writer Sholem Asch, Moses Asch was born in Poland in 1905. His childhood was spent in Poland, France, Germany, and New York. While young, Asch developed an interest in radio electronics, which ultimately lead him to his life's work, recording the music and sounds of the world. He established several record labels in succession, sometimes partnering with other record companies. Two of his fist record companies, Asch Recordings and DISC Co. of America, went bankrupt. They were followed by his best-known label, Folkways Records, which was founded in 1948 with Marian Distler (1919-1964). He was still working on Folkways recordings when he died in 1986.
Folkways Records sought to document the entire world of sound. The 2,168 titles Asch released on Folkways include traditional and contemporary music from around the world, spoken word in many languages, and documentary recordings of individuals, communities, and current events. Asch's business practices revolved around the commitment to keep every recording issued by Folkways in print, despite low sales. Asch stayed afloat by cutting costs where he could (such as color printing) and offering a high-quality product, meticulously recorded and accompanied by extensive liner notes. In doing this, he could charge a slightly higher price than other commercial outfits. Despite a tenuous relationship with financial solvency, Folkways grew to be not only one of the most important independent record companies in the United States in the 20th century, but also one of the largest and most influential record companies in the world.
Moses Asch's record labels featured famous and lesser known American writers, poets, documentarians, ethnographers, and grass roots musicians on commercial recordings. American folk icon Woody Guthrie recorded on the Asch, Disc, and Folkways labels, and the Asch Collection includes some of his correspondence, lyrics, drawings, and writings. The collection also includes correspondence with other notable musicians and artists such as John Cage, Langston Hughes, Margaret Walker, Huddie "Lead Belly" Ledbetter, Pete Seeger, Peggy Seeger, Ewan MacColl, Alan Lomax, Henry Cowell, and Kenneth Patchen. Also in the collection are ethnographic field notes and photographs by as well as correspondence with Béla Barók, Sidney Robertson Cowell, Harold Courlander, Helen Creighton, Laura Boulton, and Samuel Charters. Asch hired various prominent artists and graphic designers including David Stone Martin, Ben Shahn, John Carlis, and Ronald Clyne to create album cover art for his recordings. Much of the original art and designs for these covers can be found in the Asch Collection.
Asch's output of recordings on various labels, including published recordings, open reel master tapes, outtakes, and acetate disks, in addition to his business papers, correspondence, photographs, and other files were acquired by the Smithsonian Institution in 1987. The collection came to the Smithsonian with the understanding that all 2168 titles under the Folkways label would be kept available in perpetuity.
Shared Stewardship of Collections:
The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://doi.org/10.25573/data.21771155.
Provenance:
Ralph Rinzler arranged the Smithsonian's acquisition of the Moses and Frances Asch Collection in 1987, beginning with Asch before his death in 1986 and continuing with extensive discussions between Rinzler and the Asch family. Since its acquisition, archivist Jeff Place and others have added contemporary, relevant correspondence with Folkways artists and related individuals.
Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
The records of the New York Galerie Chalette measure 24.15 linear feet and date from 1916-1999, with the bulk of the material dating from 1939-1994. The collection documents this contemporary art gallery's operations from its founding in 1954 through Madeleine Lejwa's later years as an independent dealer. Included are correspondence, artists' files, financial and legal records, printed materials, clippings, exhibition catalogs, audio and video recordings, and motion picture film; about half of the collection consists of photographs. Arthur Lejwa's profession as a biochemist prior to becoming a gallery owner is also documented in this collection. The collection also contains personal records of the Lejwas, including correspondence, legal papers, photographs, photo albums, and printed material.
Scope and Content Note:
The records of the New York Galerie Chalette measure 24.15 linear feet and date from 1916-1999, with the bulk of the material dating from 1939-1994. The collection documents this contemporary art gallery's operations from its founding in 1954 through Madeleine Lejwa's later years as an independent dealer. Included are correspondence, artists' files, financial and legal records, printed materials, clippings, exhibition catalogs, audio and video recordings, and motion picture film; about half of the collection consists of photographs. Arthur Lejwa's profession as a biochemist prior to becoming a gallery owner is also documented in this collection. The collection also contains personal records of the Lejwas, including correspondence, legal papers, photographs, photo albums, and printed material.
Among the artists represented in the artists' files are Jean Arp, Max Bill, Burgoyne Diller, Wojciech Fangor, Sue Fuller, Julio Gonzalez, Roberta Gonzalez, Lazlo Moholy-Nagy, William Reimann, George Rickey, Leon Polk Smith, Victor Varsarely, Max Weber, and various Dada artists. Many artists are represented in the large collection of photographs as is the Lejwa's personal collection. Included in the business records are invoices, receipts for works sold, yearly sales and purchase ledgers, checks for artwork purchases, and index card files recording sales. Legal records include files related to litigation, primarily Lebenstein v. Lejwa. The collection includes film reels and audio recordings of lectures, broadcasts, and exhibits from the 1960s-1990s. It also includes two film reels from a French television program about Jean Arp.
Among the personal records are biographical information, correspondence, legal records mostly related to the settlement of Arthur Lejwa's estate, a significant quantity of snapshots, negatives and slides, and newspaper clippings chronicling Arthur Lejwa's work as a biochemist and the Robert Gould Research Foundation. Arthur Lejwa's scientific career is also represented in biographical information, publications, research notebooks, and photographs. Much of the personal correspondence is from 1939-1951 and is written in Polish, Yiddish and German. The Lejwa's philanthropic donations, especially in Israel, are documented in correspondence, papers, and photographs. Many of the photographs and photo albums record Madeleine Lejwa's travels in the 1970s-1990s.
Arrangement:
The collection is arranged as 8 series. The series are generally arranged alphabetically by type of material or subject, and chronologically thereafter.
Missing Title
Series 1: Correspondence, 1920-1995 (Boxes 1-2; 1.4 linear foot)
Series 2: Artists' Files, 1916-1996 (Boxes 2-6, 25; 4.3 linear feet)
Series 3: General Business Files, 1950-1994 (Boxes 6-8; 2.3 linear feet)
Series 4: Printed Materials, 1931-1996 (Boxes 9-10, 25; 1.2 linear feet)
Series 5: Photographs, circa 1920s-1994 (Boxes 10-16, 24-25; 7 linear feet)
Series 6: Legal Records, 1938, 1959-1988 (Box 17; 0.8 linear feet)
Series 7: Personal Papers of Arthur and Madeleine Chalette Lejwa, 1925-1999 (Boxes 17-21, 25; 3.7 linear feet)
Series 8: Motion Picture Film, Audio, and Video Recordings, circa 1950s-1995 (Boxes 21-23, FC 29-42; 4.3 linear feet)
Historical Note:
Art dealers and collectors Madeleine Chalette (1915-1996) and Arthur Lejwa (1895-1972) opened the Galerie Chalette in New York on 45 West 57th Street in February, 1954. The gallery originally specialized in contemporary French graphics and later shifted its focus to contemporary twentieth century European and American art, particularly the work of Jean Arp. Over the years, Galerie Chalette relocated twice. In 1957, the gallery moved to 1100 Madison Avenue and then to 9 East 88th Street in 1964.
Madeleine Chalette was born in 1915 in Paris and grew up in Poland. In 1940, after Madeleine's efforts to secure the release of her father, Leon Chalette, from Sachsenhausen concentration camp near Berlin were successful, father and daughter traveled by boat to Shanghai. They stayed in Shanghai throughout World War II, arriving in the United States in 1946. Arthur Lejwa, a Polish-born biochemist, immigrated to the United States in 1939 and taught at Long Island University. In 1947, Madeleine and Arthur Lejwa were married in Cincinnati, Ohio, where Arthur was the Director of the Robert Gould Institute for Nutritional Research.
The gallery was very active in the 1950s and 1960s, as evidenced by the numerous exhibitions. Many of the exhibitions in the 1950s were thematic. Exhibitions in the 1960s were mostly organized around the work of a particular artist, such as Wojciech Fangor and Leon Polk Smith. In 1972, the Metropolitan Museum of Art showcased Jean Arp's work from the Lejwa's collection and a few works lent by Arp's widow, Marguerite Arp. The exhibition was expanded and traveled as "Arp 1877-1966," first exhibited at the Solomon R. Guggenheim Museum and then shown in seven museums in the United States and six in Australia.
In the early 1970s, the Lejwas began supporting institutions in Jerusalem, including donating a 17th century Polish menorah to The Israel Museum and five sculptures to be displayed in public spaces: "The Threshold of Jerusalem" by Jean Arp, "The Loop" by Robert Engman, George Rickey's "Two Lines Oblique," "The Skedion Ekton" by Stephanie Scuris, and "Four Cubes Cut in Identical Halves" by Max Bill.
Following Arthur's death on October 27, 1972, Madeleine continued as an independent dealer and consultant and renamed the business Chalette International. In the 1980s, Madeleine Lejwa continued her philanthropic endeavors in Jerusalem, donating to a scholarship fund for Arab students. She was also a strong supporter of New York University's archeological site Aphrodisias, in southwestern Turkey. In the 1970s and 1980s, Lejwa traveled widely including Israel, Jordan, Egypt, Italy, Turkey, Japan, and China. Madeleine passed away at age 81 on June 9, 1996.
Related Material:
Addition papers related to Leon Chalette and Madeleine Chalette are located at Leo Baeck Institute, New York, N.Y.
Separated Material:
Papers related to Leon Chalette's imprisonment in Sachsenhausen concentration camp were transferred to the Leo Baeck Institute, New York, N.Y. in 2010.
Provenance:
The records were donated by Robert Warshaw, executor of the Madeleine Chalette Lejwa estate in two accessions in 1997 and 2005.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Jacques Lipchitz papers and Bruce Bassett papers concerning Jacques Lipchitz, circa 1910-2001, bulk 1941-2001. Archives of American Art, Smithsonian Institution.
Opening remarks--Winston ad--Ritsey b'muchaseynu--Rozhinkes mit mandlen--ad--Bechu rachum--Utsa essa--Ad--V'chas kohanim--conclusion
Local Numbers:
FW-ASCH-10RR-0001
Date/Time and Place of an Event Note:
Recorded in: New York (N.Y.), United States, New York, March 5, 1961.
General:
CDR copy Tapes FW-ASCH-0001 through FW-ASCH-10RR-0019 are (primarily) from a weekly radio show series entitled Songs of the Synagogue, aired every Sunday afternoon at 2:00 over WEVD in New York City. The tapes are all from 1960 and 1961. Each week, a different cantor is featured along with a choir, singing synagogue music, and also, usually a Yiddish or Israeli song. The series is a Joseph Jacobs production, directed by Sholom Rubinstein, with music arranged and conducted by Abe Ellstein. The show is hosted by Zvee Scooler, and is sponsored primarily by Winston cigarettes. An ad for Conn Electronic Organs sometimes concludes the show. Shows begin with a steady tone for which, usually, "zero level at 400 CY" is indicated. Henry Sapoznik, Yiddish radio and klezmer music authority, provided some of the above information. It is not known how or why Folkways obtained these tapes,but in 1960, Sholom Rubenstein also wrote and directed a Folkways record album concerning Theordore Herzl. The tapes in our possession represent a small fraction of the programs originally broadcast. FW-10RR-ASCH-0001 features Cantor Herman Malamood of the Educational Jewish Center of the Bronx, NY., for broadcast on March 5, 1961. Cantor Malamood also was an opera singer with both the New York City Opera and the Metropolitan Opera.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
announcements--unk--ad--Hallelujah (Praise the Lord)--conclusion
Local Numbers:
FW-ASCH-10RR-0002
Date/Time and Place of an Event Note:
Recorded in: United States 26, 1961.
General:
CDR copy Tapes FW-ASCH-0001 through FW-ASCH-10RR-0019 are (primarily) from a weekly radio show series entitled Songs of the Synagogue, aired every Sunday afternoon at 2:00 over WEVD in New York City. The tapes are all from 1960 and 1961. Each week, a different cantor is featured along with a choir, singing synagogue music, and also, usually a Yiddish or Israeli song. The series is a Joseph Jacobs production, directed by Sholom Rubinstein, with music arranged and conducted by Abe Ellstein. The show is hosted by Zvee Scooler, and is sponsored primarily by Winston cigarettes. An ad for Conn Electronic Organs sometimes concludes the show. Shows begin with a steady tone for which, usually, "zero level at 400 CY" is indicated. Henry Sapoznik, Yiddish radio and klezmer music authority, provided some of the above information. It is not known how or why Folkways obtained these tapes,but in 1960, Sholom Rubenstein also wrote and directed a Folkways record album concerning Theordore Herzl. The tapes in our possession represent a small fraction of the programs originally broadcast. FW-ASCH-10RR-0002 begins with all the announcements, without music, for the following three shows in the Songs of Synagogue series: Cantor Lawrence Avery show; Cantor Herman Malamood show (for complete show, go to FW-ASCH-10RR-0001); and Cantor Nathaniel Springzen show. At the conclusion of this segment of the tape, the announcer states that this is the last show of the Songs of the Synagogue series.The tape concludes with the final 11 minutes of a Cantor Nathaniel Springzen show aired during the week of the holiday, Sukkos, but not the same Springzen show for which the announcments are presented in the first segment of the tape.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Recorded in: New York (N.Y.), United States, New York, January 1, 1961.
General:
CDR copy Tapes FW-ASCH-0001 through FW-ASCH-10RR-0019 are (primarily) from a weekly radio show series entitled Songs of the Synagogue, aired every Sunday afternoon at 2:00 over WEVD in New York City. The tapes are all from 1960 and 1961. Each week, a different cantor is featured along with a choir, singing synagogue music, and also, usually a Yiddish or Israeli song. The series is a Joseph Jacobs production, directed by Sholom Rubinstein, with music arranged and conducted by Abe Ellstein. The show is hosted by Zvee Scooler, and is sponsored primarily by Winston cigarettes. An ad for Conn Electronic Organs sometimes concludes the show. Shows begin with a steady tone for which, usually, "zero level at 400 CY" is indicated. Henry Sapoznik, Yiddish radio and klezmer music authority, provided some of the above information. It is not known how or why Folkways obtained these tapes,but in 1960, Sholom Rubenstein also wrote and directed a Folkways record album concerning Theordore Herzl. The tapes in our possession represent a small fraction of the programs originally broadcast. FW-10RR-ASCH-0003 features Cantor Khatskele Ritter of Brooklyn, NY., for broadcast on Jan. 1, 1961. Both Hebrew synagogue songs are sung as well as Yiddish non-liturgical songs.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Opening--Ad O'shem, ad o'shem--Song of the dreamer--Ad--Kedusha: L'dor v'dor--As der Rebbe geyt--Ad--Chash kiveynu--conclusion
Local Numbers:
FW-ASCH-10RR-0004
Date/Time and Place of an Event Note:
Recorded in: New York (N.Y.), United States, New York, January 28, 1961.
General:
CDR copy Tapes FW-ASCH-0001 through FW-ASCH-10RR-0019 are (primarily) from a weekly radio show series entitled Songs of the Synagogue, aired every Sunday afternoon at 2:00 over WEVD in New York City. The tapes are all from 1960 and 1961. Each week, a different cantor is featured along with a choir, singing synagogue music, and also, usually a Yiddish or Israeli song. The series is a Joseph Jacobs production, directed by Sholom Rubinstein, with music arranged and conducted by Abe Ellstein. The show is hosted by Zvee Scooler, and is sponsored primarily by Winston cigarettes. An ad for Conn Electronic Organs sometimes concludes the show. Shows begin with a steady tone for which, usually, "zero level at 400 CY" is indicated. Henry Sapoznik, Yiddish radio and klezmer music authority, provided some of the above information. It is not known how or why Folkways obtained these tapes,but in 1960, Sholom Rubenstein also wrote and directed a Folkways record album concerning Theordore Herzl. The tapes in our possession represent a small fraction of the programs originally broadcast. FW-ASCH-10RR-0004 features Cantor Joshua O. Stiel, of congregation B'Nai Israel, Milburn, New Jersey, for broadcast on Jan. 28, 1961. Songs are in Hebrew, Yiddish and English; both liturgical and secular songs are included.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Kalich---intro--ad--Avo rachamin--Pischull sari tzedek--ad--B'reekh sh'may--a zemerl volkomen der rebbe--ad--Mit ch'nai ho twahn--organ ad--beginning of boruch ata adoshem;
Local Numbers:
FW-ASCH-10RR-0005
Date/Time and Place of an Event Note:
Recorded in: New York (N.Y.), United States, New York, December 25, 1960.
General:
CDR copy Tapes FW-ASCH-0001 through FW-ASCH-10RR-0019 are (primarily) from a weekly radio show series entitled Songs of the Synagogue, aired every Sunday afternoon at 2:00 over WEVD in New York City. The tapes are all from 1960 and 1961. Each week, a different cantor is featured along with a choir, singing synagogue music, and also, usually a Yiddish or Israeli song. The series is a Joseph Jacobs production, directed by Sholom Rubinstein, with music arranged and conducted by Abe Ellstein. The show is hosted by Zvee Scooler, and is sponsored primarily by Winston cigarettes. An ad for Conn Electronic Organs sometimes concludes the show. Shows begin with a steady tone for which, usually, "zero level at 400 CY" is indicated. Henry Sapoznik, Yiddish radio and klezmer music authority, provided some of the above information. It is not known how or why Folkways obtained these tapes,but in 1960, Sholom Rubenstein also wrote and directed a Folkways record album concerning Theordore Herzl. The tapes in our possession represent a small fraction of the programs originally broadcast. FW-10RR-ASCH-0005 features Cantor Kalman Kalich of Congregation Ora Tzedek in NYC, for broadcast on Dec.25, 1960. Hebrew synagogue songs and one Chassidic Yiddish song are presented.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Springzen---intro--ad- Hanukkah blessings--Shehechhiyanu--ad--Ha beyt M'shamayim--V'koray P'zuray ano--ad--Ballad of hanukkah--organ ad
Local Numbers:
FW-ASCH-10RR-0006
Date/Time and Place of an Event Note:
Recorded in: United States, December 11, 1960.
General:
CDR copy Tapes FW-ASCH-0001 through FW-ASCH-10RR-0019 are (primarily) from a weekly radio show series entitled Songs of the Synagogue, aired every Sunday afternoon at 2:00 over WEVD in New York City. The tapes are all from 1960 and 1961. Each week, a different cantor is featured along with a choir, singing synagogue music, and also, usually a Yiddish or Israeli song. The series is a Joseph Jacobs production, directed by Sholom Rubinstein, with music arranged and conducted by Abe Ellstein. The show is hosted by Zvee Scooler, and is sponsored primarily by Winston cigarettes. An ad for Conn Electronic Organs sometimes concludes the show. Shows begin with a steady tone for which, usually, "zero level at 400 CY" is indicated. Henry Sapoznik, Yiddish radio and klezmer music authority, provided some of the above information. It is not known how or why Folkways obtained these tapes,but in 1960, Sholom Rubenstein also wrote and directed a Folkways record album concerning Theordore Herzl. The tapes in our possession represent a small fraction of the programs originally broadcast. FW-ASCH-10RR-0006 features Cantor Nathaniel Springzen, of Congregation B'Nai Abraham, Newark, New Jersey, for broadcast on 12/11/1960. As this was the program preceding Hanukkah, the emphasis was on Hanukkah songs. A large note on the tape box says, "HOLD THIS SHOW!"
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Intro--Ad--Ma tovu--Chag purim--Ad--Ad--Shir lamalos--Bayn Rebi's tish--Ad--Baruch Adoshem Ba yom--Baruch adoshem ba layla--Conclusion
Local Numbers:
FW-ASCH-10RR-0007
Date/Time and Place of an Event Note:
Recorded in: New York (N.Y.), United States, New York, February 26, 1951.
General:
CDR copy Tapes FW-ASCH-0001 through FW-ASCH-10RR-0019 are (primarily) from a weekly radio show series entitled Songs of the Synagogue, aired every Sunday afternoon at 2:00 over WEVD in New York City. The tapes are all from 1960 and 1961. Each week, a different cantor is featured along with a choir, singing synagogue music, and also, usually a Yiddish or Israeli song. The series is a Joseph Jacobs production, directed by Sholom Rubinstein, with music arranged and conducted by Abe Ellstein. The show is hosted by Zvee Scooler, and is sponsored primarily by Winston cigarettes. An ad for Conn Electronic Organs sometimes concludes the show. Shows begin with a steady tone for which, usually, "zero level at 400 CY" is indicated. Henry Sapoznik, Yiddish radio and klezmer music authority, provided some of the above information. It is not known how or why Folkways obtained these tapes,but in 1960, Sholom Rubenstein also wrote and directed a Folkways record album concerning Theordore Herzl. The tapes in our possession represent a small fraction of the programs originally broadcast. FW-10RR-ASCH-0007 features Cantor Lawrence Avery of Congregation Beth El in New Rochelle, NY, for broadcast on Feb. 26, 1961. Hebrew synagogue songs are presented, along with a Yiddish song and a cheerful Purim song medley, as the broadcast occurred during the week of Purim.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Opening--Ad--E rosh haashanah yikaseywoon--Key melech yosheye--ad--ezra ha sofer--Ainu Makeynu--ad--Kol kidre--Conclusion
Local Numbers:
FW-ASCH-10RR-0008
Date/Time and Place of an Event Note:
Recorded in: New York (N.Y.), United States, New York, September 25, 1960.
General:
CDR copy Tapes FW-ASCH-0001 through FW-ASCH-10RR-0019 are (primarily) from a weekly radio show series entitled Songs of the Synagogue, aired every Sunday afternoon at 2:00 over WEVD in New York City. The tapes are all from 1960 and 1961. Each week, a different cantor is featured along with a choir, singing synagogue music, and also, usually a Yiddish or Israeli song. The series is a Joseph Jacobs production, directed by Sholom Rubinstein, with music arranged and conducted by Abe Ellstein. The show is hosted by Zvee Scooler, and is sponsored primarily by Winston cigarettes. An ad for Conn Electronic Organs sometimes concludes the show. Shows begin with a steady tone for which, usually, "zero level at 400 CY" is indicated. Henry Sapoznik, Yiddish radio and klezmer music authority, provided some of the above information. It is not known how or why Folkways obtained these tapes,but in 1960, Sholom Rubenstein also wrote and directed a Folkways record album concerning Theordore Herzl. The tapes in our possession represent a small fraction of the programs originally broadcast. FW-ASCH-10RR-0008 features Cantor Lawrence Avery of Congregation Beth El in New Rochelle, NY, for broadcast on 9/25/1960, As the show is for broadcast on the Sunday preceding Yom Kippur, this broadcast includes only liturgical songs of the holiday.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Opening--Ad--Halaviv lay amos ki echyen--In the begininng--Ad--Bitsays Israel---Baym Rebi's tish--Ad--Simchas torah--Conclusion--Your jewish heritage ad
Local Numbers:
FW-ASCH-10RR-0009
Date/Time and Place of an Event Note:
Recorded in: New York (N.Y.), United States, New York, October 9, 1960.
General:
CDR copy Tapes FW-ASCH-0001 through FW-ASCH-10RR-0018 are (primarily) from a weekly radio show series entitled Songs of the Synagogue, aired every Sunday afternoon at 2:00 over WEVD in New York City. The tapes are all from 1960 and 1961. Each week, a different cantor is featured along with the Winston Choir, singing synagogue music, and usually a Yiddish song or Israeli song. The series is a Joseph Jacobs production, directed by Sholom Rubinstein, with music arranged and conducted by Abe Ellstein. The show is hosted by Zvee Scooler, and is sponsored primarily by Winston cigarettes. An ad for Conn Electronic Organs sometimes concludes the show. Henry Sapoznik, Yiddish radio and klezmer music authority, provided some of the above information. It is not known how or why Folkways obtained these tapes,but in 1960, Sholom Rubenstein also wrote and directed a Folkways album concerning Theordore Herzl. FW-10RR-ASCH-0009 features Cantor Khatskele Ritter of Brooklyn, NY (no congregation mentioned), and was broadcast on Oct. 9, 1960. As this show was broadcast during the week of Succoth and Simchas Torah, songs of those holidays are performed.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
![view The Brothers Nazaroff - "Ich Flee (I Fly)" [Live Performance Video] digital asset number 1](https://i.ytimg.com/vi/MschzQkASmk/default.jpg)
![view The Brothers Nazaroff - "Ich A Mazeldicker Yid" [Official Music Video] digital asset number 1](https://i.ytimg.com/vi/o68BNz6fQOU/default.jpg)
