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Illustration of R.H. Macy & Co. department store (exterior) black-and-white print

Advertiser:
Macy, R.H., & Co. (New York, N.Y.)  Search this
Printmaker:
Chubb, H.  Search this
Series Creator:
Warshaw, Isadore, 1900-1969  Search this
Extent:
1 Item
Type:
Archival materials
Advertisements
Black-and-white prints (prints on paper)
Popular prints
Date:
19th century
Scope and Contents:
Shows large number of people, plus horses and carriages, outside Macy's store. Signed "H. CHUBB Sc." at lower right; "ACV" [?] in lower left.
Local Numbers:
90-10655 (OPPS Neg.)
Restrictions:
Unrestricted research use on site by appointment. Unprotected photographs must be handled with cotton gloves.
Rights:
Copy prints available. Possible reproduction restrictions due to trademark. Order from neg. no. 90-10655.
Topic:
Crowds -- 19th century  Search this
Department stores -- 19th century  Search this
Prints -- 19th century  Search this
Genre/Form:
Advertisements -- 19th century
Black-and-white prints (prints on paper) -- 19th century
Popular prints -- 19th century
Series Citation:
Warshaw Collection of Business Americana Subject Categories: Dry Goods, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Warshaw Collection of Business Americana Subject Categories: Dry Goods
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep828cba655-31d3-4879-8e55-05834068f158
EDAN-URL:
ead_component:sova-nmah-ac-0060-s01-01-dry-ref952

Formica Collection

Creator:
Jeffers, Grace  Search this
Formica Corporation.  Search this
Names:
Faber, Herbert A.  Search this
Loewy, Raymond  Search this
O'Conor, Daniel J.  Search this
Stevens, Brooks  Search this
Extent:
18 Cubic feet (59 boxes, 11 oversize folders )
Type:
Collection descriptions
Archival materials
Scripts (documents)
Videotapes
Posters
Samples
Advertisements
Brochures
Blueprints
Photographs
Newsletters
Exhibition catalogs
Catalogs
Correspondence
Date:
1913-2003
Summary:
The Formica Collection consists of textual files, photographs, slides, negatives, drawings, blueprints, posters, advertisements, product brochures, newsletters, and informational pamphlets documenting the history of the Formica Corporation and the use of Formica brand plastic laminate.
Scope and Contents:
The Formica Collection, 1913-2003, consists of textual files, photographs, photo slides, drawings, blueprints, posters, advertisements, product brochures, informational pamphlets, and research notes documenting the history of the Formica Corporation and the use of Formica brand plastic laminate.
Arrangement:
The collection is arranged into ten series.

Series 1: Corporate Records, 1920-1992, 2003

Subseries 1.1: Annual reports, 1949, 1966, 1988

Subseries 1.2: Correspondence and company identity, 1920-1988

Subseries 1.3: Corporation histories and timelines, 1949-1991, undated

Subseries 1.4: Newspaper clippings and articles, 1934-2003

Subseries 1.5: Awards, 1940s-1987

Subseries 1.6: Patent information, 1925-1994

Subseries 1.7: Photographs, 1927-1966

Series 2: Personnel Records, 1943-1992

Series 3: Newsletters, Magazines, and Press Releases, 1942-1990

Subseries 3.1: Newsletters, 1942-1988

Subseries 3.2: Press releases, 1973-1990

Series 4: Product Information, 1948-1994

Series 5: Advertising and sales materials, 1913-2000

Subseries 5.1: Advertising materials, 1913-2000

Subseries 5.2: Sales materials, 1922-1993

Series 6: Subject Files, circa 1945, 1955-1991, 2002

Series 7: Exhibits, 1981-1994

Series 8: Grace Jeffers Research Materials, 1987-1997

Series 9: Audio Visual Materials, 1982-1995, undated

Series 10: Martin A. Jeffers Materials, 1963-1999

Subseries 10.1: Background Materials, 1965-1999

Subseries 10.2: Employee Benefits, 1963-1998

Subseries 10.3: Product Information, [1959?]-1997

Subseries 10.4: Advertising and Sales Records, 1987-1999
Biographical / Historical:
Since its founding in 1913, the history of the Formica Company has been marked by a spirit of innovation and entrepreneurship. The history begins with the discovery of Formica by two men who envisioned the plastic laminate as breakthrough insulation for motors. Later, Formica became a ubiquitous surfacing material used by artists and architects of post-modern design. The various applications of the plastic laminate during the twentieth century give it a prominent role in the history of plastics, American consumerism, and American popular culture.

The Formica Company was the brainchild of Herbert A. Faber and Daniel J. O'Conor, who met in 1907 while both were working at Westinghouse in East Pittsburgh, Pennsylvania. O'Conor, head of the process section in the Research Engineering Department, had been experimenting with resins, cloth, paper, and a wide array of solvents in an effort to perfect a process for making rigid laminate sheets from Kraft paper and liquid Bakelite. O'Conor produced the first laminate sheet at Westinghouse by winding and coating paper on a mandrel, slitting the resulting tube, and flattening it on a press. The finished product was a laminated sheet with the chemical and electrical properties of Bakelite that were cut into various shapes and sizes. O'Conor applied for a patent on February 1, 1913, but it was not issued until November 12, 1918 (US Patent 1,284,432). Since the research was done on behalf of Westinghouse, the company was assigned the patent, and O'Conor was given one dollar, the customary amount that Westinghouse paid for the rights to employees' inventions.

Herbert Faber, Technical Sales Manager of insulating materials, was excited about O'Conor's discovery. Faber saw limitless possibilities for the new material. However, he quickly became frustrated by Westinghouse's policy limiting the sale of the laminate to its licensed distributors. After failing to persuade Westinghouse to form a division to manufacture and market the new material, Faber and O'Conor created their own company. On May 2, 1913, the first Formica plant opened in Cincinnati, Ohio. On October 15, 1913, the business incorporated as the Formica Insulation Company with Faber as president and treasurer and O'Conor as vice-president and secretary. The company began producing insulation parts used in place of or "for mica," the costly mineral that had been used in electrical insulation.

Like most new companies, Formica had modest beginnings. Faber and O'Conor faced the challenge of looking for investors who would let them maintain control over the company. Finally, they met J. G. Tomluin, a lawyer and banker from Walton, Kentucky, who invested $7,500 for a one-third share in the Formica Company. Renting a small space in downtown Cincinnati, Faber and O'Conor began work. The company's equipment list consisted of a 35-horsepower boiler, a small gas stove, and a variety of homemade hand screw presses. By September 1913, Tomluin had brought in two more partners, David Wallace and John L. Vest. With the added capital, O'Conor, Faber, and Formica's eighteen employees began producing automobile insulation parts for Bell Electric Motor, Allis Chalmers, and Northwest Electric.

Initially, the Formica Company only made insulation rings and tubes for motors. However, by July 4, 1914, the company obtained its first press and began to produce flat laminate sheets made from Redmenol resin. Business gradually grew, and by 1917 sales totaled $75,000. Fueled by World War I, Formica's business expanded to making radio parts, aircraft pulleys, and timing gears for the burgeoning motor industry. In the years that followed, Formica products were in high demand as laminate plastics replaced older materials in washers, vacuum cleaners, and refrigerators. By 1919, the Formica Company required larger facilities and purchased a factory in Cincinnati.

During this time, patent battles and legal suits emerged to challenge Formica's success. On June 11, 1919, Westinghouse sued Formica for patent infringement on its laminated gears; Formica won. Later that year, Westinghouse brought two new lawsuits against Formica. The first was for a patent infringement on the production of tubes, rods, and molded parts; the second was over an infringement based on a 1913 patent assigned to Westinghouse through O'Conor. Formica prevailed in both suits.

Legal battles did not deter the company. Having to defend itself against a giant corporation gave Formica a reputation as a scrappy contender. Finally, Faber and O'Conor made a quantum leap in 1927, when the company was granted a U.S. patent for a phenolic laminate utilizing lithographed wood grains of light color, forming an opaque barrier sheet which blocks out the dark interior of the laminate. In 1931, the company received two more patents for the preparation of the first all paper based laminate and for the addition of a layer of aluminum foil between the core and the surface, making the laminate cigarette-proof. These patents would allow Formica to move from a company dealing primarily with industrial material to the highly visible arena of consumer goods.

In 1937, Faber had a severe heart attack which limited his activity within the company. O'Conor continued as president, encouraging new product lines, including Realwood, as a laminate with genuine wood veneer mounted on a paper lamination with a heat-reactive binder. With the introduction of Realwood and its derivatives, manufacturers started using Formica laminate for tabletops, desks, and dinette sets. By the early forties, sales of Formica laminate were over 15 million dollars. The final recipe for decorative laminate was perfected in 1938, when melamine resins were introduced. Melamine was clear, extremely hard, and resistant to stains, heat, light, less expensive than phenolic resins. It also made possible laminates of colored papers and patterns.

Due to World War II, Formica postponed the manufacturing of decorative laminate sheets. Instead, the company made a variety of war-time products ranging from airplane propellers to bomb buster tubes.

The post-World War II building boom fueled the decorative laminate market and ushered in what would come to be known as the golden age for Formica. The company, anticipating the demand for laminate, acquired a giant press capable of producing sheets measuring thirty by ninety-six inches for kitchen countertops. Between 1947 and 1950, more than 2 million new homes were designed with Formica brand laminate for kitchens and bathrooms.

Formica's advertising campaigns, initially aimed at industry, were transformed to speak to the new decorative needs of consumer society, in particular the American housewife. Formica hired design consultants, Brooks Stevens, and, later, Raymond Loewy who launched extensive advertising campaigns. Advertising themes of durability, cleanliness, efficiency, and beauty abound in promotional material of this time. Advertisers promised that the plastic laminate, known as "the wipe clean wonder," was resistant to dirt, juices, jams, alcohol stains, and cigarette burns. Atomic patterns and space-age colors, including Moonglo, Skylark, and Sequina, were introduced in homes, schools, offices, hospitals, diners, and restaurants across America.

The post-war period was also marked by expansion, specifically with the establishment of Formica's first international markets. In 1947, Formica signed a licensing agreement with the British firm the De La Rue Company of London for the exclusive manufacture and marketing of decorative laminates outside North America, and in South America and the Pacific Basin. In 1948, Formica changed its name from the Formica Insulation Company to the Formica Company. In 1951, Formica responded to growing consumer demand by opening a million square foot plant in Evendale, Ohio, devoted to the exclusive production of decorative sheet material. In 1956, the Formica Company became the Formica Corporation, a subsidiary of American Cyanamid Company. A year later, the international subsidiaries that Formica formed with De La Rue Company of London were replaced by a joint company called Formica International Limited.

The plastic laminate was not merely confined to tabletops and dinette sets. Formica laminate was used for skis, globes, and murals. Moreover, well-known artists and architects used the decorative laminate for modernist furniture and Art Deco interiors. In 1960, Formica's Research and Development Design Center was established, adjacent to the Evendale plant, to develop uses for existing laminate products. In 1966, the company opened the Sierra Plant near Sacramento, California. Such corporate expansion enabled Formica to market its laminates beyond the traditional role as a countertop surface material.

In 1974, Formica established its Design Advisory Board (DAB), a group of leading designers and architects. DAB introduced new colors and patterns of laminate that gained popularity among artists and interior designers in the 1980s. In 1981, DAB introduced the Color Grid, a systematic organization of Formica laminate arranged by neutrals and chromatics. The Color Grid was described as the first and only logically arranged collection of color in the laminate industry. DAB also developed the Design Concepts Collection of premium solid and patterned laminates to serve the needs of contemporary interior designers.

In the 1980s and 1990s, the corporation continued to produce laminates for interior designers, artists, and architects. In 1982, Formica introduced COLORCORE, the first solid-color laminate. Due to its relatively seamless appearance, COLORCORE was adopted by artists for use in furniture, jewelry, and interior design. The introduction of COLORCORE also marked the emergence of a wide variety of design exhibitions and competitions sponsored by the Formica Corporation. In 1985, Formica Corporation became independent and privately held. Formica continues to be one of the leading laminate producers in the world with factories in the United States, England, France, Spain, Canada, and Taiwan.

For additional information on the history of the Formica Corporation, see:

DiNoto, Andrea. Art Plastic: Designed for Living. New York: Abbeville Press, 1985.

Fenichell, Stephen. Plastic: The Making of a Synthetic Century. New York: Harper/Collins, 1996.

Jeffers Grace. 1998. Machine Made Natural: The Decorative Products of the Formica Corporation, 1947-1962. Master's thesis. Bard Graduate Center for Studies in the Decorative Arts.

Lewin, Susan Grant, ed. Formica & Design: From Counter Top to High Art. New York: Rizzoli, 1991.
Related Materials:
Materials at the Archives Center

Leo Baekeland Papers, 1881-1968 (NMAH.AC.0005)

DuPont Nylon Collection, 1939-1977 (NMAH.AC.0007)

J. Harry DuBois Collection on the History of Plastics, circa 1900-1975 (NMAH.AC.0008)

Earl Tupper Papers, circa 1914-1982 (NMAH.AC.0470)

The Division of Medicine and Science holds artifacts related to this collection. See accession # 1997.0319 and #1997.3133.
Provenance:
This collection was assembled by Grace Jeffers, historian of material culture, primarily from materials given to her by Susan Lewin, Head of Formica's New York design and publicity office when the office closed in 1995. The collection was donated to the Archives Center by Grace Jeffers in September 1996.
Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Plastics industry and trade  Search this
Plastics -- 1920-2000  Search this
Plastics as art material -- 1920-2000  Search this
Plastics in interior design -- 1920-2000  Search this
advertising -- plastic industry -- 1920-2000  Search this
Plastic jewelry -- 1920-2000  Search this
Laminated plastics -- 1920-2000  Search this
Exhibitions -- 20th century -- United States  Search this
House furnishings -- 1920-2000 -- United States  Search this
Housewives as consumers -- 1920-2000  Search this
Electronic insulators and insulation -- Plastics -- 1920-2000  Search this
Inventions -- 1920-2000 -- United States  Search this
Women in advertising  Search this
Women in popular culture -- 1920-2000  Search this
Genre/Form:
Scripts (documents)
Videotapes
Posters -- 20th century
Samples -- 1920-2000
Advertisements
Brochures
Blueprints -- 20th century
Photographs -- 20th century
Newsletters -- 20th century
Exhibition catalogs
Catalogs
Catalogs -- 1920-2000
Correspondence -- 20th century
Citation:
Formica Collection, Archives Center, National Museum of American History
Identifier:
NMAH.AC.0565
See more items in:
Formica Collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8859e644e-2a2b-427b-ae69-3dfadd400aa4
EDAN-URL:
ead_collection:sova-nmah-ac-0565
Online Media:

Tea bowl in style of Hon'ami Koetsu, unknown Raku ware workshop

Medium:
Red Raku-type clay with red slip under colorless glaze
Dimensions:
H x Diam: 10.3 × 11 cm (4 1/16 × 4 5/16 in)
Style:
Raku ware, unknown workshop
Type:
Vessel
Origin:
Kyoto, Japan
Date:
18th century
Period:
Edo period
Topic:
iridescence  Search this
ceramic  Search this
Raku ware  Search this
Edo period (1615 - 1868)  Search this
tea  Search this
Japan  Search this
Japanese Art  Search this
Charles Lang Freer collection  Search this
Credit Line:
Gift of Charles Lang Freer
Accession Number:
F1898.444
Restrictions & Rights:
CC0
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye31edb9cc1-661c-457f-8d2c-60724333ea97
EDAN-URL:
edanmdm:fsg_F1898.444
Online Media:

Iga ware tea bowl

Medium:
Stoneware with copper-tinted slip under cobalt--tinted clear glaze
Dimensions:
H x Diam: 7.4 × 12.7 cm (2 15/16 × 5 in)
Style:
Iga ware
Type:
Vessel
Origin:
Mie prefecture, Japan
Date:
19th century
Period:
Edo period or Meiji era
Topic:
ceramic  Search this
Iga ware  Search this
Edo period (1615 - 1868)  Search this
Meiji era (1868 - 1912)  Search this
tea  Search this
Japan  Search this
stoneware  Search this
white slip  Search this
Japanese Art  Search this
Charles Lang Freer collection  Search this
Credit Line:
Gift of Charles Lang Freer
Accession Number:
F1900.93
Restrictions & Rights:
Usage conditions apply
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye35e84c496-c472-497f-aef6-66aa607d243c
EDAN-URL:
edanmdm:fsg_F1900.93
Online Media:

Frame for Homer's Early Evening

Medium:
Gilded wood
Dimensions:
H x W x D: 116.6 x 132.7 x 11.8 cm (45 7/8 x 52 1/4 x 4 5/8 in)
Type:
Frame
Origin:
New York, United States
Date:
1907-1908
Topic:
gilding  Search this
flower  Search this
United States  Search this
American Art  Search this
Charles Lang Freer collection  Search this
Credit Line:
Gift of Charles Lang Freer
Accession Number:
F1908.14b
Restrictions & Rights:
Usage conditions apply
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye329b57803-51f6-441d-979f-42a58a62088f
EDAN-URL:
edanmdm:fsg_F1908.14b

Textile and text

Author:
Fashion Institute of Technology (New York, N.Y.)  Search this
Physical description:
4 volumes : illustrations ; 23 cm
Type:
Bibliography
Periodicals
Date:
1989
1992
©1989-©1992
Topic:
Textile crafts  Search this
Costume design  Search this
Fashion design  Search this
Call number:
TT507 .T49
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1099120

Blackface

Author:
Muñoz Molina, Antonio  Search this
Photographer:
Levinthal, David  Search this
Author:
Levinthal, David Blackface Selections  Search this
Smithsonian Libraries Artists' Books DSI  Search this
Printer:
Greenberg Editions  Search this
Taller Vallirana  Search this
Publisher:
Raíña Lupa (Firm),)  Search this
Physical description:
1 case (13 folded sheets, 6 digital photographic prints) chiefly color illustrations 44 cm
Type:
Photographs
Artists' books
Artists' books (books).)
Digital prints
Photographic prints
Place:
United States
United States -- 21st century
Date:
2007
21st century
Topic:
African Americans--Collectibles  Search this
Photography, Artistic  Search this
Racism  Search this
Stereotypes (Social psychology)  Search this
Race relations  Search this
Color  Search this
Call number:
TR647.L5573 M37 2007
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1104193

Who has got mail?

Title:
History of mail in America
Author:
Osborne, Linda Barrett 1949-  Search this
Subject:
United States Postal Service History  Search this
United States Postal Service History  Search this
Physical description:
236 pages illustrations (some color) 22 cm
Type:
Juvenile literature
Instructional and educational works
Illustrated works
History
Juvenile works
Matériel d'éducation et de formation
Ouvrages illustrés
Place:
United States
Date:
2023
Topic:
Postal service--History  Search this
JUVENILE NONFICTION / History / United States  Search this
JUVENILE NONFICTION / People & Places / United States  Search this
JUVENILE NONFICTION / Social Science / Politics & Government  Search this
Postal service  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1161061

Mengche ya zhi wen wan jia ju

Title:
孟澈雅製文玩家具
Many fair blossoms make a fine tree
Commissions of scholar's objects and furniture by Kössen Ho
Author:
He, Mengche  Search this
Subject:
He, Mengcha Art collections  Search this
Physical description:
2 volumes (579 pages) color illustrations 38 cm + 1 introduction (103 pages ; 38 cm)
Type:
Catalogs
Place:
China
Chine
Date:
2023
Topic:
Decorative arts--Art collections  Search this
Decoration and ornament--Art collections  Search this
Art objects, Chinese--Private collections  Search this
Arts décoratifs  Search this
Décoration et ornement  Search this
Objets d'art chinois  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1164368

Zhou Hansheng zhu ke yi shu

Title:
周漢生竹刻藝術
Bamboo carvings of Zhou Hansheng
Editor:
He, Mengche  Search this
Author:
Zhou, Hansheng 1942- Works Selecitons 2017  Search this
Subject:
Zhou, Hansheng 1942- Criticism and interpretation  Search this
Zhou, Hansheng 1942-  Search this
Physical description:
xxv, 371 pages color illustrations 31 cm
Type:
Catalogs
Criticism, interpretation, etc
Place:
China
Date:
2017
Topic:
Bamboo carving  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1164371

Automatic High Speed Computing, A Progress Report on the EDVAC

Maker:
Eckert, J. Presper  Search this
Measurements:
overall: 1.5 cm x 21.5 cm x 26.8 cm; 19/32 in x 8 15/32 in x 10 9/16 in
Object Name:
Documentation
Place made:
United States: Pennsylvania, Philadelphia
Date made:
1945-09-30
Credit Line:
Sperry-Univac
ID Number:
1974.312206.01
Catalog number:
312206.01
Accession number:
312206
See more items in:
Medicine and Science: Computers
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a0-e8fa-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_334265

The Sounds of Ozarks Religion, Beyond the Bible Belt

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
Blog posts
Smithsonian staff publications
Conversations and talks
Blog posts
Published Date:
Tue, 12 Dec 2023 20:18:00 GMT
Topic:
Cultural property  Search this
See more posts:
Festival Blog
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
EDAN-URL:
edanmdm:posts_909f1623a90c3e2cb0fd0426022c0b8d

Boating Across Traditions: Marshallese Canoes and Fishing Gigs in the Ozarks

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Wed, 04 Oct 2023 00:02:00 GMT
Topic:
Cultural property  Search this
See more posts:
Festival Blog
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
EDAN-URL:
edanmdm:posts_24bc130215ecd243986c26da7987c270

Signs of the Times: Context Is Everything

Creator:
Cooper-Hewitt, National Design Museum  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Mon, 18 Sep 2023 14:00:34 +0000
Topic:
Design  Search this
See more posts:
Cooper Hewitt, Smithsonian Design Museum
Data Source:
Cooper-Hewitt, National Design Museum
EDAN-URL:
edanmdm:posts_018d47184998de59da66fa7ec010e4ef

Signs of the Times: Neiman Marcus’s Symbol Merchandise

Creator:
Cooper-Hewitt, National Design Museum  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Fri, 21 Jul 2023 20:30:45 +0000
Topic:
Design  Search this
See more posts:
Cooper Hewitt, Smithsonian Design Museum
Data Source:
Cooper-Hewitt, National Design Museum
EDAN-URL:
edanmdm:posts_41ccf675d3b576d0fd3b6705f564af04

Signs of the Times: Symbol Sourcebook Chronology

Creator:
Cooper-Hewitt, National Design Museum  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Fri, 21 Jul 2023 19:00:17 +0000
Topic:
Design  Search this
See more posts:
Cooper Hewitt, Smithsonian Design Museum
Data Source:
Cooper-Hewitt, National Design Museum
EDAN-URL:
edanmdm:posts_4eb9522ff9862965df4833b886842aa4

Signs of the Times: A Reminder about Isotype

Creator:
Cooper-Hewitt, National Design Museum  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Fri, 12 Jan 2024 21:00:31 +0000
Topic:
Design  Search this
See more posts:
Cooper Hewitt, Smithsonian Design Museum
Data Source:
Cooper-Hewitt, National Design Museum
EDAN-URL:
edanmdm:posts_7dab9c7bb7f21f71ce5d00d971ddc036

Signs of the Times: Breaking the Language Barrier

Creator:
Cooper-Hewitt, National Design Museum  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Fri, 16 Feb 2024 16:00:41 +0000
Topic:
Design  Search this
See more posts:
Cooper Hewitt, Smithsonian Design Museum
Data Source:
Cooper-Hewitt, National Design Museum
EDAN-URL:
edanmdm:posts_c97da3301e49bb9d72979f9e04e91cd3

“Each Quilt Can Tell You a Story”: An Interview with Sylvia G. Stephens

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
Blog posts
Smithsonian staff publications
Interviews
Blog posts
Published Date:
Wed, 27 Sep 2023 01:49:00 GMT
Topic:
Cultural property  Search this
See more posts:
Festival Blog
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
EDAN-URL:
edanmdm:posts_c7582b3758332ecfbc577330b16ccc16

White Oak Basketry of the Ozarks: How Trees and Traditions May Fade and Regrow

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Mon, 16 Oct 2023 17:55:00 GMT
Topic:
Cultural property  Search this
See more posts:
Festival Blog
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
EDAN-URL:
edanmdm:posts_c344b76361037b7f9672882802494b4a

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