1 Photographic print ((contact print)., b&w, 5.5 x 9 cm.)
1 Photographic print ((dupe print)., b&w, 10 x 8 in.)
Type:
Archival materials
Negatives
Photographic prints
Place:
Africa
South Africa
Date:
1949
Scope and Contents:
Railroad Through Hills, Natal. A railroad track is winding through hills. There are several trees along the side of the railroad. Photograph by Constance Stuart Larrabee, Feb. 1949.
This photograph was taken when Constance Stuart was on assignment for Harper's Bazaar, an American magazine. Her task was to create a portfolio inspired by the seminal book "Cry, The Beloved Country," which had brought the conditions in South Africa to the attention of the world. The author of the book was the South African writer Alan Paton (1903-1988). It was published in the United States in 1948. Alan Paton accompanied her on the assignment. In June 1949, Harper's Bazaar published an essay by Alan Paton entitled "A Letter from South Africa in which Alan Paton Guides you to his Corner of the 'Beloved Country'." Six photographs by Constance Stuart accompany the essay.
There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print for reference purposes.
Local Note:
Contact Sheet Number: 332090-1
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Genre/Form:
Photographic prints
Collection Citation:
Constance Stuart Larrabee Collection, EEPA 1998-006, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Sponsor:
The cataloging of the Constance Stuart Larrabee Collection was supported by a grant from The Smithsonian Women's Committee.
1 Photographic print ((contact print)., b&w, 5.5 x 9 cm.)
1 Photographic print ((dupe print)., b&w, 8 x 10 in.)
Type:
Archival materials
Negatives
Photographic prints
Place:
Africa
South Africa
Date:
1949
Scope and Contents:
Women Carrying Bread, Natal. Three young women are standing in the grass. Two of them are carrying bread in baskets on their head. The other one is putting a container on one of the baskets. Photograph by Constance Stuart Larrabee, Feb. 1949.
This photograph was taken when Constance Stuart was on assignment for Harper's Bazaar, an American magazine. Her task was to create a portfolio inspired by the seminal book "Cry, The Beloved Country," which had brought the conditions in South Africa to the attention of the world. The author of the book was the South African writer Alan Paton (1903-1988). It was published in the United States in 1948. Alan Paton accompanied her on the assignment. In June 1949, Harper's Bazaar published an essay by Alan Paton entitled "A Letter from South Africa in which Alan Paton Guides you to his Corner of the 'Beloved Country'." Six photographs by Constance Stuart accompany the essay.
There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print for reference purposes.
Local Note:
Contact Sheet Number: 332088-8
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Genre/Form:
Photographic prints
Collection Citation:
Constance Stuart Larrabee Collection, EEPA 1998-006, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Sponsor:
The cataloging of the Constance Stuart Larrabee Collection was supported by a grant from The Smithsonian Women's Committee.
1 Photographic print ((contact print)., b&w, 5.5 x 9 cm.)
1 Photographic print ((dupe print)., b&w, 10 x 8 in.)
Type:
Archival materials
Negatives
Photographic prints
Place:
Africa
South Africa
Date:
1949
Scope and Contents:
Women Carrying Bread, Natal. Three young women are walking down a road side by side. The two women on the outside are carrying baskets of bread on their respective heads. The woman in the middle is carrying bread and a container. Photograph by Constance Stuart Larrabee, Feb. 1949.
This photograph was taken when Constance Stuart was on assignment for Harper's Bazaar, an American magazine. Her task was to create a portfolio inspired by the seminal book "Cry, The Beloved Country," which had brought the conditions in South Africa to the attention of the world. The author of the book was the South African writer Alan Paton (1903-1988). It was published in the United States in 1948. Alan Paton accompanied her on the assignment. In June 1949, Harper's Bazaar published an essay by Alan Paton entitled "A Letter from South Africa in which Alan Paton Guides you to his Corner of the 'Beloved Country'." Six photographs by Constance Stuart accompany the essay.
There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print for reference purposes.
Local Note:
Contact Sheet Number: 332088-8
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Genre/Form:
Photographic prints
Collection Citation:
Constance Stuart Larrabee Collection, EEPA 1998-006, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Sponsor:
The cataloging of the Constance Stuart Larrabee Collection was supported by a grant from The Smithsonian Women's Committee.
1 Photographic print ((contact print)., b&w, 5.5 x 9 cm.)
1 Photographic print ((dupe print)., b&w, 8 x 10 in.)
Type:
Archival materials
Negatives
Photographic prints
Place:
Africa
South Africa
Date:
1949
Scope and Contents:
Boys in Field, Natal. The boys are tending the field. Photograph by Constance Stuart Larrabee, Feb. 1949.
This photograph was taken when Constance Stuart was on assignment for Harper's Bazaar, an American magazine. Her task was to create a portfolio inspired by the seminal book "Cry, The Beloved Country," which had brought the conditions in South Africa to the attention of the world. The author of the book was the South African writer Alan Paton (1903-1988). It was published in the United States in 1948. Alan Paton accompanied her on the assignment. In June 1949, Harper's Bazaar published an essay by Alan Paton entitled "A Letter from South Africa in which Alan Paton Guides you to his Corner of the 'Beloved Country'." Six photographs by Constance Stuart accompany the essay.
There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print for reference purposes.
Local Note:
Original Constance Stuart Larrabee Number: 63
Contact Sheet Number: 332088-22
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Genre/Form:
Photographic prints
Collection Citation:
Constance Stuart Larrabee Collection, EEPA 1998-006, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Sponsor:
The cataloging of the Constance Stuart Larrabee Collection was supported by a grant from The Smithsonian Women's Committee.
1 Photographic print ((contact print)., b&w, 5.5 x 9 cm.)
1 Photographic print ((dupe print)., b&w, 8 x 10 in.)
Type:
Archival materials
Negatives
Photographic prints
Place:
Africa
South Africa
Date:
1949
Scope and Contents:
Two Homesteads, Natal. There are two homesteads in a grass area side by side. In the background several similarly made homesteads can be seen. Photograph by Constance Stuart Larrabee, Feb. 1949.
This photograph was taken when Constance Stuart was on assignment for Harper's Bazaar, an American magazine. Her task was to create a portfolio inspired by the seminal book "Cry, The Beloved Country," which had brought the conditions in South Africa to the attention of the world. The author of the book was the South African writer Alan Paton (1903-1988). It was published in the United States in 1948. Alan Paton accompanied her on the assignment. In June 1949, Harper's Bazaar published an essay by Alan Paton entitled "A Letter from South Africa in which Alan Paton Guides you to his Corner of the 'Beloved Country'." Six photographs by Constance Stuart accompany the essay.
There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print for reference purposes.
Local Note:
Original Constance Stuart Larrabee Number: 61
Contact Sheet Number: 332088-25
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Genre/Form:
Photographic prints
Collection Citation:
Constance Stuart Larrabee Collection, EEPA 1998-006, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Sponsor:
The cataloging of the Constance Stuart Larrabee Collection was supported by a grant from The Smithsonian Women's Committee.
1 Photographic print ((contact print)., b&w, 5.5 x 9 cm.)
1 Photographic print ((dupe print)., b&w, 10 x 8 in.)
Type:
Archival materials
Negatives
Photographic prints
Place:
Africa
South Africa
Date:
1949
Scope and Contents:
Homesteads and Landscape, Natal. Several homesteads are on a hill in a row. There is a large tree next to them. Photograph by Constance Stuart Larrabee, Feb. 1949.
This photograph was taken when Constance Stuart was on assignment for Harper's Bazaar, an American magazine. Her task was to create a portfolio inspired by the seminal book "Cry, The Beloved Country," which had brought the conditions in South Africa to the attention of the world. The author of the book was the South African writer Alan Paton (1903-1988). It was published in the United States in 1948. Alan Paton accompanied her on the assignment. In June 1949, Harper's Bazaar published an essay by Alan Paton entitled "A Letter from South Africa in which Alan Paton Guides you to his Corner of the 'Beloved Country'." Six photographs by Constance Stuart accompany the essay.
There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print for reference purposes.
Local Note:
Original Constance Stuart Larrabee Number: 62
Contact Sheet Number: 332088-25
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Genre/Form:
Photographic prints
Collection Citation:
Constance Stuart Larrabee Collection, EEPA 1998-006, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Sponsor:
The cataloging of the Constance Stuart Larrabee Collection was supported by a grant from The Smithsonian Women's Committee.
1 Photographic print ((dupe print)., b&w, 10 x 8 in.)
Type:
Archival materials
Negatives
Photographic prints
Place:
Africa
South Africa
Date:
February 1949
Scope and Contents:
This photograph was taken when Constance Stuart was on assignment for Harper's Bazaar, an American magazine. Her task was to create a portfolio inspired by the seminal book "Cry, The Beloved Country," which had brought the conditions in South Africa to the attention of the world. The author of the book was the South African writer Alan Paton (1903-1988). It was published in the United States in 1948. Alan Paton accompanied her on the assignment. In June 1949, Harper's Bazaar published an essay by Alan Paton entitled "A Letter from South Africa in which Alan Paton Guides you to his Corner of the 'Beloved Country'." Six photographs by Constance Stuart accompany the essay.
There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print for reference purposes.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Genre/Form:
Photographic prints
Collection Citation:
Constance Stuart Larrabee Collection, EEPA 1998-006, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Sponsor:
The cataloging of the Constance Stuart Larrabee Collection was supported by a grant from The Smithsonian Women's Committee.
1 Photographic print (copy print produced by EEPA, b&w, 10 x 8 in.)
Type:
Archival materials
Negatives
Photographic prints
Place:
Africa
South Africa
Date:
February 1949
Scope and Contents:
This photograph was taken when Constance Stuart was on assignment for Harper's Bazaar, an American magazine. Her task was to create a portfolio inspired by the seminal book "Cry, The Beloved Country," which had brought the conditions in South Africa to the attention of the world. The author of the book was the South African writer Alan Paton (1903-1988). It was published in the United States in 1948. Alan Paton accompanied her on the assignment. In June 1949, Harper's Bazaar published an essay by Alan Paton entitled "A Letter from South Africa in which Alan Paton Guides you to his Corner of the 'Beloved Country'." Six photographs by Constance Stuart accompany the essay.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Genre/Form:
Photographic prints
Collection Citation:
Constance Stuart Larrabee Collection, EEPA 1998-006, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Sponsor:
The cataloging of the Constance Stuart Larrabee Collection was supported by a grant from The Smithsonian Women's Committee.
1 Photographic print ((contact print)., b&w, 5.5 x 9 cm.)
1 Photographic print ((dupe print)., b&w, 8 x 10 in.)
Type:
Archival materials
Negatives
Photographic prints
Place:
Africa
South Africa
Date:
February 1949
Scope and Contents:
Hills, Natal. Photograph by Constance Stuart Larrabee, Feb. 1949.
This photograph was taken when Constance Stuart was on assignment for Harper's Bazaar, an American magazine. Her task was to create a portfolio inspired by the seminal book "Cry, The Beloved Country," which had brought the conditions in South Africa to the attention of the world. The author of the book was the South African writer Alan Paton (1903-1988). It was published in the United States in 1948. Alan Paton accompanied her on the assignment. In June 1949, Harper's Bazaar published an essay by Alan Paton entitled "A Letter from South Africa in which Alan Paton Guides you to his Corner of the 'Beloved Country'." Six photographs by Constance Stuart accompany the essay.
There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print for reference purposes.
Local Note:
Contact Sheet Number: 332088-24
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Genre/Form:
Photographic prints
Collection Citation:
Constance Stuart Larrabee Collection, EEPA 1998-006, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Sponsor:
The cataloging of the Constance Stuart Larrabee Collection was supported by a grant from The Smithsonian Women's Committee.
1 Photographic print ((contact print)., b&w, 5.5 x 9 cm.)
1 Photographic print ((dupe print)., b&w, 10 x 8 in.)
Type:
Archival materials
Negatives
Photographic prints
Place:
Africa
South Africa
Date:
February 1949
Scope and Contents:
House, Natal. There is a house with a wild garden in front of it and a swimming pool to the left of the house. Photograph by Constance Stuart Larrabee, Feb. 1949.
This photograph was taken when Constance Stuart was on assignment for Harper's Bazaar, an American magazine. Her task was to create a portfolio inspired by the seminal book "Cry, The Beloved Country," which had brought the conditions in South Africa to the attention of the world. The author of the book was the South African writer Alan Paton (1903-1988). It was published in the United States in 1948. Alan Paton accompanied her on the assignment. In June 1949, Harper's Bazaar published an essay by Alan Paton entitled "A Letter from South Africa in which Alan Paton Guides you to his Corner of the 'Beloved Country'." Six photographs by Constance Stuart accompany the essay.
There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print for reference purposes.
Local Note:
Contact Sheet Number: 332088-8
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Genre/Form:
Photographic prints
Collection Citation:
Constance Stuart Larrabee Collection, EEPA 1998-006, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Sponsor:
The cataloging of the Constance Stuart Larrabee Collection was supported by a grant from The Smithsonian Women's Committee.
1 Photographic print ((contact print)., b&w, 5.5 x 9 cm.)
1 Photographic print ((dupe print)., b&w, 8 x 10 in.)
Type:
Archival materials
Negatives
Photographic prints
Place:
Africa
South Africa
Date:
1949
Scope and Contents:
Street in Town, Natal. Photograph is of a paved street with cars parked on the side and building with people in front of them on the right. Photograph by Constance Stuart Larrabee, Feb. 1949.
This photograph was taken when Constance Stuart was on assignment for Harper's Bazaar, an American magazine. Her task was to create a portfolio inspired by the seminal book "Cry, The Beloved Country," which had brought the conditions in South Africa to the attention of the world. The author of the book was the South African writer Alan Paton (1903-1988). It was published in the United States in 1948. Alan Paton accompanied her on the assignment. In June 1949, Harper's Bazaar published an essay by Alan Paton entitled "A Letter from South Africa in which Alan Paton Guides you to his Corner of the 'Beloved Country'." Six photographs by Constance Stuart accompany the essay.
There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print for reference purposes.
Local Note:
Contact Sheet Number: 332088-20
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Genre/Form:
Photographic prints
Collection Citation:
Constance Stuart Larrabee Collection, EEPA 1998-006, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Sponsor:
The cataloging of the Constance Stuart Larrabee Collection was supported by a grant from The Smithsonian Women's Committee.
1 Photographic print ((contact print)., b&w, 5.5 x 9 cm.)
1 Photographic print ((dupe print)., b&w, 10 x 8 in.)
Type:
Archival materials
Negatives
Photographic prints
Place:
Africa
Date:
1949
Scope and Contents:
Landscape, Natal. A few homesteads can be seen among the hills. Photograph by Constance Stuart Larrabee, Feb. 1949.
This photograph was taken when Constance Stuart was on assignment for Harper's Bazaar, an American magazine. Her task was to create a portfolio inspired by the seminal book "Cry, The Beloved Country," which had brought the conditions in South Africa to the attention of the world. The author of the book was the South African writer Alan Paton (1903-1988). It was published in the United States in 1948. Alan Paton accompanied her on the assignment. In June 1949, Harper's Bazaar published an essay by Alan Paton entitled "A Letter from South Africa in which Alan Paton Guides you to his Corner of the 'Beloved Country'." Six photographs by Constance Stuart accompany the essay.
There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print for reference purposes.
Local Note:
Contact Sheet Number: 332088-8
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Genre/Form:
Photographic prints
Collection Citation:
Constance Stuart Larrabee Collection, EEPA 1998-006, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Sponsor:
The cataloging of the Constance Stuart Larrabee Collection was supported by a grant from The Smithsonian Women's Committee.
1 Contact print (Number: 332088-8, b&w, 5.5 x 9 cm.)
1 Copy print (b&w, 8 x 10 in.)
Type:
Archival materials
Negatives (photographic)
Contact prints
Copy prints
Photographic prints
Place:
Africa
South Africa
Date:
February 1949
Scope and Contents:
This photograph was taken when Constance Stuart was on assignment for Harper's Bazaar, an American magazine. Her task was to create a portfolio inspired by the seminal book "Cry, The Beloved Country," which had brought the conditions in South Africa to the attention of the world. The author of the book was the South African writer Alan Paton (1903-1988). It was published in the United States in 1948. Alan Paton accompanied her on the assignment. In June 1949, Harper's Bazaar published an essay by Alan Paton entitled "A Letter from South Africa in which Alan Paton Guides you to his Corner of the 'Beloved Country'." Six photographs by Constance Stuart accompany the essay.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Genre/Form:
Photographic prints
Collection Citation:
Constance Stuart Larrabee Collection, EEPA 1998-006, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Sponsor:
The cataloging of the Constance Stuart Larrabee Collection was supported by a grant from The Smithsonian Women's Committee.
1 Photographic print ((contact print)., b&w, 5.5 x 9 cm.)
1 Photographic print ((dupe print)., b&w, 8 x 10 in.)
Type:
Archival materials
Negatives
Photographic prints
Place:
Africa
South Africa
Date:
February 1949
Scope and Contents:
This photograph was taken when Constance Stuart was on assignment for Harper's Bazaar, an American magazine. Her task was to create a portfolio inspired by the seminal book "Cry, The Beloved Country," which had brought the conditions in South Africa to the attention of the world. The author of the book was the South African writer Alan Paton (1903-1988). It was published in the United States in 1948. Alan Paton accompanied her on the assignment. In June 1949, Harper's Bazaar published an essay by Alan Paton entitled "A Letter from South Africa in which Alan Paton Guides you to his Corner of the 'Beloved Country'." Six photographs by Constance Stuart accompany the essay.
There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print for reference purposes.
Local Note:
Contact Sheet Number: 332088-8
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Genre/Form:
Photographic prints
Collection Citation:
Constance Stuart Larrabee Collection, EEPA 1998-006, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Sponsor:
The cataloging of the Constance Stuart Larrabee Collection was supported by a grant from The Smithsonian Women's Committee.
1 Photographic print ((contact print)., b&w, 5.5 x 9 cm.)
1 Photographic print ((dupe print)., b&w, 8 x 10 in.)
Type:
Archival materials
Negatives
Photographic prints
Place:
Africa
South Africa
Date:
February 1949
Scope and Contents:
This photograph was taken when Constance Stuart was on assignment for Harper's Bazaar, an American magazine. Her task was to create a portfolio inspired by the seminal book "Cry, The Beloved Country," which had brought the conditions in South Africa to the attention of the world. The author of the book was the South African writer Alan Paton (1903-1988). It was published in the United States in 1948. Alan Paton accompanied her on the assignment. In June 1949, Harper's Bazaar published an essay by Alan Paton entitled "A Letter from South Africa in which Alan Paton Guides you to his Corner of the 'Beloved Country'." Six photographs by Constance Stuart accompany the essay.
There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print for reference purposes.
Local Note:
Contact Sheet Number: 332090-1
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Genre/Form:
Photographic prints
Collection Citation:
Constance Stuart Larrabee Collection, EEPA 1998-006, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Sponsor:
The cataloging of the Constance Stuart Larrabee Collection was supported by a grant from The Smithsonian Women's Committee.
1 Photographic print ((contact print)., b&w, 6 x 6 cm.)
1 Photographic print ((dupe print)., b&w, 8 x 10 in.)
Type:
Archival materials
Negatives
Photographic prints
Place:
Africa
South Africa
Date:
1949
Scope and Contents:
Alan Paton, Natal. He has his arm propped up on a wooden post. He is leaning his head slightly against his hand. Photograph by Constance Stuart Larrabee, Feb. 1949.
This photograph was taken when Constance Stuart was on assignment for Harper's Bazaar, an American magazine. Her task was to create a portfolio inspired by the seminal book "Cry, The Beloved Country," which had brought the conditions in South Africa to the attention of the world. The author of the book was the South African writer Alan Paton (1903-1988). It was published in the United States in 1948. Alan Paton accompanied her on the assignment. In June 1949, Harper's Bazaar published an essay by Alan Paton entitled "A Letter from South Africa in which Alan Paton Guides you to his Corner of the 'Beloved Country'." Six photographs by Constance Stuart accompany the essay.
There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print for reference purposes.
Local Note:
Original Constance Stuart Larrabee Number: 7
Contact Sheet Number: 332090-30
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Genre/Form:
Photographic prints
Collection Citation:
Constance Stuart Larrabee Collection, EEPA 1998-006, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Sponsor:
The cataloging of the Constance Stuart Larrabee Collection was supported by a grant from The Smithsonian Women's Committee.
1 Photographic print ((contact print)., b&w, 6 x 6 cm.)
1 Photographic print ((dupe print)., b&w, 8 x 10 in.)
Type:
Archival materials
Negatives
Photographic prints
Place:
Africa
South Africa
Date:
1949
Scope and Contents:
Alan Paton, Natal. He is smiling with his arm propped up on a wooden post. Photograph by Constance Stuart Larrabee, Feb. 1949.
This photograph was taken when Constance Stuart was on assignment for Harper's Bazaar, an American magazine. Her task was to create a portfolio inspired by the seminal book "Cry, The Beloved Country," which had brought the conditions in South Africa to the attention of the world. The author of the book was the South African writer Alan Paton (1903-1988). It was published in the United States in 1948. Alan Paton accompanied her on the assignment. In June 1949, Harper's Bazaar published an essay by Alan Paton entitled "A Letter from South Africa in which Alan Paton Guides you to his Corner of the 'Beloved Country'." Six photographs by Constance Stuart accompany the essay.
There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print for reference purposes.
Local Note:
Original Constance Stuart Larrabee Number: 8
Contact Sheet Number: 332090-30
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Genre/Form:
Photographic prints
Collection Citation:
Constance Stuart Larrabee Collection, EEPA 1998-006, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Sponsor:
The cataloging of the Constance Stuart Larrabee Collection was supported by a grant from The Smithsonian Women's Committee.