Search Results

Collection Creator:

Missionary Catechists of Divine Providence.  Search this

Massachusetts Institute of Technology (MIT) Civil Engineering Department  Search this

Underwood and Underwood  Search this

Container:

Box 12, Item 36

Type:

Archival materials

Photographs

Date:

undated

Collection Restrictions:

Collection open for research on site by appointment. Unprotected photographs must be handled with gloves.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Division of Work and Industry Lantern Slide Collection, 1758-1945, Archives Center, National Museum of American History.

See more items in:

Division of Work and Industry Lantern Slide Collection

Division of Work and Industry Lantern Slide Collection / Series 1: Engineering / 1.3: Bridges, Concrete Arch, and Beam / 1.3.2: Bridges, Masonry Arch

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep84c5296b8-d743-4f4e-9784-c56a289691ed

EDAN-URL:

ead_component:sova-nmah-ac-1013-ref1427

Collection Creator:

Favretti, Rudy J., 1932-1923  Search this

Type:

Archival materials

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Citation:

Smithsonian Institution, Archives of American Gardens, Rudy J. Favretti CollectionPapers.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.FAV, File PA659

See more items in:

Rudy J. Favretti collection

Rudy J. Favretti collection / Series 4: Visited Gardens / 4.2: Garden Images / Pennsylvania

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb6be056004-0d00-468d-8aa5-5e312dcac771

EDAN-URL:

ead_component:sova-aag-fav-ref505

Collection Creator:

Favretti, Rudy J., 1932-1923  Search this

Container:

Box 14

Type:

Archival materials

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Citation:

Smithsonian Institution, Archives of American Gardens, Rudy J. Favretti CollectionPapers.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

See more items in:

Rudy J. Favretti collection

Rudy J. Favretti collection / Series 4: Visited Gardens / 4.1: Brochures and Pamphlets / 3.15: Louisiana

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb67ca8a944-880f-4d55-a2df-b8b86b49767d

EDAN-URL:

ead_component:sova-aag-fav-ref757

Collection Creator:

Favretti, Rudy J., 1932-1923  Search this

Container:

Box 15

Type:

Archival materials

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Citation:

Smithsonian Institution, Archives of American Gardens, Rudy J. Favretti CollectionPapers.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

See more items in:

Rudy J. Favretti collection

Rudy J. Favretti collection / Series 4: Visited Gardens / 4.1: Brochures and Pamphlets / 3.24: New York

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb658261c97-a614-4a99-95fe-303ed66813c9

EDAN-URL:

ead_component:sova-aag-fav-ref880

Creator:

Brumbaugh, Thomas B. (Thomas Brendle), 1921-  Search this

Gibbs, Wolcott, 1902-1958  Search this

Faulkner, Barry, 1881-1966  Search this

Hardin, Louis  Search this

Lassaw, Ibram, 1913-2003  Search this

Rosin, Harry  Search this

Soyer, Isaac, 1902-1981  Search this

Names:

Barnes Foundation  Search this

Greenough, Horatio, 1805-1852  Search this

Rox, Henry  Search this

Thayer, Abbott Handerson, 1849-1921  Search this

White, Nelson C.  Search this

Collection Creator:

Brumbaugh, Thomas B. (Thomas Brendle), 1921-  Search this

Extent:

10 Items (Letters, written in ink, ball point, graphite, typewritter)

Type:

Archival materials

Correspondence

Date:

1941-1970

Scope and Contents:

This collection is an amalgamation of letters written and recieved by prominent figures in 19th and 20th century American art. Included in this folder are letters between the collector, Thomas Brumbaugh, and various artists, including American playwright and writer Oliver Wolcott Gibbs, mural artist Barry Faulkner, and Louis Hardin.

Arrangement:

Organized chronologically.

Biographical / Historical:

Beginning in his youth Thomas Brumbaugh collected autographed correspondence. Mr. Brumbaugh's collecting instincts resulted in a unique collaborative collection providing a glimpse into the lives of a variety of 19th and 20th century American artists, such as Abbott Thayer. Brumbaugh was a professor of fine arts at Vanderbilt University in Nashville, and author of many articles on American art and artists.

Oliver Wolcott Gibbs was an American playwright and writer who lived in New York City. He wrote for The New Yorker and worked as a humorist and theatre critic. Gibbs was a direct descendent of President Martin Van Buren.

Barry Faulkner was an American artist who studied with Abbott H. Thayer, George de Forest Brush, and Augustus Saint-Gaudens. Along with sculptor Sherry Edmundson Fry, Faulkner organized artists to train as camouflage specialists. Faulkner was born in New Hampshire, traveled to Europe as he studied art, and then returned to New York, where he began work as a mural artist. He completed "The Constitution" and "The Declaration" in 1936 for the Rotunda for the Charters of Freedom at the National Archives.

Isaac Soyer was a social realist painter from New York City who used working-class and unemployed people as the subjects in his paintings. He also painted portraits for friends, and used his friends and family as models for his work.

Louis Hardin, commonly known as "Moondog," was a blind American composer and poet who lived on the streets of New York for a large portion of his life. He wore clothes inspired by the Norse god Thor, giving him the epithet, "The Viking of 6th Avenue." Moondog was influenced by ambient noises in his environment, and Native American music.

Henry Rox was a German artist who studied in Berlin and Paris before settling in the United States in 1938, where he taught at many universities, including Mount Holyoke College. He is known for fruit and vegetable photo-sculptures.

Ibram Lassaw was an American sculptor in the 20th century. Born in Egypt to Russian parents, Lassaw grew up in Brooklyn, New York. He was influenced by Alexander Calder and Wassily Kandinsky. Lassaw created open-space sculptural abstractions with metal, and helped abstract art grow in the United States.

Harry Rosin was an American sculptor born in Philadelphia, Pennsylvania. After working around the area following his studies at the Pennsylvania Academy of Fine Arts, he traveled to Tahiti, where he married his wife. He is known for his iron sculptures.

Local Numbers:

FSA A2009.06 3

Other Archival Materials:

Thomas B. Brumbaugh research material on Abbott Handerson Thayer and other artists, 1876-1994 (bulk 1960s-1994); Also located at Archives of American Art, Smithsonian Institution.

Collection Restrictions:

Collection is open for research.

Collection Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Topic:

Art, American  Search this

Busts  Search this

Runes  Search this

Genre/Form:

Correspondence -- 19th century

Correspondence -- 20th century

Collection Citation:

The Brumbaugh Collection of Artist Letters. FSA.A2009.06. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C.

Identifier:

FSA.A2009.06, Series FSA A2009.06 3

See more items in:

The Brumbaugh Collection of Artist Letters

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

GUID:

https://n2t.net/ark:/65665/dc31267edea-4152-4518-85be-12a164d9331e

EDAN-URL:

ead_component:sova-fsa-a2009-06-ref1

Creator:

Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this

Names:

Smithsonian Folklife Festival  Search this

Extent:

1 Cubic foot (approximate)

Type:

Collection descriptions

Archival materials

Photographic prints

Audiocassettes

Notes

Slides (photographs)

Contracts

Video recordings

Plans (drawings)

Audiotapes

Business records

Digital images

Videotapes

Correspondence

Sound recordings

Negatives

Memorandums

Date:

June 30-July 8, 1973

Summary:

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

Scope and Contents note:

This collection documents the planning, production, and execution of the 1973 Festival of American Folklife. Materials may include photographs, audio recordings, motion picture film and video recordings, notes, production drawings, contracts, memoranda, correspondence, informational materials, publications, and ephemera. Such materials were created during the Festival on the National Mall in Washington, D.C., as well as in the featured communities, before or after the Festival itself.

Arrangement note:

Arranged in 5 series.

Missing Title

Series 1: Program Books, Festival Publications, and Ephemera

Series 2: Regional America: Kentucky

Series 3: Native Americans: Northern Plains Indians

Series 4: Old Ways in the New World

Series 5: Working Americans

Historical note:

The Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998.

The 1973 Festival of American Folklife was produced by the Smithsonian Division of Performing Arts and cosponsored by the National Park Service.

For more information, see Smithsonian Folklife Festival records.

Introduction:

In 1973, the Smithsonian Institution began preparing its multi-year commemoration of the Bicentennial of the American Revolution in 1976. Beginning with this year's Festival, the National Park Service of the U.S. Department of the Interior became co-sponsor of the Festival with the Smithsonian, and it was moved to the western part of the National Mall alongside the Reflecting Pool, between 17th and 23rd Streets, and between Constitution Avenue N.W. and Independence Avenue S.W. (see site plan). As explained by Secretary S. Dillon Ripley, "Themes and presentations for this Festival are a trial run for the themes around which our own celebration of America's 200th birthday will be organized."

The 1973 Festival ran from June 30 to July 8 and included four programs that initiated the Bicentennial preparations: Regional America featured the Commonwealth of Kentucky; Native Americans featured Northern Plains tribes; Working Americans featured the building trades; and Old Ways in the New World was inaugurated with two programs: Tribute to the Tamburashi presented Yugoslavian and Yugoslavian American traditions, and British Isles Music, Song, and Dance Traditions included participants from England, Scotland, Ireland and the U.S. Of these programs, Native Americans and Working Americans extended throughout the nine-day Festival, with the British Isles program running the first four days, the Tamburashi program running the first five days, and Kentucky featured for the last five days. During the Festival, evening concerts were presented on a stage at the base of the Lincoln Memorial; documentation of those concerts is found within each of the relevant programs whose musicians were featured.

The 1973 Festival was co-organized by the Smithsonian Institution, Division of Performing Arts (James R. Morris, Director; Richard Lusher, Deputy Director) and the National Park Service (Ronald H. Walker, Director). Ralph Rinzler was Director of Folklife Programs, with Gerald L. Davis serving as Associate Director and Kenneth S. Goldstein as Special Assistant to the Secretary on Folklore and Folklife.

The 1973 Program Book provided information on all of the programs, including a schedule and participant lists.

Shared Stewardship of Collections:

The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://doi.org/10.25573/data.21771155.

Forms Part Of:

Smithsonian Folklife Festival records: 1973 Festival of American Folklife forms part of the Smithsonian Folklife Festival records .

Smithsonian Folklife Festival records

Smithsonian Folklife Festival records: Papers

1967 Festival of American Folklife records - [Ongoing]

Related Archival Materials note:

Within the Rinzler Archives, related materials may be found in various collections such as the Ralph Rinzler papers and recordings, the Lily Spandorf drawings, the Diana Davies photographs, the Robert Yellin photographs, and the Curatorial Research, Programs, and Projects collection. Additional relevant materials may also be found in the Smithsonian Institution Archives concerning the Division of Performing Arts (1966-1983), Folklife Program (1977-1980), Office of Folklife Programs (1980-1991), Center for Folklife Programs and Cultural Studies (1991-1999), Center for Folklife and Cultural Heritage (1999-present), and collaborating Smithsonian units, as well as in the administrative papers of key figures such as the Secretary and respective deputies. Users are encouraged to consult relevant finding aids and to contact Archives staff for further information.

Restrictions:

Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.

Rights:

Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Topic:

Folk music  Search this

arts and crafts  Search this

Folklore  Search this

Folk art  Search this

Folk festivals  Search this

World music  Search this

Food habits  Search this

occupational folklore  Search this

Genre/Form:

Photographic prints

Audiocassettes

Notes

Slides (photographs)

Contracts

Video recordings

Plans (drawings)

Audiotapes

Business records

Digital images

Videotapes

Correspondence

Sound recordings

Negatives

Memorandums

Citation:

Smithsonian Folklife Festival records: 1973 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

Identifier:

CFCH.SFF.1973

See more items in:

Smithsonian Folklife Festival records: 1973 Festival of American Folklife

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk57d4b15d8-799d-49a4-a5d1-ef3b37c9cb80

EDAN-URL:

ead_collection:sova-cfch-sff-1973

Creator:

Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this

Names:

Smithsonian Folklife Festival  Search this

Extent:

1 Cubic foot (approximate)

Type:

Collection descriptions

Archival materials

Video recordings

Photographic prints

Notes

Audiocassettes

Digital images

Business records

Sound recordings

Negatives

Videotapes

Plans (drawings)

Slides (photographs)

Correspondence

Contracts

Audiotapes

Memorandums

Date:

July 3-7, 1968

Summary:

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

Scope and Contents note:

This collection documents the planning, production, and execution of the 1968 Festival of American Folklife. Materials may include photographs, audio recordings, motion picture film and video recordings, notes, production drawings, contracts, memoranda, correspondence, informational materials, publications, and ephemera. Such materials were created during the Festival on the National Mall in Washington, D.C., as well as in the featured communities, before or after the Festival itself.

Arrangement note:

Arranged in 4 series.

Series 1: Program Books, Festival Publications, and Ephemera

Series 2: Crafts

Series 3: Performances

Series 4: Texas

Historical note:

The Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998.

The 1968 Festival of American Folklife was produced by the Smithsonian Division of Performing Arts.

For more information, see Smithsonian Folklife Festival records.

Introduction:

After the 1967 Festival proved to be a great success, the Smithsonian decided that the Festival of American Folklife would become an annual event. The 1968 Festival took place July 3-7 on the National Mall, between Madison Drive and Jefferson Drive and between 10th Street and 14th Street, south of the Museum of History and Technology and the Museum of Natural History (see site map). It followed the same approach that had proven effective in 1967, but innovated by also including a program focused on a single State, Texas.

As in 1967, the Festival was organized by the Division of Performing Arts, James R. Morris, Director, and directed by Festival Director Ralph C. Rinzler.

The 1968 Program Book included information to complement each of the programs, ranging from discussions of the definitions of folklore and folklife to the relations between folklife and cultural history. Smithsonian Secretary S. Dillon Ripley, in his introduction to the booklet, noted that:

The Festival of American Folklife offers the Smithsonian Institution an opportunity to show through demonstration and performance some aspects of the cultural roots of the people of the United States. The Festival is a living exhibition of the creativity of the many ethnic groups that make up the culture of this country.

After the 1967 Festival proved to be a great success, the Smithsonian decided that the Festival of American Folklife would become an annual event. The 1968 Festival took place July 3-7 on the National Mall, between Madison Drive and Jefferson Drive and between 10th Street and 14th Street, south of the Museum of History and Technology and the Museum of Natural History (see site map). It followed the same approach that had proven effective in 1967, but innovated by also including a program focused on a single State, Texas.

As in 1967, the Festival was organized by the Division of Performing Arts, James R. Morris, Director, and directed by Festival Director Ralph C. Rinzler.

Crafts

Performances

Texas

The 1968 Program Book included information to complement each of the programs, ranging from discussions of the definitions of folklore and folklife to the relations between folklife and cultural history. Smithsonian Secretary S. Dillon Ripley, in his introduction to the booklet, noted that:

The Festival of American Folklife offers the Smithsonian Institution an opportunity to show through demonstration and performance some aspects of the cultural roots of the people of the United States. The Festival is a living exhibition of the creativity of the many ethnic groups that make up the culture of this country.

Festival speakers and consultants:

Bruce Jackson, 1936-, New York

Guthrie (Gus) Meade, 1932-1991, Washington D.C.

Mack McCormick, Texas

Robert Messinger, New York

Sandy Paton, Connecticut

Caroline Paton, Connecticut

Jean Ritchie, New York

Mike Seeger, 1933-2009, Washington, D.C.

Dick Waterman, Massachusetts

Shared Stewardship of Collections:

The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://doi.org/10.25573/data.21771155.

Forms Part Of:

Smithsonian Folklife Festival records: 1968 Festival of American Folklife forms part of the Smithsonian Folklife Festival records .

Smithsonian Folklife Festival records

Smithsonian Folklife Festival records: Papers

1967 Festival of American Folklife records - [Ongoing]

Related Archival Materials note:

Within the Rinzler Archives, related materials may be found in various collections such as the Ralph Rinzler papers and recordings, the Lily Spandorf drawings, the Diana Davies photographs, the Robert Yellin photographs, and the Curatorial Research, Programs, and Projects collection. Additional relevant materials may also be found in the Smithsonian Institution Archives concerning the Division of Performing Arts (1966-1983), Folklife Program (1977-1980), Office of Folklife Programs (1980-1991), Center for Folklife Programs and Cultural Studies (1991-1999), Center for Folklife and Cultural Heritage (1999-present), and collaborating Smithsonian units, as well as in the administrative papers of key figures such as the Secretary and respective deputies. Users are encouraged to consult relevant finding aids and to contact Archives staff for further information.

Restrictions:

Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.

Rights:

Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Topic:

World music  Search this

Folklore  Search this

Food habits  Search this

Folk music  Search this

Folk festivals  Search this

arts and crafts  Search this

Folk art  Search this

Genre/Form:

Video recordings

Photographic prints

Notes

Audiocassettes

Digital images

Business records

Sound recordings

Negatives

Videotapes

Plans (drawings)

Slides (photographs)

Correspondence

Contracts

Audiotapes

Memorandums

Citation:

Smithsonian Folklife Festival records: 1968 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections , Smithsonian Institution.

Identifier:

CFCH.SFF.1968

See more items in:

Smithsonian Folklife Festival records: 1968 Festival of American Folklife

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk5af0b0c02-8cc8-4f62-b882-906b0a61f2f9

EDAN-URL:

ead_collection:sova-cfch-sff-1968

Author:

Zheng, Lily  Search this

Physical description:

1 online resource (xiii, 341 pages) illustrations

Type:

Electronic resources

Date:

2022

Topic:

Diversity in the workplace  Search this

Racism in the workplace  Search this

Discrimination in employment  Search this

Multiculturalism  Search this

Equality  Search this

Multiculturalisme en milieu de travail  Search this

Racisme en milieu de travail  Search this

Discrimination dans l'emploi  Search this

Multiculturalisme  Search this

multiculturalism  Search this

Call number:

HF5549.5.M5 Z459 2022 (Internet)

Restrictions & Rights:

Unlimited users

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1162160

Author:

Zorach, William 1889-1966  Search this

Issuing body:

Zabriskie Gallery  Search this

Author:

Smithsonian Libraries Art and Artist Files Collection  Search this

Subject:

Zorach, William 1889-1966  Search this

Physical description:

folder (4 pages) 2 illustrations 18 x 25 cm

Type:

Exhibitions

Artist files

Place:

United States

California

Yosemite Valley

Yosemite Valley (Calif.)

Date:

1979

20th century

Topic:

Watercolor painting  Search this

Drawing  Search this

Landscape painting  Search this

In art  Search this

Call number:

AAF--Zorach, William

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_710868

Photograph by:

Unidentified  Search this

Subject of:

Bishop James W. Hood, American, 1831 - 1918  Search this

Medium:

ink on paper

Dimensions:

H x W: 7 9/16 x 4 9/16 in. (19.2 x 11.6 cm)

Type:

relief halftones

portraits

Place depicted:

Salisbury, Rowan County, North Carolina, United States, North and Central America

Date:

1895-1902; printed after 1906

Topic:

African American  Search this

African Methodist Episcopal  Search this

Education  Search this

Methodist  Search this

Photography  Search this

Religion  Search this

Religious leaders  Search this

The Black Church  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture, Gift of the Family of Keith M. Jones in honor of Lonnie Bunch

Object number:

2009.31.26

Restrictions & Rights:

No Known Copyright Restrictions

Proper usage is the responsibility of the user.

See more items in:

National Museum of African American History and Culture Collection

Collection title:

Photograph album of Allston family and other portraits

Classification:

Media Arts-Photography

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd5a83c62d1-0e9f-465f-9c35-bd1c32977550

EDAN-URL:

edanmdm:nmaahc_2009.31.26

Creator:

Smithsonian Center for Folklife and Cultural Heritage  Search this

Type:

Blog posts

Smithsonian staff publications

Conversations and talks

Blog posts

Published Date:

Tue, 12 Dec 2023 20:18:00 GMT

Topic:

Cultural property  Search this

See more posts:

Festival Blog

Data Source:

Smithsonian Center for Folklife and Cultural Heritage

EDAN-URL:

edanmdm:posts_909f1623a90c3e2cb0fd0426022c0b8d

Creator:

Smithsonian Center for Folklife and Cultural Heritage  Search this

Type:

Blog posts

Smithsonian staff publications

Blog posts

Published Date:

Mon, 14 Aug 2023 04:00:46 GMT

Topic:

Cultural property  Search this

See more posts:

Festival Blog

Data Source:

Smithsonian Center for Folklife and Cultural Heritage

EDAN-URL:

edanmdm:posts_07dabc476c69b4f8f083fd525ff5bef0

Creator:

Smithsonian Center for Folklife and Cultural Heritage  Search this

Type:

Blog posts

Smithsonian staff publications

Conversations and talks

Blog posts

Published Date:

Tue, 12 Sep 2023 17:19:00 GMT

Topic:

Cultural property  Search this

See more posts:

Festival Blog

Data Source:

Smithsonian Center for Folklife and Cultural Heritage

EDAN-URL:

edanmdm:posts_c0ac89a5dcef7c759625d39f1556ff93

Owner:

United States. National Park Service  Search this

Series Photographer:

Pratt, Adelaide Moors, d. 2004  Search this

Extent:

38 Slides (photographs)

Container:

Box 1

Type:

Archival materials

Slides

Slides (photographs)

Place:

United States of America -- California -- Yosemite National Park

Yosemite National Park (California)

Date:

1952

General:

Includes images of lodges, Yosemite Falls, wildlife, a lake, waterways, mountains, and ski area.

Series Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Series Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Series Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection, Adelaide Pratt garden photography slides

Identifier:

AAG.GCA.PRT, File CA022

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Adelaide Pratt garden photography slides

Adelaide Pratt garden photography slides / Gardens / California

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb62cb5306e-92f6-4959-8909-f44bf7b2b781

EDAN-URL:

ead_component:sova-aag-gca-prt-ref43

Creator:

National Museum of American History (U.S.)  Search this

Bunch, Lonnie G.  Search this

United States. Department of Agriculture  Search this

National Association of State Universities and Land-Grant Colleges.  Search this

Names:

Go Forth and Serve: Black Land Grant Colleges (Exhibition) (Washington, D.C.: 1990)  Search this

Howard University  Search this

Former owner:

National Museum of American History (U.S.). Division of Cultural History  Search this

Extent:

1 Cubic foot

18 Videocassettes (VHS)

15 Cassette tapes

38 Videocassettes (Video 8)

Type:

Collection descriptions

Archival materials

Videocassettes (vhs)

Cassette tapes

Videocassettes (video 8)

Videotapes

Oral history

Interviews

Audiotapes

Date:

1992-1993

Summary:

An oral history project that grew out of the exhibit "Go Forth and Serve" which commemorated the 100th anniversary of the drafting of the second Morrill Act, which provided funds for the founding of land grant schools of higher education for black students.

Scope and Contents:

Oral history interviews, on film and audio, on the subject of African American land grant colleges, conducted in conjunction with the exhibition "Go Forth and Serve" at the National Museum of American History in 1990.

Arrangement:

The collection is organized into one series. It is organized alphabetically by the name of college or university that is the subject of the interview.

Biographical / Historical:

"Go Forth and Serve", an exhibition curated by Lonnie Bunch and Spencer Crew, opened in March 1990 at the National Museum of American History to commemorate the 100th anniversary of the drafting of the second Morrill Act, which provided funds for the founding of land grant schools of higher education for black students. The exhibition was co-sponsored by the Department of Agriculture and the National Association of State Universities and Land-Grant Colleges. There was a subsequent newsletter, and oral interviews were conducted.

Provenance:

Collection made by the Smithsonian Institution Division of Cultural History, National Museum of American History.

Restrictions:

Collection is open for research. Reference copies must be used. Access and use of audiovisual materials available in the Archives Center reading room.

Rights:

Reproduction may be limited due to intellectual property rights. No releases exist.

Topic:

Alcorn State University  Search this

Tennessee State University  Search this

Fort Valley State University  Search this

South Carolina State University  Search this

Delaware State University  Search this

Prairie View A & M University  Search this

West Virginia State University  Search this

Langston University  Search this

Lincoln University (Jefferson City, Mo.)  Search this

University of Maryland Eastern Shore  Search this

Kentucky State University  Search this

State universities and colleges  Search this

Genre/Form:

Videotapes -- 1990-2000

Oral history -- 1950-2000

Interviews -- 1950-2000

Audiotapes -- 1950-2000

Citation:

Go Forth and Serve: African American Land Grant Colleges Audiovisual Collection, 1992-1993, Archives Center, National Museum of American History, Smithsonian Institution.

Identifier:

NMAH.AC.0614

See more items in:

Go Forth and Serve: African American Land Grant Colleges Audiovisual Collection

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8ba9d0324-51aa-4f0c-8584-230fd86526d1

EDAN-URL:

ead_collection:sova-nmah-ac-0614

Creator:

Harrington, John Peabody, 1884-1961  Search this

Names:

Teit, James Alexander, 1864-1922  Search this

Collection Creator:

Harrington, John Peabody, 1884-1961  Search this

Extent:

0.41 Linear feet ((1 box))

Culture:

Indians of North America -- British Columbia  Search this

Indians of North America -- Plateau  Search this

Nlaka'pamux (Thompson River Salish)  Search this

Type:

Archival materials

Field notes

Vocabulary

Narratives

Manuscripts

Place:

Nicola River Valley (B.C.)

Date:

circa 1941-circa 1942

Scope and Contents:

This subseries of the Alaska/Northwest Coast series contains Harrington's research on Nicola and Thompson, consisting of comparative vocabulary, outline and notes for write-up, and notes from interviews regarding James A. Teit.

Vocabulary entries were not arranged by Harrington into his usual semantic categories, but were kept together by interview. Nicola terms were frequently elicited with their Thompson equivalents. Words cover animals, plants, geography, material culture, tribenames, and placenames. Also interspersed are a few phrases, notes and sketch maps from two placename trips, summaries of myths in English, and biographical data concerning the informants and others. One interview was based in part on a rehearing of Franz Boas' (1924) "Vocabulary of the Athapascan Tribe of Nicola Valley, British Columbia." At a later date (1942) comparative Athapascan data--Rogue River and Chasta Costa from Wolverton Orton (Wolv., RR, Wolve Chastac.) and Coquille from Coquille Thompson (Thomp.)--was added to these notes.

Harrington's write-up is little more than an outline for an article. It includes a section on informants and some vocabulary excerpted from the field notes. The designation "Nic. for write-up" is misleading as data for Thompson is also given throughout. Several references are made to information from published sources (Dawson 1892, Morice 1932).

During his last two days in Nicola Valley, Harrington visited Mrs. James A. Teit in order to copy Teit's manuscript "Notes on the Early History of Nicola Valley." This section contains notes on their discussions of Teit's work and local history. It also includes comments by an unidentified man Harrington met at Spence's Bridge as well as a photograph of Teit.

Biographical / Historical:

John P. Harrington's work in Merritt and Canford, British Columbia, during the summer of 1941 was part of a continuing effort to trace the origin and relationships of the Athapascan languages, which he often referred to comprehensively as "Chilcotin." In late August to early September--dates given are August 27, August 31, and September 1--he recorded data from speakers of the Lytton (L., Lyt., Upper Th.) dialect of Thompson River Salish, who also remembered a little Nicola Valley Athapascan (Nic., st. for stuwix-mux, southern Chilcotin).

He first worked with Billy Ernest (Billy), 80-year-old chief of the Canford Indians. He also conducted separate interviews with Mrs. Louey Jonah (Mrs. J.) and her husband (Mr. J.), an unidentified "Old Lady," and Louie Charlie, who gave remembered information from Johnny Jackson, said to have been a stuwix speaker, deceased for some five years. Harrington considered his best source of information to be Billy Ernest's sister, Matilda Shackler (Mat.), with whom he reheard much of the data. His interpreter for many of the sessions was Johnny Martin (Martin, Johnny). Nonlinguistic information was obtained from James A. Teit's widow and an unidentified "half-breed at Spence's Bridge."

Local Numbers:

Accession #1976-95

Restrictions:

No restrictions on access.

Rights:

Contact the repository for terms of use.

Topic:

Athapascan languages  Search this

Ntlakyapamuk language  Search this

Chastacosta language  Search this

Coquille language  Search this

Language and languages -- Documentation  Search this

Linguistics  Search this

Names, Geographical  Search this

Genre/Form:

Field notes

Vocabulary

Narratives

Manuscripts

Collection Citation:

John Peabody Harrington papers, National Anthropological Archives, Smithsonian Institution

The preferred citation for the Harrington Papers will reference the actual location within the collection, i.e. Box 172, Alaska/Northwest Coast, Papers of John Peabody Harrington, National Anthropological Archives, Smithsonian Institution.

However, as the NAA understands the need to cite phrases or vocabulary on specific pages, a citation referencing the microfilmed papers is acceptable. Please note that the page numbering of the PDF version of the Harrington microfilm does not directly correlate to the analog microfilm frame numbers. If it is necessary to cite the microfilmed papers, please refer to the specific page number of the PDF version, as in: Papers of John Peabody Harrington, Microfilm: MF 7, R34 page 42.

Identifier:

NAA.1976-95, Subseries 1.4

See more items in:

John Peabody Harrington papers

John Peabody Harrington papers / Series 1: Native American History, Language, and Culture of Alaska and the Northwest Coast

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw3ad0fd54b-237f-4901-baff-76c792b77787

EDAN-URL:

ead_component:sova-naa-1976-95-ref12617

Creator:

Kroeber, A. L. (Alfred Louis), 1876-1960  Search this

Addressee:

Hodge, Frederick Webb, 1864-1956  Search this

Extent:

31 Pages

Culture:

Luiseno  Search this

Snake  Search this

Ajachemem (San Juan de Capistrano Luiseño)  Search this

Barbareño Chumash (Santa Barbara)  Search this

Western Mono (Monache)  Search this

Paiute  Search this

Bannock  Search this

Ute  Search this

Cahuilla  Search this

Payómkawichum (Luiseño)  Search this

Shoshone  Search this

Tongva (Gabrielino Mission)  Search this

Tübatulabal (Kern River)  Search this

Serrano  Search this

Pala Band Luiseño (Agua Caliente)  Search this

Kawaiisu  Search this

Indians of North America -- California  Search this

Chumash  Search this

Indians of North America -- Great Basin  Search this

Kutzadika'a (Mono Paiute)  Search this

Type:

Collection descriptions

Archival materials

Pages

Date:

1905

Scope and Contents:

Also letter to Frederick W. Hodge, with emendations to the manuscript. San Francisco, California. April 27, 1905. Autograph letter signed. 1 page. Includes discussion of "Current Tribal names that are Ambiguous. "Ute, Paiute, Shoshoni, Bannock, Snake; and sections on Gabrielino, Serrano, Luiseno, San Juan Capistrano, Agua Caliente, Cahuilla, Santa Barbara, Monachi, Kawaiisu, Tubatulabal.

Title page of manuscript carries A. note S. : F. W. H. [Hodge]: "This material has been extracted for the Dictionary of Tribes ["Handbook of American Indians," Bureau of American Ethnology-Bulletin 30, Washington, 1907, 1910] by Dr Swanton."

Local Numbers:

NAA MS 2108

Local Note:

typescript document with annotations

Topic:

Names, tribal -- Ute  Search this

Names, tribal -- Paiute  Search this

Names, tribal -- Shoshoni  Search this

Names, tribal -- Bannock  Search this

Names, tribal -- Snake  Search this

Language and languages -- Documentation  Search this

Mission Capistrano  Search this

Shoshone  Search this

Cupeno  Search this

Citation:

Manuscript 2108, National Anthropological Archives, Smithsonian Institution

Identifier:

NAA.MS2108

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw373f6a8dc-42e8-4e85-8039-8a6ad3c8d170

EDAN-URL:

ead_collection:sova-naa-ms2108

Creator:

Harrington, M. R. (Mark Raymond), 1882-1971  Search this

Heye, George G. (George Gustav), 1874-1957  Search this

Donor:

Harrington, Marie Walsh  Search this

Extent:

2133 Negatives (photographic)

3 Lantern slides

174 Photographic prints (black & white)

Culture:

Mesoamerica  Search this

Southwest  Search this

Island Caribbean  Search this

Paiute  Search this

Achomawi (Pit River)  Search this

Alibamu  Search this

Anishinaabe (Chippewa/Ojibwa)  Search this

Cahuilla  Search this

Catawba  Search this

Chitimacha  Search this

Coushatta (Koasati)  Search this

Diné (Navajo)  Search this

Hopi Pueblo  Search this

Iroquois  Search this

Kiowa  Search this

Lenape (Delaware)  Search this

Maidu  Search this

Menominee (Menomini)  Search this

Miami  Search this

Mohegan  Search this

Nanticoke  Search this

Narragansett  Search this

Niantic  Search this

Niuam (Comanche)  Search this

Osage  Search this

Northern Paiute (Paviotso)  Search this

Pomo  Search this

Potawatomi  Search this

Sac and Fox (Sauk & Fox)  Search this

Seminole  Search this

Tolowa  Search this

Bribri  Search this

Chiricahua Apache  Search this

Eastern Band of Cherokee  Search this

Kickapoo [Oklahoma]  Search this

Kikapu (Mexican Kickapoo)  Search this

Mattaponi  Search this

Mississippi Choctaw  Search this

Oklahoma Delaware  Search this

Oklahoma Shawnee  Search this

Oneida  Search this

Onondaga  Search this

Pamunkey  Search this

Peoria  Search this

Seneca  Search this

Shinnecock  Search this

Sisitonwan Dakota (Sisseton Sioux)  Search this

Wyandot  Search this

Yara Taíno  Search this

Absentee Shawnee [Shawnee, Oklahoma-Pottawatomie County]  Search this

Cayuga [Six Nations/Grand River (Brantford, Ontario)]  Search this

Mississauga (Missisauga)  Search this

Munsee Delaware  Search this

Wyandotte [Oklahoma]  Search this

Gay Head Wampanoag  Search this

A:shiwi (Zuni)  Search this

Type:

Collection descriptions

Archival materials

Negatives (photographic)

Lantern slides

Photographic prints

Negatives

Place:

Cuba

Texas

Arkansas

Louisiana

Northeastern States

Missouri

California

New Mexico

Tennessee

New York

Florida

Southern States

Nevada

Mexico

Great Basin

Southwestern States

Arizona

Canada

Ecuador

Date:

1899-1947

Summary:

Includes photographs of individual tribal members, artifacts; and the following archeological sites: Hawikku (Hawikuh), Zuni Pueblo, New Mexico; Mill Creek, Tehama County, California; Coachilla Valley, California; Sandal Cave, New Mexico; Eagle Canyon, Texas; Thea Heye Cave, Pyramid Lake, Nevada; Crown Peak, Chisos Mountains, Texas; Pueblo Grande, Nevada; Salt Caves, St. Thomas, Nevada; Chuckawalla Cave, Nevada; Lovelock Cave, Pershing County, Nevada; other sites in Nevada; cacti in Brewster County, Texas and California; archaeological sites in Arkansas, Florida, Missouri, New York, and Tennessee Collection also includes a variety of scenic shots in different states; shots of persons, identified and unidentified; personal photographs of Harrington, his son, and one of his wives (ELH); and photographs taken during his expeditions to Cuba and Ecuador. Includes photographs of the Alibamu, Apache, Catawba, Cherokee, Chitimacha, Choctaw, Chumash, Comanche, Delaware, Iowa, Iroquois, Kaw, Kickapoo, Kiowa, Klamath, Koasati, Maidu, Mattaponi, Mohegan, Nanticoke, Narragansett, Navajo, Niantic (Nyantic),Ojibwa (Chippewa), Osage, Paiute, Pamunkey, Peoria, Pit River, Potawatomi, Quapaw, Sac and Fox (Sauk and Fox), Seminole, Shawnee, Tolowa, Tulare, Wampanoag, Wichita, Wyandot, Yara, and Zuni tribes.

Arrangement note:

Collection arranged by format and item number.

Biographical/Historical note:

Mark Raymond Harrington was born on the campus of the University of Michigan in Ann Arbor on July 6, 1882. He received his BS in 1907 and his MA in 1908 from Columbia University, where he studied under Franz Boas. He met George Heye while working at Covert's Indian store in New York in 1908 and Heye hired him shortly thereafter. Harrington spent from 1908-1911 visiting and collecting from tribes in the east and Midwest for Heye. From 1911-1915 Harrington was assistant curator at the University of Pennsylvania Museum. From 1916-1917 he conducted archeological surveys in Cuba and Arkansas, after which he spent a short time in the U.S. Army during the First World War. After his return in 1919 he started a series of archeological surveys in Tennessee, Arkansas, Missouri, Oklahoma, Nevada, and Texas. Harrington worked for George G. Heye as an archaeologist, ethnologist, field collector, and curator, primarily along the eastern seaboard, in the south, Midwest, west, Cuba and Ecuador, from 1908 to 1928. He then joined the staff of the Southwest Museum as curator until his retirement in 1964. He died in San Fernando, California on June 30, 1971. Harrington is the author of many books and several hundred articles. A partial bibliography can be found in the Mark Raymond Harrington manuscript collection in the archives of the National Museum of the American Indian, Cultural Resource Center, Suitland, Maryland.

General note:

NMAItest

Restrictions:

Access restricted. For information on this collection consult the NMAI photo archivist at 301-238-1400 or NMAIphotos@si.edu.

Rights:

Copyright restrictions apply. Contact archives staff for information.

Genre/Form:

Negatives

Photographic prints

Lantern slides

Identifier:

NMAI.AC.001.035

Archival Repository:

National Museum of the American Indian

GUID:

https://n2t.net/ark:/65665/sv4acadc0fb-6afe-4e43-9413-0684acc3dda5

EDAN-URL:

ead_collection:sova-nmai-ac-001-035

Collection Creator:

Missionary Catechists of Divine Providence.  Search this

Massachusetts Institute of Technology (MIT) Civil Engineering Department  Search this

Underwood and Underwood  Search this

Container:

Box 18, Item 34

Type:

Archival materials

Photographs

Date:

undated

Collection Restrictions:

Collection open for research on site by appointment. Unprotected photographs must be handled with gloves.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Division of Work and Industry Lantern Slide Collection, 1758-1945, Archives Center, National Museum of American History.

See more items in:

Division of Work and Industry Lantern Slide Collection

Division of Work and Industry Lantern Slide Collection / Series 1: Engineering / 1.4: Bridges, Masonry Aqueducts / 1.4.9: Wood Arch and Truss

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep80b97fee6-7480-402c-8b75-1a0c66162ae9

EDAN-URL:

ead_component:sova-nmah-ac-1013-ref1805

Collection Creator:

Missionary Catechists of Divine Providence.  Search this

Massachusetts Institute of Technology (MIT) Civil Engineering Department  Search this

Underwood and Underwood  Search this

Container:

Box 24, Item 32

Type:

Archival materials

Photographs

Date:

undated

Collection Restrictions:

Collection open for research on site by appointment. Unprotected photographs must be handled with gloves.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Division of Work and Industry Lantern Slide Collection, 1758-1945, Archives Center, National Museum of American History.

See more items in:

Division of Work and Industry Lantern Slide Collection

Division of Work and Industry Lantern Slide Collection / Series 1: Engineering / 1.6: Bridges, Metal Truss / 1.6.1: American Metal Truss

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep89b0a1ef6-e76f-427e-b45c-4fc46391454f

EDAN-URL:

ead_component:sova-nmah-ac-1013-ref2195