Search Results

Creator:

Fein, Sylvia  Search this

Names:

Glasier, Marshall, 1902-  Search this

Huppler, Dudley, 1917-1988  Search this

Priebe, Karl J., 1914-1976  Search this

Wilde, John, 1919-2006  Search this

Extent:

5.9 Linear feet

Type:

Collection descriptions

Archival materials

Photographs

Scrapbooks

Date:

1936-2011

Summary:

The papers of painter and author Sylvia Fein measure 5.9 linear feet and date from 1936 to 2011. The papers primarily document her friendships with other artists from the Wisconsin-based Magic Realist group, including Dudley Huppler, John Wilde, Marshall Glasier, and Karl Priebe, as well as her career as a painter and her work on the books Heidi's Horse and First Drawings: Genesis of Visual Thinking. Documentation consists of scattered biographical material, extensive correspondence, project files, writings by Huppler and others, printed material, photographs, artwork by Wilde and Glasier, and scrapbooks.

Scope and Content Note:

The papers of painter and author Sylvia Fein measure 5.9 linear feet and date from 1936 to 2011. The papers primarily document her friendships with other artists from the Wisconsin-based Magic Realist group, including Dudley Huppler, John Wilde, Marshall Glasier, and Karl Priebe, as well as her career as a painter and her work on the books Heidi's Horse and First Drawings: Genesis of Visual Thinking. Documentation consists of scattered biographical material, extensive correspondence, project files, writings by Huppler and others, printed material, photographs, artwork by Wilde and Glasier, and scrapbooks.

Arrangement:

The collection is arranged as 8 series:

Missing Title

Series 1: Biographical Material, 1936-2010 (Box 1, 8; 10 folders)

Series 2: Correspondence, 1941-2011 (Box 1-3; 2.3 linear feet)

Series 3: Project Files, 1970-2011 (Box 3-4, 8; 1.2 linear feet)

Series 4: Writings by Others, circa 1940s-1994 (Box 4; 4 folders)

Series 5: Printed Material, 1941-2010 (Box 4-5; 0.7 linear feet)

Series 6: Photographs, circa 1940-2000 (Box 5; 0.2 linear feet)

Series 7: Artwork, 1941-1947 (Box 5; 3 folders)

Series 8: Scrapbooks, circa 1940-2010 (Box 5-7; 0.8 linear feet)

Biographical Note:

Sylvia Fein (1919-2024) was a painter and author in Martinez, California. She was part of the Magic Realist Group of artists that originated at the University of Wisconsin.

Fein was born in Milwaukee, Wisconsin, and from 1938 to 1942 she studied art at the University of Wisconsin in Madison. While there she became friends with fellow artists Marshall Glasier, John Wilde, Dudley Huppler, and Karl Priebe. In 1942 she married William Scheuber and briefly had a factory job in Milwaukee testing switches for naval planes. From 1944 to 1947 Fein lived and traveled throughout Mexico. Much of the work produced during this period was included in a solo exhibition of her paintings at the Perls Galleries in 1946. She and her husband then moved to northern California and had a daughter, Heidi. During the 1950s and 1960s, Fein continued to paint in her home studio.

In 1973 Fein decided to take a break from painting and published two books, Heidi's Horse (1976) and First Drawings: Genesis of Visual Thinking (1993). These works were greatly inspired by her friendship with art educator and researcher, Henry Shaefer-Simmern. In 2003 she resumed painting. She was featured in the group show, "With Friends: Six Magic Realists, 1940-1965" at the University of Wisconsin in 2005 and in a solo retrospective at the Bakersfield Art Museum in 2007. From 1970 to 2000 Fein was also active in the community of Pleasant Hill, California, as a member of several public services commissions.

Provenance:

The collection was donated in 2011 by Sylvia Fein.

Restrictions:

Use of original papers requires an appointment.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Painters -- Wisconsin  Search this

Authors -- Wisconsin  Search this

Topic:

Magic realism (Art)  Search this

Women artists  Search this

Women painters  Search this

Women authors  Search this

Genre/Form:

Photographs

Scrapbooks

Citation:

Sylvia Fein papers, 1936-2011. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.feinsylv

See more items in:

Sylvia Fein papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9ea0081e2-9520-4062-a56d-8929e32d583f

EDAN-URL:

ead_collection:sova-aaa-feinsylv

Collection Creator:

Fein, Sylvia  Search this

Extent:

0.2 Linear feet (Box 5)

Type:

Archival materials

Date:

circa 1940-2000

Scope and Contents note:

Found here are one photograph of Sylvia Fein with John Wilde and photocopies of photographs of Fein and her husband William Scheuber during World War II. The bulk of the photographs depict other artists including Dudley Huppler, Marshall Glasier, and Karl Priebe, as well as artwork by Marshall Glasier and John Wilde. Included within the photographs of Dudley Huppler are group photographs depicting Huppler with Gertrude Abercrombie, Karl Priebe, and John Wilde. Two portraits of Dudley Huppler were taken by George Platt Lynes and Carl Van Vechten. Researchers should note that additional photographs of Sylvia Fein are found within Series 8: Scrapbooks.

Collection Restrictions:

Use of original papers requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Sylvia Fein papers, 1936-2011. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.feinsylv, Series 6

See more items in:

Sylvia Fein papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9f8de8762-51f4-47aa-a1ee-d6eaf093c19f

EDAN-URL:

ead_component:sova-aaa-feinsylv-ref119

Collection Creator:

Fein, Sylvia  Search this

Extent:

2 Folders

Container:

Box 5, Folder 28-29

Type:

Archival materials

Date:

circa 1955-1968

Collection Restrictions:

Use of original papers requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Sylvia Fein papers, 1936-2011. Archives of American Art, Smithsonian Institution.

See more items in:

Sylvia Fein papers

Sylvia Fein papers / Series 6: Photographs

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw98d54bbde-0cbc-43c2-83cc-afdff2a7041f

EDAN-URL:

ead_component:sova-aaa-feinsylv-ref124

Collection Creator:

Fein, Sylvia  Search this

Container:

Box 5, Folder 33

Type:

Archival materials

Date:

1967-2000

Collection Restrictions:

Use of original papers requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Sylvia Fein papers, 1936-2011. Archives of American Art, Smithsonian Institution.

See more items in:

Sylvia Fein papers

Sylvia Fein papers / Series 6: Photographs

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9dc461fde-705e-4cd0-8f52-94e6b7c7f2d2

EDAN-URL:

ead_component:sova-aaa-feinsylv-ref128

Collection Creator:

Fein, Sylvia  Search this

Extent:

3 Folders (Box 5)

Type:

Archival materials

Date:

1941-1947

Scope and Contents note:

Included are pencil drawings by Marshall Glasier and John Wilde and one oil painting on board by John Wilde called The Raven and the Fox.

Collection Restrictions:

Use of original papers requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Sylvia Fein papers, 1936-2011. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.feinsylv, Series 7

See more items in:

Sylvia Fein papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw92b097401-1849-418f-a8fd-07ce1644e1c3

EDAN-URL:

ead_component:sova-aaa-feinsylv-ref130

Collection Creator:

Fein, Sylvia  Search this

Container:

Box 5, Folder 34

Type:

Archival materials

Date:

circa 1943-1947

Collection Restrictions:

Use of original papers requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Sylvia Fein papers, 1936-2011. Archives of American Art, Smithsonian Institution.

See more items in:

Sylvia Fein papers

Sylvia Fein papers / Series 7: Artwork

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9075368ec-bde5-49a2-8d3b-4d653661d5fb

EDAN-URL:

ead_component:sova-aaa-feinsylv-ref131

Collection Creator:

Fein, Sylvia  Search this

Container:

Box 5, Folder 35

Type:

Archival materials

Date:

circa 1944

Collection Restrictions:

Use of original papers requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Sylvia Fein papers, 1936-2011. Archives of American Art, Smithsonian Institution.

See more items in:

Sylvia Fein papers

Sylvia Fein papers / Series 7: Artwork

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw974c7ffe8-7497-478b-9f9c-0e9fa35a9f4e

EDAN-URL:

ead_component:sova-aaa-feinsylv-ref132

Collection Creator:

Fein, Sylvia  Search this

Container:

Box 5, Folder 36

Type:

Archival materials

Date:

1941

Collection Restrictions:

Use of original papers requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Sylvia Fein papers, 1936-2011. Archives of American Art, Smithsonian Institution.

See more items in:

Sylvia Fein papers

Sylvia Fein papers / Series 7: Artwork

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9c47114e2-9931-4b6d-b36d-1eb700cec9b6

EDAN-URL:

ead_component:sova-aaa-feinsylv-ref133

Creator:

Speyer, Nora  Search this

Fromboluti, Sideo, 1921-  Search this

Names:

Long Point Gallery (Provincetown, Mass.)  Search this

Extent:

2.5 Linear feet

Type:

Collection descriptions

Archival materials

Sketchbooks

Video recordings

Date:

circa 1940-2015

Scope and Contents:

The papers of Nora Speyer and Sideo Fromboluti measure 2.5 linear feet and date from the early 1940s until the 2010s. The collection documents Speyer's and Fromboluti's lives and works through biographical material, correspondence, writings, sketchbooks, artworks, photographic materials, personal business records, clippings and other printed materials, and audio-visual materials. Also found is biographical mrelating to Speyer's family, including her mother, sculptor Tillie Speyer, her brother James, a prominent museum curator, and her sister Darthea, a prominent gallerist in Paris. Also present are documents relating to the Speyer family's art collections.

Correspondence is primarily between Nora and family, with a smattering of other personal and professional correspondence. Photographic materials document both Speyer and Fromboluti at home and in their studios, while traveling, and with friends and family in New York, Woodstock, and Providence, where the couple were founding members of the Long Point Gallery. Also included are photographs, some in digital format, of their respective artworks and exhibitions. The collection includes one notebook and scattered unpublished writings by Nora and two sketchbooks and an unpublished memoir by Sideo. Printed material consists primarily of invitation cards and catalogues for exhibitions, along with publications about their collection of antiquities and a signed portfolio of prints by various Long Point Gallery artists. A small number of VHS tapes document a lecture by Fromboluti, an interview with fellow Long Point Gallery founder Robert Motherwell, and a Long Point Gallery dinner.

Biographical / Historical:

Nora Speyer (1923- ) and her husband Sideo Fromboluti (1921- ) are painters based in New York, NY and Wellfleet, Massachusetts and two of the founding members of Long Point Gallery in Provincetown, Massachusetts.

Provenance:

Donated in 2022 by Iona Fromboluti-Wirls, the artists' daughter.

Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Painters -- New York (State) -- New York  Search this

Painters -- Massachusetts -- Provincetown  Search this

Topic:

Women artists  Search this

Genre/Form:

Sketchbooks

Video recordings

Identifier:

AAA.speynora

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw98cb828b7-aaa9-47ff-9a36-53462ea855d5

EDAN-URL:

ead_collection:sova-aaa-speynora

Creator:

Beal, Gifford, 1879-1956  Search this

Andrews, Ambrose, 1805-1859  Search this

Bates, Edward, 1793-1869  Search this

Bohrod, Aaron  Search this

Cloar, Carroll  Search this

Colman, Samuel, 1832-1920  Search this

Bacon, Josephine Daskam, 1876-1961  Search this

Rogers, Daniel Denison, 1751-1825  Search this

Elliot, William Parker  Search this

Brush, George de Forest, 1855-1941  Search this

Harding, Chester, 1792-1866  Search this

Names:

Art Students League (New York, N.Y.)  Search this

Beach, Ella  Search this

Thayer, Abbott Handerson, 1849-1921  Search this

Town, Ithiel, 1784-1844  Search this

Watson, Forbes, 1880-1960  Search this

Collection Creator:

Brumbaugh, Thomas B. (Thomas Brendle), 1921-  Search this

Extent:

14 Items (Letters, written in ink, ball point, graphite, typewritter)

Type:

Archival materials

Lithographs

Correspondence

Place:

New York (N.Y.)

Date:

1779-1981

Scope and Contents:

This folder is an amalgamation of letters written and recieved by prominent figures in 19th and 20th century American art. Included in the folder are letters by Ambrose Andrews, Edward Bates, Gifford Beal, Aaron Bohrod, Carroll Clear, Samuel Colman, Josephine Daskam, Daniel Denison Rogers, William Elliot, George de Forest Brush, and Chester Harding. The letters' subjects cover a wide range of topics, including the buying and selling of art, invitations to dinner, and general correspondence.

Arrangement:

Organized alphabetically by author.

Biographical / Historical:

Ambrose Andrews was a portrait, miniature, and landscape portrait who worked throughout New England and the United States. He was born in Stockbridge, Massachusetts in 1801 and studied at the National Academy of Design. He exhibited paintings at many different institutions, including his portraits of Henry Clay and Sam Houston. Andrews's work is now in the New York Historical Society.

Edward Bates was a representative for Missouri in the mid-1800s. He served in the War of 1812 as a sergeant in a volunteer brigade, studied and practiced law, attended the state constitutional convention, was district attorney from 1821 to 1826, and was a member of the state senate. He declined to serve as Secretary of War for President Fillmore, but was appointed Attorney General of the United States by President Lincoln, and served from March 5, 1861 to September 1864. Bates died on March 25, 1869.

Admiral Charles Henry Davis was born on January 16, 1807, and served as Chief of the Bureau of Navigation between 1862 and 1865. He then served as Superintendent of the Naval Observatory. He had three ships named after him.

Forbes Watson was an art critic, lecturer, and administrator in New York City in the early 20th century. He served as art critic for the New York Evening Post. In 1933 he was appointed Technical Director of the first New Deal art program, the Public Works of Art Project, which provided work for artists in the decoration of non-federal buildings. He later worked at the Treasury Department of Painting and Sculpture, which administered funding for decorating federal buildings. Watson finally served in the Treasury Department's War Finance Division, where he organized exhibitions and posters by combat artists to promote the sale of war bonds. Forbes Watson's papers are held in the Archives of American Art.

Gifford Beal was an American artist who worked with many organizations for the advancements of the arts, finding inspiration from a wide variety of sources, including holiday scenes, every-day life, and landscapes. Beal loved spontaneity and was influenced by French Impressionists. He was commissioned by the government to paint two murals: one on the post office in Allentown, Pennsylvania, and one in the Main Interior Building in Washington, D.C. Beal's papers are held in the Archives of American Art.

Aaron Bohrod was born in Chicago, Illinois on November 21, 1907, where he studied art at the Art Institute of Chicago. He worked for a while in the advertising art department at the Fair Department Store in Chicago, but eventually moved to New York City, where he joined the Art Students League. He died on April 3, 1992. During World War II, Bohrod worked as an artist for the United States Army Corps of Engineer and Life magazine in Europe.

Carroll Cloar was an American realist and surrealist who lived from 1913 to 1993. He grew up in Arkansas, but later moved to Tennessee, travelled Europe, and joined the Art Students League in New York City. During World War II, he joined the U.S. Army Air Corps, and although he did complete some artwork during this period, none of it survives. Cloar then settled in Memphis. One of his paintings was chosen to commemorate President Clinton's inauguration in 1993. Cloar died of a self-inflicted gunshot wound on April 10, 1993, after a long battle with cancer.

Samuel Colman was an American painter who belonged to the Hudson River School, and is most well-remembered for his landscapes. He was born in Portland, Maine, in 1832, and began exhibiting at the young age of 18. At 27 he was elected an associate of the National Academy, and later studied abroad in Paris and Spain. He was made a full Academician upon his return to the United States, and both founded and served as the first president of the American Water-color Society. He continued to both study in Europe and exhibit artwork, moving from New York to Rhode Island. Colman is represented in the metropolitan Museum, Chicago Art Institute, and many other collections. He died in New York City in 1920.

Josephine Daskam Bacon was an American writer known for writing about "women's issues" and using female protagonists. She wrote a series of juvenile mysteries and helped pioneer the Girl Scouts movement, writing a guidebook for the organization.

Daniel Denison Rogers is perhaps most widely remembered for the painting that John Singleton Copley completed of his wife, Abigail Bromfield.

Ithiel Town was an American architect and civil engineer who lived from October 3, 1784 to June 13, 1844. He worked in the Federal and revivalist Greek and Gothic styles, and was widely copied. He was born in Connecticut, and built both Center Church and Trinity Church in New Haven. Town patented a wooden lattice truss bridge, which made him quite wealthy. He formed a professional architecture firm with Alexander Jackson Davis. One of Town's most amazing feats was the construction of the Potomac Aqueduct in Washington, D.C., which allowed fully loaded canal boats to cross the Potomac River.

William Parker Elliot designed the old U.S. Patent Office, a very important Greek Revival building, with Ithiel Town.

George de Forest Brush was an American painter who grew up in Connecticut and is typified by his paintings and drawings of Native Americans. Even after moving from Wyoming, where he met the Native Americans, back to the East, Brush still occasionally enjoyed living in a teepee. Brush's artistic style later developed into Renaissance-inspired portraits. He was friends with Abbott H. Thayer, and along with Brush's wife, Mary, and son, Gerome, they all contributed to early camouflage designs. Brush died in New Hampshire in 1941.

Chester Harding was an American portrait painter born in Massachusetts in 1792. He worked in many different professions, finally becoming a self-taught itinerant portrait painter. Harding settled in Beacon Hill, Boston, Massachusetts, in a building that now houses the Boston Bar Association (the Chester Harding House, a Historic National Landmark). He studied at the Philadelphia School of Design, later setting up a studio in London, where he befriended and painted for royalty and nobility. Harding finally returned to Boston, where he died in 1866.

Local Numbers:

FSA A2009.06 4

Other Archival Materials:

Thomas B. Brumbaugh research material on Abbott Handerson Thayer and other artists, 1876-1994 (bulk 1960s-1994); Also located at Archives of American Art, Smithsonian Institution.

Collection Restrictions:

Collection is open for research.

Collection Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Topic:

Art, American  Search this

Real property  Search this

Drawing  Search this

Genre/Form:

Lithographs -- 1950-2000

Correspondence -- 19th century

Correspondence -- 20th century

Collection Citation:

The Brumbaugh Collection of Artist Letters. FSA.A2009.06. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C.

Identifier:

FSA.A2009.06, Series FSA A2009.06 4

See more items in:

The Brumbaugh Collection of Artist Letters

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

GUID:

https://n2t.net/ark:/65665/dc3fe083cf2-c3ca-489b-b0ee-4f49e62444b0

EDAN-URL:

ead_component:sova-fsa-a2009-06-ref2

Painter:

Cuneo, Rinaldo 1877-1939  Search this

Medium:

Oil on canvas

Type:

Paintings

Topic:

Landscape--Weather--Storm  Search this

Landscape--Mountain  Search this

Landscape--Tree  Search this

Control number:

IAP 8G390081

Data Source:

Art Inventories Catalog, Smithsonian American Art Museums

EDAN-URL:

edanmdm:siris_ari_481368

Painter:

Cuneo, Rinaldo 1877-1939  Search this

Medium:

Oil on canvas

Type:

Paintings

Topic:

Landscape--Desert  Search this

Landscape--Mountain  Search this

Landscape--Tree  Search this

Control number:

IAP 8G390082

Data Source:

Art Inventories Catalog, Smithsonian American Art Museums

EDAN-URL:

edanmdm:siris_ari_481369

Painter:

Cuneo, Rinaldo 1877-1939  Search this

Medium:

Oil on canvas

Type:

Paintings

Topic:

Landscape--Farm  Search this

Landscape--California  Search this

Landscape--Mountain  Search this

Architecture exterior--Farm--Barn  Search this

Control number:

IAP 8G390083

Data Source:

Art Inventories Catalog, Smithsonian American Art Museums

EDAN-URL:

edanmdm:siris_ari_481370

Painter:

Cuneo, Rinaldo 1877-1939  Search this

Medium:

Oil on canvas

Type:

Paintings

Topic:

Landscape--Farm  Search this

Landscape--Road--Path  Search this

Architecture exterior--Farm--Barn  Search this

Control number:

IAP 8G390084

Data Source:

Art Inventories Catalog, Smithsonian American Art Museums

EDAN-URL:

edanmdm:siris_ari_481371

Painter:

Cuneo, Rinaldo 1877-1939  Search this

Medium:

Oil on canvas

Type:

Paintings

Topic:

Cityscape--New York--New York City  Search this

Cityscape--Street--Washington Square  Search this

Landscape--Park  Search this

Landscape--Tree  Search this

Figure group  Search this

Control number:

IAP 8G390085

Data Source:

Art Inventories Catalog, Smithsonian American Art Museums

EDAN-URL:

edanmdm:siris_ari_481372

Painter:

Cuneo, Rinaldo 1877-1939  Search this

Medium:

Oil on canvas

Type:

Paintings

Topic:

Landscape--Tree  Search this

Landscape--River  Search this

Landscape--Mountain  Search this

Control number:

IAP 8G390086

Data Source:

Art Inventories Catalog, Smithsonian American Art Museums

EDAN-URL:

edanmdm:siris_ari_481373

Painter:

Cuneo, Rinaldo 1877-1939  Search this

Medium:

Oil on canvas

Type:

Paintings

Topic:

Cityscape--Utah--Salt Lake City  Search this

Cityscape--Bird's Eye View  Search this

Control number:

IAP 8G390087

Data Source:

Art Inventories Catalog, Smithsonian American Art Museums

EDAN-URL:

edanmdm:siris_ari_481374

Painter:

Cuneo, Rinaldo 1877-1939  Search this

Medium:

Oil on canvas

Type:

Paintings

Topic:

Landscape--Utah  Search this

Landscape--Mountain  Search this

Architecture exterior--Industry  Search this

Control number:

IAP 8G390088

Data Source:

Art Inventories Catalog, Smithsonian American Art Museums

EDAN-URL:

edanmdm:siris_ari_481375

Painter:

Cuneo, Rinaldo 1877-1939  Search this

Medium:

Oil on canvas

Type:

Paintings

Topic:

Landscape--Utah  Search this

Architecture exterior--Industry--Waterwork  Search this

Control number:

IAP 8G390089

Data Source:

Art Inventories Catalog, Smithsonian American Art Museums

EDAN-URL:

edanmdm:siris_ari_481376

Painter:

Cuneo, Rinaldo 1877-1939  Search this

Medium:

Oil on canvas

Type:

Paintings

Topic:

Cityscape--California--San Francisco  Search this

Cityscape--Street  Search this

Cityscape--Season--Winter  Search this

Cityscape--Weather--Snow  Search this

Figure group  Search this

Architecture--Vehicle--Automobile  Search this

Control number:

IAP 8G390090

Data Source:

Art Inventories Catalog, Smithsonian American Art Museums

EDAN-URL:

edanmdm:siris_ari_481377