Patterson, Frederick D. (Frederick Douglass), 1901-1988 Search this
Collection Creator:
Patterson, Frederick D. (Frederick Douglass), 1901-1988 Search this
Extent:
1 Sound recording (open reel, 1/4 inch)
Type:
Archival materials
Sound recordings
Place:
Washington (D.C.)
United States
Date:
undated
Scope and Contents:
'Like It Is' was a program focused on issues concerning African Americans and people of the African diaspora, hosted by Gilbert Edward Noble from 1968 until his death in 2012. In this episode, Dr. Frederick Douglass Patterson - former president of Tuskegee Institute and founder of the United Negro College Fund - was interviewed about black colleges, the role of the United Negro College Fund, competition in professional schools, admitting white students into black colleges, curriculum changes, liberal arts versus vocational education, and the Tuskegee Institute.
Television program. Sound only. Part of the Frederick Douglass Patterson collection. Dated Nov. 9.
Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
The Frederick Douglass Patterson papers are the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.
This photograph was taken in November 1971 by Eliot Elisofon when he wrote, produced, and directed a four-hour television series for Group W (Westinghouse Broadcasting Company) titled Black African Heritage (1973). The series was divided into four segments, lasting 50 minutes each: The Congo, The Bend of the Niger, The Slave Coast, and Africa's Gift. The presentation also includes footage of musical performance by the Senufo people of the Ivory Coast, and of a performance by Cuban-born Mongo Santamaria and his band, using similar instruments.
Local Numbers:
Z 7 USA 1 EE 71
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Frame value is 0.
Slide No. Z 7 USA 1 EE 71
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
This photograph was taken in November 1971 by Eliot Elisofon when he wrote, produced, and directed a four-hour television series for Group W (Westinghouse Broadcasting Company) titled Black African Heritage (1973). The series was divided into four segments, lasting 50 minutes each: The Congo, The Bend of the Niger, The Slave Coast, and Africa's Gift. The presentation also includes footage of musical performance by the Senufo people of the Ivory Coast, and of a performance by Cuban-born Mongo Santamaria and his band, using similar instruments.
Local Numbers:
Z 7 USA 2 EE 71
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Frame value is 0.
Slide No. Z 7 USA 2 EE 71
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
This photograph was taken in November 1971 by Eliot Elisofon when he wrote, produced, and directed a four-hour television series for Group W (Westinghouse Broadcasting Company) titled Black African Heritage (1973). The series was divided into four segments, lasting 50 minutes each: The Congo, The Bend of the Niger, The Slave Coast, and Africa's Gift. The presentation also includes footage of musical performance by the Senufo people of the Ivory Coast, and performance by Cuban-born Mongo Santamaria and his band, using similar instruments, Lionel Hampton and Randy Weston.
Local Numbers:
Z 7 USA 3 EE 71
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Frame value is 0.
Slide No. Z 7 USA 3 EE 71
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
This photograph was taken in November 1971 by Eliot Elisofon when he wrote, produced, and directed a four-hour television series for Group W (Westinghouse Broadcasting Company) titled Black African Heritage (1973). The series was divided into four segments, lasting 50 minutes each: The Congo, The Bend of the Niger, The Slave Coast, and Africa's Gift. The presentation also includes footage of musical performance by the Senufo people of the Ivory Coast, and performance by Cuban-born Mongo Santamaria and his band, using similar instruments, Lionel Hampton and Randy Weston.
Local Numbers:
Z 7 USA 4 EE 71
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Frame value is 0.
Slide No. Z 7 USA 4 EE 71
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
This photograph was taken in November 1971 by Eliot Elisofon when he wrote, produced, and directed a four-hour television series for Group W (Westinghouse Broadcasting Company) titled Black African Heritage (1973). The series was divided into four segments, lasting 50 minutes each: The Congo, The Bend of the Niger, The Slave Coast, and Africa's Gift. The presentation also includes footage of musical performance by the Senufo people of the Ivory Coast, and performance by Cuban-born Mongo Santamaria and his band, using similar instruments, Lionel Hampton and Randy Weston.
Local Numbers:
Z 7 USA 5 EE 71
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Frame value is 0.
Slide No. Z 7 USA 5 EE 71
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
This photograph was taken in November 1971 by Eliot Elisofon when he wrote, produced, and directed a four-hour television series for Group W (Westinghouse Broadcasting Company) titled Black African Heritage (1973). The series was divided into four segments, lasting 50 minutes each: The Congo, The Bend of the Niger, The Slave Coast, and Africa's Gift. The presentation also includes footage of musical performance by the Senufo people of the Ivory Coast, and performance by Cuban-born Mongo Santamaria and his band, using similar instruments, Lionel Hampton and Randy Weston.
Local Numbers:
Z 7 USA 6 EE 71
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Frame value is 0.
Slide No. Z 7 USA 6 EE 71
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
This photograph was taken in November 1971 by Eliot Elisofon when he wrote, produced, and directed a four-hour television series for Group W (Westinghouse Broadcasting Company) titled Black African Heritage (1973). The series was divided into four segments, lasting 50 minutes each: The Congo, The Bend of the Niger, The Slave Coast, and Africa's Gift. The presentation also includes footage of musical performance by the Senufo people of the Ivory Coast, and performance by Cuban-born Mongo Santamaria and his band, using similar instruments, Lionel Hampton and Randy Weston.
Local Numbers:
Z 7 USA 7 EE 71
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Frame value is 15.
Slide No. Z 7 USA 7 EE 71
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
This photograph was taken in November 1971 by Eliot Elisofon when he wrote, produced, and directed a four-hour television series for Group W (Westinghouse Broadcasting Company) titled Black African Heritage (1973). The series was divided into four segments, lasting 50 minutes each: The Congo, The Bend of the Niger, The Slave Coast, and Africa's Gift. The presentation also includes footage of musical performance by the Senufo people of the Ivory Coast, and performance by Cuban-born Mongo Santamaria and his band, using similar instruments, Lionel Hampton and Randy Weston.
Local Numbers:
Z 7 USA 8 EE 71
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Frame value is 5.
Slide No. Z 7 USA 8 EE 71
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
This photograph was taken in November 1971 by Eliot Elisofon when he wrote, produced, and directed a four-hour television series for Group W (Westinghouse Broadcasting Company) titled Black African Heritage (1973). The series was divided into four segments, lasting 50 minutes each: The Congo, The Bend of the Niger, The Slave Coast, and Africa's Gift. The presentation also includes footage of musical performance by the Senufo people of the Ivory Coast, and of a performance by Cuban-born Mongo Santamaria and his band, using similar instruments.
Local Numbers:
Z 7 USA 9 EE 71
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Frame value is 27.
Slide No. Z 7 USA 9 EE 71
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
This photograph was taken in November 1971 by Eliot Elisofon when he wrote, produced, and directed a four-hour television series for Group W (Westinghouse Broadcasting Company) titled Black African Heritage (1973). The series was divided into four segments, lasting 50 minutes each: The Congo, The Bend of the Niger, The Slave Coast, and Africa's Gift. The presentation also includes footage of musical performance by the Senufo people of the Ivory Coast, and of a performance by Cuban-born Mongo Santamaria and his band, using similar instruments.
Local Numbers:
Z 7 USA 10 EE 71
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Frame value is 28.
Slide No. Z 7 USA 10 EE 71
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
This photograph was taken in November 1971 by Eliot Elisofon when he wrote, produced, and directed a four-hour television series for Group W (Westinghouse Broadcasting Company) titled Black African Heritage (1973). The series was divided into four segments, lasting 50 minutes each: The Congo, The Bend of the Niger, The Slave Coast, and Africa's Gift. The presentation also includes footage of musical performance by the Senufo people of the Ivory Coast, and of a performance by Cuban-born Mongo Santamaria and his band, using similar instruments.
Local Numbers:
Z 7 USA 11 EE 71
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Frame value is 11.
Slide No. Z 7 USA 11 EE 71
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
This photograph was taken in November 1971 by Eliot Elisofon when he wrote, produced, and directed a four-hour television series for Group W (Westinghouse Broadcasting Company) titled Black African Heritage (1973). The series was divided into four segments, lasting 50 minutes each: The Congo, The Bend of the Niger, The Slave Coast, and Africa's Gift. The presentation also includes footage of musical performance by the Senufo people of the Ivory Coast, and of a performance by Cuban-born Mongo Santamaria and his band, using similar instruments.
Local Numbers:
Z 7 USA 12 EE 71
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Frame value is 0.
Slide No. Z 7 USA 12 EE 71
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Frame value is 25.
Slide No. Z 7 USA 13 EE 71
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Genre/Form:
Color slides
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Audio tour for the exhibition 'Gathered Visions: Selected Works by African American Women Artists' in Spanish. Narrator described the artists, their lives, and their works throughout the exhibition.
Audio tour. Sound only, Spanish. Related to exhibition 'Gathered Visions: Selected Works by African American Women Artists.' Undated.
Biographical / Historical:
Gathered Visions: Selected Works by African American Women Artists' included fifteen individuals whose creative efforts reflect a multitude of experiences and universal concerns. Among the works on display were prints that comment on contemporary living, mixed-media sculptures that explore social and historical questions, and paintings that address women's issues. The exhibition presented the richness of the African American artistic traditions in the greater Washington area. It was held from November 18, 1990 to April 28, 1991 at the Anacostia Museum
Series Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist at acmarchives@si.edu.
Curator Robert Hall led docent training for the exhibition 'Gathered Visions: Selected Works by African American Women Artists.' Hall introduced the docents to the various art forms and media used by artists. With a slide presentation, he explained, in detail, the specific artworks displayed throughout the exhibition.
Related to exhibition 'Gathered Visions: Selected Works by African American Women Artists.' Dated 19901108.
Biographical / Historical:
Gathered Visions: Selected Works by African American Women Artists' included fifteen individuals whose creative efforts reflect a multitude of experiences and universal concerns. Among the works on display were prints that comment on contemporary living, mixed-media sculptures that explore social and historical questions, and paintings that address women's issues. The exhibition presented the richness of the African American artistic traditions in the greater Washington area. It was held from November 18, 1990 to April 28, 1991 at the Anacostia Museum
Series Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist at acmarchives@si.edu.
Artist Malkia Roberts led docent training for the exhibition 'Gathered Visions: Selected Works by African American Women Artists.' Roberts talked about docent techniques to reach museum visitors. With a slide presentation, she discussed art created by Black artists, not in the exhibition. Roberts also showed her two works, which would be in the exhibition, and explained them.
Related to exhibition 'Gathered Visions: Selected Works by African American Women Artists.' Dated 19901025.
Biographical / Historical:
Gathered Visions: Selected Works by African American Women Artists' included fifteen individuals whose creative efforts reflect a multitude of experiences and universal concerns. Among the works on display were prints that comment on contemporary living, mixed-media sculptures that explore social and historical questions, and paintings that address women's issues. The exhibition presented the richness of the African American artistic traditions in the greater Washington area. It was held from November 18, 1990 to April 28, 1991 at the Anacostia Museum
Series Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist at acmarchives@si.edu.
At the Anacostia Museum, Robert Hall interviewed artist Winnie Owens-Hart, who spoke of her work as a ceramist. Owens-Hart provided detailed description about two of her works: 'Trimesters' and 'Four Star Water Jar;' both works of art are part of the recording. She also spoke of her experience learning how to make traditional Nigerian pottery.
Interview. Dated 19901024.
Series Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist at acmarchives@si.edu.
