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Smithsonian Folklife Festival records: 1973 Festival of American Folklife

Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Names:
Smithsonian Folklife Festival  Search this
Extent:
1 Cubic foot (approximate)
Type:
Collection descriptions
Archival materials
Photographic prints
Audiocassettes
Notes
Slides (photographs)
Contracts
Video recordings
Plans (drawings)
Audiotapes
Business records
Digital images
Videotapes
Correspondence
Sound recordings
Negatives
Memorandums
Date:
June 30-July 8, 1973
Summary:
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
Scope and Contents note:
This collection documents the planning, production, and execution of the 1973 Festival of American Folklife. Materials may include photographs, audio recordings, motion picture film and video recordings, notes, production drawings, contracts, memoranda, correspondence, informational materials, publications, and ephemera. Such materials were created during the Festival on the National Mall in Washington, D.C., as well as in the featured communities, before or after the Festival itself.
Arrangement note:
Arranged in 5 series.

Missing Title

Series 1: Program Books, Festival Publications, and Ephemera

Series 2: Regional America: Kentucky

Series 3: Native Americans: Northern Plains Indians

Series 4: Old Ways in the New World

Series 5: Working Americans
Historical note:
The Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998.

The 1973 Festival of American Folklife was produced by the Smithsonian Division of Performing Arts and cosponsored by the National Park Service.

For more information, see Smithsonian Folklife Festival records.
Introduction:
In 1973, the Smithsonian Institution began preparing its multi-year commemoration of the Bicentennial of the American Revolution in 1976. Beginning with this year's Festival, the National Park Service of the U.S. Department of the Interior became co-sponsor of the Festival with the Smithsonian, and it was moved to the western part of the National Mall alongside the Reflecting Pool, between 17th and 23rd Streets, and between Constitution Avenue N.W. and Independence Avenue S.W. (see site plan). As explained by Secretary S. Dillon Ripley, "Themes and presentations for this Festival are a trial run for the themes around which our own celebration of America's 200th birthday will be organized."

The 1973 Festival ran from June 30 to July 8 and included four programs that initiated the Bicentennial preparations: Regional America featured the Commonwealth of Kentucky; Native Americans featured Northern Plains tribes; Working Americans featured the building trades; and Old Ways in the New World was inaugurated with two programs: Tribute to the Tamburashi presented Yugoslavian and Yugoslavian American traditions, and British Isles Music, Song, and Dance Traditions included participants from England, Scotland, Ireland and the U.S. Of these programs, Native Americans and Working Americans extended throughout the nine-day Festival, with the British Isles program running the first four days, the Tamburashi program running the first five days, and Kentucky featured for the last five days. During the Festival, evening concerts were presented on a stage at the base of the Lincoln Memorial; documentation of those concerts is found within each of the relevant programs whose musicians were featured.

The 1973 Festival was co-organized by the Smithsonian Institution, Division of Performing Arts (James R. Morris, Director; Richard Lusher, Deputy Director) and the National Park Service (Ronald H. Walker, Director). Ralph Rinzler was Director of Folklife Programs, with Gerald L. Davis serving as Associate Director and Kenneth S. Goldstein as Special Assistant to the Secretary on Folklore and Folklife.

The 1973 Program Book provided information on all of the programs, including a schedule and participant lists.
Shared Stewardship of Collections:
The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://doi.org/10.25573/data.21771155.
Forms Part Of:
Smithsonian Folklife Festival records: 1973 Festival of American Folklife forms part of the Smithsonian Folklife Festival records .

Smithsonian Folklife Festival records

Smithsonian Folklife Festival records: Papers

1967 Festival of American Folklife records - [Ongoing]
Related Archival Materials note:
Within the Rinzler Archives, related materials may be found in various collections such as the Ralph Rinzler papers and recordings, the Lily Spandorf drawings, the Diana Davies photographs, the Robert Yellin photographs, and the Curatorial Research, Programs, and Projects collection. Additional relevant materials may also be found in the Smithsonian Institution Archives concerning the Division of Performing Arts (1966-1983), Folklife Program (1977-1980), Office of Folklife Programs (1980-1991), Center for Folklife Programs and Cultural Studies (1991-1999), Center for Folklife and Cultural Heritage (1999-present), and collaborating Smithsonian units, as well as in the administrative papers of key figures such as the Secretary and respective deputies. Users are encouraged to consult relevant finding aids and to contact Archives staff for further information.
Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Folk music  Search this
arts and crafts  Search this
Folklore  Search this
Folk art  Search this
Folk festivals  Search this
World music  Search this
Food habits  Search this
occupational folklore  Search this
Genre/Form:
Photographic prints
Audiocassettes
Notes
Slides (photographs)
Contracts
Video recordings
Plans (drawings)
Audiotapes
Business records
Digital images
Videotapes
Correspondence
Sound recordings
Negatives
Memorandums
Citation:
Smithsonian Folklife Festival records: 1973 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1973
See more items in:
Smithsonian Folklife Festival records: 1973 Festival of American Folklife
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk57d4b15d8-799d-49a4-a5d1-ef3b37c9cb80
EDAN-URL:
ead_collection:sova-cfch-sff-1973

Native Americans: Northern Plains Indians

Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Type:
Archival materials
Date:
June 30-July 8, 1973
Introduction:
Ten tribes of Northern Plains Indians, from the States of North and South Dakota, Montana and Wyoming, were represented in the Native Americans section of the 1973 Festival. Their participation marked the fourth year of a six-year plan to include Indians of a different region at each Festival, with the Bicentennial Festival to feature the entire country.

Past and present culture and lifestyles of American Indians were explored in these presentations, which included samplings of traditional culture that continue to be central to life within Indian communities. Through workshop sessions, crafts demonstrations, song and dance, Indians demonstrated their traditions. Members of the featured tribes worked with the Festival staff as field coordinators to help plan, develop and carry out the program.

Indian participation in the Festival was both an opportunity for Festival visitors to become acquainted with Indian people and also an opportunity for Indian people to speak about both contemporary and traditional concerns. Among those concerns and priorities are a respect for the land, respect and care of their older members, and an arts tradition that realizes and reflects the role of man in nature.

Clydia Nahwooksy served as Director of the Indian Awareness Program, assisted by Tom Kavanagh. Major sponsors were the U.S. Department of Commerce and U.S. Office of Education.
Participants:
Frank Backbone, 1917-2005, Crow, singer, Crow Agency, Montana

Pearl Backbone, 1922-1992, Crow, bead worker, Crow Agency, Montana

Ann Bigman, 1922-1999, Crow, bead worker, Crow Agency, Montana

Hugh Little Owl, 1910-1991, Crow, flute maker, Crow Agency, Montana

Kevin Red Star, Crow, tipi painter, Billings, Montana

Cecilia Bearchum, 1923-, Northern Cheyenne, shawl maker, Busby, Montana

Curtis James Bearchum, 1955-, Northern Cheyenne, feather worker, Busby, Montana

Jesse Copenhaver, 1914-, Northern Cheyenne, bead worker, Busby, Montana

Joan Sootkis, 1953-, Northern Cheyenne, shawl maker, Lame Deer, Montana

Vernon Sootkis, 1955-, Northern Cheyenne, moccasin maker, Lame Deer, Montana

Ruth Strangeowl, 1955-, Northern Cheyenne, cook, Birney, Montana

Arnold Hedley, Arapaho, singer

Aline Shakespeare, 1928-1977, Arapaho, bead worker, Arapaho, Wyoming

Tom Shakespeare, 1927-1977, Arapaho, singer, Arapaho, Wyoming

William Shakespeare, Arapaho, dancer, Arapaho, Wyoming

Mary Alice Denny, 1921-2003, Cree, bead worker, Box Elder, Montana

Ona Lee Denny, 1960-, Cree, dancer, Box Elder, Montana

Walter Alex Denny, 1911-1981, Cree, tipi maker, Box Elder, Montana

Ariad Standing Rock, Cree, cradleboard maker

Douglas Standing Rock, Cree, feather worker

Mary Bagola, 1898-1987, Sioux, beadwork, Cherry Creek, South Dakota

Iva Blackbear, 1913-1983, Sioux, singer, Rosebud, South Dakota

William Horn Cloud, Sioux, singer, Pine Ridge, South Dakota

Cecilia Jumping Bull, 1902-1986, Sioux, tipi sewer, Oglala, South Dakota

Harry Jumping Bull, 1898-1980, Sioux, camp crier, Oglala, South Dakota

Jennie Knox, 1896-1979, Sioux, quilter, Okreek, South Dakota

Sybil Lambert, Sioux, cook, Brockton, Montana

Rosebud Marshall, Sioux, pipe maker, Flandreau, South Dakota

Marie Star Boy, Sioux, quilter, South Dakota

Lucy Swan, Sioux, beadwork

Claude Two Elk, Sioux, dancer, Mission, South Dakota

Marie Two Charger, 1941-2005, Sioux, quilter, Mission, South Dakota

Floyd Westerman, 1936-2007, Sioux, singer

Mary Crowshoe, Blackfeet, bead worker

Joe Crowshoe, Blackfeet, tipi maker, Brocket, Alberta

Louise Evans, 1907-1983, Blackfeet, moccasin maker, Browning, Montana

Grace Kennedy, 1926-1994, Blackfeet, bead worker, Browning, Montana

Pat Kennedy, Blackfeet, singer, Browning, Montana

John Bear Medicine, Blackfeet, doll maker, Browning, Montana

Willy Eagle Plume, Blackfeet, drum maker, Fort Macleod, Alberta

Joan Heavy Runner, Blackfeet, cradleboard maker

Tom Heavy Runner, Blackfeet, tipi sewer

Adolf Hungry Wolf, Blackfeet, singer, Fort Macleod, Alberta
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 1973 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1973, Series 2
See more items in:
Smithsonian Folklife Festival records: 1973 Festival of American Folklife
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5574da90a-4634-4d36-887b-84b293571ceb
EDAN-URL:
ead_component:sova-cfch-sff-1973-ref24

Smithsonian Folklife Festival records: 1968 Festival of American Folklife

Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Names:
Smithsonian Folklife Festival  Search this
Extent:
1 Cubic foot (approximate)
Type:
Collection descriptions
Archival materials
Video recordings
Photographic prints
Notes
Audiocassettes
Digital images
Business records
Sound recordings
Negatives
Videotapes
Plans (drawings)
Slides (photographs)
Correspondence
Contracts
Audiotapes
Memorandums
Date:
July 3-7, 1968
Summary:
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
Scope and Contents note:
This collection documents the planning, production, and execution of the 1968 Festival of American Folklife. Materials may include photographs, audio recordings, motion picture film and video recordings, notes, production drawings, contracts, memoranda, correspondence, informational materials, publications, and ephemera. Such materials were created during the Festival on the National Mall in Washington, D.C., as well as in the featured communities, before or after the Festival itself.
Arrangement note:
Arranged in 4 series.

Series 1: Program Books, Festival Publications, and Ephemera

Series 2: Crafts

Series 3: Performances

Series 4: Texas
Historical note:
The Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998.

The 1968 Festival of American Folklife was produced by the Smithsonian Division of Performing Arts.

For more information, see Smithsonian Folklife Festival records.
Introduction:
After the 1967 Festival proved to be a great success, the Smithsonian decided that the Festival of American Folklife would become an annual event. The 1968 Festival took place July 3-7 on the National Mall, between Madison Drive and Jefferson Drive and between 10th Street and 14th Street, south of the Museum of History and Technology and the Museum of Natural History (see site map). It followed the same approach that had proven effective in 1967, but innovated by also including a program focused on a single State, Texas.

As in 1967, the Festival was organized by the Division of Performing Arts, James R. Morris, Director, and directed by Festival Director Ralph C. Rinzler.

The 1968 Program Book included information to complement each of the programs, ranging from discussions of the definitions of folklore and folklife to the relations between folklife and cultural history. Smithsonian Secretary S. Dillon Ripley, in his introduction to the booklet, noted that:

The Festival of American Folklife offers the Smithsonian Institution an opportunity to show through demonstration and performance some aspects of the cultural roots of the people of the United States. The Festival is a living exhibition of the creativity of the many ethnic groups that make up the culture of this country.

After the 1967 Festival proved to be a great success, the Smithsonian decided that the Festival of American Folklife would become an annual event. The 1968 Festival took place July 3-7 on the National Mall, between Madison Drive and Jefferson Drive and between 10th Street and 14th Street, south of the Museum of History and Technology and the Museum of Natural History (see site map). It followed the same approach that had proven effective in 1967, but innovated by also including a program focused on a single State, Texas.

As in 1967, the Festival was organized by the Division of Performing Arts, James R. Morris, Director, and directed by Festival Director Ralph C. Rinzler.

Crafts

Performances

Texas

The 1968 Program Book included information to complement each of the programs, ranging from discussions of the definitions of folklore and folklife to the relations between folklife and cultural history. Smithsonian Secretary S. Dillon Ripley, in his introduction to the booklet, noted that:

The Festival of American Folklife offers the Smithsonian Institution an opportunity to show through demonstration and performance some aspects of the cultural roots of the people of the United States. The Festival is a living exhibition of the creativity of the many ethnic groups that make up the culture of this country.
Festival speakers and consultants:
Bruce Jackson, 1936-, New York

Guthrie (Gus) Meade, 1932-1991, Washington D.C.

Mack McCormick, Texas

Robert Messinger, New York

Sandy Paton, Connecticut

Caroline Paton, Connecticut

Jean Ritchie, New York

Mike Seeger, 1933-2009, Washington, D.C.

Dick Waterman, Massachusetts
Shared Stewardship of Collections:
The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://doi.org/10.25573/data.21771155.
Forms Part Of:
Smithsonian Folklife Festival records: 1968 Festival of American Folklife forms part of the Smithsonian Folklife Festival records .

Smithsonian Folklife Festival records

Smithsonian Folklife Festival records: Papers

1967 Festival of American Folklife records - [Ongoing]
Related Archival Materials note:
Within the Rinzler Archives, related materials may be found in various collections such as the Ralph Rinzler papers and recordings, the Lily Spandorf drawings, the Diana Davies photographs, the Robert Yellin photographs, and the Curatorial Research, Programs, and Projects collection. Additional relevant materials may also be found in the Smithsonian Institution Archives concerning the Division of Performing Arts (1966-1983), Folklife Program (1977-1980), Office of Folklife Programs (1980-1991), Center for Folklife Programs and Cultural Studies (1991-1999), Center for Folklife and Cultural Heritage (1999-present), and collaborating Smithsonian units, as well as in the administrative papers of key figures such as the Secretary and respective deputies. Users are encouraged to consult relevant finding aids and to contact Archives staff for further information.
Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
World music  Search this
Folklore  Search this
Food habits  Search this
Folk music  Search this
Folk festivals  Search this
arts and crafts  Search this
Folk art  Search this
Genre/Form:
Video recordings
Photographic prints
Notes
Audiocassettes
Digital images
Business records
Sound recordings
Negatives
Videotapes
Plans (drawings)
Slides (photographs)
Correspondence
Contracts
Audiotapes
Memorandums
Citation:
Smithsonian Folklife Festival records: 1968 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections , Smithsonian Institution.
Identifier:
CFCH.SFF.1968
See more items in:
Smithsonian Folklife Festival records: 1968 Festival of American Folklife
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5af0b0c02-8cc8-4f62-b882-906b0a61f2f9
EDAN-URL:
ead_collection:sova-cfch-sff-1968
Online Media:

Program Books, Festival Publications, and Ephemera

Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Type:
Archival materials
Date:
1968
Scope and Contents:
Photographs in this series depict general Festival scenes.
General:
The 1968 Festival of American Folklife Program Book was edited by Ruri Sakai and designed by Janet Stratton. The 1968 Festival site was designed by Richard Lusher.
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 1968 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections , Smithsonian Institution.
Identifier:
CFCH.SFF.1968, Series 1
See more items in:
Smithsonian Folklife Festival records: 1968 Festival of American Folklife
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5b2a9cbe9-7c2a-44b8-925b-08f96ac4a1b7
EDAN-URL:
ead_component:sova-cfch-sff-1968-ref16
Online Media:

Performances

Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Type:
Archival materials
Introduction:
The 1968 Festival saw a large program of music and dance performances, in three venues: a Ballads Stage, a City-Country Stage, and a Main Stage. As with the 1967 Festival, the majority of the performers represented Anglo American and African American traditions, but there were also Lummi, Basque, and Serbian dance groups, as well as a Louisiana French ballad singer and a Native American singer and storyteller. Anglo American performers presented old-time string band music as well as bluegrass, ballads and various instrumental traditions. African American traditions ranged from a country songster and a fife-and-drum group to Muddy Waters' Chicago blues band and the Preservation Hall Band of New Orleans. Concerts were complemented by more informal workshops in which participants spoke about their cultural traditions and the importance of maintaining them. Evening concerts on the Main Stage presented a diversity of traditions and - to close the Festival - a tribute to the John A. Lomax Family that featured the diverse Texas performers.
Participants:
Anthony Alderman, 1900-1978, fiddler, Virginia

Alma Barthélémy, ballad singer, Louisiana

Loman Cansler, 1924-1992, ballad singer, Missouri

Gaither Carlton, 1901-1972, fiddler, North Carolina

Sara Cleveland, 1905-1987, ballad singer, New York

Fred Cockerham, 1905-1980, fiddler and banjo player, North Carolina

Libba Cotten, 1895-1987, singer and guitarist, Washington, D.C. (originally from North Carolina)

Henry Crow Dog, 1899-1985, Indian singer and storyteller, South Dakota

Jimmie Driftwood, 1907-1998, Ozark ballad singer, Arkansas

Russell Fluharty, 1906-1989, hammer dulcimer player, West Virginia

Dolly Greer, ballad singer, North Carolina

Joe Heaney, 1919-1984, Irish Gaelic ballad singer, Conemara, Ireland; New York

Clarence Howard, singer, guitarist, Tennessee

Clint Howard, 1930-2011, singer, guitarist, Tennessee

John Jackson, 1924-2002, Piedmont blues singer, guitarist, Virginia

Skip James, 1902-1969, country blues singer, guitarist

Tommy Jarrell, 1901-1985, fiddler, banjo player, North Carolina

Oscar Jenkins, fiddler, banjo player, North Carolina

Bessie Jones (1902-1984) and Georgia Sea Island Singers, shouts, spirituals & ring games, Georgia

Grandpa Jones, 1913-1998, country singer and banjo player, Tennessee

Norman Kennedy, 1934-, Scots ballad singer, Aberdeen Scotland, Williamsburg, Virginia

Louis Killen, 1934-2013, English ballad singer, Newcastle, England, New York City, New York

Lummi Dancers, traditional Indian dancers, Washington

Margot Mayo, 1910-1974, square dance caller, Texas, Kentucky, New York

Bill McElreath, 1904-1974, mountain clog dancer, North Carolina

Seth Mize, 1901-1977, fiddler, Arkansas

Oinkari dancers, Basque dancers, Idaho

Red Parham, harmonica player, North Carolina

Preservation Hall Band, New Orleans jazz band, Louisiana

Fred Price, 1915-1987, fiddler, Tennessee

Kenneth Price, banjo player, Tennessee

Jean Ritchie, 1922-2015, ballad singer and dulcimer player, Kentucky, New York

Fred Roe, fiddler, Tennessee

Bookmiller Shannon, 1908-1985, banjo player, Arkansas

St. Nikola dancers, traditional Serbian dancers, Wisconsin

Mr. and Mrs. Aubrey Smith, fiddler and guitar player, West Virginia, Arlington, Virginia

George Smith, square dance caller, Maryland

Dewey Shepherd, 1906-1996, fiddler and ballad singer, Kentucky

John Kilby Snow, 1905-1980, autoharp player, Pennsylvania

Ralph Stanley (1927-2016) and the Clinch Mountain Boys, bluegrass band Virginia, Florida

Swan Silvertones, gospel, New York

Odell Tolliver, 1918-, fiddler, Virginia

Leslie Walls, guitar player, Arkansas

Muddy Waters (1915-1983) and group, blues band, Illinois

Arnold Watson, singer, banjo player, North Carolina

Doc Watson, 1923-2012, singer, guitar player, banjo player, North Carolina

Merle Watson, 1949-1985, guitar player, North Carolina

Rosa Lee Watson, 1931-2012, singer and guitar player, North Carolina

Ed Young (1910-1972), G.D. Young, and Lonnie Young (1903-1976), fife and drum, Tennessee
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 1968 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections , Smithsonian Institution.
Identifier:
CFCH.SFF.1968, Series 3
See more items in:
Smithsonian Folklife Festival records: 1968 Festival of American Folklife
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5dc3aae4a-dbcc-4ae2-8fa2-2612cf69db77
EDAN-URL:
ead_component:sova-cfch-sff-1968-ref24

“Sitting at the Loom Is a Prayer”: Kevin Aspaas Weaves Diné History and Culture

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Wed, 09 Aug 2023 06:17:00 GMT
Topic:
Cultural property  Search this
See more posts:
Festival Blog
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
EDAN-URL:
edanmdm:posts_6adee373ca2f650ebfb4bf31c1e83537

Kapa Pounding with Micah Kamohoali‘i: Preserving the Art of Hawaiian Bark Cloth

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Tue, 25 Jul 2023 14:22:00 GMT
Topic:
Cultural property  Search this
See more posts:
Festival Blog
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
EDAN-URL:
edanmdm:posts_9b0042741fbf97c3ee721a00c26b00a8

Unapologetically Maya: Ubaldo Sánchez’s Ephemeral Alfombras

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Fri, 11 Aug 2023 19:24:00 GMT
Topic:
Cultural property  Search this
See more posts:
Festival Blog
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
EDAN-URL:
edanmdm:posts_a0656c2bd5129c1cf2ad97ee4c062f21

The Soul of Tengri Fashion Show: Celebrating and Reviving Kazakh Couture

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Tue, 26 Dec 2023 22:41:00 GMT
Topic:
Cultural property  Search this
See more posts:
Festival Blog
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
EDAN-URL:
edanmdm:posts_f4c61bee9c052f3ccf6442e50fe6a59a

Holistic Healing in the Ozarks: The Loves and Life’s Work of Sasha Daucus

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
Blog posts
Smithsonian staff publications
Conversations and talks
Blog posts
Published Date:
Thu, 31 Aug 2023 18:57:00 GMT
Topic:
Cultural property  Search this
See more posts:
Festival Blog
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
EDAN-URL:
edanmdm:posts_5e822ea5a49cbd0d6c16519215a365c8

Smithsonian Global

Creator:
Smithsonian Institution  Search this
Type:
YouTube Videos
Uploaded:
2015-08-04T19:08:17.000Z
YouTube Category:
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SmithsonianGlobal
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Hazel Dickens performs "West Virginia, My Home"

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Smithsonian Center for Folklife and Cultural Heritage  Search this
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2011-06-21T14:20:38.000Z
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Handes! Armenian Dance Showcase

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Smithsonian Center for Folklife and Cultural Heritage  Search this
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2018-09-18T17:33:09.000Z
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Alidé Sans: “Eth Riu (Henerècla)”

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Smithsonian Center for Folklife and Cultural Heritage  Search this
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2018-11-09T20:28:37.000Z
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Song of Spring: Traditional Miao Arts

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Smithsonian Center for Folklife and Cultural Heritage  Search this
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YouTube Videos
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2014-06-12T13:13:19.000Z
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Dancing Gombey

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Smithsonian Center for Folklife and Cultural Heritage  Search this
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2011-06-22T21:06:53.000Z
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A Tribute to Tito Matos: Part 2

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Smithsonian Center for Folklife and Cultural Heritage  Search this
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2022-11-19T00:23:09.000Z
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Turkish Karagöz Puppetry in the United States

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Smithsonian Center for Folklife and Cultural Heritage  Search this
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2020-03-09T07:00:00.000Z
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The Presentation of Artisans: The Community as Museum Space

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Smithsonian Center for Folklife and Cultural Heritage  Search this
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Lectures
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2022-03-03T20:09:07.000Z
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Nur Qanon Ensemble

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Smithsonian Center for Folklife and Cultural Heritage  Search this
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2018-07-13T20:01:37.000Z
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