Search Results

Creator:

Jordan, Phil  Search this

Names:

Art Directors Club of Metropolitan Washington  Search this

Baughman Company  Search this

Beveridge and Associates Inc.  Search this

Chamber of Commerce of the United States of America  Search this

East Carolina University  Search this

IBM (International Business Machines)  Search this

McGraw-Hill Book Company, Inc.  Search this

National Air and Space Museum  Search this

Richmond Times-Dispatch (Firm)  Search this

Robert Kline and Co. Inc.  Search this

Skyline Soaring Club  Search this

Society of Illustrators (New York, N.Y.)  Search this

United States Postal Service  Search this

United States Postal Service. Stamp Development Department  Search this

United States. Coast Guard  Search this

United States. Montgomery G.I. Bill  Search this

United States. National Aeronautics and Space Administration  Search this

Virginia Commonwealth University  Search this

Jordan, Phil  Search this

Extent:

7.18 Cubic feet (10 letter size document boxes, 3 legal size document boxes, one tall document box, and one oversize folder.)

Type:

Collection descriptions

Archival materials

Place:

New Bern (N.C.)

Fort Greely (Alaska)

United States -- History -- Civil War, 1861-1865

Date:

1992-2015

Summary:

Phil Jordan was a Stamp Art Director for the United States Postal Service (USPS). Jordan's involvement with the USPS started in 1991 and ended 23 years later having worked on 300 stamps. The collection consists primarily of stamp design files created and maintained by Jordan during his time as a Stamp Art Director for the United States Postal Service (USPS) from 1991 to 2014. The majority of the files relate to stamps that were issued by the USPS while a smaller portion of the files are related to unissued stamps that Jordan worked on. As a Stamp Art Director, Jordan was responisbile for leading and providing direction for stamp designs and regularly worked with researchers, artists, painters, illustrators, photographers, and typographers to bring to fruition an aesthetic vision for each stamp.

Scope and Contents:

The Phil Jordan collection consists primarily of stamp design files created and maintained by Jordan during his time as a Stamp Art Director for the United States Postal Service (USPS) from 1991 to 2013. The majority of the files relate to stamps that were issued by the USPS while a smaller portion of the files are related to unissued stamps that Jordan worked on. As a Stamp Art Director, Jordan was responsible for leading and providing direction for stamp designs and regularly worked with researchers, artists, painters, illustrators, photographers, and typographers to bring to fruition an aesthetic vision for each stamp.

Of the some 300 stamps Jordan was responsible for, some that are represented in this collection include stamps related to hospice care (Jordan consider his work on this stamp to be amongst the most rewarding); legends of baseball; the Civil War Sesquicentennial; legends of Hollywood; the Indianapolis 500; literary arts; Owney the postal dog; the Washington, D.C. cherry blossom centennial; bicycling; ʻĪd al-Fiṭr; Grand Central Terminal in New York City; the USS Arizona Memorial; Wilt Chamberlain; the 225th anniversary of the U.S. Coast Guard; and the 50th anniversary of supersonic flight.

In addition, there are portfolios that provide visual documentation of Jordan's work on stamps, correspondence related to stamp design inquiries, and some biographical information.

Materials in the collection include correspondence, drawings, illustrations, color photographs, color transparencies, maps, news releases, notes, research materials, brochures, and clippings. Some materials are in electronic format.

Many of the stamps that Jordan worked on as Stamp Art Director can be found at the National Postal Museum.

Arrangement:

This collection is arranged into five series.

Series

Series 1: Issued Stamps Issued Stamps, 1999-2011

Series 2: Unissued Stamps, 1998-2006

Series 3: Portfolios, 1993-2015

Series 4: General Files, 1992-2013

Series 5: Oversize, 1994-2015

Biographical / Historical:

Phil Jordan was a Stamp Art Director for the United States Postal Service (USPS). Jordan's involvement with the USPS started in 1991 and ended 23 years later having worked on 300 stamps.

Jordan grew up in New Bern, North Carolina and attended East Carolina University. After a period of service with the Army Arctic Indoctrination School in Fort Greely, Alaska, Jordan graduated from Virginia Commonwealth University with a degree in visual communications. Early in his career he worked as an artist for the Richmond Times-Dispatch and the Baughman Company offset lithographers while attending school on the GI Bill.

Later he worked at the advertising agency Robert Kline and Co. Inc. as their art supervisor before serving as the assistant art director the United States Chamber of Commerce. Next, he joined Beveridge and Associates, Inc. guiding art direction for corporate, institutional and government design projects. Eventually becoming a partner at the firm, Jordan left after 18 years to form his own communications consulting firm where he managed projects for USAir, NASA, McGraw-Hill, IBM, the National Air and Space Museum, and Smithsonian Books.

Jordan was responsible for the formats of the Air and Space and Smithsonian magazines and was their Design Director for fifteen years. From there his work as consulting art director for the United States Postal Service's Stamp Development Department saw him art direct and produce 300 postage stamps as well as other stamp collateral publications for 23 years. Among some of the stamps he worked on include the 2011 Neon! Celebrate stamp, the 2012 Major League Baseball All-Stars stamps, the 2013 Civil War stamps; the 2012 Cherry Blossom Centennial stamps; the 1997 Classic American Aircraft stamps; and the 2003 First Flight stamp.

Jordan's work has been featured in a number of exhibitions and in publications such as Graphis, Society of Illustrators, and Communication Arts. A recipient of professional awards from these organizations over the years, he was also the recipient of the NASA Group Achievement Award. He is a past president of the Art Directors Club of Metropolitan Washington and was an avid glider pilot, being a founding member of the Skyline Soaring Club and the former long-time editor of Skylines newsletter.

Provenance:

Donated by Phil Jordan, 2015. This collection was initially part of the museum collections (Accession 2015.2015), but was released to the NPM Archives in December 2023.

Restrictions:

Collection is open for research. Access to original archival materials is by appointment only. Researchers must submit request for appointment in writing. Please direct reference inquiries to the National Postal Museum Archives: NPM_Archives@si.edu.

Rights:

The National Postal Museum Archives makes its archival collections available for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. Please refer to the Smithsonian's Terms of Use and the NPM Rights and Reproductions for additional information. Please direct reference inquiries to the National Postal Museum Archives: NPM_Archives@si.edu.

Occupation:

Art directors  Search this

Graphic designers -- United States  Search this

Topic:

Postage stamps  Search this

Baseball  Search this

Cherry blossoms  Search this

Bicycling  Search this

Supersonic planes  Search this

Hospice care  Search this

Owney (Dog)  Search this

Glider pilots  Search this

USS Arizona Memorial (Hawaii)  Search this

ʻĪd al-Fiṭr  Search this

Citation:

Phil Jordan Collection, NPMA.2023.2, National Postal Museum, Smithsonian Institution

Identifier:

NPMA.2023.2

See more items in:

Phil Jordan Collection

Archival Repository:

National Postal Museum Archives

GUID:

https://n2t.net/ark:/65665/zn80a463026-5019-4c9c-95c2-cd698cf84f5a

EDAN-URL:

ead_collection:sova-npma-2023-2

Collection Creator:

Jordan, Phil  Search this

Container:

Box 7, Folder 7

Type:

Archival materials

Date:

2010-2012 (Date issued: 2015)

Collection Restrictions:

Collection is open for research. Access to original archival materials is by appointment only. Researchers must submit request for appointment in writing. Please direct reference inquiries to the National Postal Museum Archives: NPM_Archives@si.edu.

Collection Rights:

The National Postal Museum Archives makes its archival collections available for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. Please refer to the Smithsonian's Terms of Use and the NPM Rights and Reproductions for additional information. Please direct reference inquiries to the National Postal Museum Archives: NPM_Archives@si.edu.

Collection Citation:

Phil Jordan Collection, NPMA.2023.2, National Postal Museum, Smithsonian Institution

See more items in:

Phil Jordan Collection

Phil Jordan Collection / Series 1: Issued Stamps

Archival Repository:

National Postal Museum Archives

GUID:

https://n2t.net/ark:/65665/zn8285f08ed-706c-483a-9290-f40945f74227

EDAN-URL:

ead_component:sova-npma-2023-2-ref43

Creator:

Smithsonian Institution. Department of Anthropology  Search this

Editor:

Goddard, Ives, 1941-  Search this

Sturtevant, William C.  Search this

Extent:

513 Linear feet (The total extent of the collection is 513 linear feet with 11 boxes of oversized material, four boxes of rolled maps and three large map folders )

Culture:

Indians of North America  Search this

Type:

Collection descriptions

Archival materials

Articles

Bibliographies

Correspondence

Financial records

Illustrations

Manuscripts

Maps

Photographs

Publications

Research

Date:

circa 1966-2008

Summary:

This collection is comprised of the working records of the Handbook of North American Indians, the unpublished photographs, published photographs, editorial correspondence, Illustrations and Bibliographic research as well as administrative files and linguistics research.

Scope and Contents:

This collection is comprised of the working records of the Handbook of North American Indians, which includes published and unpublished photographs, editorial correspondence, illustrations, bibliographic and linguistic research, and administrative files. The total extent of the collection is 513 linear feet with 11 boxes of oversized material, four boxes of rolled maps and three large map folders.

Series 1: Published photographs (78.75 linear feet) contains the printed, photocopied or digital representations of the photographs and illustrations published in The Handbook of North American Indians (HNAI). The series also contains the correspondence and documentation surrounding the research and use of these images. The files are organized by published volume (culture area or special topic), chronologically by publication date and, therein segmented alphabetically by chapter author. Authors who have contributed multiple chapters within the same volume are further delineated by the chapter title.

Series 2: Unpublished photographs (91.5 linear feet) contains original photographs, photocopied images and/or digital representations of the photographs and illustrations not published in The Handbook of North American Indians (HNAI). It is primarily the result of research trips made by Joanna Cohan Scherer, Illustrations Researcher from 1970-2006. The series also contains the correspondence and documentation surrounding the accession of these images and their potential use in the HNAI project or future use by the NAA.

Series 3: Photo repository files (16 linear feet) contains an alphabetical listing of repositories or photographers that were utilized or inventoried in the collecting of the photographs for volume publication and research. Each file represents a discreet repository- files are arranged alphabetically. Folders contain correspondence, newspaper clippings and company information when available.

Series 4: Central editorial files (134 linear feet) contains the working files of various editors within the office of the Handbook of North American Indians. Within this series you will find correspondence with chapter authors, manuscript edits and related research. Folder titles are organized first by volume publication date, beginning with Volume 8- California and those volumes are organized alphabetically by the last name of each chapter author. Further chapter organization is delineated in the following manner: the front folder contains an original working copy of the chapter manuscript and a bibliography, the second folder contains a file copy of the manuscript and three smaller folders titled: "orthography", "illustrations" and "correspondence". The final portion of the chapter folders consists of the superseded manuscript text.

Series 5: General Editor files (30 linear feet) contains the files of William C. Sturtevant as they relate to his work as General Editor for the Handbook of North American Indians. This material was packed in the order in which it was found in the sub-office of the General Editor. The General Editor oversaw the production of all volumes of HNAI. Included are superseded files from the Indians in Contemporary Society Volume, volume reviews, original author questionnaires for the soliciting of volume contributors as well as a number of research publications.

Series 6: Linguistic Editor files (9 linear feet) consists of files from the office of Linguistic Editor Dr. Ives Goddard. Included are orthographies, alphabets, typologies and personal names gathered in the publication of all volumes of the Handbook of North American Indians but mostly focused on the Language Volume.

Series 7: Managing Editor files (5 linear feet) consists of the files from Dr. Ives Goddard's time as the managing editor of the Handbook. Correspondence, volume production schedules and chapter edits can be found in this series. The managing editor took over the role of the general editor.

Series 8: Editorial assistant files (24 linear feet) consists of the files of Editorial Assistant Paula Cardwell. Ms. Cardwell worked as the assistant to General Editor William C. Sturtevant. This series is unprocessed.

Series 9: Illustrator research files (9 linear feet and 11 boxes of oversized materials) contains the files associated with the illustrations research function of the Handbook of North American Indians office. It is comprised heavily of correspondence with chapter authors and of oversized illustrations for the volumes.

Series 10: Bibliographer files (12 linear feet) contains the files of bibliographer Cesare Marino and others who helped to compile the bibliographies for all volumes of the Handbook.

Series 11: Bibliographic card files and lists (18 linear feet) consists of the Bibliographic card files created to organize the information content of the handbook volumes and stored for potential use in the unpublished Bibliography volumes 19 and 20. This series is unprocessed.

Series 12: Coordinator files (3 linear feet) consists of the papers of the HNAI coordinator office and includes documents related to typesetting, printing, indexing, schedules and documentation of the Handbook publication practices. These files were maintained by Dianne Della-Loggia.

Series 13: Administrative (13 linear feet) consists of the administrative papers of the Handbook of North American Indians office and were maintained by administrator Melvena Jackson. This series is unprocessed.

Series 14: Quarterly reports (3 linear feet) consistss of the quarterly financial reports of the Handbook office from 1976 to 1992.

Series 15: Vertical file (16 linear feet) contains published reference data for use in the making of HNAI, including scholarly articles, research and other publications. This series is unprocessed.

Series 16: Maps (4 boxes of rolled maps and 3 folders of annotated maps).

Arrangement:

The collection is organized into 16 series: 1) Published photographs; 2) Unpublished photographs; 3) Photo repository files; 4) Central editorial files; 5) General Editor files; 6) Linguistic Editor files; 7) Managing Editor files; 8) Editorial assistant files; 9) Illustrator research files; 10) Bibliographer files; 11) Bibliographic card files and lists; 12) Coordinator files; 13) Administrative; 14) Quarterly reports; 15) Vertical file; 16) Maps.

Historical Note:

The Handbook of North American Indians, originally a project of the Smithsonian Office of Anthropology, was transferred to the Center for the Study of Man upon its organization in the late 1960's. With the center's winding down in the late 1970's, the Handbook was returned to the Department of Anthropology. William C. Sturtevant was Editor from the inception until 2007. The office of the Handbook was concerned with the production of a multivolume work intended to supersede F.W. Hodge's two-volume Handbook of Indians North of Mexico, Bureau of American Ethnology Bulletin 30, 1907-1910. The Handbook office was terminated in December of 2007 having published 15 of the planned 20 volumes.

1966 -- William C. Sturtevant officially named general editor

1968 -- Office of the Handbook is established

1970 -- First staff member hired by Sturtevant- Joanna Cohan Scherer

1972 -- First manuscript submitted to the Office, April 28

1978 -- California volume published Northeast volume published

1979 -- Southwest volume published

1981 -- Subarctic volume published

1983 -- Second Southwest volume published

1984 -- Arctic volume published

1986 -- Great Basin volume published

1988 -- History of Indian-White Relations volume published

1990 -- Northwest Coast volume published

1996 -- Languages volume published

1998 -- Plateau volume published

2000 -- Plains volume published

2004 -- Southeast volume published

2006 -- Environment, Origins and Populations volume published

2007 -- General Editor William C. Sturtevant retires in January General Editor William C. Sturtevant Passes away on March 2nd Office terminated in December

2008 -- Indians in Contemporary Society volume published

Provenance:

These records from the Office of the Handbook of North American Indians were moved in November of 2008 from the office of the Handbook of North American Indians to the National Anthropological Archives at the Museum Support Center.

Restrictions:

Advanced notice must be given to view portions of the collection stored off-site. Consult the reference archivist for more information.

Rights:

The NAA does not own rights to many of the photographs and illustrations in Series 1 Published Photographs and Series 2: Unpublished Photographs. Permission to use photographs must be obtained from the corresponding repository and or source (ie photographer and or anthropologist). Photographers and anthropologists who contributed their original material often gave permission for the Smithsonian to freely use their materials, corresponding catalog cards will often indicate whether there are restrictions on use.

Contact the repository for more information.

Genre/Form:

Articles

Bibliographies

Correspondence

Financial records

Illustrations

Manuscripts

Maps

Photographs

Publications

Research

Citation:

Handbook of North American Indians records, National Anthropological Archives, Smithsonian Institution.

Identifier:

NAA.MS2008-25

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw39244069f-8786-4b72-b3bb-b4d9a7841bcd

EDAN-URL:

ead_collection:sova-naa-ms2008-25

Landscape architect:

Steele, Fletcher, 1885-1971  Search this

Former owner:

Stoddard, Robert, 1906-1984  Search this

Stoddard, Helen, 1904-1998  Search this

Horticulturist:

Wheat, Isabel  Search this

Gardener:

Mattus, Matt  Search this

Documentation:

Karski, Robert, 2016  Search this

Provenance:

Worcester Garden Club  Search this

Collection Creator:

Favretti, Rudy J., 1932-1923  Search this

Type:

Archival materials

Place:

Steele-Stoddard-McDonough Garden (Worcester, Massachusetts).

United States of America -- Massachusetts -- Worcester -- Worcester

Scope and Contents:

The folder includes worksheets, photocopies of articles, and other information.

General:

Beginning work in 1949 the gardens on this five acre property were a collaboration between landscape architect Fletcher Steele (1855-1971) and owner Helen Stoddard, and most of Steele's design and plantings were maintained for the next 50 years. The site slopes down behind the house and has outcroppings of rock. Steele envisioned a descending cornucopia shape inspired by the illusion of the downward spiral he had observed in Titian's painting "Bacchus and Ariadne", and had the shape he wanted carved into the earth by bulldozers. Descending levels of lawn, flower beds, and a pond were bordered by a ribbon of bluestone planted with tufts of blue fescue. Dry stone walls planted with maiden hair ferns were built from a porous fossilized rock dug out of a dried-up lake bed in Castalia, Ohio. Two sets of steps, one from the bluestone terrace behind the house and another below a bank of roses were covered with moss. White birches were planted to draw the eye to perennial borders, and spires of arborvitae were another focal point. The Art Deco style of the garden brought together the exotic and native by blending into surrounding woodlands that had plantings of juniper, mountain laurel, azaleas, dogwood, hemlock, birch, and elm.

The current owners resolved to preserve Steele's innovative design and vision as much as possible while changing some deteriorating hardscape and plants. The dry Castalia stone wall and moss-covered steps were no longer safe and had to be replaced when the house was renovated. Bluestone was used to rebuild the terrace behind the house and for steps set on fieldstone risers, and a new low wall was built from cinder blocks with stone facing. A walkway of fieldstone set in the lawn recalled an original path. The blue fescue grass was dying off, possibly due to soggy feet, and is being replaced by Japanese hakone grass which is mostly yellow. The arborvitae had grown too tall and were out of scale, many were knocked over by a storm, and some are being replanted. However many of the perennials in the borders and beds, the white birches and the rose and azalea banks are still growing.

Persons associated with the garden include: Robert and Helen Stoddard (former owners, 1941-1999); Fletcher Steele (1885-1971) (landscape architect, 1946-1949); Matt Mattus (gardener, 1975-1980); Isabel Wheat (horticulturist, 1999- ); Robert Karski (documentation, 2016).

Related Materials:

Steele-Stoddard-McDonough Garden related holdings consist of 7 folders (119 35mm slides; 4 transparencies; 9 digital images)

See others in:

Garden Club of America Collection, ca. 1920-[ongoing].

Eleanor Weller collection, circa 1978-2006.

Ken Druse garden photography collection, 1978-2005.

Corliss Knapp Engle slide collection, 1969-2001.

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Gardens -- Massachusetts -- Worcester  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, Rudy J. Favretti CollectionPapers.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.FAV, File MA244

See more items in:

Rudy J. Favretti collection

Rudy J. Favretti collection / Series 4: Visited Gardens / 4.2: Garden Images / Massachusetts

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb6d4a1f341-6af9-4756-b98d-8b8109e8adea

EDAN-URL:

ead_component:sova-aag-fav-ref4

Creator:

Thayer, Abbott Handerson, 1849-1921  Search this

Thayer, Gerald Handerson, 1883-1939  Search this

Names:

May, Clara Adelaide, 1872-1946  Search this

Thayer, Abbott Handerson, 1849-1921  Search this

Thayer, Gerald Handerson, 1883-1939  Search this

Thayer, Gladys, 1886 or 7-1945  Search this

Collection Creator:

Brumbaugh, Thomas B. (Thomas Brendle), 1921-  Search this

Extent:

6 Items (Letters, written in ink, graphite)

4 Items (Envelopes)

Type:

Archival materials

Correspondence

Date:

1890-1899

Scope and Contents:

This folder is an amalgamation of letters written by Abbott H. Thayer to his model and friend, Clara A. May. Also included is a thank-you letter from Thayer's son, Gerald, to May.

Arrangement:

Organized chronologically.

Biographical / Historical:

Abbott Handerson Thayer was born in Boston, Massachusetts on August 12, 1849 to a distinguished family. He moved from Boston to Brooklyn during his childhood, where he attended the National Academy of Design. Thayer often used his wife, Kate Bloede Thayer, her sister Gertrude, and his three children Mary, Gerald and Gladys as models. He also used Clara A. May as a model. His subjects included ethereal angels, landscapes, women, children, and flowers. When Kate died, Thayer's entire outlook on art and life changed. It had been Kate's family that introduced Thayer to the sense of idealism that comes from a German family who had immigrated to the United States. He had learned about the romanticism surrounding art and literature from the Bloedes, all of which encouraged the artist to paint perfectly beautiful figures. Later in life, Thayer established a permanent household in Dublin, New Hampshire, with his new wife, Emma Beach. He loved to paint the surrounding mountains and birds. Interestingly, Charles Lang Freer was one of Thayer's patrons.

Clara May was one of Thayer's models. May met Thayer at the summer colony of Dublin in New Hampshire, where the two families were neighbors. Their friendship lasted around ten years, but this friendship withered following May's marriage to Reverend Paine. Following her marriage, May no longer worked as a model for Thayer.

Gerald Thayer was one of Abbott Thayer's sons, who wrote an unfinished thank you letter to May which was sent along with Abbott's letter.

Local Numbers:

FSA A2009.06 2

Other Archival Materials:

Thomas B. Brumbaugh research material on Abbott Handerson Thayer and other artists, 1876-1994 (bulk 1960s-1994); Also located at Archives of American Art, Smithsonian Institution.

Collection Restrictions:

Collection is open for research.

Collection Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Topic:

Art, American  Search this

Genre/Form:

Correspondence -- 19th century

Correspondence -- 20th century

Collection Citation:

The Brumbaugh Collection of Artist Letters. FSA.A2009.06. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C.

Identifier:

FSA.A2009.06, Series FSA A2009.06 2

See more items in:

The Brumbaugh Collection of Artist Letters

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

GUID:

https://n2t.net/ark:/65665/dc35afeca45-c53f-417f-a250-38fe76484ba3

EDAN-URL:

ead_component:sova-fsa-a2009-06-ref6

Creator:

Morison, George S., 1842-1903  Search this

Names:

Baring Brothers Company  Search this

Isthmian Canal Commission.  Search this

Extent:

30 Cubic feet (63 boxes and 152 map-folders)

Type:

Collection descriptions

Archival materials

Blueprints

Tracings

Place:

Peterborough (NH)

Panama

Date:

1846-1903

Summary:

The collection documents the career of George S. Morison, a prominent civil engineer, specializing in railroad bridge design. The materials consist primarily of drawings and maps (linen tracings, blueprints, sketches); final bridge reports; photographs; glass plate negatives; daily diaries; correspondence; and published material documenting George S. Morison's participation on the Isthmian Canal Commission, 1898-1903.

Arrangement:

The collection is arranged into seven series.

Series 1: Diaries, 1863-1903

Subseries 1.1: Biographical Materials, 1863-1903

Subseries 1.2: Diaries, 1863-1903

Subseries 1.3: Newspaper Clippings, 1880-1898

Series 2: Correspondence, 1870-1903

Series 3: Reports/Printed Materials, 1846-1903

Series 4: Photographs, 1888, 1892-1893

Series 5: Glass Plate Negatives, 1886-1889

Subseries 5.1: Bellefontaine Bridge, undated

Subseries 5.2: Blair Crossing, 1893

Subseries 5.3: Cairo Bridge, 1888-1889

Subseries 5.4: Kansas City Bridge, 1886

Subseries 5.5: Memphis Bridge, circa 1893

Subseries 5.6: Memphis Bridge, 1891-1893

Subseries 5.7: Nebraska City Bridge, 1887-1888

Subseries 5.8: Omaha Bridge, undated

Subseries 5.9: Panama Canal, undated

Subseries 5.10: Rulo Bridge, 1886-1889

Subseries 5.11: Sioux City, circa 1881

Series 6: Lantern Slides, 1878-1894

Subseries 6.1: Isthmian Canal, undated

Subseries 6.2: General, 1878-1894

Series 7: Drawings, circa 1881-1900

Biographical / Historical:

Morison (1842-1903) of Peterborough, New Hampshire, was a prominent civil engineer specializing in railroad bridge design. He built ten bridges over the Missouri River, five over the Mississippi River and one over the Ohio River. Morison designed bridges in New York, and worked on the New York waterfront. He also helped to locate a deep water harbor in southern California and designed and built several viaducts.

Morison served on numerous engineering boards and acted as a consulting expert for Baring Brothers Company. Morison was a member of several important engineering committees, the most important of which was the Isthmus Canal (Panama Canal) Commission, 1899-1903. He was instrumental in changing its recommended location from Nicaragua to Panama.

Related Materials:

Materials in the Archives Center, National Museum of American History

George W. Sims Papers, 1896-1981. (AC0127)

Underwood & Underwood Glass Stereograph Collection, 1895-1921 (AC0143)

Silas H. Woodard Papers, ca. 1899-1932 (AC1038)

Make the Dirt Fly!

Materials in Other Organizations

Minnesota Historical Society

Engineering Dept. records. Northern Pacific Railway Company records, 1867-1970.

Subject files (1867-1970); accounting records (1879-1921); standard plans for buildings, bridges, and other structures ([188-]-[196-]); track profile maps (1890-1927); and bridge records (1892-1960) created or compiled by the Northern Pacific administrative unit responsible for locating, surveying, constructing, and maintaining roadways and structures. Contains letter press books for George S. Morison.

Library of Congress, Historic American Buildings Survey/Historic American Engineering Record/Historic American Landscapes Survey

Includes photographs and drawings for some of Morison's bridges.

Separated Materials:

Artifacts related to this collection are in the Division of Work & Industry (See accessions #1984.1093 and #1993.0113) and includes camera equipment, drafting curves, and an omnimeter transit with tripod.

Provenance:

The collection was donated by Robert S. Morison, Elting Morison, and John H. Morison on June 17, 1985.

Restrictions:

Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Bridges -- Design and construction  Search this

Railroad bridges  Search this

Genre/Form:

Blueprints

Tracings

Citation:

George Morison Collection, Archives Center, National Museum of American History

Identifier:

NMAH.AC.0978

See more items in:

George S. Morison Collection

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep847ba2160-f43c-47ce-a3ba-973eeb23f8de

EDAN-URL:

ead_collection:sova-nmah-ac-0978

Author:

International Symposium on Trichoptera (12th : 2006 : Mexico City (Mexico))  Search this

Editor of compilation:

Bueno Soria, Joaquín  Search this

Barba Álvarez, Rafael  Search this

Armitage, Brian J  Search this

Physical description:

xii, 378 pages illustrations, maps, color portraits 29 cm

Type:

Congresses

Conference papers and proceedings

Date:

2007

Topic:

Caddisflies  Search this

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1112581

Author:

Osborne, Linda Barrett 1949-  Search this

Subject:

United States Postal Service History  Search this

United States Postal Service History  Search this

Physical description:

236 pages illustrations (some color) 22 cm

Type:

Juvenile literature

Instructional and educational works

Illustrated works

History

Juvenile works

Matériel d'éducation et de formation

Ouvrages illustrés

Place:

United States

Date:

2023

Topic:

Postal service--History  Search this

JUVENILE NONFICTION / History / United States  Search this

JUVENILE NONFICTION / People & Places / United States  Search this

JUVENILE NONFICTION / Social Science / Politics & Government  Search this

Postal service  Search this

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1161061

Author:

Horden, John 1828-1893  Search this

Physical description:

xix, 137 pages 19 cm

Type:

Texts

Textes

Date:

1966

1887

Topic:

Hymns, Cree  Search this

Cree language  Search this

Cri (Langue)  Search this

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1163504

Author:

Libby, Valencia  Search this

Issuing body:

Oregon State University Press  Search this

Subject:

Lord & Schryver (Firm : Salem, Or.)  Search this

Physical description:

xi, 220 pages, 24 unnumbered pages of plates illustrations (some color) 26 cm

Type:

Biography

Biographies

History

Place:

United States

Oregon

Northwest, Pacific

États-Unis

Pacific Northwest

Date:

2021

20th century

Topic:

Women gardeners  Search this

Landscape gardening--History  Search this

Gardens--Design  Search this

Jardinières  Search this

Landscape gardening  Search this

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1163737

Author:

Bishop, Richard P  Search this

Author:

Canada National Parks Branch  Search this

Subject:

Mackenzie, Alexander (1763-1820; Sir)  Search this

Physical description:

31 pages, [1] folded leaf of plates illustrations, maps (1 folded), portrait 19 cm

Type:

Books

Place:

British Columbia

Colombie-Britannique

Northwest, Canadian

Canada

Canadian Northwest

Canada (Nord-Ouest)

Date:

1924

Topic:

Historic sites  Search this

Parks  Search this

Lieux historiques  Search this

Discoveries in geography  Search this

Discovery and exploration  Search this

Descriptions et voyages  Search this

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1165709

Author:

American Institute for Conservation of Historic and Artistic Works  Search this

Subject:

American Institute for Conservation of Historic and Artistic Works  Search this

Physical description:

v. ; 22 cm

Type:

Directories

Place:

United States

Date:

1982

Topic:

Art objects--Conservation and restoration  Search this

Art restorers  Search this

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_678763

Creator:

Coe, Ralph T., 1929-2010  Search this

Type:

Sound recordings

Video recordings

Citation:

Ralph T. Coe papers, 1928-2010, bulk 1950s-2010. Archives of American Art, Smithsonian Institution.

Topic:

Art -- Collectors and collecting  Search this

Museum directors  Search this

Native American artists  Search this

Theme:

Research and writing about art  Search this

Record number:

(DSI-AAA_CollID)16172

(DSI-AAA_SIRISBib)366561

AAA_collcode_coeralp

Theme:

Research and writing about art

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_366561

Photograph by:

Dave Peterson, American  Search this

Subject of:

Althea Gwyn, American, 1956 - 2022  Search this

Women's Professional Basketball League, American, 1978 - 1981  Search this

Iowa Cornets, American, 1978 - 1980  Search this

New York Stars, American, 1978 - 1980  Search this

Medium:

digital

Dimensions:

H x W: 13056 pixels × 8288 pixels

File size: 206.5 MB

Type:

digital images

digital media - born analog

Place depicted:

New York City, New York, United States, North and Central America

Cedar Rapids, Linn County, Iowa, United States, North and Central America

Date:

1979-1980; scanned 2023

Topic:

African American  Search this

Basketball  Search this

Photography  Search this

Women  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture, Gift of Bob Modersohn and Molly Kazmer

Object number:

2024.9.1

Restrictions & Rights:

© David Peterson

Permission required for use. Proper usage is the responsibility of the user.

See more items in:

National Museum of African American History and Culture Collection

Classification:

Media Arts-Photography

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd54f191324-e507-4c7b-9d3c-d551d9110547

EDAN-URL:

edanmdm:nmaahc_2024.9.1

Manufactured by:

Unidentified  Search this

Owned by:

Clayton Sinclair, American  Search this

Hazel Sinclair, American  Search this

Subject of:

Rock Rest Tourist Home, American, 1948 - 1976  Search this

Medium:

cotton (textile) on wood with polyurethane and metal

Dimensions:

H x W x D (Overall): 32 × 35 × 30 in. (81.3 × 88.9 × 76.2 cm)

H x W x D (2011.12.2a): 32 × 35 × 30 in. (81.3 × 88.9 × 76.2 cm)

H x W x D (2011.12.2b): 4 1/2 × 22 5/16 × 21 7/16 in. (11.4 × 56.7 × 54.5 cm)

Type:

armchairs

Place collected:

Kittery, York County, Maine, United States, North and Central America

Date:

mid 20th Century

Topic:

African American  Search this

Black Enterprise  Search this

Black interiors  Search this

Business  Search this

Recreation  Search this

Segregation  Search this

Travel  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture, Gift of Portsmouth Black Heritage Trail, Inc.

Object number:

2011.12.2ab

Restrictions & Rights:

No Known Copyright Restrictions

Proper usage is the responsibility of the user.

See more items in:

National Museum of African American History and Culture Collection

Collection title:

The Rock Rest Tourist Home Collection

Classification:

Textiles

Furnishings, Housewares, and Décor

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd53fb1cf9c-a45a-4e8f-9f8a-3f7cb073e6a7

EDAN-URL:

edanmdm:nmaahc_2011.12.2ab

Created by:

Voter Education Project, American, 1962 - 1968  Search this

Subject of:

Muhammad Ali, American, 1942 - 2016  Search this

Medium:

printing ink and ink on paper

Dimensions:

H x W: 22 3/4 × 15 1/2 in. (57.8 × 39.4 cm)

Type:

political posters

Place used:

Atlanta, Fulton County, Georgia, United States, North and Central America

Date:

1960s

Topic:

African American  Search this

Athletes  Search this

Boxing  Search this

Politics  Search this

Sports  Search this

Suffrage  Search this

U.S. History, 1961-1969  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture

Object number:

2014.63.42

Restrictions & Rights:

Unknown - Restrictions Possible

Rights assessment and proper usage is the responsibility of the user.

See more items in:

National Museum of African American History and Culture Collection

Classification:

Memorabilia and Ephemera

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd5fd3056f7-6372-47ca-a0e2-fd09a2626abd

EDAN-URL:

edanmdm:nmaahc_2014.63.42

Mint:

U.S. Mint, Philadelphia  Search this

Issuing authority:

United States Mint  Search this

Physical Description:

copper - nickel (overall metal)

0 (overall die axis)

0 (overall die axis measurement)

struck (overall production method)

Measurements:

overall: .22 cm x 3.07 cm; 3/32 in x 1 7/32 in

Object Name:

coin

Place made:

United States

Place of issue:

United States

Date made:

1993

Credit Line:

U.S. Department of the Treasury. U.S. Mint

ID Number:

1993.0522.0016

Catalog number:

1993.0522.0016

Accession number:

1993.0522

See more items in:

Work and Industry: National Numismatic Collection

Data Source:

National Museum of American History

GUID:

http://n2t.net/ark:/65665/ng49ca746ab-4c37-704b-e053-15f76fa0b4fa

EDAN-URL:

edanmdm:nmah_1151908

Maker:

Veeder Manufacturing Company  Search this

Measurements:

overall: 7.6 cm x 9.1 cm x 2.5 cm; 3 in x 3 9/16 in x in

overall: 15/16 in x 3 5/8 in x 3 in; 2.38125 cm x 9.2075 cm x 7.62 cm

Object Name:

Odometer

Place made:

United States: Connecticut, Hartford

Date made:

around 1900

ID Number:

PH.247957

Catalog number:

247957

Accession number:

47736

See more items in:

Medicine and Science: Physical Sciences

Measuring & Mapping

Data Source:

National Museum of American History

GUID:

http://n2t.net/ark:/65665/ng49ca746aa-4ef2-704b-e053-15f76fa0b4fa

EDAN-URL:

edanmdm:nmah_1184212

Maker:

Veeder Manufacturing Company  Search this

Measurements:

overall: 3 in x 3 1/2 in x 1 1/8 in; 7.62 cm x 8.89 cm x 2.8575 cm

overall: 1 in x 3 9/16 in x 3 in; 2.54 cm x 9.04875 cm x 7.62 cm

Object Name:

Odometer

Place made:

United States: Connecticut, Hartford

Date made:

around 1900

ID Number:

PH.247958

Catalog number:

247958

Accession number:

47736

See more items in:

Medicine and Science: Physical Sciences

Measuring & Mapping

Data Source:

National Museum of American History

GUID:

http://n2t.net/ark:/65665/ng49ca746ad-320e-704b-e053-15f76fa0b4fa

EDAN-URL:

edanmdm:nmah_1393150

Creator:

Smithsonian Center for Folklife and Cultural Heritage  Search this

Type:

Blog posts

Smithsonian staff publications

Blog posts

Published Date:

Wed, 04 Oct 2023 00:02:00 GMT

Topic:

Cultural property  Search this

See more posts:

Festival Blog

Data Source:

Smithsonian Center for Folklife and Cultural Heritage

EDAN-URL:

edanmdm:posts_24bc130215ecd243986c26da7987c270