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Childe Hassam

Artist:
Samuel Johnson Woolf, 12 Feb 1880 - 1948  Search this
Sitter:
Childe Hassam, 17 Oct 1859 - 27 Aug 1935  Search this
Medium:
Charcoal and chalk on paper
Dimensions:
Image: 36 × 28 cm (14 3/16 × 11")
Sheet: 64.8 × 49.8 cm (25 1/2 × 19 5/8")
Type:
Drawing
Date:
1934
Topic:
None  Search this
Personal Attribute\Facial Hair\Mustache  Search this
Costume\Dress Accessory\Tie\Necktie  Search this
Childe Hassam: Male  Search this
Childe Hassam: Visual Arts\Artist\Painter  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution © Estate of S.J. Woolf
Object number:
NPG.80.260
Restrictions & Rights:
© Estate of S.J. Woolf
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
EDAN-URL:
edanmdm:npg_NPG.80.260

James Dean, Chet and John Orion

Artist:
Alan E. Cober  Search this
Medium:
Drawing, Pen and Ink on Paper
Dimensions:
3-D (Sketchbook): 24.1 × 1.9 × 19cm (9 1/2 × 3/4 × 7 1/2 in.)
2-D - Unframed (H x W) (Sheet of Paper): 18.1 × 22.9cm (7 1/8 in. × 9 in.)
Type:
ART-Drawings
Country of Origin:
United States of America
Date:
1972
Credit Line:
Transferred from the National Aeronautics and Space Administration
Inventory Number:
A19751206000
Restrictions & Rights:
Do not reproduce without permission from the Smithsonian Institution, National Air and Space Museum
See more items in:
National Air and Space Museum Collection
Data Source:
National Air and Space Museum
EDAN-URL:
edanmdm:nasm_A19751206000
Additional Online Media:

Temple of Minerva, Athens, Greece

Designer:
Hubert Robert, French, 1733 – 1808  Search this
Medium:
Pen and black ink, brush and brown, green, and gray wash on white laid paper, laid down
Type:
architecture
Drawing
Object Name:
Drawing
Made in:
France
Date:
1778–79
Credit Line:
Gift of Mrs. Howard J. Sachs and Mr. Peter G. Sachs in memory of Miss Edith L. Sachs
Accession Number:
1978-168-39
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_1978-168-39

Virgin and Child

Designer:
Girolamo Siciolante, Italian, ca. 1521 - 1575  Search this
Medium:
Graphite, brush and white gouache on blue laid paper
Type:
figures
Drawing
Object Name:
Drawing
Made in:
Rome, Italy
Date:
ca. 1521–75
Credit Line:
Gift of the Estate of Harry G. Friedman
Accession Number:
1966-2-17
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_1966-2-17

William Walter Phelps' Nephew and His Mother, Mrs. Steuart Dodge

Artist:
Daniel Huntington, American, 1816–1906  Search this
Medium:
Graphite on paper
Type:
figures
Drawing
Object Name:
Drawing
Made in:
USA
Date:
1872
Credit Line:
Bequest of Erskine Hewitt
Accession Number:
1942-50-433
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_1942-50-433

Project for a painted overdoor

Artist:
Giacomo Casa  Search this
Medium:
Pencil, brush, various colors, gold, cardboard
Object Name:
Drawing
Type:
Drawing
Date:
1850–75
Credit Line:
Museum purchase through gift of various donors and from Eleanor G. Hewitt Fund
Accession Number:
1938-88-6955
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_1938-88-6955

Design for the letter A of a primer: Ange Gardien (Guardian Angel)

Artist:
Victor Vincent Adam, 1801–1866  Search this
Medium:
Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper.
Object Name:
Drawing
Type:
Drawing
Made in:
France
Date:
ca. 1830
Credit Line:
Bequest of Erskine Hewitt
Accession Number:
1938-57-778
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_1938-57-778

The Child and the School-Master, Illustration for Aesop's Fables

Artist:
Victor Wilbour  Search this
Medium:
Pen and red ink, crayon on white board
Object Name:
Drawing
Type:
Drawing
Made in:
USA
Date:
ca. 1916
Accession Number:
1918-44-20
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_1918-44-20

Design for the Decoration of a Panel

Artist:
Gilles Paul Cauvet, French, 1731 - 1788  Search this
Medium:
Red crayon on paper
Object Name:
Drawing
Type:
Drawing
Made in:
Paris, France
Date:
ca. 1775
Credit Line:
Gift of H. O. Havemeyer
Accession Number:
1907-13-1
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_1907-13-1

Design for a Ceiling (?) Painting with the Coat of Arms of Cardinal Francesco Maria de'Medici

Artist:
Antonio Domenico Gabbiani, Italian, 1652 - 1726  Search this
Patron:
Francesco Maria de' Medici, Italian, 1660 - 1711  Search this
Medium:
Lead point, pen and ink, brush and brown, black wash on paper
Object Name:
Drawing
Type:
Drawing
Made in:
Italy
Date:
ca. 1690
Accession Number:
1908-11-4
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_1908-11-4

Mary with the Child

Attributed to:
Donato Creti, Italian, 1671–1749  Search this
Medium:
Graphite, pen and ink on paper
Type:
figures
Drawing
Object Name:
Drawing
Made in:
Italy
Date:
ca. 1720
Credit Line:
Museum purchase through gift of various donors
Accession Number:
1901-39-71
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_1901-39-71

Study for an Alter Painting with Christ Child

Artist:
Filippo Marchionni, Italian, 1732–1805  Search this
Medium:
Chalk on paper
Type:
figures
Drawing
Object Name:
Drawing
Made in:
Italy
Date:
1750–1800
Credit Line:
Museum purchase through gift of various donors
Accession Number:
1901-39-8
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_1901-39-8
Additional Online Media:

A Hand Bell

Medium:
Pen and ink on paper
Type:
metalwork
Drawing
Object Name:
Drawing
Made in:
Europe
Date:
1820–35
Credit Line:
Museum purchase through gift of various donors
Accession Number:
1901-39-867
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_1901-39-867

Study for a standing woman with child, “Vintage Festival,” Mendelssohn Glee Club, New York, NY

Artist:
Robert Frederick Blum, American, 1857–1903  Search this
Medium:
Pastel crayon on grey paper
Type:
figures
Drawing
Object Name:
Drawing
Made in:
New York, NY, USA
Date:
1895–1898
Credit Line:
Gift of Henrietta Haller
Accession Number:
1904-16-16-b
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_1904-16-16-b

Madonna and Child

Possibly:
Domenico Mondo, Italian, 1723 - 1806  Search this
Medium:
Ink wash on paper
Type:
figures
Drawing
Object Name:
Drawing
Made in:
Italy
Date:
18th century
Credit Line:
Museum purchase through gift of various donors
Accession Number:
1901-39-2800
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_1901-39-2800

Recto, above left: Passage regarding the Woman of the Apocalypse, from the Book of Revelation; Recto, above right: Woman of the Apocalyse; Recto, below left: Frontispiece to print series of the Life of the Virgin; Recto, below right: Coronation of the Virigin; Verso, left: A Buffet; Verso, right: Saint George and the Dragon

Artist:
Jan van der Straet, called Stradanus, Flemish, 1523–1605  Search this
Medium:
Pen and brown ink, brush and wash on paper
Type:
figures
Drawing
Object Name:
Drawing
Made in:
Netherlands
Date:
1589 or before
Credit Line:
Museum purchase through gift of various donors
Accession Number:
1901-39-562
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_1901-39-562
Additional Online Media:

Madonna and child

Designer:
Felice Giani, Italian, 1758–1823  Search this
Artist:
Felice Giani, Italian, 1758–1823  Search this
Medium:
Graphite, pen and ink, brush and wash on paper
Type:
religion
Drawing
Object Name:
Drawing
Made in:
Italy
Date:
ca. 1800
Credit Line:
Museum purchase through gift of various donors
Accession Number:
1901-39-589
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_1901-39-589

Virgin with Christ Child and Saint Jerome

Artist:
Felice Giani, Italian, 1758–1823  Search this
Medium:
Graphite on paper
Type:
figures
Drawing
Object Name:
Drawing
Made in:
Italy
Date:
ca. 1800
Credit Line:
Museum purchase through gift of various donors
Accession Number:
1901-39-61
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_1901-39-61

Harry Sternberg papers

Creator:
Sternberg, Harry, 1904-2001  Search this
Names:
Art Students League (New York, N.Y.) -- Faculty  Search this
Idyllwild School and Museum for the Arts -- Faculty  Search this
Blume, Peter, 1906-1992  Search this
Evergood, Philip, 1901-1973  Search this
Kent, Rockwell, 1882-1971  Search this
Secunda, Arthur  Search this
Siqueiros, David Alfaro  Search this
Walker, Hudson D. (Hudson Dean), 1907-1976  Search this
Warner, Malcolm, 1953-  Search this
Wickey, Harry  Search this
Zigrosser, Carl, 1891-  Search this
Extent:
3.4 Linear feet
0.553 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Video recordings
Notes
Manuscripts
Interviews
Scrapbooks
Drafts (documents)
Sound recordings
Photographs
Sketchbooks
Drawings
Date:
1927-2000
Summary:
The papers of New York City and California painter, printmaker, and teacher Harry Sternberg date from 1927 to 2000 and measure 3.4 linear feet and 0.553 GB. The collection documents Sternberg's career as an artist and art instructor through scattered biographical material, correspondence with friends, artists, collectors, curators, art organizations, universities, and galleries, writings by Sternberg and others, exhibition catalogs and announcements, news clippings, and other printed and digital material. Also found are photographs of Sternberg and his artwork, two sketchbooks and three loose drawings by Sternberg, audio visual recordings, and one scrapbook.
Scope and Content Note:
The papers of New York City and California painter, printmaker, and teacher Harry Sternberg date from 1927 to 2000 and measure 3.4 linear feet and 0.553 GB. The collection documents Sternberg's career as an artist and art instructor through scattered biographical material, correspondence with friends, artists, collectors, curators, art organizations, universities, and galleries, writings by Sternberg and others, exhibition catalogs and announcements, news clippings, and other printed and digital material. Also found are photographs of Sternberg and his artwork, two sketchbooks and three loose drawings by Sternberg, audio visual recordings, and one scrapbook.

Biographical material includes an interview of Sternberg conducted by art curator Malcolm Warner, two ledgers documenting business activities, scattered financial and legal documents, and files regarding a few of his projects, including the film "Many Worlds of Art". Sternberg's personal and professional correspondence is with friends, artists, including Harry Wickey, Rockwell Kent, Philip Evergood, and Peter Blume, collectors and curators such as Hudson Walker and Carl Zigrosser, and art organizations, universities, and galleries.

The small number of writings by Sternberg in this collection includes drafts of articles and lectures, a manuscript for a book on etching, and notes. Writings by others consists of draft writings about Sternberg, draft exhibition catalogs, and writings by the artists Arthur Secunda and David Alfaro Siqueiros. Over one-third of this collection is printed material, including exhibition catalogs and announcements, news clippings, books written by Sternberg, school publications, and material regarding art events.

Also found are photographs of Sternberg in his studio, with students, with his wife Mary, and at the Idyllwild School. Other photographs include group photographs of Art Students League faculty as well as photographs of exhibitions, murals, and artwork. The collection also contains original artwork including two sketchbooks and three loose drawings by Sternberg and one scrapbook of news clippings and exhibition materials. Audio and video materials include several interviews of Sternberg and a video copy of his film "Many Worlds of Art".
Arrangement:
The collection is arranged into 8 series:

Series 1: Biographical Material, 1927-2000 (Box 1, OV 5; 0.3 linear feet)

Series 2: Correspondence, 1928-2000 (Box 1; 0.3 linear feet)

Series 3: Writings, circa 1940s-2000 (Box 1, 4; 0.2 linear feet)

Series 4: Printed Material, 1933-2000 (Box 1-3; 1.2 linear feet)

Series 5: Photographs, circa 1930s-1998 (Box 3, 4; 0.3 linear feet)

Series 6: Artwork, circa 1928-1980s (Box 3, OV 5; 0.2 linear feet)

Series 7: Audio Visual Material, circa 1980s-2000 (Box 3; 0.5 linear feet, ER01; 0.553 GB)

Series 8: Scrapbook, 1929-1958 (Box 4; 0.2 linear feet)
Biographical Note:
Harry Sternberg (1904-2001) was a New York painter, muralist, printmaker, etcher, teacher, and political activist who relocated to California in 1957.

Harry Sternberg was born in 1904 in the Lower East Side of New York City and grew up in Brooklyn. As a child he attended his school art club where he met and became lifelong friends with artists Peter Blume and Philip Reisman. He took free Saturday art classes at the Brooklyn Museum of Art for two years and attended the Art Students League part time from 1922 to 1927 where he studied with George Bridgman. In 1926 he shared a studio with Philip Reisman where they received private instruction in etching from Harry Wickey. Sternberg began exhibiting his etchings and intermittently had drawings published in New Masses, a prominent American Marxist publication. In the late 1920s he became friends with Hudson Walker who also became a major collector of his work. In 1933 Sternberg was hired as instructor of etching, lithography, and composition at the Art Students League and continued teaching there for the next 33 years. Also around this time he became politically active in artist rights organizations, serving on the planning committee to create the American Artists' Congress and later serving as an active member of the Artists Equity Association. In 1935 he became the technical advisor of the Graphic Art Division of the Federal Art Project. From 1937 to 1939 he completed three federal mural commissions. His first mural Carrying the Mail was created for the Sellersville, Pennsylvania post office in 1937. His most famous mural Chicago: Epoch of a Great City was painted for the Lakeview post office in Chicago. It depicts the history of the city and its workers, particularly life for the workers in Chicago's stockyards and steel mills.

During the 1940s Sternberg remained very active in arts organizations, as one of the founders of the National Serigraph Society and a member of the Committee on Art and Education in Society. In 1942 he published the first of five books on printing. Sternberg had his first retrospective in 1953 at ACA Galleries, and in 1957 he taught summer painting courses at the Idyllwild School of Music and the Arts in California. He continued teaching in the summers there from 1960 to 1967 and 1981 to 1989. Suffering from lung disease, Sternberg moved with his wife, Mary, to Escondido, California in 1966 in hopes that the climate would improve his health. In 1972 he was elected to the American Academy and Institute of Arts and Letters. During the 1970s and 1980s Sternberg traveled extensively throughout the US and Mexico where he found new inspiration for his artwork. He continued teaching, exhibiting, and creating new work until his death in 2001.
Related Material:
Also found in the Archives of American Art are the May Konheim papers concerning Harry Sternberg, 1934-1981, and an oral history interview of Harry Sternberg, conducted March 19, 1999, October 8, 1999, and January 7, 2000, by Sally Yard for the Archives of American Art
Provenance:
The Harry Sternberg papers were donated by Sternberg in several installments from 1967 to 2001.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Harry Sternberg papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Printmakers -- California  Search this
Printmakers -- New York (State) -- New York  Search this
Educators -- California  Search this
Painting, American  Search this
Painters -- California  Search this
Educators -- New York (State) -- New York  Search this
Artists' studios -- Photographs  Search this
Painters -- New York (State) -- New York  Search this
Genre/Form:
Video recordings
Notes
Manuscripts
Interviews
Scrapbooks
Drafts (documents)
Sound recordings
Photographs
Sketchbooks
Drawings
Citation:
Harry Sternberg papers, 1927-2008. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.sterharr
See more items in:
Harry Sternberg papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-sterharr

Robert Sperry papers

Creator:
Sperry, Robert, 1927-1998  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
University of Washington -- Faculty  Search this
Warashina, Patti, 1940-  Search this
Extent:
13.6 Linear feet
0.907 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Motion pictures (visual works)
Transcripts
Interviews
Sketches
Drawings
Photographs
Scrapbooks
Videotapes
Date:
1951-2002
Summary:
The papers of ceramicist Robert Sperry measure 13.6 linear feet and 0.907 GB and date from 1951-2002. The collection documents Sperry's career as an artist, teacher, and filmmaker through biographical information, correspondence, exhibition files, gallery files, material on projects and workshops, writings, a scrapbook, financial files, printed and digital material, photographs, moving image materials, and artwork.
Scope and Content Note:
The papers of ceramicist Robert Sperry measure 13.6 linear feet and 0.907 GB and date from 1951-2002. The collection documents Sperry's career as an artist and teacher through biographical information, correspondence, exhibition files, gallery files, material on projects and workshops, writings, a scrapbook, financial files, printed and digital material, photographs, video recordings, films, and artwork.

Biographical files contain items outlining Sperry's career including resumes, teaching evaluations, awards, and interviews. Correspondence includes general correspondence with family, friends, colleagues, schools, galleries, art organizations, and publications as well as named files for those with whom Sperry exchanged a significant amount of correspondence over a long period of time. The Exhibition Files contain materials on group and solo exhibitions Robert Sperry participated in, while Gallery Files hold material, such as correspondence and contracts, related to the galleries which exhibited Sperry's work primarily after 1979. The Project and Workshop Files in Series 5 contain material related to public commissions he completed and workshops he gave during the 1980s and 1990s.

Writings encompass writings by Sperry and others. Sperry's writings vary greatly and include drafts of articles, a family history, poetry, notes and a screenplay, while writings by others are primarily essays on art. Within this series Sperry's event calendars are also found. Sperry compiled a scrapbook which spans 1955 to 1964 and includes correspondence and printed material about exhibitions and newspaper clippings which feature his artwork. He and his wife, Patti Warashina, also compiled Financial Records primarily of their business and living expenses from 1976 to 1984 and earnings as artists and professors at the University of Washington.

The largest series in this collection, Printed Material, provides information largely on Sperry's career through press clippings, exhibition announcements, catalogs, and publications, and also includes other materials on ceramics in general. The Photographs series contains both photos and negatives from Sperry's trip to Japan to film "Village Potters of Onda" as well as photographs of his artwork and his family. Also found in this collection are a few sketches and drawings by Sperry and one drawing by Patti Warashina. Moving image material includes video recordings and motion picture film with a wide range of content, including documentaries about Sperry, studio footage, and experimental and narrative films created by Sperry in a range of styles and genres, including animation such as the animated film "Henry," hand colored film, live action footage, abstract design, and narrative short films by Sperry. There are digital research copies of some of the films.
Arrangement:
The Robert Sperry papers are arranged as thirteen series, according to type of material. Each series is arranged either in rough chronological or alphabetical order.

Series 1: Biographical Files, 1954-circa 2000, undated (Box 1; 0.3 linear feet)

Series 2: Correspondence Files, 1951-2000, undated (Boxes 1-2; 0.9 linear feet)

Series 3: Exhibition Files, 1963-1999, undated (Boxes 2-3; 1.2 linear feet)

Series 4: Gallery Files, 1960-2000, undated (Boxes 3-4; 0.8 linear feet)

Series 5: Project and Workshop Files, 1967-1996, undated (Box 4; 0.4 linear feet)

Series 6: Writings, 1966-1990, undated (Box 5; 0.5 linear feet)

Series 7: Scrapbook, 1955-1964 (Box 5; 8 folders)

Series 8: Financial Records, 1961-1995, undated (Boxes 5-6; 1.0 linear feet)

Series 9: Miscellaneous Subject Files, 1975-1998, undated (Box 6; 0.2 linear feet)

Series 10: Printed Material, 1955-2002, undated (Boxes 6-10; 3.4 linear feet)

Series 11: Photographs, 1963, undated (Box 10; 0.2 linear feet)

Series 12: Sketches and Drawings, 1984, undated (Box 10; 2 folders)

Series 13: Moving Image Material, circa 1962-1998, undated (Boxes 10-12, FC 13-18; 3.1 linear feet, ER01; 0.907 GB)
Biographical Note:
Robert Sperry was born in Bushnell, Illinois, in 1927. He grew up on his family's farm in Druid, Saskatchewan, Canada, and in 1945 was drafted into the U.S. Army, where he first developed an interest in art. After serving in the military, he returned home and completed his B.A. at the University of Saskatchewan in 1950 and a B.F.A. at the Art Institute of Chicago in 1953. While working on his B.A. he met and married Edyth MacDonald and they had one child, Van, in 1950. Sperry spent one summer as Artist in Residence at the Archie Bray Foundation, in Helena, Montana, and then moved his family to Seattle so that he could complete his M.F.A. at the University of Washington. After graduating in 1955 he stayed at the University and became a professor, teaching ceramics until retiring in 1982. During this time, Sperry widely exhibited his clay vessels in both group and solo exhibitions and was active in the American Craft Council.

When not teaching, Robert Sperry pursued his interest in photography and filmmaking and, in 1963, traveled to Japan to make "Village Potters of Onda," a project that included a documentary film and a collection of black and white photographs. Sperry continued experimenting with film and, in 1967, created a fictional film entitled, "Profiles Cast Long Shadows," which was shown at film festivals throughout the United States. After abandoning another film project in 1970 while going through a divorce, he returned to ceramics as his focus. During the 1970s Sperry developed his techniques, modifying glazes and moving away from the vessel shape. In 1976 Sperry married Patti Warashina, fellow ceramicist and professor at the University of Washington. He began producing murals, which led to several public commissions such as a mural for the IBM Field Engineering Educational Center in Atlanta, created in 1983. Robert Sperry: A Retrospective, was exhibited in 1985-1986 at the Bellevue Art Museum, however, Sperry would continue producing and exhibiting new work, and giving lectures and workshops for thirteen more years, until his death in 1998.
Related Material:
Also found in the Archives of American Art are the Patti Warashina papers, circa 1900-1991. An online finding aid is available.
Provenance:
The Robert Sperry papers were donated by Sperry's wife Patti Warashina in 2003 and 2004.
Restrictions:
The collection is open for research. Use requires an appointment.
Rights:
The Robert Sperry papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Works of art  Search this
Filmmakers  Search this
Potters -- Japan  Search this
Ceramicists -- Washington (State)  Search this
Ceramics -- Study and teaching  Search this
Genre/Form:
Motion pictures (visual works)
Transcripts
Interviews
Sketches
Drawings
Photographs
Scrapbooks
Videotapes
Citation:
Robert Sperry papers, 1951-2002. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.sperrobe
See more items in:
Robert Sperry papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-sperrobe

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