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Studies of a Leg, Foot, Arms, Hands, and a Baby

Designer:
Pierre Thomas Le Clerc, French, ca. 1740 - ca. 1796  Search this
Print Maker:
Jean-François Janinet, French, 1752-1814  Search this
Dedicatee:
Jean Baptiste Marie Pierre, French, 1714–1789  Search this
Publisher:
Le Père et Avaulez, Paris, 1772–1777  Search this
Medium:
Crayon-manner with red ink on laid paper
Object Name:
Print
Type:
Print
Made in:
France
Published in:
Paris, France
Date:
1773
Credit Line:
Purchased for the Museum by the Advisory Council
Accession Number:
1921-6-437-15
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq49ef5dc94-2ec2-431c-afbd-5d8ceffffac8
EDAN-URL:
edanmdm:chndm_1921-6-437-15

Studies of a Child’s Head, Feet, and Arm

Designer:
Pierre Thomas Le Clerc, French, ca. 1740 - ca. 1796  Search this
Print Maker:
Jean-François Janinet, French, 1752-1814  Search this
Dedicatee:
Jean Baptiste Marie Pierre, French, 1714–1789  Search this
Publisher:
Le Père et Avaulez, Paris, 1772–1777  Search this
Medium:
Crayon-manner with red ink on laid paper
Object Name:
Print
Type:
Print
Made in:
France
Published in:
Paris, France
Date:
1773
Credit Line:
Purchased for the Museum by the Advisory Council
Accession Number:
1921-6-437-16
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq40714924f-a86f-4b83-a0e1-748e0a273992
EDAN-URL:
edanmdm:chndm_1921-6-437-16

Study for Humanscale Manual

Designer:
Niels Diffrient, American, 1928–2013  Search this
Office of:
Henry Dreyfuss Associates  Search this
Medium:
Diazo print on paper
Dimensions:
92.1 × 80.6 cm (36 1/4 × 31 3/4 in.)
Object Name:
Print
Type:
Print
Designed in:
United States
Date:
1978
Credit Line:
Gift of Helena Hernmarck
Accession Number:
2023-9-21
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq40094ba4a-a5e1-4b46-9426-6d85e4b49ed8
EDAN-URL:
edanmdm:chndm_2023-9-21

Study for Humanscale Manual

Designer:
Niels Diffrient, American, 1928–2013  Search this
Office of:
Henry Dreyfuss Associates  Search this
Medium:
Diazo print on paper
Dimensions:
92.1 × 85.7 cm (36 1/4 × 33 3/4 in.)
Object Name:
Print
Type:
Print
Designed in:
United States
Date:
1978
Credit Line:
Gift of Helena Hernmarck
Accession Number:
2023-9-24
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq4541d0087-148f-481d-8c4f-2b0567546023
EDAN-URL:
edanmdm:chndm_2023-9-24

Study for Humanscale Manual

Designer:
Niels Diffrient, American, 1928–2013  Search this
Office of:
Henry Dreyfuss Associates  Search this
Medium:
Diazo print on paper
Dimensions:
92.1 × 81.3 cm (36 1/4 in. × 32 in.)
Object Name:
Print
Type:
Print
Designed in:
United States
Date:
1978
Credit Line:
Gift of Helena Hernmarck
Accession Number:
2023-9-29
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq4657779cc-8a29-4c2e-9d74-87f64ab1990d
EDAN-URL:
edanmdm:chndm_2023-9-29

Two Panels of Ornament Design

Designer:
Charles Errard, French, c. 1601 - 1689  Search this
Print Maker:
Paul Androuet Du Cerceau, French, 1623/30 – 1710  Search this
Publisher:
Nicolas Langlois, French, 1640 - 1703  Search this
Medium:
Engraving on laid paper
Object Name:
Print
Type:
Print
Published in:
Paris, France
Date:
1664-1689
Credit Line:
Purchased for the Museum by the Advisory Council
Accession Number:
1921-6-289-4
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq4a919ebbd-d186-4063-9189-2383f819229b
EDAN-URL:
edanmdm:chndm_1921-6-289-4

The Zorach family papers

Creator:
Zorach Family  Search this
Names:
Art Students League (New York, N.Y.)  Search this
Brooklyn Museum  Search this
Adams, Ansel, 1902-1984  Search this
Cunningham, Imogen, 1883-1976  Search this
Ipcar, Dahlov, 1917-2017  Search this
Newman, Arnold, 1918-2006  Search this
Partridge, Roi, 1888-1984  Search this
Zorach, Marguerite, 1887-1968  Search this
Zorach, Tessim  Search this
Zorach, William, 1887-1966  Search this
Extent:
4.4 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Prints
Articles
Sketchbooks
Photographs
Drawings
Scrapbooks
Notes
Writings
Date:
1900-1987
Summary:
The Zorach family papers measure 4.4 linear feet and consist of materials relating to the lives and careers of sculptor and painter William Zorach, his wife painter and weaver Marguerite, and their children, painter and multi-media artist Dahlov Ipcar and collector and art dealer Tessim Zorach. The bulk of the papers consists of letters to Tessim regarding his parent's artwork. Additional materials include scattered letters to William Zorach; writings and notes by William, Marguerite, and Tessim; a sketchbook and drawings by William; prints by Marguerite; Marguerite's scrapbook; printed materials; and photographs of the Zorach family and of William Zorach in his studio and at work.
Scope and Content Note:
The Zorach family papers measure 4.4 linear feet and consist of materials relating to the lives and careers of sculptor and painter William Zorach, his wife painter and weaver Marguerite, and their children, painter and multi-media artist Dahlov Ipcar and collector and art dealer Tessim Zorach. The bulk of the papers consists of letters to Tessim regarding his parent's artwork. Additional materials include scattered letters to William Zorach; writings and notes by William, Marguerite, and Tessim; a sketchbook and drawings by William; prints by Marguerite; Marguerite's scrapbook; printed materials; and photographs of the Zorach family and of William Zorach in his studio and at work.

The majority of correspondence is between Tessim Zorach and various museums and galleries concerning exhibitions and donations of his parents' works of art. There are scattered letters to William Zorach among the correspondence. Business records consist of materials relating to the Collection of the Zorach Children, including lists of works of art by the Zorach's, a file relating to an exhibition of Zorach artwork at the Brooklyn Museum, and photographs of works of art considered for donation.

Writings and Notes include a typescript of an article written by Marguerite Zorach, writings by William Zorach, a typescript of Young Poems by William and Marguerite, as well as articles written by others about the Zorachs. Artwork by Marguerite Zorach includes two prints and a tracing. Also found is one sketchbook, and additional drawings by William Zorach. There is one unsigned lithograph.

The majority of exhibition announcements, catalogs, and clippings concern William and Marguerite Zorach although there are two announcements for Dahlov Ipcar. There is one scrapbook of clippings about Marguerite.

The papers include photographs of Marguerite and William Zorach, their parents, baby photos of Tessim and Dahlov, family pictures of the Zorachs, and of Marguerite and William in their studios. There are several folders of William Zorach working in his studios and additional photos of him carving a relief sculpture and a sculpture for the Southwest Bank. Most of these photographs contain detailed annotations written by William Zorach about the work. There is one folder of photographs of William in France in 1910-1911, including one of Zorach in Roi Partridge's studio. There is one photograph of Zorach taken by Ansel Adams in Yosemite, a photo of Zorach working by Arnold Newman, and several taken by Imogen Cunnigham.

Other photographs are of works of art, most of which depict William's works.

Artifacts include Marguerite's batik tools and approximately fifty commercially made printing blocks.
Arrangement:
The collection is arranged into 9 series:

Missing Title

Series 1: Biographical Information, circa 1907-1969 (Box 1, 6; 3 folders)

Series 2: Correspondence, 1922-1982 (Box 1-2; 1.75 linear feet)

Series 3: Business Records, 1967-1971, circa 1960s-1970s (Box 2-3; 0.3 linear feet)

Series 4: Writings and Notes, circa 1930s-1973, 1987 (Box 3; 8 folders)

Series 5: Artworks, 1900-circa 1920s (Box 3, 6; 12 folders)

Series 6: Scrapbooks, 1922-1953 (Box 3; 1 folder)

Series 7: Printed Material, 1912-1982 (Box 3; 0.25 linear feet)

Series 8: Photographs, 1908-1966 (Box 3-5; 1.0 linear feet)

Series 9: Artifacts, circa 1910s, circa 1950s (Box 4; 0.5 linear feet)
Biographical Note:
William Zorach (1887-1966) was a modernist painter and sculptor working primarily in New York city, along with his wife Marguerite (1887-1968) who worked as a fauvist painter, printmaker, and textile artist. Their children were painter Dahlov Ipcar (1917-) and art collector Tessim Zorach (1915-1995.)

Born in Lithuania, William Zorach immigrated to the United States where his family settled in Cleveland, Ohio. An early interest in art led to a printmaking apprenticeship. He then moved to New York City and enrolled in the National Academy of Design where he studied painting and drawing. In 1910, Zorach traveled to Paris to study and where he met his wife Marguerite Thompson at the La Palette art school. Marguerite grew up in Fresno, California and studied art at Stanford University. Both artists were heavily influenced by the fauvist and cubist art movements.

Returning to America, Marguerite and William married and both continued to create and experiment with varied media. Their paintings were featured in the 1913 New York City Armory Show and they are credited with being among the first artists to introduce European modernist styles to American modernism. The Zorachs were very close both as a couple and as working active artists.

In the 1920s, Marguerite began to experiment with textiles and created large, fine art tapestries and hooked rugs. Also, she used batik dying techniques on fabrics. William also expanded his genre by creating direct sculpture in 1918, which would become his primary medium.

In 1915, William and Marguerite started a family with their son, Tessim. Two years later, their daughter Dahlov was born. The Zorachs divided the year and lived in New York City, New Hampshire, and Massachusetts. In 1923, the family bought a farm on Georgetown Island, Maine where they lived, worked, and entertained friends.

Dahlov and Tessim were exposed to art from an early age. Dahlov showed artistic promise as a child and her parents supported her creativity by allowing her to express herself without formal training. Dahlov pursued painting and later became an illustrator for children's books. Additionally, she wrote fantasy novels and short stories. Dahlov married Adolf Ipcar in 1936. Like the rest of his family, Tessim Zorach developed an interest of art and along with his wife Peggy, he amassed a large private collection of ancient to modern art.

William and Marguerite continued to sculpt and paint until their deaths in 1966 and 1968, respectively.

Together, Dahlov and Tessim established the Collection of the Zorach Children which coordinated donations of their parents' art to many museums throughout the United States and the world. The artwork of both artists is found in the collections of the Metropolitan Museum of Art, Brooklyn Museum, Whitney Museum of American Art, Delaware Art Museum, Museum of Fine Arts, Boston, Farnsworth Art Museum, Portland Museum of Art, National Gallery of Art, National Portrait Gallery and the Smithsonian American Art Museum, The Philips Collection, and educational institutions such as Colby College, University of Vermont, Williams College, Bowdoin College, and the University of Virginia. In addition William has works associated with many public buildings, among them: Radio City Music Hall, New York City Municipal Court, the U.S. Post Office in Washington D.C. as well as Farleigh Dickinson University.
Related Material:
The Archives of American Art holds the Dahlov Ipcar papers, 1906-1997. Also found is one oral history interview with William Zorach conducted by by John D. Morse on April 2, 1959 and an oral history interview with Dahlov Ipcar conducted by Robert F. Brown on November 13, 1979.

The bulk of William Zorach's papers are held by the Library of Congress.
Separated Material:
The Archives of American Art also holds material lent for microfilming on reels NY59-1-NY59-4 and NY59-19. Loaned materials were returned to the lender and are now held by the Library of Congress, Manuscript Division. This material is not described in the collection container inventory or finding aid.
Provenance:
William Zorach lent papers for microfilming to the Archives of American Art in 1959. Tessim Zorach donated materials between 1976-1987.
Restrictions:
Use of originals requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art dealers -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York  Search this
Weavers  Search this
Topic:
Art -- Collectors and collecting -- New York (State) -- New York  Search this
Artist couples  Search this
Artists' studios -- Photographs  Search this
Works of art  Search this
Women artists  Search this
Women painters  Search this
Women sculptors  Search this
Genre/Form:
Interviews
Prints
Articles
Sketchbooks
Photographs
Drawings
Scrapbooks
Notes
Writings
Citation:
The Zorach Family papers, 1900-1987. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.zorazora
See more items in:
The Zorach family papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99b759247-30c2-4d06-9c75-1c7b0054f5d5
EDAN-URL:
ead_collection:sova-aaa-zorazora

Photographic portraits and views relating to the Ute, Papago, Hopi, and Chippewa tribes, copyrighted by Detroit Photographic Co

Creator:
Jackson, William Henry, 1843-1942  Search this
Detroit Photographic Company  Search this
Names:
Colorow, Chief  Search this
Ignacio, High Chief  Search this
Shawano  Search this
Yamapi  Search this
Extent:
8 Prints
Culture:
Papago  Search this
Chippewa  Search this
Tohono O'odham (Papago)  Search this
Hopi Pueblo  Search this
Anishinaabe (Chippewa/Ojibwa)  Search this
Ute  Search this
Indians of North America -- Great Basin  Search this
Indians of North America -- Southwest, New  Search this
Type:
Collection descriptions
Archival materials
Prints
Date:
1899-1904
Scope and Contents:
Contents: Catalog Number 4510: Tribe: (1) Ute Description: Yamapi, a runner for Chief Ouray Photographer: [W. H. Jackson ?] No Date See BAE Negative Number 1586-d. (2) Ute Colorow, Ute chief [W. H. Jackson ?] No Date Cf. 46,785-C. (3) Ute Ignacio, high chief Photograher unknown Copyright 1899 See BAE Negative Number 46,785-F. (4) Ute Ute teepee, Los Pinos Agency [W. H. Jackson ?] No date See BAE Negative Number 46,785-B. (5) [Ute ?] Shawano Copyright 1904 See BAE Negative Number SI 45,925-G. (6) Tribe: Hopi Description: A Moki farmer Photographer: c Detroit Photographic Co Date: Copyright 1899. (7) Tribe: Papago Description: Papago Indians. Woman with child outside adobe house Photographer Unknown Date: Copyright 1902. (8) Tribe: Chippewa Description: Ojibwa pappooses. Two children in cradleboards Photographer Unknown Copyright 1903.
Local Numbers:
NAA MS 4510
Local Note:
Filed: Original Prints series, by tribe.
Topic:
Photographs  Search this
Habitations and other structures -- teepee  Search this
Habitations and other structures -- adobe house  Search this
Papago (Tohono O'odham)  Search this
Indians of North America -- Northeast  Search this
Citation:
Manuscript 4510, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS4510
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3f4f004be-a5dc-4fdd-865f-17f3362e7e5a
EDAN-URL:
ead_collection:sova-naa-ms4510

Dakota agency personnel (including Indian Police), students, and views of Agency buildings, from various Dakota agencies and Carlisle Indian School

Photographer:
Choate, John N., of Carlisle, Pennsylvania  Search this
Anderson, J. A.  Search this
Creator:
Northwestern Photographic Company  Search this
Names:
Anderson, W. W.  Search this
Berht, Stella  Search this
Black Bear, Carrie  Search this
Calls Horse Looking  Search this
Cleveland, William Joshua, 1845-1910  Search this
Flood, Thomas  Search this
Four Horn, Charlotte  Search this
Galiego, Louisa  Search this
Gallagher, H. D. Col  Search this
Good Nation, Laura  Search this
Hand, Emma  Search this
Horse Looking, Irene  Search this
Iron Eagle Feather  Search this
Jackson, Sheldon, 1834-1909  Search this
Little Bull  Search this
Low, Adelia  Search this
McChesney, Charles E.  Search this
McLaughlin, James Major  Search this
Pratt, Richard Henry, 1840-1924  Search this
Shields, John  Search this
Spence, L. F. Agent  Search this
Standing Bear, Victoria  Search this
Townsend, Harvey  Search this
Two Dogs, Isabella  Search this
Wells, Mark  Search this
White Bear, Rosa  Search this
White Birch, Katie  Search this
White Horse  Search this
White Thunder, Rosa  Search this
Wilson, Susan  Search this
Wright, John V. Judge  Search this
Extent:
44 Prints (mounted)
Culture:
Dakota Indians  Search this
Indians of North America -- Great Plains  Search this
Type:
Collection descriptions
Archival materials
Prints
Date:
undated
Scope and Contents:
Photographs of Carlisle by J. N. Choate, three Rosebud Agency photographs by J. A. Anderson, the rest unidentified as to photographer. The photographs probably date between 1880 and 1895.
Catalog Number 4574: Letter of 3/21/58 from Richard A. Pohrt (donor): "...eleven photographs from the Indian School at Carlisle. Pa. These I am certain were all taken by J. N. Choates [Choate], a photographer who had a studio at 21 West Main St., Carlisle, Pa." (1) Carlisle Indian School "The dining hall, Indian Training School" (Original Number 45) Photographer: J. H. Choate, Carlisle, Pa. (2) Carlisle Indian School "Sheldon Jackson, John Shields and Harvey Townsend, Pueblos." (Original Number 70) J. N. Choate, Carlisle, Pa. (3) Carlisle Indian School "Pine Ridge Boys" (Original Number 155) (caption written by hand) J. N. Choate, Carlisle, Pa. (4) Carlisle Indian School "After School; Indian Training School, Carlisle, Pa." (written by hand). (Original Number 163) J. N. Choate, Carlisle, Pa. (5) Carlisle Indian School Group of students, presumably of Carlisle School. Labeled on back (by hand) as follows: "No. 1 White Horse Little Bull "No. 2 Calls Horse Looking "No. 3 Brule Iron Eagle Feather "No 4 Stella Berht "No. 5 Rosa White Thunder "No 6 Irene Horse Looking "No 7 Laura Good Nation Compliments of Capt. Pratt, E." J. N. Choate, Carlisle, Pa. (?) (6) Carlisle Indian School Group of girls, presumably students at Carlisle School. Labled by hand as follows; left to right, row 1 (kneeling) Emma Hand, Rosa White Bear (dead), Isabella Two Dogs, Louisa Galiego (Pine Ridge). Row 2, (sitting) Carrie Black Bear, Susan Wilson (S sister [?]), Charlotte Four Horn, Esther Side [?] Bear. Row 3 (standing) Katie White Birch, Adelia Low, Victoria Standing Bear, Martha Bordeaux [?], Mose Dion [?]. J. N. Choate, Carlisle, Pa. (?). (7) Carlisle Indian School Group of boys, presumably students at Carlisle School. J. N. Choate, Carlisle, Pa. (?). (8) "Girl's Quarters, Carlisle Barracks" [Choate Broadside, No 78?] J. N. Choate, Carlisle, Pa. (?). (9) "School Rooms, Carlisle Barracks." [Choate broadside, No. 80 ?].
Catalog Number 4574: (10) Carlisle Indian School "Cap't Pratt's House and Chapel." [Choate broadside, No. 82 ?] Captain Pratt near steps. J. N. Choate, Carlisle, Pa. (11) Carlisle Indian School (?) "Band of Indian Boys at the Government School, Washington, D. C." ("Popular Series"). Stereoscopic view. Probably copy of Choate No. 76, erroneously labeled. [See Choate broadside, B.A.E. Catalog Number 4241.] J. N. Choate, Carlisle, Pa (?) (See R. A. Pohrt correspondence, 9/24/59). (12) Tribe: Dakota (Oglalla ?) "High Hawk." Resembles closely the man identified as High Hawk in Signal Corps Photograph at National Archives (No. 101549). Only slight resemblance to S. I. Negative 42,827. He must have been considerably older when the latter was taken if they are the same person. J. N. Choate, Carlisle, Pa. (13) Dakota:Agency Personnel, various agencies Seated left to right: Reverend William J. Cleveland (Episcopal missionary and sometime agent at Rosebud-- See Bureau of American Ethnology Bulletin 5, page 20 for biography), Captain Richard Henry Pratt (Chairman), and Judge John V. Wright of Tennessee, -- the three composed the 2nd commission to the Sioux, 1888. (For account of the commission see Eastman, "Pratt, the Redman's Moses," University of Oklahoma Press, 1935). (Identified from BAE Negative Number "Portraits 13-b"). No date, but because of the 3 main figures, suggests ca. 1888. Standing. left to right: , (appears third from left in S. I. Negative 43,563-- identified more clearly in original prints of same group National Archives-- N. A. Numbers 86-1, 86-2, 87), Col. H. D. Gallagher, Agent Pine Ridge (same ident. source), Major W. W. Anderson, agent at Crow Creek and Lower Brule; for a Mark Wells see Negative 3307-c, Dr C. E. McChesney, agent at Cheyenne River Agency (Number 14, in row 5.), Major James McLaughlin, Agent Standing Rock Reservation, Col. L. F. Spence, Agent Rosebud Agency (identified from S. I. Negative 43,563). No date, but because of the 3 main figures, suggests ca. 1888.
Catalog Number 4574: (14) Dakota: Agency Personnel Seated: Col. L. F. Spence, Agent at Rosebud, (identified from S. I. Negative 43,563) Standing: unidentified, but compare with 4574: (28), below. (15) Dakota: Pine Ridge Agency Labeled in pencil, "Agent's Dwelling, Pine Ridge Agency, D. T." (Verified by numerous views of the Agency in the National Archives). Two Indian Policemen on porch. Water tower behind house. (16) Dakota: Pine Ridge Agency ? Distant view of Agency, almost certainly Pine Ridge (compare with original prints catalog Number 4464. "Pine Ridge Agency from the North in 1891"). Print marked in pencil, "Fort Niobrara, Nebraska Territory"-- erroneous ? Northwestern Photographic Co, Chadron, Nebraska (17) Dakota: Rosebud Agency "No. 4 St Francis' Mission, Rosebud Agency, S. D., West Side." Church and school, one wing in process of being built. Print not marked. Received in package marked by donor, "J. A. Anderson." (18) Dakota: Rosebud Agency "No 7. Birds-eye view of St Francis Mission. Rosebud Agency, S. D." Print not marked. Received in package marked by donor,"J. A. Anderson." (19) Dakota: Rosebud Agency "No 8. Fathers and Brothers of St Francis Mission. Rosebud Agency, S. D." J. A. Anderson, Rosebud Agency, S. D. (20) Dakota: Rosebud Agency View of Rosebud Agency, and garden, from the South (if 17 above correct). Must have been taken prior to the Anderson photograph, since the new wing is not in evidence. (Identified from 17 and 18.) (21) Dakota: Rosebud Agency Nuns with large group of students in school uniforms, (St Francis Mission, Rosebud Agency ?) Little white girl in front row looks like one in 4574: (32) below, and possibly same as in 4574: (31).
Catalog Number 4574 (22) Dakota: Rosebud Agency "View at Rosebud Agency. May 8th 1892." This series of "row" houses corresponds, perhaps, to ones in J. A. Anderson's Among the Sioux, "A typical Indian Agency" (BAE temporary 77). Note "Police Station " sign. 1892. (23) Dakota: Rosebud Agency Agent's house, Rosebud Agency (identified from Negative Number 43,791-B). Standing in front, left to right: , , Col. L. F. Spence, Agent (identified from S, I, Negative 43,563 and National Archives' prints of same group), , , . (24) Boy on horse in front of agent's dwelling, Rosebud Agency. (House, and thus agency, identified from S. I. Negative 43,791-B and others). (25) Dakota: Rosebud Agency Group of Indian Police, civilian men, women, and children around flag pole in front of agent's house (identified from S. I. Negative 43,791-B), Rosebud Agency. Reverend William J. Cleveland (with whiskers and derby) in back row, 2nd to right of flagpole. (Indentified from BAE Negative Number "Portraits 13-b.") (26) Dakota: Rosebud Agency Distant view of agent's dwelling and unidentified home and/or school to the left of it. Copy in negative catalog made from another original print. See Negative Number 43,791-C.
Catalog Number 4574: (27) Dakota: Rosebud Agency Unidentified home and/or school to left of agent's dwelling (see 4574:(26) above, then 43,791-B), large group of men in front of building. Possibly Reverend William J. Cleveland, (note whiskers) on porch, 3rd from right. (28) Dakota: Rosebud Agency (?) Agency personnel (?), including Indian police. 4th from left, front row: Col. L. F. Spence, Agent at Rosebud (identified from S. I. Negative 43,563). 5th from left, front row: same as man on right in 4574: (14) (?). 2nd from left, 2nd row: same as man on left in 4574: (14) (?). 2nd from right, 2nd row: Thomas Flood, Interpreter (identified from S. I. Negative 43,563). Indentification as Rosebud Agency rests primarily upon the presence of Spence. See Negative Number 45,793-B. (29) Dakota: Rosebud Agency (?) Large building, with chapel, set in open area. Built 1885 (date on front gable). In front are 5 women (one on horse) 3 children, three men; Rev. William J. Cleveland at extreme left (identified from BAE Negative Number "Portraits" 13-b). May be Saint Mary's Mission Boarding School for Sioux Boys and Girls, 12 miles from Rosebud Agency, on Antelope Creek, Dakota Territory, for the following reasons: 1. The building is a self-contained unit--including a chapel--and there are no other buildings in view. 2. The building is dated 1885. Pilling, in Bureau of American Ethnology Bulletin 5, 1887 states that Cleveland had at that time been principal of Saint Mary's for 2 years, which fits neatly with the 1885 date. (30) Dakota: Rosebud Agency (?) Side view of same building as in 4574: (29). Several women and children in foreground. Reverend William J. Cleveland holding horses (identified from BAE Negative Number "Portraits" 13-b), and one other man. See 4574:(29) above.
Catalog Number 4574: The following photographs (4574: (31-39)), along with a group of similar photographs in the National Archives, seem to establish a consistent pattern in the location and structure of agency school facilities. In general, the schools were small frame buildings, apparently widely scattered over the agencies, each with a small frame house for the teaching couple and family. (31) Dakota: Agency Unidentified Frame school (?) building. In foreground, group of students with teachers (man and woman--and their little girl ?), and Indian police. (32) Dakota: Agency Unidentified Group of students with teachers (man and woman--and their child) in front of frame school (?) house. Also an Indian Policeman. (33) Dakota: Agency unidentified Group of students with teachers (man and woman) and Indian Police in front of frame school (?) house. White man on right appears to be identical with the first man on left in S. I. Negative 43,563, Sioux delegation to Washington, 1888. (34) Dakota: Agency unidentified Group of students with teachers (man and woman) in front of frame school (?) house. Also an Indian Policeman. (35) Dakota: Agency unidentified Frame school (?) building. In foreground a group of students with teacher(s). (36) Dakota: Agency unidentified Frame school (?) with group of students and teacher in the foreground. The teacher is the same as in 4574:(36), as are many of the pupils. (37) Dakota: Agency unidentified Teachers (and their child) with group of students in front of frame school building. (See 4574: (38) for identity as school.) (38) Dakota: Agency unidentified School building (and teachers' dwelling ?) with man, woman, and child (same ones as in 4574: (37) above) in front, and two Indian men at side. 2 duplicate prints.
Catalog Number 4574: (39) Dakota: Agency unidentified Teacher's dwelling-schoolhouse complex with one or two scattered cabins in the foreground. Follows what appears to be the typical pattern of small, widely scattered schools. (40) Dakota: Agency unidentified Frame building. Function ? Odd door on back and man standing in doorway suggest this might be an exterior view of 4574: (41). (41) Dakota: Agency Unidentified Pine Ridge (?) or Rosebud (?) Slaughter house (?), interior view, with three men, one an Indian. One man looks like Col. H. D. Gallagher, Pine Ridge Agent. But the print was among a group of views mainly from Rosebud Agency. (42) Dakota: Agency Unidentified Large group of uniformed Indian Police on horseback in front of frame buildings. Agency might be: 1. Standing Rock ? Man front row, left looks like Red Tomahawk. 2. Pine Ridge ? But the men aren't posed in same area of agency where other PR Police pictures were taken. Also the men in this picture have more uniform uniforms than are shown in PR pictures. (See Original Prints, "temporary" Number 29, and Catalog Number 4544: (59, 60).) 3. Rosebud ? (43) Dakota: Agency Unidentified Indian Police, same uniform, same agency, same building, as 4574: (42). Also additional evidence for identifying Agency as Standing Rock: compare officers to those in BAE Negative Number 3711-e. See Negative Number 45,793. (44) Dakota Badlands scenery. "In general it seems to resemble the badlands of southwestern South Dakota not far distant from Pine Ridge and Rosebud Reservations."--Information from John C. Ewers, 4/5/60.
Biographical / Historical:
Pohrt states, "I believe they were taken about 1890. Some are identified and many are not, but I have reason to believe that the majority were taken on the Rosebud and Pine Ridge Reservations in South Dakota. They are of school children, Indian Police, Agency buildings, etc." See correspondence in Smithsonian Institution-Bureau of American Ethnology files.
Local Numbers:
NAA MS 4574
Local Note:
Filed: Original Prints: Carlisle Indian School; Dakota.
Topic:
Photographs  Search this
Federal-Indian relations -- Agencies  Search this
Education -- Carlisle Indian School  Search this
Sioux  Search this
Citation:
Manuscript 4574, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS4574
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3d018cb80-1871-4a77-abaf-7a2601ccfe2d
EDAN-URL:
ead_collection:sova-naa-ms4574

Rocaille Cartouche Designs

Designer:
Franz Xaver Habermann, German, 1721 – 1796  Search this
Publisher:
Johann Georg Hertel, German, 1719–1768  Search this
Medium:
Etching on off white laid paper
Object Name:
Print
Type:
Print
Published in:
Augsburg, Germany
Date:
mid- 18th century
Credit Line:
Purchased for the Museum by the Advisory Council
Accession Number:
1921-6-317-22
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq4cf7f85b4-e4ef-4b6f-84d7-8ed3656a9cd1
EDAN-URL:
edanmdm:chndm_1921-6-317-22

Photographs of Crow and Sioux people

Photographer:
Barry, D. F. (David Francis), 1854-1934  Search this
Bell, C. M. (Charles Milton), approximately 1849-1893  Search this
Dinwiddie, William, 1867-1934  Search this
Gardner, Alexander, 1821-1882  Search this
Names:
Whitney, Joel E. (Joel Emmons), 1822-1886  Search this
Extent:
1 Print (halftone)
14 Photographic prints (albumen and platinum or silver gelatin)
Culture:
Minneconjou Lakota (Minniconjou Sioux)  Search this
Hunkpapa Lakota (Hunkpapa Sioux)  Search this
Oglala Lakota (Oglala Sioux)  Search this
Indians of North America -- Great Plains  Search this
Apsáalooke (Crow/Absaroke)  Search this
Type:
Collection descriptions
Archival materials
Prints
Photographic prints
Studio portraits
Photographs
Date:
undated
Scope and Contents note:
Studio portraits of Native Americans, including Mierishash (Two Belly), Chief Gall (Pizi), Chief Iromagaja (Rain in the Face), Mato-Wa-Nahtaka (Kicking Bear), and Oglala men, and possibly chiefs. There is also a photograph of a sculpture of an Native American man, woman, child in cradleboard, and a dog.
Local Call Number(s):
NAA Photo Lot 80-18
Location of Other Archival Materials:
Original negatives for many of the photographs can be found in the National Anthropological Archives in the BAE historical negatives.
Additional photographs by Dinwiddie can be found in the National Anthropological Archives in Photo Lot 141A, Photo Lot 89, and Photo Lot 60.
Additional photographs by Barry can be found in the National Anthropological Archives in Photo Lot 87-2P, Photo Lot 90-1, and MS 4559.
Additional photographs by Bell can be found in the National Anthropological Archives in Photo Lot 80, Photo Lot 25, Photo Lot 90-1, and Photo Lot 87-2P.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Sculpture  Search this
Genre/Form:
Studio portraits
Photographs
Citation:
Photo lot 80-18, Photographs of Crow and Sioux people, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.80-18
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3a8198c6c-b4a5-4c39-b29e-048d13fc4716
EDAN-URL:
ead_collection:sova-naa-photolot-80-18

Framed Pastel Child Portrait

Collection Creator:
Biema, Anne van  Search this
Container:
Box 11, Folder 3
Type:
Archival materials
Prints
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Collection Citation:
Anne J. van Biema Papers. National Museum of Asian Art Archives. Smithsonian Institution, Washington D.C.
See more items in:
Anne J. van Biema Papers
Anne J. van Biema Papers / Series 1: Biographical Materials / 1: Anne van Biema
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc38cf90f65-e72d-46f7-8341-b930a89f0192
EDAN-URL:
ead_component:sova-fsa-a2004-02-ref18

Portrait/Female child

Collection Creator:
Finlayson, Alice Bell  Search this
Container:
Box 5, Folder 10
Type:
Archival materials
Prints
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
The collection is open for unrestricted research. Use requires an appointment.
Collection Rights:
The Alice Bell Finlayson papers are the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.
Collection Citation:
Alice Bell Finlayson papers, Anacostia Community Museum Archives, Smithsonian Institution.
See more items in:
Alice Bell Finlayson papers
Alice Bell Finlayson papers / Series 4: Photographs / Portraits
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa7a98987b4-cada-4697-baf9-0fb1445bc508
EDAN-URL:
ead_component:sova-acma-06-003-ref133

Edmund de Schweinitz Brunner photograph and postcard collection relating to Korea and Asia

Collector:
Brunner, Edmund de S. (Edmund de Schweinitz), 1889-1973  Search this
Brunner, Mary B.  Search this
Extent:
75 Prints (circa, collotype (some tinted, some postcards))
400 Prints (circa, silver gelatin (some on postcard stock))
Album
1 Copy negative
1 Print (albumen)
2 Colored prints
17 Prints (color halftone (including postcards))
Culture:
Chinese  Search this
Japanese  Search this
Koreans  Search this
Filipinos  Search this
Manchus  Search this
Igorot (Philippine people)  Search this
Type:
Collection descriptions
Archival materials
Prints
Copy negatives
Colored prints
Place:
Singapore
China
Manchuria
Japan
Korea
Philippines
Date:
circa 1927-1928
Scope and Contents note:
Photographs documenting people and culture in Korea, Japan, Manchuria, China, the Philippines, and Singapore. They include images of people, buildings, trades and commerce, markets, village and city scenes, laundering, child care, food and food preparation, churches and shrines, schools, dances, transportation, and fishing.

The photographs and postcards were made and collected by Edmund de S. Brunner and Mary B. Brunner during the Asian leg of their around-the-world trip, 1927-1928.
Biographical/Historical note:
Edmund de Schweinitz Brunner (1889-1973) earned his BA, PhD, and BD (Bachelor of Divinity) from Moravian College and Seminary in Pennsylvania. He worked as a pastor before becoming the Moravian Church representative on the Rural Church Commission of the Federal Council of Churches as well as the Director of Rural Investigations of the Institute for Social and Religious Research. A scholar of the church in rural communities, Brunner wrote books and articles and lectured in rural sociology at Columbia University Teachers College, Western Connecticut State College (1957-1967), and in Australia and New Zealand.
Local Call Number(s):
NAA Photo Lot 89-16
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Child care  Search this
Food  Search this
Religion  Search this
Schools  Search this
Silk industry  Search this
Commerce  Search this
Markets  Search this
Laundry  Search this
Transportation  Search this
Dance  Search this
Fishing  Search this
Citation:
Photo Lot 89-16, Edmund de Schweinitz Brunner photograph and postcard collection relating to Korea and East Asia, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.89-16
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw37f78abb1-6db0-4e19-9b4c-3f1918c0d972
EDAN-URL:
ead_collection:sova-naa-photolot-89-16

Photographs of Hupa, [Klikitat ?], and Maricopa Indians, by commercial photographers

Photographer:
Ericson, Augustus William  Search this
Gifford, Benjamin A.  Search this
Extent:
8 Prints
Culture:
Klikitat  Search this
Piipaash (Maricopa)  Search this
Hupa  Search this
Indians of North America -- Southwest, New  Search this
Indians of North America -- California  Search this
Indians of North America -- Plateau  Search this
Type:
Collection descriptions
Archival materials
Prints
Date:
ca. 1900
Scope and Contents:
Contents: Catalog Number 4508: Tribe: 1) Hupa Description: Man in "gala dress." Similar to Goddard, U. P. A. I, 1, 1903, Pl. 4 and Bureau of American Ethnology Bulletin 30, I, page 582. Photographer: [A. W. Ericson, according to cropped print, NH 28002-G] No Date See BAE Negative Number SI 28002-G. 2) Hupa Jumping Dance A. W. Ericson See BAE Negative Number 43,114. 3) Tribe: [Klikitat ?] Description: Woman outside tipi Photographer: Benjamin A. Gifford, The Dalles, Oregon Date: 1899 C See BAE Negative Number 56,800. 4) [Klikitat ?] Woman, seated on rocks, with baskets Benjamin A. Gifford, The Dalles, Oregon 1900 C Cf Negative Number 56,798 of same. 5) [Klikitat ?] 4 men, 2 women, 1 child, standing by frame building, blankets placed as backdrops Benjamin A. Gifford, The Dalles, Oregon 1900 C See BAE Negative Number 56,801. 6) [Klikitat ?] View of 2 tipis and boat, on shore of Columbia River. ("The Home Guard on the Columbia.") Benjamin A. Gifford, THe Dalles, Oregon 1899 C See BAE Negative Number 56,799. Tribe: 7) Maricopa Description: Studio portrait, young woman, half-length, seated on chair. Original Number 344. Numerous small beads at neck; calico skirt; naked to waist Photographer Unknown No Date. 8) Maricopa Studio portrait, young woman, half-length, seated. Face painted; naked to waist.
Local Numbers:
NAA MS 4508
Local Note:
Filed: Original prints series, by tribe.
Topic:
Photographs  Search this
Hupa Indians  Search this
Clothing -- "gala dress"  Search this
Dance  Search this
Klikitat Indians -- (identification uncertain)  Search this
Habitations and other structures -- tipi  Search this
Basket making  Search this
Maricopa Indians  Search this
Body decoration, adornment and mutilations -- face paint  Search this
Citation:
Manuscript 4508, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS4508
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3af45d15e-8dc9-4020-8cdd-5a1acd78a453
EDAN-URL:
ead_collection:sova-naa-ms4508

Design for Cartouche with Central Vignette

Designer:
François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768  Search this
Print Maker:
Karl Albert von Lespilliez, 1723–1796  Search this
Publisher:
Nicolas-Jean-Baptiste Poilly, de, French, 1707 – 1780  Search this
Medium:
Etching and engraving on off-white laid paper
Dimensions:
Platemark: 35.8 x 23 cm (14 1/8 x 9 1/16 in.)
Sheet: 44 x 28.6 cm (17 5/16 x 11 1/4 in.)
Type:
ornament
Print
Object Name:
Print
Made in:
Germany
Published in:
Paris, France
Date:
1745
Credit Line:
Purchased for the Museum by the Advisory Council
Accession Number:
1921-6-285-53
Restrictions & Rights:
CC0
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq4f05cf8ff-ba75-4900-bdd8-d942d46971dd
EDAN-URL:
edanmdm:chndm_1921-6-285-53

Cartouche with Central Vignette

Designer:
François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768  Search this
Print Maker:
Karl Albert von Lespilliez, 1723–1796  Search this
Publisher:
Nicolas-Jean-Baptiste Poilly, de, French, 1707 – 1780  Search this
Medium:
Etching and engraving on off-white laid paper
Dimensions:
Platemark: 35.6 x 22.8 cm (14 x 9 in.)
Sheet: 44 x 28.6 cm (17 5/16 x 11 1/4 in.)
Type:
ornament
Print
Object Name:
Print
Made in:
Germany
Published in:
Paris, France
Date:
1745
Credit Line:
Purchased for the Museum by the Advisory Council
Accession Number:
1921-6-285-55
Restrictions & Rights:
CC0
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq467a13e4f-4cd3-4d00-b2fe-e95bb166b569
EDAN-URL:
edanmdm:chndm_1921-6-285-55

Benson Bond Moore papers

Creator:
Moore, Benson Bond, 1882-1974  Search this
Names:
Society of Animal Artists  Search this
Washington Landscape Club  Search this
Berryman, Clifford Kennedy, 1869-1949  Search this
Bransom, Paul, 1885-  Search this
Clark, Herbert F.  Search this
Cornett, Robert G.  Search this
Lowe, James Russell  Search this
Lyon, Rowland, 1904-  Search this
Rolle, A. H. O. (August H. O.), 1875-1940  Search this
Sayre, Francis Bowes, 1885-1972  Search this
Seaton, Charles  Search this
Extent:
5.7 Linear feet
Type:
Collection descriptions
Archival materials
Etchings
Christmas cards
Paintings
Drawings
Travel sketches
Sketches
Poems
Awards
Photographs
Prints
Scrapbooks
Place:
New York (State)
Date:
1902-1995
Summary:
The papers of printmaker and landscape painter Benson Bond Moore date from 1902 to 1995 and measure 5.7 linear feet. Found within the papers are biographical material, letters, scattered personal business records, notes and writings, twelve scrapbooks, printed material, and photographs. The papers also contain extensive artwork in the form of drawings and sketches, etchings, lithographs, and a few oil paintings.
Scope and Content Note:
The papers of printmaker and landscape painter Benson Bond Moore date from 1902 to 1995 and measure 5.7 linear feet. Found within the papers are biographical material, letters, scattered personal business records, notes and writings, twelve scrapbooks, printed material, and photographs. The papers also contain extensive artwork in the form of drawings and sketches, etchings, lithographs, and a few oil paintings.

Biographical material includes genealogical notes, biographical accounts, a baptismal record, marriage license, driver's license, membership cards, an award medal and ribbons, a death certificate, and address books.

Letters are incoming only from friends and colleagues, including Christmas cards from Clifford K. Berryman, Paul Bransom, James Russell Lowe, Rowland Lyon, and Francis Bowes Sayre. There is also a photocopy of a letter from Lou Henry Hoover.

Personal business records include a copy of a patent for Moore's design for an artist's kit, a deed for Moore's father's gallery, priced labels for art work in various media, lists of art work, price lists, records of art work sold, bank account records, miscellaneous receipts, and a ledger concerning Moore's works left in trust after his death.

Notes and writings consist of nine poems by Moore, lists of titles of art work sold, lists of art work by others, and a funeral registry book listing mourners' names. The most notable item in this series is a log book of The Ramblers containing a typescript describing the history of this early 20th century art club.

Art work comprises the most significant series in the collection. It includes 1040 drawings, 43 watercolor sketches, 526 etchings, 187 lithographs, 8 paintings and 5 relief sculptures. Subjects depicted are primarily wildlife and nature, landscapes, seascapes, and scenes of towns and notable buildings primarily in and around Washington, D.C. There are scattered portrait drawings and etchings by Moore of fellow artists Herbert F. Clark, Robert G. Cornett, August H. O. Rolle, and Charles Seaton. There are also 5 bas-relief sculptures.

Twelve scrapbooks contain prints by Moore, letters, printed materials, and photographs of Moore and his artwork. Scrapbook 10 contains a photograph of a Landscape Club banquet at the Cosmos Club.

Printed material consists of clippings, exhibition announcements and catalogs, a prospectus from the Society of Animal Artists, book Animals of American History illustrated by Paul Bransom, miscellaneous booklets and brochures concerning art-related topics, travel brochures for New York State, and reproductions of art works.

Photographs are of Benson Bond Moore, his family, residence, colleagues including members of The Ramblers painting outdoors, and of art work. There are also travel photographs of locations in the United States.
Arrangement:
The collection is arranged as 8 series:

Missing Title

Series 1: Biographical Material, 1908-1974 (Box 1; 6 folders)

Series 2: Letters, 1912-1993 (Box 1; 40 folders)

Series 3: Personal Business Records, 1924-1994 (Box 1-2; 0.7 linear feet)

Series 4: Notes and Writings, 1902-1974 (Box 2; 8 folders)

Series 5: Art Work, 1904-1991 (Box 2-4, 6, OV 8; 2.2 linear feet)

Series 6: Scrapbooks, 1919-1973 (Box 4, 7; 0.9 linear feet)

Series 7: Printed Material, 1916-1995 (Box 5-6, OV 8; 1.0 linear feet)

Series 8: Photographs, 1924-1971 (Box 5-7, OV 8; 0.7 linear feet)
Biographical Note:
Benson Bond Moore (1882-1974) of Washington, D.C. and Sarasota, Florida, was a printmaker, landscape painter, art teacher, and picture restorer.

Benson Bond Moore was born on August 13, 1882 in Washington, D.C., the first child of Caroline and John Benson Moore. From an early age, Moore assisted his father in his picture restoring business. In 1902, he was employed by the Maurice Joyce Photo-Engraving Co., and soon afterwards produced a series of technical drawings for Alexander Graham Bell.

Moore studied at the Corcoran School of Art, and, in 1914, he joined The Ramblers (later the Washington Landscape Club), a group of artists who went on painting and drawing expeditions in the environs of Washington, D.C. Moore taught etching at the private Hill School of Art and was an active member of many regional art associations. He was also a founding member of the Miniature Painters, Sculptors and Gravers Society. Following the death of his wife Florence (Flossie) in the early 1950s, Moore moved to Sarasota, Florida.

Benson Bond Moore died on October 30, 1974 in Sarasota, Florida.
Separated Material:
Printmaking tools, lithographic plates, and a 24 x 30 inch display board exhibiting specimen prints and plates and a pocket barometer were transferred to the National Museum of American History, Department of Information Technology and Society.
Provenance:
The Benson Bond Moore papers were donated by Barbara Nikla and John J. Lyons in 1996, as representatives of the estate of the artist's sister-in-law, Mary Jane Moore. Additional material was donated 1997 from the estate by other relatives, Martha Sigmon and her sister Georgia King.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Landscape painting -- 20th century -- Washington (D.C.)  Search this
Relief (Sculpture)  Search this
Artists -- Washington (D.C.)  Search this
Etchers -- Washington (D.C.)  Search this
Landscape painters -- New York (State)  Search this
Printmakers -- Washington (D.C.)  Search this
Genre/Form:
Etchings
Christmas cards
Paintings
Drawings
Travel sketches
Sketches
Poems
Awards
Photographs
Prints
Scrapbooks
Citation:
Benson Bond Moore papers, 1902-1995. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.moorbens
See more items in:
Benson Bond Moore papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a6d4386d-5c66-4461-9c49-4324c6416bb6
EDAN-URL:
ead_collection:sova-aaa-moorbens

Field photos

Collection Creator:
Karp, Ivan  Search this
Container:
Box 35, Folder 36
Box 38, Roll 36
Type:
Archival materials
Prints
Negatives
Date:
circa 1969-1970s
Scope and Contents:
Includes curing ceremony; woman carrying basket on head; Abarene Ikolne of Veronica's child; and Karp hoeing land.
Collection Restrictions:
Recommendations that Karp wrote for his colleagues and students are restricted until 2061.

Access to the Ivan Karp papers requires an appointment.
Collection Citation:
Ivan Karp papers, National Anthropological Archives, Smithsonian Institution
See more items in:
Ivan Karp papers
Ivan Karp papers / Series 4: Photographs / 4.1: Iteso
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3c25c594d-554b-4ac3-9388-93985595ee8c
EDAN-URL:
ead_component:sova-naa-2013-30-ref675

William Arens sitting on front porch with man and child

Collection Creator:
Karp, Ivan  Search this
Container:
Box 36, Folder 61
Type:
Archival materials
Prints
Date:
circa 1978
Collection Restrictions:
Recommendations that Karp wrote for his colleagues and students are restricted until 2061.

Access to the Ivan Karp papers requires an appointment.
Collection Citation:
Ivan Karp papers, National Anthropological Archives, Smithsonian Institution
See more items in:
Ivan Karp papers
Ivan Karp papers / Series 4: Photographs / 4.3: Karp, Friends, and Colleagues
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw37d0444ec-d0ee-4fc1-a418-ad896905bc9e
EDAN-URL:
ead_component:sova-naa-2013-30-ref731

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