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Creator:

Missionary Catechists of Divine Providence.  Search this

Massachusetts Institute of Technology (MIT) Civil Engineering Department  Search this

Underwood and Underwood  Search this

Compiler:

National Museum of American History (U.S.). Division of Mechanical and Civil Engineering  Search this

National Museum of American History (U.S.). Division of Work and Industry  Search this

Extent:

44 Cubic feet (132 boxes)

Type:

Collection descriptions

Archival materials

Blueprints

Drawings

Lantern slides

Photographs

Sketches

Date:

1758-1945, undated

Summary:

A collection primarily of 19th and early 20th century lantern slides relating mostly to engineering, agriculture, railroads, mining, and extractive industries collected by the Division of Work and Industry, National Museum of American History, Smithsonian Institution.

Scope and Contents:

A collection of 19th and early 20th century silver gelatin dry plate lantern slides acquired by the staff of the Division of Work and Industry, National Museum of American History, Smithsonian Institution. These materials were collected for research purposes and relate to various subjects.

Condition of the material varies widely with some fragile or broken slides. Poor quality images also exist probably due to unstable storage environments or the processing of the slides. All slides have been digitized and moved to off-site storage to minimize handling and at the same time increase accessibility.

The collection is arranged in nine series: series 1, engineering; series 2, extractive industries; series 3, chemical; series 4, manufacturing companies; series 5, machinery; series 6, railroads; series 7, agriculture; series 8, travel photography; and 9, miscellaneous materials.

Arrangement:

Collection is arranged in nine series.

Series 1: Engineering, undated

Subseries 1.1: Architecture and Structures, undated

Subseries 1.2: Bridges, Cantilever, undated

Subseries 1.3: Bridges, Concrete Arch and Beam, undated

Subseries 1.4: Bridges, Masonry Aqueducts, undated

Subseries 1.5: Bridges, Metal Arc, undated

Subseries 1.6: Bridges, Metal Truss, undated

Subseries 1.7: Bridges, Movable, undated

Subseries 1.8: Bridges, Suspension, undated

Subseries 1.9: Canals, undated

Subseries 1.10: Hydraulic Engineering, undated

Subseries 1.11: Machine Tools, undated

Subseries 1.12: Materials Handling, undated

Subseries 1.13: Power, undated

Subseries 1.14: Railroad Mileage Maps, undated

Subseries 1.15: Steam Boilers, undated

Subseries 1.16: Steam Turbines, undated

Subseries 1.17: Tunneling Machine Tools, undated

Series 2: Extractive Industries, undated

Subseries 2.1: Coal, undated

Subseries 2.1.1: Coke, undated

Subseries 2.1.2: Diagrams and Maps, undated

Subseries 2.1.3: General, undated

Subseries 2.1.4: General, undated

Subseries 2.1.5: Infrastructure and Laborers, undated

Subseries 2.1.6: Internation, undated

Subseries 2.1.7: International Product and Labor Statistics, undated

Subseries 2.1.8: Jack Leg Drilling, undated

Subseries 2.1.9: Lansford Breaker Fire Coal Facilities, undated

Subseries 2.1.10: Loading Machinery, undated

Subseries 2.1.11: Longhole Drilling Method, undated

Subseries 2.1.12: Machinery, undated

Subseries 2.1.13: Mines, undated

Subseries 2.1.14: Mining Communities, undated

Subseries 2.1.15: Subsidence, undated

Subseries 2.1.16: Forepoling Warden Mine, undated

Subseries 2.1.17: Montour Number 10 Mine, undated

Subseries 2.1.18: Conveyors, undated

Subseries 2.1.19: Coal Land Valuation, undated

Subseries 2.2: Iron, undated

Subseries 2.2.1: General, undated

Subseries 2.2.2: Pig Iron, undated

Subseries 2.3: Gemstones, undated

Subseries 2.3.1: Gemstones, undated

Subseries 2.4: Mining, undated

Subseries 2.4.1: Diagrams, undated

Subseries 2.4.2: Hydraulic, undated

Subseries 2.4.3: General, undated

Subseries 2.4.4: Ores and Mines, undated

Subseries 2.4.5: Processing Equipment and Infrastructure, undated

Subseries 2.4.6: Shafts, Drilling, and Loading, undated

Subseries 2.4.7: United States Bureau of Mines, undated

Subseries 2.4.8: L. E. Young, Box C, undated

Subseries 2.4.9: L. E. Young, Box D, undated

Subseries 2.4.10: L. E. Young, Box E, undated

Subseries 2.4.11: L. E. Young, Box F, undated

Subseries 2.4.12: L. E. Young, Box G, undated

Subseries 2.4.13: L. E. Young, Box I, undated

Subseries 2.5: Oil, undated

Subseries 2.5.1: Oil, undated

Subseries 2.6: Rubber, undated

Subseries 2.6.1: Coke Rubber Rails, undated

Subseries 2.6.2: General, undated

Subseries 2.6.3: General, undated

Subseries 2.6.4: General, undated

Subseries 2.7: Steel, undated

Subseries 2.7.1: Newcastle Steel Work, undated

Subseries 2.7.2: General, undated

Subseries 2.8: Timber, undated

Subseries 2.8.1: General, undated

Subseries 2.8.2: Lifts, undated

Series 3: Chemical Processing, undated

Subseries 3.1: Chemical Processes, undated

Subseries 3.2: Laboratory and Studies, undated

Subseries 3.3: Massachusetts Institute of Technology, 37A: 1-48, undated

Subseries 3.4: Massachusetts Institute of Technology, 47: 1-68, undated

Subseries 3.5: Massachusetts Institute of Technology, 52: 1-20, undated

Subseries 3.6: Massachusetts Institute of Technology, undated

Subseries 3.7: Radiation Studies, undated

Subseries 3.8: Visual Aids in Chemical Education, The Museum, undated

Series 4: Manufacturing Companies, undated

Subseries 4.1: American Bosch Company, Fuel Injection Equipment, undated

Subseries 4.2: American Locomotive Company, undated

Subseries 4.3: American Locomotive Company, undated

Subseries 4.4: Atlas Imperial Marine Diesel, undated

Subseries 4.5: Baldwin Locomotive Works, undated

Subseries 4.6: Buda, undated

Subseries 4.7: Buda Marine, undated

Subseries 4.8: Cooper-Bessenger, undated

Subseries 4.9: Cooper-Bessenger, undated

Subseries 4.10: Fairbanks Morse Marine Diesel General Set, undated

Subseries 4.11: Fairbanks Morse Marine Diesel, undated

Subseries 4.12: Fairbanks Morse Marine Diesel, undated

Subseries 4.13: Fairbanks Morse Marine Diesel, undated

Subseries 4.14: Fairbanks Morse Marine Diesel, undated

Subseries 4.15: Fairbanks Morse Marine Diesel General Set, undated

Subseries 4.16: General Motors Company, undated

Subseries 4.17: General Motors Company, undated

Subseries 4.18: General Motors Company, undated

Subseries 4.19: General Motors Company, undated

Subseries 4.20: General Motors Company, undated

Subseries 4.21: General Motors Company, undated

Subseries 4.22: General Motors Company, undated

Subseries 4.23: General Motors Company, undated

Subseries 4.24: General Motors Company, undated

Subseries 4.25: General Motors Company Miscelleaneous, undated

Subseries 4.26: Hamilton Diesel, undated

Subseries 4.27: Hamilton Diesel, undated

Subseries 4.28: Hamilton Diesel, undated

Subseries 4.29: Hamilton Diesel, undated

Subseries 4.30: Ingersoll - Rand, undated

Subseries 4.31: International Harvester Fuel Singler Plunger, undated

Subseries 4.32: Long and Alstatler Company, undated

Subseries 4.33: Miscelleaneous Manufacturing Companies, undated

Subseries 4.34: Nordberg Marine Diesel, undated

Series 5: Machinery, undated

Subseries 5.1: Blast Furnances, undated

Subseries 5.2: Construction, undated

Subseries 5.3: Construction - Brick, undated

Subseries 5.4: Construction - Cement, undated

Subseries 5.5: Diagram Miscelleaneous, undated

Subseries 5.6: Diesel Engines, undated

Subseries 5.7: Diesel Engines, General, undated

Subseries 5.8: Diesel Engines, Superior Types KNB, undated

Subseries 5.9: Diesel Installation USS Maumee, undated

Subseries 5.10: Drills, Jumbos, undated

Subseries 5.11: Engine Model D, undated

Subseries 5.12: Factories and Warehouses, undated

Subseries 5.13: Factory Machines, undated

Subseries 5.14: Flywheel Governors, undated

Subseries 5.15: Furnances General, undated

Subseries 5.16: Gas, undated

Subseries 5.17: General Engines, undated

Subseries 5.18: Governors, undated

Subseries 5.19: History of Pumps, undated

Subseries 5.20: Hoisers, undated

Subseries 5.21: Industrial Furnances, undated

Subseries 5.22: Industrial Scenes, undated

Subseries 5.23: Machines Diagrams and Sketches, undated

Subseries 5.24: Machinery Miscelleaneous, undated

Subseries 5.25: Refrigeration, undated

Subseries 5.26: Safety, undated

Subseries 5.27: Steam Engines General Information, undated

Subseries 5.28: Vacuum, undated

Series 6: Railroads and Locomotions, undated

Subseries 6.1: Charts and Graphs, undated

Subseries 6.2: Company Photographs, undated

Subseries 6.3: Drawings, undated

Subseries 6.4: Toppling Over, undated

Subseries 6.5: Interior of Train Cars, undated

Subseries 6.6: Locomotion, undated

Subseries 6.7: Locomotion Miscelleaneous, undated

Subseries 6.8: Repair Report Forms, undated

Subseries 6.9: Shop Scenes, undated

Subseries 6.10: Track Debris, undated

Subseries 6.11: Train Car Component Details, undated

Subseries 6.12: Train Yards, undated

Subseries 6.13: Underside of Locomotives, undated

Subseries 6.14: Yard Scenes, undated

Series 7: Agriculture, undated

Subseries 7.1: Bananas, undated

Subseries 7.2: Butter, undated

Subseries 7.3: Coffee, undated

Subseries 7.4: Corn, undated

Subseries 7.5: Cotton, undated

Subseries 7.6: Machinery, undated

Subseries 7.7: Onions, undated

Subseries 7.8: Potatoes, undated

Subseries 7.9: Poultry, undated

Subseries 7.10: Sugar, undated

Subseries 7.11: Tea, undated

Subseries 7.12: Tobacco, undated

Subseries 7.13: Turpentine, undated

Series 8: Travel Photography, undated

Subseries 8.1: California, undated

Subseries 8.2: Canada, undated

Subseries 8.3: Colorado, undated

Subseries 8.4: General Landscapes, undated

Subseries 8.5: General Locations, undated

Subseries 8.6: Landscapes and Locations General, 186-2-36, undated

Subseries 8.7: Landscapes and Locations General, 187-18-48, undated

Subseries 8.8: New York, undated

Subseries 8.9: United States National Parks, undated

Subseries 8.10: Washington, DC, undated

Series 9: Miscellaneous Materials, undated

Subseries 9.1: Duplicates of Navy Slides, undated

Subseries 9.2: Miscelleaneous

Subseries 9.3: Reliefs, Cravings, and Architecture, undated

Subseries 9.4: Wood Products, undated

Related Materials:

Archives Center, National Museum of American History

For related material on Canals, see the following collections:

Warshaw Collection of Business Americana Subject Categories: Canals, NMAH.AC.0060

Underwood & Underwood Glass Stereograph Collection, NMAH.AC.0143

Roland A. McCrady Photograph Collection, NMAH.AC.0710

Division of Cultural History Lantern Slides and Stereographs, NMAH.AC.0945

Niagara Falls Power Company Records, NMAH.AC.0949

Modjeski and Masters Company Records, NMAH.AC.0976

George Morison Collection, NMAH.AC.0978

Uriah A. Boyden Papers, NMAH.AC.0982

James Forgie Papers, NMAH.AC.0986

William R. Hutton Papers, NMAH.AC.0987

Snake River Irrigation Project Photograph Album, NMAH.AC.1031

Silas H. Woodard Papers, NMAH.AC.1038

Delaware, Lackawanna, and Western Railroad Records, NMAH.AC.1074

Mechanical and Civil Engineering Stereograph Cards, NMAH.AC.1090

New York State Barge Canal Photographs, NMAH.AC.1536

Lackawaxen Canal Survey Profiles, NMAH.AC.1546

Nicaragua Canal Collection, NMAH.AC.1550

For related material on Cantilever Bridges, see the following collections:

Warshaw Collection of Business Americana Subject Categories: Bridges, NMAH.AC.0060

Underwood & Underwood Glass Stereograph Collection, NMAH.AC.0143

Nathan W. Morgan Papers, NMAH.AC.0965

George Morison Collection, NMAH.AC.0978

John A. Roebling Collection, NMAH.AC.0981

Mechanical and Civil Engineering Stereograph Cards, NMAH.AC.1090

Division of Mechanical and Civil Engineering Bridges Reference Collection, NMAH.AC.1577

For related material on Concrete Arch and Beam Bridges, see the following collections:

Warshaw Collection of Business Americana Subject Categories: Bridges, NMAH.AC.0060

For related material on Corliss Steam Engine Company, see the following collections:

Frick Company Collection, NMAH.AC.0293

Cooper-Bessemer Corporation Records, NMAH.AC.0961

Robert Wetherill Company Records, NMAH.AC.0992

Evolution of the Corliss Steam Engine Scrapbook, NMAH.AC1016

Mechanical and Civil Engineering Glass Plate Negatives, NMAh.AC.1089

For related material on Hydraulic Engineering, see the following collections:

Warshaw Collection of Business Americana Subject Categories: Engineering, NMAH.AC0060

Charles Richardson Pratt Papers, NMAH.AC.0958

Rudolph Hering Collection, NMAH.AC.0989

Mechanical and Civil Engineering Glass Plate Negatives, NMAH.AC.1089

Mechanical and Civil Engineering Stereograph Cards, NMAH.AC.1090

For related material on Machine Tools, see the following collections:

Warshaw Collection of Business Americana Subject Categories: Tools, NMAH.AC.0060

Pratt & Whitney Company Scrapbook, NMAH.AC.0093

Max Holland Numerical Control Collection, NMAH.AC.0537

Southwark Foundry and Machine Company Records, NMAH.AC.1107

For related material on Materials Handling, see the following collections:

Warshaw Collection of Business Americana Subject Categories: Materials Handling, NMAH.AC.0060

James J. Childs Numerical Control Collection, NMAH.AC.0420

World War Two Bomb Damage Photographs, NMAH.AC.1535

Norton Grinding Machine Company Photograph Collection, NMAH.AC.1551

Paul Steam-Heating System Company Records, NMAH.AC.1554

For related material on Metal Arch Bridges, see the following collections:

Warshaw Collection of Business Americana Subject Categories: Bridges, NMAH.A.C0060

Division of Mechanical and Civil Engineering Bridges Reference Collection, NMAH.AC.1577

Mechanical and Civil Engineering Stereograph Cards, NMAH.AC.1090

For related material on Movable Bridges, see the following collections:

Warshaw Collection of Business Americana Subject Categories: Bridges, NMAH.AC.0060

Henry Grattan Tyrrell and Mary Maude Knox Tyrrell Papers, NMAH.AC.0948

Nathan W. Morgan Papers, NMAH.AC.0965

Division of Mechanical and Civil Engineering Bridges Reference Collection, NMAH.AC.1577

For related material on Panama Canal, see the following collections:

John Frances Little Panama Canal Scrapbook, NMAH.AC.0708

A.R. Van Tassell Photograph Album, NMAH.AC.1015

W. A. Fishbaugh Panama Canal Photograph Album, NMAH.AC.1021

W. P. Stine Panama Canal Papers, NMAH.AC.1039

Katherine Kingsford Panama Canal Photograph Album, NMAH.AC.1040

Richard Fisher Collection of Panama Canal Materials, NMAH.AC.1045

Robert Dearborn Panama Canal Glass Negatives, NMAH.AC.1111

Charles Edwards Wood Panama Canal Photograph Album, NMAH.AC.1114

Panama Canal Commission Photonegatives, 1903-circa 1939, NMAH.AC.1116

Division of Mechanical and Civil Engineering Panama Canal Collection, NMAH.AC.1569

For related material on railroads, see the following collections:

Archives Center Lantern Slide Collection, NMAH.AC.0686

Railroad Bridge Construction Photograph Album, NMAH.AC.1024

Northern Pacific Railroad Bridge Construction Photograph Album, NMAH.AC.1031

Penn Station, New York, Photographs, NMAH.AC.1048

Northern Pacific Railway Photographs, NMAH.AC.1067

New York Central Railway Valuation Negatives, NMAH.AC.1072

Pittsburgh, Cincinnati, Chicago, and St. Louis Railroad Photographs (PCC and St. Louis), NMAH.AC.1079

Niagara Railroad Negatives, NMAH.AC.1081

Charles B. Chaney Jr. Railroad Photographic Collection, NMAH.AC.1167

Clayton M. Hall Collection of Railroad Photographs, NMAH.AC.1168

Harry A. McBride Railroad Photographs, NMAH.AC.1171

Thomas Norrell Railroad Photographs Collection, NMAH.AC.1174

Pullman Palace Car Company Photographs, NMAH.AC.1175

Haskell and Barker Car Company Photographic Negatives, NMAH.AC.1183

For related material on Steam Boilers, see the following collections:

Frick Company Collection, NMAH.AC.293

Erasmus D. Leavitt Collection, NMAH.AC.0966

Edwin Rust Papers, NMAH.AC.1070

Hartford Steam Boiler Inspection and Insurance Company Records, NMAH.AC.1541

For related material on steam engines, see the following collections:

Warshaw Collection of Business Americana Subject Categories: Engines, NMAH.AC.0060

Frick Company Collection, NMAH.AC.0293

Borsig Steam Engine Records, NMAH.AC.0956

Cooper-Bessemer Corporation Records, NMAH.AC0961

Greville I. Bathe Papers, NMAH.AC.0970

McIntosh, Seymour, and Company Records, NMAH.AC0985

Mechanical and Civil Engineering Glass Plate Negatives, NMAH.AC1089

For related material on Steam Turbines, see the following collections:

Parke, Davis Research Laboratory Records, NMAH.AC.0001

Westinghouse Electric and Manufacturing Company Records, NMAH.AC.0977

Skinner Engine Company Records, NMAH.AC.1087

Mechanical and Civil Engineering Glass Plate Negatives, NMAH.AC.1089

For related material on Suspension Bridges, see the following collections:

Warshaw Collection of Business Americana Subject Categories: Bridges, NMAH.AC.0060

Underwood & Underwood Glass Stereograph Collection, NMAH.AC.0143

Nathan W. Morgan Papers, NMAH.AC.0965

Modjeski and Masters Company Records, NMAH.AC.0976

Niagara Falls Bridge Commission Records, NMAH.AC.1060

Mechanical and Civil Engineering Glass Plate Negatives, NMAH.AC.1089

Mechanical and Civil Engineering Stereograph Cards, NMAH.AC.1090

Robinson & Steinman Collection, NMAH.AC.1562

Division of Mechanical and Civil Engineering Bridges Reference Collection, NMAH.AC.1577

Provenance:

Immediate source of acquisition unknown.

Restrictions:

Collection open for research on site by appointment. Unprotected photographs must be handled with gloves.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

African American women  Search this

Agriculture -- Corn  Search this

Agricultural crops -- Fields  Search this

Agricultural laborers  Search this

Agricultural machinery  Search this

Agricultural products  Search this

Architecture  Search this

Bananas -- Costa Rica  Search this

Bananas -- Jamaica  Search this

Bearings (Machinery)  Search this

Bridges  Search this

Butter  Search this

Butter -- New York  Search this

Canals  Search this

Children -- 20th century  Search this

Coal mines and mining  Search this

Coffee  Search this

Coffee industry -- Brazil  Search this

Coffee -- Jamaica  Search this

Coffee -- Mexico  Search this

Engineering  Search this

Hydraulic engineering  Search this

Laborers  Search this

Machine-tools  Search this

Maple sugar  Search this

Materials handling  Search this

Mine shafts  Search this

Mining engineering  Search this

Oil  Search this

Oil industries  Search this

Onions  Search this

Poultry industry  Search this

Potatoes  Search this

Power  Search this

Railroads  Search this

Railroads -- 19th century  Search this

Railroads -- 20th century  Search this

Rubber -- Ceylon  Search this

Rubber -- Congo  Search this

Rubber plantations  Search this

Steam-boilers  Search this

Sugar  Search this

Tires  Search this

Tobacco  Search this

Tunnels  Search this

Turbines  Search this

Turpentine -- North Carolina  Search this

Water-supply  Search this

Cotton  Search this

Cotton farming  Search this

Cotton industry  Search this

Genre/Form:

Blueprints

Drawings -- 20th century

Lantern slides

Photographs -- Lantern slides -- 19th century

Photographs -- Lantern slides -- 1900-1950

Sketches

Citation:

Division of Work and Industry Lantern Slide Collection, 1758-1945, Archives Center, National Museum of American History.

Identifier:

NMAH.AC.1013

See more items in:

Division of Work and Industry Lantern Slide Collection

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep864c4320f-954c-462f-8434-2b79c0ed7159

EDAN-URL:

ead_collection:sova-nmah-ac-1013

Photograph by:

Don Hogan Charles, American, 1938 - 2017  Search this

Subject of:

Unidentified Child or Children  Search this

Unidentified Man or Men  Search this

Unidentified Woman or Women  Search this

Medium:

photographic gelatin and silver on photographic paper

Dimensions:

H x W (Sheet): 8 1/8 × 10 1/16 in. (20.6 × 25.6 cm)

H x W (Image): 6 5/8 × 9 5/8 in. (16.8 × 24.4 cm)

Type:

gelatin silver prints

Place depicted:

Newark, Essex County, New Jersey, United States, North and Central America

Date:

July 1967

Topic:

African American  Search this

Children  Search this

Civil Rights  Search this

Military  Search this

Photography  Search this

Race discrimination  Search this

Race relations  Search this

Race riots  Search this

U.S. History, 1961-1969  Search this

Urban life  Search this

Violence  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture

Object number:

2011.57.10.5

Restrictions & Rights:

© Don Hogan Charles/The New York Times/ Redux

Permission required for use. Proper usage is the responsibility of the user.

See more items in:

National Museum of African American History and Culture Collection

Classification:

Media Arts-Photography

Movement:

Civil Rights Movement

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd573c1ed00-e589-4a07-9705-6e9aacdc2074

EDAN-URL:

edanmdm:nmaahc_2011.57.10.5

Creator:

Speicher, Eugene Edward, 1883-1962  Search this

Palmer, Erastus Dow, 1817-1904  Search this

Reid, Robert, 1862-1929  Search this

Robus, Hugo, 1885-1964  Search this

Rossiter, Thomas Prichard, 1818-1871  Search this

Weber, Max, 1881-1961  Search this

Whittier, John Greenleaf, 1807-1892  Search this

Widener, P. A. B. (Peter Arrell Brown), 1834-1915  Search this

Names:

Houghton, Mifflin and Company  Search this

United States. National Park Service  Search this

Hayne, Paul Hamilton, 1830-1886  Search this

Kensett, John Frederick, 1816-1872  Search this

Collection Creator:

Brumbaugh, Thomas B. (Thomas Brendle), 1921-  Search this

Extent:

11 Items (Letters, written in ink, ball point, graphite)

1 Photograph

Type:

Archival materials

Photographs

Correspondence

Date:

1818-1847

Scope and Contents:

This folder is an amalgamation of letters written and recieved by prominent figures in 19th and 20th century American art. Included in the folder are letters by Robert Reid, Hugo Robus, Thomas Prichard Rossiter, Eugene Speicher, John Greenleaf Whittier and Peter A.B. Widener.

Arrangement:

Organized alphabetically by author.

Biographical / Historical:

Erastus D. Palmer was an American sculptor. He sculpted portrait busts and religious bas-reliefs in a style that combined neoclassical idealism and realism. His most famous sculpture is "The White Captive," which depicts a young girl who has been captured by Native Americans.

Isaac Newton Phelps Stokes was an American architect born into the wealthy Phelps Stokes family. He designed St-Paul's Chapel at Columbia University and some residential buildings in New York. Phelps Stokes also published The Iconography of Manhattan Island, a six volume work about New York City. He commissioned John Singer Sargent to paint a portrait with himself and his wife, Edith née Minturn.

Robert Reid was an American artist who studied in New England and Paris. He began by painting French peasants, but became known for his murals and stained glass designs. Some of his work can be found in the Congressional Library in Washington, D.C.

Hugo Robus was an American painter and sculpture from Ohio. He studied in the United States and Paris, and then taught at the Modern Art School in New York. He worked in a very lyrical cubist style, usually with people as his subject.

Thomas Prichard Rossiter was an American painter born in New Haven, Connecticut. He traveled throughout Europe, painting portraits along the way, and he kept a studio in Paris. He painted mostly portraits, but also completed a series of paintings depicting the life of Christ.

John Frederick Kensett was an American artist and engraver who worked in New Haven, Connecticut, and New York City.

Henry Rox was a German artist who studied in Berlin and Paris before settling in the United States in 1938, where he taught at many universities, including Mount Holyoke College. He is known for fruit and vegetable photo-sculptures.

Eugene Speicher was an American realist painter from Buffalo, New York. He attended the Art Students League, and then studied in Europe for a few years. He was considered a leading portrait artist in America at the time, favoring female subjects. Speicher won numerous awards for his work, and was appointed Director of the American Academy of Arts and Letters in 1945.

Max Weber was a Russian-born Jewish-American cubist. He studied with Matisse, Rousseau, and Picasso in Paris. Weber helped introduce cubism to America.

John Greenleaf Whittier was an American Quaker poet. Whittier was an ardent abolitionist who was extremely influenced by the doctrines of humanitarianism, compassion, and social responsibility found in Quakerism. He was a founding member of the American Anti-Slavery Society, and worked as a lobbyist. He is remembered today for his patriotic poetry, and his poems that were later turned into hymns.

Paul Hayne was an American poet who Whittier references in his letter to the publishers Houghton, Mifflin & Co. Hayne had just died, and his son, W.H. Hayne, wanted to edit his later poems for publication.

Widener (1834-1915) was an American businessman from Pennsylvania. During the Civil War, he supplied meat to the Union Army. By investing in trolley cars and public transit services, Widener became quite successful and wealthy. He was an avid art collector whose collection included works by Rembrandt, Edouard Manet, and Auguste Renoir. He is considered one of the top 100 wealthiest Americans of all time.

Local Numbers:

FSA A2009.06 6

Other Archival Materials:

Thomas B. Brumbaugh research material on Abbott Handerson Thayer and other artists, 1876-1994 (bulk 1960s-1994); Also located at Archives of American Art, Smithsonian Institution.

Collection Restrictions:

Collection is open for research.

Collection Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Topic:

Art, American  Search this

Genre/Form:

Correspondence -- 19th century

Correspondence -- 20th century

Collection Citation:

The Brumbaugh Collection of Artist Letters. FSA.A2009.06. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C.

Identifier:

FSA.A2009.06, Series FSA A2009.06 6

See more items in:

The Brumbaugh Collection of Artist Letters

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

GUID:

https://n2t.net/ark:/65665/dc3ab5429cd-d428-4427-b439-71f5316aec84

EDAN-URL:

ead_component:sova-fsa-a2009-06-ref4

Creator:

Milch Gallery  Search this

Subject:

Barmore, Charles  Search this

Barr, Charles H.  Search this

Ballin, Hugo  Search this

Barlow, Myron  Search this

Baer, Martin  Search this

Ascher, Mary G. (Mary Goldman)  Search this

Azzaretti, Faust  Search this

Biddle, George  Search this

Blackburn, Morris  Search this

Bellows, George  Search this

Benson, Frank Weston  Search this

Baumann, Gustave  Search this

Barr, Norman  Search this

Barrymore, Lionel  Search this

Acheson, Alice  Search this

Aiken, Charles Avery  Search this

Albee, Grace  Search this

Twachtman, John Henry  Search this

Tryon, Dwight William  Search this

Trebilcock, Paul  Search this

Thayer, Abbott Handerson  Search this

Anderson, Karl  Search this

Warneke, Heinz (Heinrich)  Search this

Varian, Dorothy  Search this

Ufer, Walter  Search this

Weir, Julian Alden  Search this

Weir, John F. (John Ferguson)  Search this

Watkins, Franklin Chenault  Search this

Wiles, Irving Ramsay  Search this

Laufman, Sidney  Search this

Wiggins, Carleton  Search this

Appel, Marianne  Search this

Wickey, Harry  Search this

White, Henry Cooke  Search this

Zucker, Jacques  Search this

Woodward, Robert Strong  Search this

Waugh, Frederick Judd  Search this

Gonzalez, Xavier  Search this

Bacon, Peggy  Search this

Arms, John Taylor  Search this

Moffett, Ross  Search this

Milch, Edward  Search this

Moran, Thomas  Search this

Mora, F. Luis (Francis Luis)  Search this

Meyerowitz, William  Search this

Milch, Albert  Search this

Manship, Paul  Search this

Archipenko, Alexander  Search this

MacRae, Emma Fordyce  Search this

Beal, Reynolds  Search this

Metcalf, Willard Leroy  Search this

Melchers, Gari  Search this

Low, Will Hicok  Search this

Linde, Ossip L.  Search this

Lutz, Dan  Search this

Lucioni, Luigi  Search this

Woodward, Stanley Wingate  Search this

Lawson, Ernest  Search this

Lever, Hayley  Search this

Lie, Jonas  Search this

Kingman, Dong  Search this

Kroll, Leon  Search this

Kronberg, Louis  Search this

Wyeth, Andrew  Search this

Kupferman, Lawrence Edward  Search this

Ireland, Leroy  Search this

Judson, Alice  Search this

Kalish, Max  Search this

Katz, A. Raymond (Alexander Raymond)  Search this

Sheets, Millard  Search this

Heinz, Charles  Search this

Hennings, E. Martin  Search this

Henri, Robert  Search this

Hopkinson, Charles  Search this

Tanner, Henry Ossawa  Search this

Sterner, Albert  Search this

Sterne, Maurice  Search this

Speight, Francis  Search this

Speicher, Eugene Edward  Search this

Shuster, Will  Search this

Sharp, Joseph Henry  Search this

Shapiro, David  Search this

Schofield, Walter Elmer  Search this

Sawyer, Wells  Search this

Sample, Paul  Search this

Ryerson, Margery  Search this

Ryder, Chauncey F.  Search this

Rungius, Carl  Search this

Romano, Umberto  Search this

Redfield, Edward Willis  Search this

Ritschel, William  Search this

Pousette-Dart, Nathaniel  Search this

Pugh, Mabel  Search this

Pleissner, Ogden M.  Search this

Pollet, Joseph C.  Search this

Perrine, Van Dearing  Search this

Pittman, Hobson Lafayette  Search this

Parshall, DeWitt  Search this

Pearson, Ralph M.  Search this

Oberteuffer, Karl A. (Karl Amiard)  Search this

Ochtman, Leonard  Search this

Myers, Jerome  Search this

Adams, Charles L.  Search this

Nagler, Edith Kroger  Search this

Adams, Wayman  Search this

Murphy, Hermann Dudley  Search this

Murphy, John Francis  Search this

Curran, Charles C. (Charles Courtney)  Search this

Crane, Bruce  Search this

Davey, Randall  Search this

Daingerfield, Elliott  Search this

DeCamp, Joseph  Search this

De Groot, Adelaide Milton  Search this

Dessar, Louis Paul  Search this

Dehn, Adolf  Search this

Calder, Alexander Stirling  Search this

Butler, Howard Russell  Search this

Chamberlain, Samuel  Search this

Carroll, John  Search this

Christy, Howard Chandler  Search this

Cheffetz, Asa  Search this

Congdon, William  Search this

Cole, Alphaeus Philemon  Search this

Breckenridge, Hugh H. (Hugh Henry)  Search this

Bridgman, Frederick Arthur  Search this

Browne, George Elmer  Search this

Bruce, Edward  Search this

Brush, George de Forest  Search this

Buck, Claude  Search this

Burlin, Paul  Search this

Burr, George Elbert  Search this

Blakelock, Ralph Albert  Search this

Blanch, Arnold  Search this

Blanch, Lucile  Search this

Bluemner, Oscar  Search this

Pène Du Bois, Guy  Search this

Blumenschein, Ernest Leonard  Search this

Bohm, Max  Search this

Bohrod, Aaron  Search this

Bosa, Louis  Search this

Hart, George Overbury  Search this

Halpert, Samuel  Search this

Grosz, George  Search this

Gregory, Waylande  Search this

Heerman, Norbert Leo  Search this

Hassam, Childe  Search this

Haskell, Ernest  Search this

Hartmann, Sadakichi  Search this

Gaspard, Leon  Search this

Ganso, Emil  Search this

Gallagher, Sears  Search this

Fuchs, Emil  Search this

Gregory, John  Search this

Greenwood, Marion  Search this

Genth, Lillian Mathilde  Search this

Feshin, Nikola? Ivanovich  Search this

Fenton, Beatrice  Search this

Etnier, Stephen  Search this

Farnsworth, Jerry  Search this

Fredenthal, David  Search this

French, Daniel Chester  Search this

FitzGerald, James  Search this

Flagg, James Montgomery  Search this

Dike, Phil  Search this

Donoho, Gaines Ruger  Search this

Dewing, Thomas Wilmer  Search this

Diederich, William Hunt  Search this

Eakins, Susan Macdowell  Search this

Duncan, Charles  Search this

Vonnoh, Robert William, 1858-1933  Search this

Milch Galleries  Search this

E. and A. Milch  Search this

Type:

Gallery records

Photographs

Citation:

Milch Gallery records, 1911-1995. Archives of American Art, Smithsonian Institution.

Topic:

Gallery owners  Search this

Art -- Collectors and collecting  Search this

Art, American  Search this

Theme:

Art Gallery Records  Search this

Art Market  Search this

Record number:

(DSI-AAA_CollID)8207

(DSI-AAA_SIRISBib)210378

AAA_collcode_milcgall

Theme:

Art Gallery Records

Art Market

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_210378

Photograph by:

Adt & Brother Portrait Studio, American, founded 1886  Search this

Subject of:

Unidentified Child or Children  Search this

Medium:

albumen and silver on paper on card mount

Dimensions:

H x W: 6 1/2 x 4 1/4 in. (16.5 x 10.8 cm)

Type:

cabinet photographs

albumen prints

portraits

Place made:

Waterbury, New Haven County, Connecticut, United States, North and Central America

Date:

1890s

Topic:

African American  Search this

Children  Search this

Christianity  Search this

Photography  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture, Gift of the Family of Keith M. Jones in honor of Lonnie Bunch

Object number:

2009.31.1

Restrictions & Rights:

No Known Copyright Restrictions

Proper usage is the responsibility of the user.

See more items in:

National Museum of African American History and Culture Collection

Collection title:

Photograph album of Allston family and other portraits

Classification:

Media Arts-Photography

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd569789be0-7c7b-4052-ac71-8e4342c029e2

EDAN-URL:

edanmdm:nmaahc_2009.31.1

Photograph by:

Atlantic Photo and Portrait Co., American  Search this

Subject of:

Unidentified Child or Children  Search this

Medium:

silver and collodion on printing-out paper on card mount

Dimensions:

H x W: 6 1/2 x 4 1/4 in. (16.5 x 10.8 cm)

Type:

cabinet photographs

collodion prints

portraits

Place made:

Philadelphia, Pennsylvania, United States, North and Central America

Date:

ca. 1896

Topic:

African American  Search this

Children  Search this

Photography  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture, Gift of the Family of Keith M. Jones in honor of Lonnie Bunch

Object number:

2009.31.11

Restrictions & Rights:

No Known Copyright Restrictions

Proper usage is the responsibility of the user.

See more items in:

National Museum of African American History and Culture Collection

Collection title:

Photograph album of Allston family and other portraits

Classification:

Media Arts-Photography

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd56fefaee3-2d64-4b61-8e4e-bacf40d3b66b

EDAN-URL:

edanmdm:nmaahc_2009.31.11

Photograph by:

Buckley Photography Studio, American, 1894 - 1906  Search this

Subject of:

Unidentified Child or Children  Search this

Medium:

silver and collodion on printing-out paper on card mount

Dimensions:

H x W: 6 1/2 x 4 1/4 in. (16.5 x 10.8 cm)

Type:

cabinet photographs

collodion prints

portraits

Place made:

Waterbury, New Haven County, Connecticut, United States, North and Central America

Date:

1894-1906

Topic:

African American  Search this

Children  Search this

Christianity  Search this

Photography  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture, Gift of the Family of Keith M. Jones in honor of Lonnie Bunch

Object number:

2009.31.12

Restrictions & Rights:

No Known Copyright Restrictions

Proper usage is the responsibility of the user.

See more items in:

National Museum of African American History and Culture Collection

Collection title:

Photograph album of Allston family and other portraits

Classification:

Media Arts-Photography

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd5266d1e62-5c83-4806-b2b2-ac1168778ee1

EDAN-URL:

edanmdm:nmaahc_2009.31.12

Photograph by:

George E. Rogers, American, 1858 - 1923  Search this

Subject of:

Unidentified Child or Children  Search this

Medium:

silver and collodion or photographic gelatin on printing-out paper on card mount

Dimensions:

H x W: 6 1/2 x 4 1/4 in. (16.5 x 10.8 cm)

Type:

cabinet photographs

collodion prints

gelatin silver prints

portraits

Place made:

New Haven, Connecticut, United States, North and Central America

Date:

1892-1911

Topic:

African American  Search this

Children  Search this

Photography  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture, Gift of the Family of Keith M. Jones in honor of Lonnie Bunch

Object number:

2009.31.17

Restrictions & Rights:

No Known Copyright Restrictions

Proper usage is the responsibility of the user.

See more items in:

National Museum of African American History and Culture Collection

Collection title:

Photograph album of Allston family and other portraits

Classification:

Media Arts-Photography

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd5e31f0ad9-cdc2-492c-b252-fcc7919a243d

EDAN-URL:

edanmdm:nmaahc_2009.31.17

Photograph by:

Buckley Photography Studio, American, 1894 - 1906  Search this

Subject of:

Unidentified Child or Children  Search this

Medium:

silver and collodion on printing-out paper on card mount

Dimensions:

H x W: 6 1/2 x 4 1/4 in. (16.5 x 10.8 cm)

Type:

cabinet photographs

collodion prints

portraits

Place made:

Waterbury, New Haven County, Connecticut, United States, North and Central America

Date:

1894-1906

Topic:

African American  Search this

Children  Search this

Christianity  Search this

Photography  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture, Gift of the Family of Keith M. Jones in honor of Lonnie Bunch

Object number:

2009.31.2

Restrictions & Rights:

No Known Copyright Restrictions

Proper usage is the responsibility of the user.

See more items in:

National Museum of African American History and Culture Collection

Collection title:

Photograph album of Allston family and other portraits

Classification:

Media Arts-Photography

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd5ecfcd2a9-cae7-4930-889d-ee8d5eced86c

EDAN-URL:

edanmdm:nmaahc_2009.31.2

Photograph by:

Bundy and Filley, American, 1887 - 1893  Search this

Subject of:

Unidentified Child or Children  Search this

Medium:

albumen and silver on paper on card mount

Dimensions:

H x W: 6 1/2 x 4 1/4 in. (16.5 x 10.8 cm)

Type:

cabinet photographs

albumen prints

portraits

Place made:

New Haven, Connecticut, United States, North and Central America

Date:

1892-1893

Topic:

African American  Search this

Children  Search this

Photography  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture, Gift of the Family of Keith M. Jones in honor of Lonnie Bunch

Object number:

2009.31.20

Restrictions & Rights:

No Known Copyright Restrictions

Proper usage is the responsibility of the user.

See more items in:

National Museum of African American History and Culture Collection

Collection title:

Photograph album of Allston family and other portraits

Classification:

Media Arts-Photography

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd57430111b-c1d7-438d-a895-8fcfe4a56beb

EDAN-URL:

edanmdm:nmaahc_2009.31.20

Photograph by:

Henry Smith, American, active 1899 - 1910  Search this

Subject of:

Unidentified Child or Children  Search this

Medium:

silver and collodion on printing-out paper on card mount

Dimensions:

H x W: 7 1/4 x 4 1/2 in. (18.4 x 11.4 cm)

Type:

cabinet photographs

collodion prints

portraits

Place made:

Waterbury, New Haven County, Connecticut, United States, North and Central America

Date:

ca. 1905

Topic:

African American  Search this

Children  Search this

Photography  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture, Gift of the Family of Keith M. Jones in honor of Lonnie Bunch

Object number:

2009.31.27

Restrictions & Rights:

No Known Copyright Restrictions

Proper usage is the responsibility of the user.

See more items in:

National Museum of African American History and Culture Collection

Collection title:

Photograph album of Allston family and other portraits

Classification:

Media Arts-Photography

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd5acf4a058-20a8-4db5-a2da-e3c1f4ab08a0

EDAN-URL:

edanmdm:nmaahc_2009.31.27

Photograph by:

C. Dunklee's Portraits, American  Search this

Subject of:

Unidentified Child or Children  Search this

Medium:

albumen and silver on paper on card mount

Dimensions:

H x W: 6 1/2 x 4 1/4 in. (16.5 x 10.8 cm)

Type:

cabinet photographs

albumen prints

portraits

Place made:

Greenfield, Franklin County, Massachusetts, United States, North and Central America

Date:

1890-1896

Topic:

African American  Search this

Children  Search this

Christianity  Search this

Photography  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture, Gift of the Family of Keith M. Jones in honor of Lonnie Bunch

Object number:

2009.31.30

Restrictions & Rights:

No Known Copyright Restrictions

Proper usage is the responsibility of the user.

See more items in:

National Museum of African American History and Culture Collection

Collection title:

Photograph album of Allston family and other portraits

Classification:

Media Arts-Photography

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd5239ec921-675c-454a-849a-2c608e57cf85

EDAN-URL:

edanmdm:nmaahc_2009.31.30

Photograph by:

Adt & Brother Portrait Studio, American, founded 1886  Search this

Subject of:

Unidentified Child or Children  Search this

Medium:

albumen and silver on paper on card mount

Dimensions:

H x W: 6 1/2 x 4 1/4 in. (16.5 x 10.8 cm)

Type:

cabinet photographs

albumen prints

portraits

Place made:

Waterbury, New Haven County, Connecticut, United States, North and Central America

Date:

1890s

Topic:

African American  Search this

Children  Search this

Photography  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture, Gift of the Family of Keith M. Jones in honor of Lonnie Bunch

Object number:

2009.31.6

Restrictions & Rights:

No Known Copyright Restrictions

Proper usage is the responsibility of the user.

See more items in:

National Museum of African American History and Culture Collection

Collection title:

Photograph album of Allston family and other portraits

Classification:

Media Arts-Photography

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd53b810796-f701-47af-b807-5526d3124c58

EDAN-URL:

edanmdm:nmaahc_2009.31.6

Artist:

Timothy Greenfield-Sanders, born 16 Feb 1952  Search this

Sitter:

John Leguizamo, born 22 Jul 1964  Search this

Medium:

Inkjet print

Dimensions:

Image: 86.2 × 68.5 cm (33 15/16 × 26 15/16")

Sheet: 101.8 × 76.1 cm (40 1/16 × 29 15/16")

Type:

Photograph

Date:

May 2011

Topic:

Costume\Jewelry\Chain  Search this

John Leguizamo: Male  Search this

John Leguizamo: Performing Arts\Performer\Actor  Search this

John Leguizamo: Performing Arts\Producer\Film producer  Search this

John Leguizamo: Performing Arts\Performer\Comedian  Search this

John Leguizamo: Literature\Writer\Playwright  Search this

Portrait  Search this

Credit Line:

National Portrait Gallery, Smithsonian Institution

Object number:

NPG.2015.28

Restrictions & Rights:

Usage conditions apply

Copyright:

© 2011 Timothy Greenfield-Sanders

See more items in:

National Portrait Gallery Collection

Location:

Currently not on view

Data Source:

National Portrait Gallery

GUID:

http://n2t.net/ark:/65665/sm408188d08-611c-4c7d-a7ec-1d824d999553

EDAN-URL:

edanmdm:npg_NPG.2015.28

Names:

Cino, Joe, 1931-1967  Search this

Donor:

Dominic, Magie  Search this

Extent:

1 Cubic foot (3 boxes)

Type:

Collection descriptions

Archival materials

Advertisements

Ephemera

Magazines (periodicals)

Off off broadway

Photographs

Theater programs

Place:

Broadway (New York, N.Y.)

Greenwich Village (New York, New York)

Date:

1948-2023, undated

Summary:

The collection documents Caffe Cino in Greenwich Village, New York, founded in 1958 by Joe Cino as a coffee shop and art exhibition space. The collection has materials related to and written by author and artist Magie Dominic, Caffe Cino alumni and chronicler.

Content Description:

The materials consist of printed materials, photographs, scripts, advertisements, ephemera, and theater programs.

Arrangement:

Collection is unarranged.

Biographical / Historical:

An Overview with Personal Reflections, Timeline 1958-1968, and The Archives-Key Moments were supplied by donor, Magie Dominic in April 2024

An Overview with Personal Reflections by Magie Dominic

Early Years: 1931-1958

Joe Cino was born on November 16, 1931 in Buffalo, NY. His parents, Mary and Joseph were both Sicilian. There were four brothers, Gabby, Richard, Joe, and Steve. Joe's father, Joe Cino senior, died at a very young age and Mary worked to support the family. She worked at a candy factory at night and wrapped candy in tissue and throw it out the window for the boys to catch. As a child, Joe did little shows in the backyard for the neighbors.

Michael Smith, Village Voice critic, interviewed Joe in 1965 and asked him why he came to New York City. "The opportunity arose because four friends of mine were running away from home, and two of them had some money." (1948; Joe was sixteen; his friends were Tony Vaccaro, Angelo and Stephen Lovoulo (brothers). "I had to make a decision within two hours. It was snowing. My mother was visiting a neighbor, and she came home calling me as I was leaving the house. I ran into the street and jumped into a passing car. I heard my mother calling, and I said, "I'll be back soon, there's a note on the kitchen table." The note said, "I'm going to Rochester to visit some friends."

He arrived in New York City on February 7, 1948, during a blizzard, and broke. "I had a job within three days at the YMCA in Penn Station as a counterman for $110 a month. February to summer. I was making ice cream sodas at Howard Johnson's. Hotel Statler reservations department."

Eight weeks later, April 12, he sent a long, handwritten letter to his mother explaining why he'd run away and his dream to study acting and dance, "Dear Mom, Don't read this letter until tonite when you're relaxed—don't read it half-fast—go through it quite carefully. There are 12 pages (24 sides) Love "Junior"

"When I got the job at the Statler I enrolled in the Henry Street Playhouse and took courses in everything. I was there for about two years. I went home (Buffalo) in July. She (his mother) gave me her blessing. When I left at the end of the week everything was O.K. from then on."

In 1953 Joe was given a dance scholarship to Jacob's Pillow; danced with the Mary Anthony Dance Theater and toured with Maxine Munt and Alfred Brooks.

Michael Smith asked him when he got the idea of opening a café, "I started thinking about the café in 1954. I would talk about it with close friends. My idea was always to start with a beautiful, intimate, non-commercial, friendly atmosphere where people could come and not feel pressured or harassed."

He worked two jobs, studied, and saved for ten years. In the summer of 1958, his friend Ed Franzen saw a For Rent sign on 31 Cornelia Street. He called Joe and introduced him to the landlady, Josie Leema, who was leaning out an upstairs window. Joe said 'Oh you're Italian." Josie said, Yes, what are you. Joe said Sicilian. Josie said, "I don't have to come down," and threw him the key and gave him the first month's rent free if he did all the needed repair work. Josie was Joe's landlady for the Caffe's entire existence. She often brought down pots of soup when Joe was unable to pay the rent. Her reasoning was, if Joe didn't have rent money, he probably didn't have food money. Joe opened the Caffe Cino on a Friday in December 1958. There was room for about twenty mismatched ice cream parlor tables and chairs, and a tiny kitchen with his espresso machine. The room could accommodate about forty people.

MAGIE DOMINIC: PERSONAL REFLECTIONS

In 1962 I left my home in Newfoundland, as a teenager, like Joe Cino. I was 18 and studied at the Art Institute of Pittsburgh. In 1964 I moved to New York, worked in interior design, gave poetry readings in New York venues, stage managed productions at Lighthouse for the Blind and stage managed a play at La Mama. Ellen Stewart introduced me to Tom Eyen. Tom introduced me to Joe Cino. Joe asked me my sign, (Cancer) and we began a friendship and a dialogue that lasted in one form or another to this day. I entered the Caffe that day and never left. Joe was handsome, broad-shouldered, dark hair, a quick smile; his dark brown eyes were filled with passion. He could hold you with his eyes.

I stage managed for Lanford Wilson and Tom Eyen, created roles for new playwrights, created tiny collages for the Caffe walls and worked on the sets; created the large stars and flags for the Dames at Sea set and made Joe an apron from left over stars. I was assistant director to Marshall Mason; I occasionally ran to the store for groceries for the Caffe kitchen. There was no job description. We worked for free, passed the basket after each performance and if we collected fifty dollars by the week's end, and the production had five people, we received $10. each for a week's work. We would have worked for a dollar. We would have paid to be there. The Caffe Cino ceiling was a maze of intricate lighting equipment. Lights were dimmed, stage lights appeared on a tiny performance area, and the room opened like a chakra. The walls were collages with photographs, posters, and twinkle lights. Music ranged from opera to Shirley Temple to Kate Smith, belly dancing, Christmas carols and Billie Holiday. A curtain of crystals and bells stretched in front of the espresso machine; a musical explosion by Joe before each performance with the words, "It's magic time!" And each performance was dedicated to somebody's birthday.

Eventually there was a stage, a tiny eight-foot portable wooden platform. New playwrights emerged and used the free venue Joe offered. Joe would ask them their sign, (I think it was his way of reading people), give them a date, say, "This is your week," and politely refuse to read the script. Joe was generous to the extreme. People came to him for help - and he offered it.

For several years Joe operated the Caffe at night, while simultaneously working during the day as a typist for American Laundry Machinery Company. That salary probably sustained the Caffe. Every new playwright paving the way to the next century had roots there - Lanford Wilson, Tom Eyen, Sam Shepherd, John Guare, Robert Patrick, Doric Wilson, Paul Foster, H. M. Koutoukas, William Hoffman, among many, many others. Bernadette Peters, Marshall Mason, and Harvey Keitel began there. Performances were done for the room, with or without an audience. In the words of theater critic John Gruen, ― Caffe Cino presented the outrageous, the blasphemous, the zany, the wildly poetic, the embarrassingly trite, the childish, and frequently, the moving and the beautiful. A few years ago, someone asked me in an interview where the Caffe Cino administrative offices were located. I said they were in the kitchen, next to the expresso machine, because that's where Joe was standing. In the years following the Caffe's closing I wrote two books, co-edited a third with Michael Smith, gave several presentations on the Caffe, and raised a daughter. My artwork was exhibited in Canada and the United States, and my large fabric installation, The Gown, was presented at The United Nations. Two Caffe Cino people have fabric in the Gown, Robert Patrick and Jim Gossage. For many, the Caffe Cino was a second home. For others it was the only home they'd ever known. Awards received by those who began their careers at the Caffe Cino include the Pulitzer, the Emmy, the Grammy, the Tony, the Obie, the New York Drama Critics' Circle Award, the Robert Chesley Award, and the New York Innovative Theater Awards.

TIMELINE, PLAYWRIGHTS, KEY MOMENTS

"The one thing I never thought of was fully staged productions. I opened as the Caffè Cino Art Gallery, and we had openings every six weeks." Joe Cino

1958-1959 Primarily art exhibitions, poetry and readings of classic plays, Tennessee Williams, etc.

1960 First original play is written for the room, "Flyspray"' by James Howard. In the beginning there is no stage. Tables are moved aside, and actors perform in the space between tables. The photographer, Rowland Sherman, has his first exhibition, with mainly Caffe Cino people as his subjects.

1961 Original plays are now written for the room. Doric Wilson presents his first three plays. The Caffe receives "The Coffee Cup Award" from Show Business newspaper. Al Pacino makes his Off-Off Broadway début in the production of William Saroyan's Hello Out There. "It was a very important moment for me," Pacino, 2014, New Yorker Magazine.

1962 The official menu is designed by Michael Wiley. The $1. minimum includes a show, coffee, and pastry. The one dollar minimum is never changed. Dramatic lighting effects are achieved through the ingenious work of lighting designer John P. Dodd. Adaptation of Alice in Wonderland. "The play was one of the most beautiful things we had at the Cino. I think it was the first time we had that kind of magic." Joe Cino

1963 One-week performances. Claris Nelson writes three original plays. Lanford Willson produces his first plays. Harassment from New York City inspectors.

1964 Two week runs begin with 14 performances weekly. Caffe Cino becomes eligible for the Obie Award. There is continued harassment from New York City inspectors. They categorize the Caffe as a cabaret and insist that Joe obtain a cabaret license and sell alcohol, the requirement for obtaining the license. Joe has a valid restaurant license, wants only a caffe with expresso, and wants nothing to do with liquor. He offers to pay for the cabaret license but refuses to serve alcohol. In an attempt to stop the fines, he changes the name of the Caffe Cino to the Caffe Cino Arts Club and issues membership cards, but the fines continued, and the name change is abandoned. It is a cafe without a category. The staging of Lanford Wilson's The Madness of Lady Bright is a breakthrough hit as the play deals openly about homosexuality. The Caffé has become well known for its plays dealing with gay subject matter. For the first time in New York, and perhaps in the country, LGBT people see depictions of themselves in a more multi-dimensional and realistic light.

1965 On the night of March 3, a fire caused by a gas leak, completely destroys the caffe interior. Edward Albee and H.M. Koutoukas organize a benefit to rebuild the Caffe. Several benefits are held throughout the city. The Caffe is rebuilt and reopens on May 18. The Caffe receives special Obie Award. Playwrights include Diane di Prima, H. M. Koutoukas, David Starkweather, Lanford Wilson, Jean-Claude van Itallie, John Guare, Mary Mitchell, Robert Heide, Tom Eyen, William M. Hoffman, Sam Shepard.

1966 In May, Dames at Sea, a 40-minute musical, opens on the tiny stage, is directed by Robert Dahdah and runs for three consecutive months. It is the first New York play for a teenage Bernadette Peters and, is probably the most successful play in Off-Off-Broadway history. Unfortunately, a producer moves Dames from the Caffe Cino to an Off-Broadway theater and Joe and the Caffe are never acknowledged for its creation.

1967 In January, Joe's lover is electrocuted in an accident in upstate New York and Joe is devastated. City fines and harassment increase. At the end of 1966 and the beginning of 1967, a group of non-Caffe Cino people begin to frequent the room, bring a darkness and quantities of drugs, and although they are not welcomed by most at the Caffe, they continue to frequent the room. On the night of March 31, alone in the room, Joe Cino tries to end his own life. He survives for three days but is pronounced dead at St Vincent's Hospital on Sunday, April 2. Joe Cino cherished life. He cherished his family; the arts; and cherished his magical Caffe. He is devastated by the death of his lover, by the years of unrelenting fines, by the years of harassment, by exhaustion, and is overpowered by a lethal supply of drugs offered to him. They are all contributing factors.

On April 10th at Judson Church, the memorial program cover is wordless. Only a black and white photo of Joe smiling, and wearing an apron made from left over "Dames at Sea" stars.

Four people, led by Charles Stanley - Ken Burgess, Robert Patrick, and Magie Dominic are joined by a few others and work to keep the Caffe open, following the schedule Joe had planned. An unexpected classic comic book production of Snow White. Charles Stanley is the magic mirror; Ken Burgess is all the magical forest creatures; Robert Patrick, playwright, is both Doc and the haunted forest; H.M. Harry Koutoukas, the Greek playwright, is the evil queen; Magie Dominic is Snow White. At every performance the dwarfs are different, and the number is always changing. City harassment and fines intensify. Michael Smith and Wolfgang Zuckerman take over management of the Caffe.

1968 City harassment and fines reach a breaking point. "The summonses cost $250 each. We could not get them to stop, and we could not afford to pay them. So in March, after a final, beautiful production of "Monuments" by Diane di Prima, directed by James Waring and Alan Marlowe, with lighting by John P. Dodd, the Caffè Cino closed for good." (Michael Smith) The Caffe Cino closes on March 17, 1968. Michael Smith, in the days after the Caffe's closing in 1968, takes pictures and programs from the Caffé walls and brings them to Library for the Performing Arts, Lincoln Center.

THE ARCHIVES. KEY MOMENTS

1972. Off-Off Broadway Book by Albert Poland and Bruce Mailman, published with a chapter on Caffe Cino, research and scripts. 1977. Magie Dominic contacted photographer Jim Gossage, a main photographer of Caffe Cino and 1960s OOB theater, regarding existing Caffe Cino photographs. Together, they began assembling documentation. 1979. The newspaper Other Stages published a series of articles about Caffe Cino. 1979. Dorothy Swerdlove, Curator of the Billy Rose Theatre Division of New York Public Library for the Performing Arts (LPA) was shown Caffe Cino documentation by Magie Dominic, and established a 1985 exhibition date in the Astor Gallery, Lincoln Center. For the following six years, 1979-1985, and with the assistance of several Caffe Cino people; Ken Burgess - designer of Caffe show posters; the photographer Jim Gossage; the LPA curatorial staff and Richard Buck, Magie Dominic co-curated the exhibition Caffe Cino and Its Legacy. 1985 Caffe Cino and Its Legacy, March 5 - May 11, Astor Gallery, New York Public Library for the Performing Arts, Lincoln Center.

AIDS devastated the Caffe Cino people during the 1980s and into the 1990s. Over sixteen playwrights, actors and designers were lost.

2000: The Queen of Peace Room, memoir by Magie Dominic, published, with a chapter depicting Caffe Cino; and loss of people to AIDS; nominated for three literary awards. 2005. The New York Innovative Theatre Awards established The Caffe Cino Fellowship Award. 2005: Caffe Cino: The Birthplace of Off-Off-Broadway, by Wendell Stone, published. 2006. Bernadette Peters, in Legends of Broadway Compilation, related working on Dames at Sea at Caffe Cino. 2006 CUNY TV, Conversations with William M. Hoffman: Caffe Cino/Off-Off Broadway interviews. 2007. In The Life: Channel 13 TV, fifteen-minute documentary on Caffe Cino's impact on New York theatre and gay theatre in New York. 2007. Return to the Caffe Cino, co-Edited by Steve Susoyev and George Birimisa, published. 2008. Thirty-minute video by Library for the Performing Arts, documenting Greenwich Village Society for Historic Preservation's tribute to Caffe Cino's historic importance; plaque designed by playwright Robert Patrick installed. 2010. H.M. Koutoukas Remembered by His Friends, co-edited by Michael Smith and Magie Dominic, published. 2011. Caffe Cino documentation entered into Library for the Performing Arts permanent archives including the show posters designed by Ken Burgess. 2011. Fales Archives, NYU, enters Magie Dominic writing and art documentation into their permanent archives. 2016. New York Press Association awarded Second Place for Coverage of the Arts to The Villager newspaper for their story, "Magie Dominic - Magic Time at the Caffe Cino". 2017. Caffe Cino placed on The National Register of Historic Places for its significance to LGBT history. It was placed on The State Register of Historic Places the same year. 2019. Caffe Cino designated a New York City Landmark by the Landmarks Preservation Commission. 2019: Lifetime Achievement Award from New York Innovative Theater Awards awarded to Magie Dominic for her contribution to the arts, and Caffe Cino archival work. 2022. Nov 16. A plaque honoring Caffe Cino's placement on The National Register of Historic Places installed on 31 Cornelia Street. It was also Joe Cino's 91st birthday. Research and documentation are ongoing. In 2017, the Cino family found among Mary Cino's papers, the 24-page letter Joe had written to her in 1948.

The Caffe Cino brought theatre into the modern era, created Off-Off Broadway, and from its humble, little eight foot by eight-foot wooden stage, forever altered the performing arts worldwide.

Provenance:

Collection donated by Magie Dominic, 2024.

Restrictions:

Collection is open for research.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Experimental theater  Search this

Genre/Form:

Advertisements

Ephemera

Magazines (periodicals) -- 20th century

Off Off Broadway

Photographs

Theater programs -- 20th century

Citation:

Magie Dominic Caffe Cino Collection, Archives Center, National Museum of American History

Identifier:

NMAH.AC.1596

See more items in:

Magie Dominic Caffe Cino Collection

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8fafdcaf8-93f5-45c6-bb27-f93a1c883546

EDAN-URL:

ead_collection:sova-nmah-ac-1596

Artist:

Rick Chapman, born 1966  Search this

Sitter:

Tony Hawk, born 12 May 1968  Search this

Medium:

Selenium-toned gelatin silver print

Dimensions:

Image/Sheet: 35.6 × 35.4 cm (14 × 13 15/16")

Mount: 53.9 × 50.8 cm (21 1/4 × 20")

Type:

Photograph

Place:

United States\California\San Diego\Carlsbad

Date:

2002

Topic:

Exterior  Search this

Tony Hawk: Male  Search this

Tony Hawk: Sports and Recreation\Athlete\Skateboarder  Search this

Portrait  Search this

Credit Line:

National Portrait Gallery, Smithsonian Institution; gift of the artist and ESPN

Object number:

NPG.2013.84.11

Restrictions & Rights:

Usage conditions apply

Copyright:

©2002 Rick Chapman

See more items in:

National Portrait Gallery Collection

Location:

Currently not on view

Data Source:

National Portrait Gallery

GUID:

http://n2t.net/ark:/65665/sm4e895cba3-6276-4ff3-96d1-6cbeeb6671e8

EDAN-URL:

edanmdm:npg_NPG.2013.84.11

Medium:

Pair of collodion prints

Dimensions:

Print: H: 7.6cm W: 7.1cm

Card: H: 8.5cm W: 17cm

Object Name:

Photograph

Type:

Photograph

Made in:

Europe

Date:

1872-1875

Credit Line:

Gift of Eleanor and Sarah Hewitt

Accession Number:

1931-81-425

Restrictions & Rights:

Usage conditions apply

See more items in:

Cooper Hewitt, Smithsonian Design Museum Collection

Drawings, Prints, and Graphic Design Department

Data Source:

Cooper Hewitt, Smithsonian Design Museum

GUID:

http://n2t.net/ark:/65665/kq42b85dc7f-2577-4644-89cc-c3d9530b092e

EDAN-URL:

edanmdm:chndm_1931-81-425

Medium:

Pair of collodion prints

Dimensions:

Print: H: 7.6cm W: 7.1cm

Card: H: 8.5cm W: 17cm

Object Name:

Photograph

Type:

Photograph

Made in:

Europe

Date:

1872-1875

Credit Line:

Gift of Eleanor and Sarah Hewitt

Accession Number:

1931-81-440

Restrictions & Rights:

Usage conditions apply

See more items in:

Cooper Hewitt, Smithsonian Design Museum Collection

Drawings, Prints, and Graphic Design Department

Data Source:

Cooper Hewitt, Smithsonian Design Museum

GUID:

http://n2t.net/ark:/65665/kq432ef9bed-9b0d-4920-bf45-5a6ce58119e0

EDAN-URL:

edanmdm:chndm_1931-81-440

Medium:

Pair of collodion prints

Dimensions:

Print: H: 6.8cm W: 7.4cm

Card: H: 8.2cm W: 17.2cm

Object Name:

Photograph

Type:

Photograph

Made in:

Europe

Date:

c. 1865

Credit Line:

Gift of Eleanor and Sarah Hewitt

Accession Number:

1931-81-466

Restrictions & Rights:

Usage conditions apply

See more items in:

Cooper Hewitt, Smithsonian Design Museum Collection

Drawings, Prints, and Graphic Design Department

Data Source:

Cooper Hewitt, Smithsonian Design Museum

GUID:

http://n2t.net/ark:/65665/kq40f93dd80-6005-443b-a6b9-5ce6ced196b8

EDAN-URL:

edanmdm:chndm_1931-81-466

Artist:

Marsh, Reginald 1898-1954  Search this

Type:

Photograph

Date:

1942

Topic:

Figure group  Search this

Performing Arts--Circus--Clown  Search this

Performing Arts--Circus  Search this

Animal--Elephant  Search this

Image number:

JUL J0045518

See more items in:

Photograph Study Collection

Data Source:

Photograph Study Collection, Smithsonian American Art Museum

EDAN-URL:

edanmdm:siris_jul_45519