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Baby

Artist:
Ida Shoichi 井田照一 (Japan, 1941 - 2006)  Search this
Medium:
Lithograph and silkscreen print; ink and color on paper
Dimensions:
H x W: 54.3 x 68 cm (21 3/8 x 26 3/4 in)
Type:
Print
Origin:
Japan
Date:
1970
Period:
Showa era
Topic:
child  Search this
Showa era (1926 - 1989)  Search this
Japan  Search this
Japanese Art  Search this
Credit Line:
Gift of Margot Paul Ernst in memory of Mr. and Mrs. Norman S. Paul
Accession Number:
S1987.1038
Restrictions & Rights:
Copyright with artist
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
EDAN-URL:
edanmdm:fsg_S1987.1038

Baby

Artist:
Ida Shoichi 井田照一 (Japan, 1941 - 2006)  Search this
Medium:
Various media
Dimensions:
H x W: 54.3 x 68 cm (21 3/8 x 26 3/4 in)
Type:
Print
Origin:
Japan
Date:
late 20th century
Period:
Showa era
Topic:
child  Search this
Showa era (1926 - 1989)  Search this
Japan  Search this
Japanese Art  Search this
Credit Line:
Gift of Margot Paul Ernst in memory of Mr. and Mrs. Norman S. Paul
Accession Number:
S1987.1038 - 1053
Restrictions & Rights:
Copyright with artist
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
EDAN-URL:
edanmdm:fsg_S1987.1038_-_1053

Baby-Orange

Artist:
Ida Shoichi 井田照一 (Japan, 1941 - 2006)  Search this
Medium:
Silkscreen print; ink and color on paper
Dimensions:
H x W: 52 x 67.9 cm (20 1/2 x 26 3/4 in)
Type:
Print
Origin:
Japan
Date:
1970
Period:
Showa era
Topic:
child  Search this
Showa era (1926 - 1989)  Search this
Japan  Search this
Japanese Art  Search this
Credit Line:
Gift of Margot Paul Ernst in memory of Mr. and Mrs. Norman S. Paul
Accession Number:
S1987.1039
Restrictions & Rights:
Copyright with artist
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
EDAN-URL:
edanmdm:fsg_S1987.1039

Scenery '73 - Kagami (Mirror)

Artist:
Sakazume Atsuo 坂爪厚生 (1941-)  Search this
Medium:
Mezzotint
Dimensions:
H x W (image): 46.8 x 36 cm (18 7/16 x 14 3/16 in)
Type:
Print
Origin:
Japan
Date:
1973
Period:
Showa era
Topic:
child  Search this
Showa era (1926 - 1989)  Search this
Japan  Search this
mirror  Search this
Japanese Art  Search this
Credit Line:
Gift of Margot Paul Ernst in memory of Mr. and Mrs. Norman S. Paul
Accession Number:
S1987.1074
Restrictions & Rights:
Copyright with artist
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
EDAN-URL:
edanmdm:fsg_S1987.1074

Family Papers

Collection Creator:
Miller, Dorothy Canning, 1904-2003  Search this
Extent:
2.4 Linear feet (Boxes 28-30, OV 39)
Type:
Archival materials
Date:
1853-2002
Scope and Contents:
Family papers include correspondence, writings, personal business records, photographic material, and genealogies relating to Miller's paternal (Miller) and maternal (Canning) relatives. The bulk of the family papers relate to Miller's father, Arthur Barrett Miller, an architect and engineer for the Walter B. Kidde Company and resident of Montclair, New Jersey. Upon retirement, Miller worked for John D. Rockefeller on his estate in Tarrytown, New York. Also found here are a few items of correspondence with Dorothy C. Miller as a child.
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Dorothy C. Miller papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Dorothy C. Miller papers, 1853-2013, bulk 1920-1996. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.milldoro, Subseries 15.2
See more items in:
Dorothy C. Miller papers
Dorothy C. Miller papers / Series 15: Addition to the Dorothy C. Miller Papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-milldoro-ref1008

Childs, Bernard

Collection Creator:
Miller, Dorothy Canning, 1904-2003  Search this
Container:
Box 2, Folder 15
Type:
Archival materials
Date:
1973-1978
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Dorothy C. Miller papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Dorothy C. Miller papers, 1853-2013, bulk 1920-1996. Archives of American Art, Smithsonian Institution.
See more items in:
Dorothy C. Miller papers
Dorothy C. Miller papers / Series 2: Correspondence and Subject Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-milldoro-ref107

Henry Ossawa Tanner papers

Creator:
Tanner, Henry Ossawa, 1859-1937  Search this
Names:
Académie Julian  Search this
Art Institute of Chicago  Search this
Grand Central Art Galleries  Search this
Old American Art Club (Paris, France)  Search this
Carpenter, J.S.  Search this
Curtis, Atherton  Search this
Tanner, Jesse O., 1903-  Search this
Tanner, Jessie O., 1873-1925  Search this
Taverty, J.J.  Search this
Extent:
2.3 Linear feet
Type:
Collection descriptions
Archival materials
Sketches
Photographs
Date:
1860s-1978
bulk 1890-1937
Summary:
The papers of the expatriate African American painter Henry Ossawa Tanner measure 2.3 linear feet and date from the 1860s to 1978, with the bulk of the material dating from 1890 to 1937. Found in the papers are scattered biographical, family, and legal materials; twenty-seven folders of correspondence with family, friends, patrons, and galleries; writings and notes by Tanner and others; a small amount of printed material; numerous photographs of Tanner, his studio in Paris and home in Trepied, Normandy, his family, friends, fellow artists, and his artwork. Additional photographs include a circa 1890 shot of Tanner with fellow students at the Académie Julian and another depicting Tanner with members of the American Art Club in Paris, circa 1900. Also found are a few sketches and drawings.
Scope and Content Note:
The papers of the expatriate African American painter Henry Ossawa Tanner measure 2.3 linear feet and date from the 1860s to 1978, with the bulk of the material dating from 1890 to 1937. Found in the papers are scattered biographical, family, and legal materials; twenty-seven folders of correspondence with family, friends, patrons, and galleries; writings and notes by Tanner and others; a small amount of printed material; numerous photographs of Tanner, his family, friends, his artwork, and the galleries at the Chicago Art Institute; and a few sketches and drawings.

Biographical material contains identification documents, awards, family and personal bibles, scattered records of his membership in the Societe Artistique de Picardie and the American Expeditionary Forces, address books, family history, a file concerning a lawsuit against the Bethel A.M.E. Church, and a few records documenting the sale of his artwork. Tanner's personal and professional correspondence is with his wife Jessie, his family, friends, patrons, art galleries, and others. Letters are from various family members, his closest friend Atherton Curtis and his wife Ingeborg, friend J.S. Carpenter who was president of the Des Moines Association of Fine Arts and arranged for sales of Tanner's work in the mid-west, Grand Central Art Galleries in New York, and J.J. Taverty who purchased Tanner's work for the High Museum in Atlanta. Topics of note covered in the correspondence include the sale and exhibition of his artwork and his work for the Red Cross.

Writings and Notes by Tanner include two small notebooks, one of which he kept during his travels in Europe and Palestine in 1897. Also found are his scattered loose writings, jottings, and other notes on various subjects, including autobiographical notes. Writings by others include notes and an essay by his wife Jessie, and a manuscript, "The Life and Works of Henry O. Tanner," by his son Jesse. Printed Materials document Tanner's career and other interests through exhibition announcements, news clippings, printed reproductions of artwork, a published autobiographical essay, and other miscellaneous items. The collection includes numerous photographs of Tanner, family and friends, his studio in Paris, his home in Trepied and in Spain, travels, and artwork. Additional photographs include a circa 1890 shot of Tanner with students at the Académie Julian and another depicting Tanner with members of the American Art Club in Paris, circa 1900. Artwork consists of an ink drawing of a Paris studio and pencil sketches by Tanner.
Arrangement:
The collection is arranged into 6 series:

Series 1: Biographical Material, circa 1890-1937 (Box 1, 4, OV 5; 0.8 linear feet)

Series 2: Correspondence, circa 1890-1978 (Box 1, OV 5; 0.6 linear feet)

Series 3: Writings and Notes, 1897-circa 1950s (Box 1-2, OV 5; 9 folders)

Series 4: Printed Material, 1897-1975 (Box 2, OV 5; 9 folders)

Series 5: Photographs, 1860s-1943 (Box 3, OV 5; 0.4 linear feet)

Series 6: Artwork, 1891-1893 (Box 3; 2 folders)
Biographical Note:
African American painter Henry Ossawa Tanner (1859-1937) was born in Pittsburgh, Pennsylvania to Benjamin Tucker Tanner, a college-educated teacher and minister, and Sarah Miller Tanner, a former slave. Benjamin Tanner was very active in the African Methodist Episcopal (A. M. E.) Church, eventually becoming a bishop, and the family often moved while Henry was a small child. They settled in Philadelphia, and as a teenager, Tanner spent his free time painting, drawing, and visiting art galleries. In 1880 he enrolled in the Pennsylvania Academy of the Fine Arts, where he studied under several master art instructors, including Thomas Eakins who greatly influenced his early work.

Tanner moved to Atlanta, Georgia in 1888 and opened a photography gallery which was not very successful. After teaching briefly at Clark College, a sponsorship from his patrons Bishop and Mrs. Joseph Crane Hartzell allowed him to travel to Europe in 1891 and study at the Académie Julian in Paris. There he was taught by Jean Joseph Benjamin-Constant and Jean-Paul Laurens. After returning to Philadelphia in late 1892, he painted many works depicting African American subjects, including The Banjo Lesson (1893). He returned to Paris in 1894. There, his work began to receive favorable reviews, particularly at the Paris Solon for his biblical scenes. Tanner began to specialize in painting bible imagery and scenes, and traveled to Palestine in 1897 and 1898 and later to Morocco to study costumes, customs, and cityscapes.

In 1899 Tanner married Jessie Macauley Olssen, a young woman from San Francisco living in Paris. Also around this time reproductions of his artwork were published in a few popular American magazines, and Tanner began to receive praise for his artwork in the United States. Tanner, however, objected to being labeled as "Negro artist". Despite their misgivings, the couple moved back to the United States for a short time. Their son, Jesee Ossawa Tanner was born in 1903. One year later Tanner and his wife returned to Paris and made it their lifelong permanent home, only occasionally visiting the United States for exhibitions of his work. They also maintained a leisure farm in Trepied, Normandy.

Tanner continued to exhibit his work in Paris, develop his painting technique and imagery, and travel, becoming friends with many artists throughout Europe. In 1913 he became president of the Societe Artistique de Picardie and during World War I he worked for the American Red Cross in France. In 1923 he was made a chevalier of the Legion of Honor in France for his work as an artist. Tanner became affiliated with Grand Central Art Galleries and other dealers in the United States and had great success there during the 1920s. When Jessie Tanner died in 1925 Henry was grief stricken and remained in poor health for the remainder of his life. He continued to paint occasionally until his death in 1937.
Related Material:
Also found at the Archives of American Art are the Marcia M. Mathews papers relating to Henry Ossawa Tanner, 1937-1969, available on microfilm reels 64 and 3268. Archives of American Art microfilm reel 4399 contains the Alexander family papers relating to Henry Ossawa Tanner, 1912-1985, the originals of which are housed in the University of Pennsylvania Archives. Microfilm reel 4397 is a copy of the the Henry O. Tanner letters to the Pennsylvania Academy of the Fine Arts, 1885-1909, loaned for microfilming by the Academy.
Provenance:
The Henry Ossawa Tanner papers were donated in several increments by his son, Jesse O. Tanner, between 1967 to 1978. Additional papers were donated by Jesse O. Tanner through Marcia M. Mathews, who was in possession of Tanner's papers to write Tanner's biography. Four medals were transferred to the Archives from the National Museum of African Art.
Restrictions:
The collection has been digitized and is available online via AAA's website.
Rights:
The Henry Ossawa Tanner papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Expatriate painters -- France -- Paris  Search this
Art -- Economic aspects  Search this
African American painters -- France -- Paris  Search this
Painters -- United States  Search this
Genre/Form:
Sketches
Photographs
Citation:
Henry Ossawa Tanner papers, 1860s-1978 (bulk 1890-1937). Archives of American Art, Smithsonian Institution.
Identifier:
AAA.tannhenr
See more items in:
Henry Ossawa Tanner papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-tannhenr
Additional Online Media:

Soldier boy Keely Hutton ; afterword by Ricky Richard Anywar

Author:
Hutton, Keely http://id.loc.gov/vocabulary/relators/aut http://id.loc.gov/authorities/names/n2017005641 http://viaf.org/viaf/28150686489412540412/  Search this
Writer of afterword:
Anywar, Ricky Richard http://id.loc.gov/authorities/names/n2017005645 http://viaf.org/viaf/24150686495912540707/  Search this
Subject:
Anywar, Ricky Richard Childhood and youth http://viaf.org/viaf/24150686495912540707/  Search this
Physical description:
x, 326 pages 22 cm
Type:
Juvenile fiction
Fiction
Young adult fiction
Biographical fiction
Historical fiction
History
Juvenile works
Young adult works
Place:
Uganda
Date:
2017
1979-
Topic:
Child soldiers  Search this
Soldiers  Search this
History  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1110238

L'Enfant Sauvage [The Wild Child]

Firm:
Jouineau Bourduge, France, 1941 - 1971  Search this
Designer:
Guy Bourduge, French  Search this
Guy Jouineau, French  Search this
Medium:
Offset lithograph on wove paper, mounted on linen
Type:
graphic design
Poster
Object Name:
Poster
Date:
1970
Credit Line:
Gift of Sara and Marc Benda
Accession Number:
2010-21-28
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_2010-21-28
Additional Online Media:

Abstract "M" Design

Designer:
Dan Friedman, American, 1945–1995  Search this
Medium:
Offset lithograph on white wove paper
Type:
graphic design
Poster
Object Name:
Poster
Date:
1971
Credit Line:
Gift of Ken Friedman
Accession Number:
1997-19-182
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_1997-19-182

Lock, Stock, Barrel, Hook, Line & Sinker

Designer:
Edward Fella, American, b. 1938  Search this
Printer:
American Center Studio  Search this
Medium:
Offset lithograph on white paper.
Type:
graphic design
Poster
Object Name:
Poster
Made in:
USA
Date:
1979
Credit Line:
Gift of Edward Fella
Accession Number:
1995-42-8
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_1995-42-8
Additional Online Media:

Stop Militarism in Our Schools!

Designer:
Peg Averill  Search this
Client:
War Resisters League  Search this
Printer:
The Print Shop  Search this
Medium:
Lithograph on paper
Type:
graphic design
Poster
Object Name:
Poster
Made in:
USA
Date:
ca. 1980
Credit Line:
Gift of Steven Heller and Karrie Jacobs
Accession Number:
1993-53-70
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_1993-53-70

Where Are Their Graves in Soweto

Medium:
Lithograph on paper
Type:
graphic design
Poster
Object Name:
Poster
Made in:
USA
Date:
ca. 1980
Credit Line:
Gift of Steven Heller and Karrie Jacobs
Accession Number:
1993-53-78
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_1993-53-78
Additional Online Media:

Finish Your Food...

Medium:
Lithograph on white paper
Type:
graphic design
Poster
Object Name:
Poster
Made in:
USA
Date:
ca. 1980
Credit Line:
Gift of Steven Heller and Karrie Jacobs
Accession Number:
1993-53-81
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_1993-53-81
Additional Online Media:

It'll Be A Great Day When...

Designer:
B K Guillet  Search this
Client:
War Resisters League  Search this
Medium:
Screenprint on white paper
Type:
graphic design
Poster
Object Name:
Poster
Made in:
USA
Date:
ca. 1980
Credit Line:
Gift of Steven Heller and Karrie Jacobs
Accession Number:
1993-53-85
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_1993-53-85

El Pap Test

Designer:
Seymour Chwast, American, b. 1931  Search this
Office of:
Push Pin Studios, New York, New York, USA  Search this
Client:
American Cancer Society, New York, New York, USA  Search this
Medium:
Offset lithograph on paper
Type:
graphic design
Poster
Object Name:
Poster
Made in:
New York, NY, USA
Date:
1974
Credit Line:
Gift of Push Pin Studios
Accession Number:
1991-69-72
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_1991-69-72
Additional Online Media:

A Child

Designer:
Peter Good  Search this
Type:
graphic design
Poster
Object Name:
Poster
Made in:
USA
Date:
1979
Credit Line:
Gift of Various Donors
Accession Number:
1981-29-32
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_1981-29-32

Jamaica: We're more than a beach. We're a country.

Producer:
Jamaica Tourist Board, founded 1955  Search this
Type:
graphic design
Poster
Object Name:
Poster
Made in:
USA
Date:
1975–1984
Credit Line:
Gift of Various Donors
Accession Number:
1981-29-421
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_1981-29-421

commemorative shirt

Medium:
Material: 100% cotton Structure/Technique: Machine Knit
Type:
costume & accessories
commemorative shirt
Date:
1976
Accession Number:
1976-51-3
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Textiles Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_1976-51-3

Come Sunday, from 1776 USA 1976: Bicentennial Prints

Designer:
Romare Howard Bearden, American, 1911 - 1988  Search this
Client:
Laurence Korwin, American, b. 1925  Search this
Medium:
Lithograph on heavy white paper
Type:
graphic design
Poster
Object Name:
Poster
Made in:
USA
Date:
1975
Accession Number:
1975-47-2
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_1975-47-2

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