The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Charles Henry Alston papers, 1924-1980. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the digitization of this collection was provided by the Terra Foundation for American Art
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Charles Henry Alston papers, 1924-1980. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the digitization of this collection was provided by the Terra Foundation for American Art
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Forbes Watson papers, 1840-1967, bulk 1900-1960. Archives of American Art, Smithsonian Institution.
The bulk of the collection has been digitized and is available online via AAA's website. Use of material not digitized requires an appointment. Glass plate negatives are housed separately and not served to researchers.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Solon H. Borglum and Borglum family papers, 1864-2002. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.
Indians of North America -- Northwest Coast of North America Search this
Type:
Archival materials
Field notes
Manuscripts
Vocabulary
Place:
Oregon -- Languages
Washington (State) -- Languages
Date:
1939-circa 1942
Scope and Contents:
This subseries of the Alaska/Northwest Coast series consists of field notes labeled "Kwalhioqua-Tlatskanai" by Harrington, but they do not represent reliable original data for these related neighboring languages. They are, rather, attempts by speakers of other Washington and Oregon languages to recall or suggest the appropriate Athapascan forms. Materials include notes from rehearings of Boas and Goddard's "Vocabulary of an Athapascan Dialect of the State of Washington"; L.J. Frachtenberg's "Willapa" vocabulary; J. Wickersham's "Qwal-ow-its" or "Kwil-low-its" vocabulary; E.S. Curtis' article "The Willapa"; Curtis' Willapa vocabulary; and A.C. Anderson's "Klatskanai" vocabulary. There are also a few miscellaneous notes on the names, ancestry, and location of Washington and Oregon residents capable of commenting on Kwalhioqua and Tlatskanai. In addition, these files contain Harrington's rought outlines for articles and an abstract of a story regarding the origin of the Kwalhioqua and their relationship with other tribes.
Biographical / Historical:
John P. Harrington first became interested in Kwalhioqua-Tlatskanai in the fall of 1939 when he used a photostat of Boas and Goddard's (1924) "Vocabulary of an Athapascan Dialect of the State of Washington" and a hand-copy of Alexander Caulfield Anderson's (1857) "Klatskanai" vocabulary as parts of a "questionnaire" for obtaining the northern Athapascan languages of British Columbia and Alberta. He soon realized that the study of these isolated languages of the Willapa and Chehalis Rivers region would be significant in his continuing survey of Athapascan along the Pacific coast. As he expressed it later in a letter to B.A.E. chief Matthew W. Stirling: "This Kwalhioqua-Tlatskanay language is vital to connecting the Chilcos [Chilcotins] with the Hupas, is the only half-way link.."
Therefore, after his return to the United States he began a serious investigation of the extinct languages and even attempted to locate individuals who might have heard the languages spoken as children. He used a variety of Kwalhioqua and Tlatskanai vocabularies in manuscript and published form as a basis for elicitation. In January 1940 while staying in Seattle with Melville and Elizabeth Langdon Jacobs, he questioned Tlingit speaker Thomas Skeek, a native of Kake, Alaska, regarding Tlatskanai. A month later he asked Upper Umpqua (UU) speaker John Warren (J.W.) of Grand Ronde for his impressions of the two more northerly situated languages.
This aspect of Harrington's work on the Northwest Coast was continued upon his return to the area in 1942. Those from whom he hoped for the greatest results were Lizzie Johnson and Minnie Case, two Upper Chehalis speakers he worked with at Oakville, Washington. Lizzie Johnson (Liz.) was the daughter of Mary Judson who had been an informant for James Wickersham and Leo J. Frachtenberg around 1900 and June 1910 respectively. Minnie Case (Min.) was a niece of Mrs. Judson and had been married to Willie Andrew of Tahola whose father was reportedly "pure Tlatskanai." She also claimed to have spoken Kwalhioqua as a very young child, although Harrington felt the language must have been Tlatskanai due to the location of her home in Clatsop County, Oregon.
Another Washington state resident interviewed in the matter was Emma Luscier (Em.).
He also interviewed a number of speakers of Oregon languages, including Clara Pearson, Wolverton Orton (Wolv.), Lucy Smith, and Coquille Thompson (Thomp.).
John Peabody Harrington papers, National Anthropological Archives, Smithsonian Institution
The preferred citation for the Harrington Papers will reference the actual location within the collection, i.e. Box 172, Alaska/Northwest Coast, Papers of John Peabody Harrington, National Anthropological Archives, Smithsonian Institution.
However, as the NAA understands the need to cite phrases or vocabulary on specific pages, a citation referencing the microfilmed papers is acceptable. Please note that the page numbering of the PDF version of the Harrington microfilm does not directly correlate to the analog microfilm frame numbers. If it is necessary to cite the microfilmed papers, please refer to the specific page number of the PDF version, as in: Papers of John Peabody Harrington, Microfilm: MF 7, R34 page 42.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Lilly Martin Spencer papers, 1828-1966. Archives of American Art, Smithsonian Institution.
Sponsor:
The collection was digitized in 2022 with funding provided by the Lichtenstein Foundation and the Terra Foundation for American Art
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
The Sam DeVincent Collection of Illustrated American Sheet Music, Archives Center, National Museum of American History, Smithsonian Institution
1 Photographic print ((contact print)., b&w, 6 x 6 cm.)
1 Photographic print ((dupe print)., b&w, 8 x 10 in.)
Type:
Archival materials
Negatives
Photographic prints
Place:
Africa
Bo-Kaap (Cape Town, South Africa)
Cape Town (South Africa)
South Africa
Date:
1942-3
Scope and Contents:
"Skolly" Boy, Bo Kaap, Cape Town, 1942-3. Photographic image of a boy standing with his arms around a pole. There is a child standing in the background near a group of homes. Photograph by Constance Stuart Larrabee, 1942-3.
There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print for reference purposes.
Local Note:
Original Constance Stuart Larrabee Number: 13-12
Contact Sheet Number: 800931-2
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
1 Photographic print ((contact print)., b&w, 6 x 6 cm.)
1 Photographic print ((dupe print)., b&w, 8 x 10 in.)
Type:
Archival materials
Negatives
Photographic prints
Place:
Africa
Bo-Kaap (Cape Town, South Africa)
Cape Town (South Africa)
South Africa
Date:
1942-3
Scope and Contents:
"Skolly" Boy, Bo Kaap, Cape Town, 1942-3. Photographic image of child standing against a wall. There are a pair of pants hanging on the wall behind the child. Photograph by Constance Stuart Larrabee, 1942-3.
There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print for reference purposes.
Local Note:
Original Constance Stuart Larrabee Number: 13-19
Contact Sheet Number: 800931-2
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
