Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 2018 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Citation:
Smithsonian Institution, Archives of American Gardens, W. Atlee Burpee & Company Records.
United States of America -- Texas -- Dallas -- Dallas
Scope and Contents:
The folder includes worksheets and plans.
General:
Hedges and six-foot high brick walls lend privacy to the contemporary house on a busy thoroughfare, with espaliered magnolias, wisteria and other vines, and ornamental ironwork painted lavender softening the walls and adding design impact. The plantings in this garden are in rectilinear raised beds or along the walls that surround the house. A feature is the nine by 40-foot swimming pool set in a terrace paved in aggregate that is bordered on one side by a holly hedge and flower bed planted with spring bulbs and caladiums in summer. Another flower bed features bulbs and summer flowers in shades of blue and white that bloom year round, also backed by a holly hedge. Raised parterre beds are bordered in boxwood and planted with pink begonias. There are planted terracotta containers and jars and several sculptures in the garden, and two areas of lawn on either side of the house. An ornamental apricot tree adds pink blossoms in January.There is a cutting garden behind another wall, in the alley on one side of the house.
Persons associated with the garden include Frank Welch (architect, 1984-1985); Boyd Heiderich Bargas Gilson (landscape architects, 1984-1990); John Armstrong and Bruce Berger (landscape architects, 1990-present).
Related Materials:
Mockingbird Garden related holdings consist of 1 folder (16 35mm slides (photographs); 1 4 X 6 in. digital print)
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
This finding aid was digitized with funds generously provided by the Smithsonian Institution Women’s Committee.
Descriptive Entry:
The Doris Holmes Blake papers consist of correspondence, diaries, photographs and related materials documenting in great detail Blake's personal life and, to a lesser
degree, her professional career.
The heavy correspondence she maintained with her mother and daughter, her essays and children's books, and the 70 years' worth of daily journals all attest to her infatuation
with the written word and preoccupation with her inner life. Blake's diaries and family papers stunningly illuminate the contrasts in the daily lives of herself, her mother,
and her daughter.
The papers relating to her professional life are less complete. Although she spent almost 60 years (1919-1978) in association with the entomological staffs of the U. S.
Department of Agriculture and the Smithsonian Institution, published numerous professional papers, produced all of her own illustrations, and illustrated many of her husband's
botanical works as well, this collection contains only a very limited amount of material documenting those activities. The papers do, however, include her extensive correspondence
with fellow entomologists, both in the United States and abroad.
In the course of transferring her husband's papers to the University of Texas, some of Blake's own papers were included as well. They are presently in the collection of
the Humanities Research Center of the University of Texas at Austin and include letters to her parents, 1906-1950; school and college notebooks, papers, essays and drawings;
and clippings, genealogical notes, and miscellaneous family letters and papers.
Historical Note:
Doris Holmes (1892-1978) was born in Stoughton, Massachusetts, to a middle-class grocer and his wife. Essentially an only child (two siblings died in early childhood
and infancy), her natural intelligence, stubbornness, and extremely competitive nature were well fostered by her parents, who steadily encouraged and supported her determination
to excel.
Holmes left Stoughton for Boston University's College of Liberal Arts and Sciences in 1909, where she pursued studies in business and the classics, earning her A.B. in
1913. Her business skills led to her association with the Boston Psychopathic Hospital in 1913, initially as a clerk, and later as aide to Dr. Herman Adler. Her interests
in science and psychology led her to an A.M. from Radcliffe College in zoology and psychology in 1917.
After a short time as a researcher at Bedford Hills Reformatory for Women, Holmes married her childhood sweetheart, botanist Sidney Fay Blake. Early in 1919, Doris Blake
found work as a clerk for the Department of Agriculture's Bureau of Entomology under Frank H. Chittenden, and began the entomological studies that would continue for the rest
of her life.
Blake worked her way up to junior entomologist and, when Chittenden retired, continued her work under Eugene A. Schwarz at the United States National Museum. The birth
in 1928 of daughter Doris Sidney (an infant son had died shortly after birth in 1927) was not a sign for her to slow down -- Blake hired a nurse to watch the baby while she
continued to watch beetles. In 1933 her official employment came to an end with the institution of regulations prohibiting more than one member of a family from holding a
government position (Sidney Blake was then working for the Department of Agriculture).
Although no longer on the payroll, Blake continued her taxonomic work on the family Chrysomelides for almost 45 more years, first as a collaborator and then as a research
associate of the Smithsonian Institution. Shortly after her husband's death, Blake traveled to Europe in 1960 on a National Science Foundation grant to revise the genus Neobrotica
Jacoby. She ultimately published 97 papers in various journals (see "Doris Holmes Blake," Froeschner, Froeschner and Cartwright, Proc. Entomol. Soc. Wash., 83(3), 1981, for
a complete bibliography) and continued her active research until shortly before her death on December 3, 1978.
Parish: Ouachita, Weed under apricot tree in garden at 403 Stevenson Drive in Treasure Island Subdivision north of Monroe., Louisiana, United States, North America
United States of America -- Tennessee -- Davidson County -- Nashville
Meldhaven Home and Gardens (Nashville, Tennessee)
Scope and Contents:
31 digital images and 1 folder.
General:
Meldhaven Home and Gardens is situated on the 129- acre former H.G. Hill estate located six miles west of downtown Nashville, Tennessee. The property was subdivided in 1995 into estate-sized lots and named Hill Place, leaving the existing Hill home, mature shade trees, white rail fencing, and pastoral land bordering the railroad tracks and Richland Creek.
Meldhaven was partially completed in 1998 by the original owner before the current owners purchased the property in 1999. They began remodeling the home and grounds, adding a swimming pool, pool house, brick walls, garden beds, and soil amendments. The gardens feature a number of propagated rare plants, architectural collections, and also contain pollinator, cutting, and vegetable gardens. The entire property incorporates composting and is cultivated using exclusively organic practices.
Along the front driveway entrance to the home, mature trees native to the original Hill property divide a canopy for an understory bed filled with perennials. On the driveway to the Northern side of the property, specimen trees like the holly tea olive, dwarf-grafted umbrella catalpa tree, hinoki cypress (Chamaecyparis obtusa), china firs, and junipers are interspersed. The loss of a large maple tree facilitated the creation of border and island stumpery beds gathered from a collection of stumps found after years of being submerged underwater. The stumps were placed in beds with architectural rocks, specimen Japanese maples, hellebores, an apricot tree, dwarf bamboo, and ferns. One of the bed features wave walls, with a plaque and a quote by G.W. Carver.
Along the Eastern woodland border sit three beehives shadowed by brown magnolias. Ferns, mosses, and an assortment of perennials are planted along the border, with stumps and rocks interspersed throughout. A path leads to a large compost pile hidden between the border and brick wall. A fountain repurposed from an antique millstone sits nearby. Another path leads to an 18th century pigeonary filled with ferns.
The backyard, swimming pool, pool house, and pergola are enclosed by a brick wall. A sculpture by Tom Rice is surrounded by a bed of shrubs and perennials. White hydrangea blooms near the perennials and shrubs, interspersed with sculptures and architectural pieces. Border beds surrounding the pool include antique planters filled with succulents, a sculpture by Charlie Hunt, a miniature boxwood collection, and containers of exotic plants. The rear wall of the pool house is trellised with mandevilla vines overlooking a pollinator garden. The pergola near the main house shelters a container garden of succulents and cacti during the warmer summer months. During the winter, the greenhouse is used for housing container plants and growing fennel lettuces, fruits, vegetables, and herbs.
Persons associated with the garden include: Stephen Wells (landscape architect, 1999); Lisa Z. Manning (current owner and horticulturist, 2000); Charlie Hunt (sculptor); Keith Merry (ironwork); Tom Rice (sculptor).
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
Permission to publish, quote, or reproduce must be secured from the repository.
Collection Citation:
Charles Lang Freer Papers. FSA A.01. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of the estate of Charles Lang Freer.
Beatrice Wood. Picasso cat: the cat who had his nose out of joint, 1946. Beatrice Wood papers, 1894-1998. Archives of American Art, Smithsonian Institution.
Materials – Photograph, articles, letters, and Oakes' written notes.
Collection Restrictions:
No restrictions on access.
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
United States Women In Aviation Through World War I Collection, Acc. XXXX-0424, National Air and Space Museum, Smithsonian Institution.
United States of America -- California -- San Mateo County -- Hillsborough
Date:
04/01/1984
General:
Japanese garden - gnarled Prunus mume on left of Cedar Teahouse. Apricot tree.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
The Dr. Paul Singer Collection of Chinese Art of the Arthur M. Sackler Gallery, Smithsonian Institution Search this
Credit Line:
The Dr. Paul Singer Collection of Chinese Art of the Arthur M. Sackler Gallery, Smithsonian Institution; a joint gift of the Arthur M. Sackler Foundation, Paul Singer, the AMS Foundation for the Arts, Sciences, and Humanities, and the Children of Arthur M. Sackler
