The papers of African American photographer Renee V. Cox measure 5.7 linear feet and date from 1973 to 2018, with individual materials from 1945 and 1955. The bulk of the materials date from the 1990s. The collection contains biographical material, correspondence, writings, exhibition files, materials related to Cox's photographic projects and other professional activities, personal business records, printed material, and photographic material.
Scope and Contents:
The papers of African American photographer Renee V. Cox measure 5.7 linear feet and date from 1973 to 2018, with individual materials from 1945 and 1955. The bulk of the materials date from the 1990s. The collection contains biographical material including resumes, calendars and appointment books, education records, and family records; personal and professional correspondence; writings including notes, notebooks/sketchbooks, artist statements, and writings by others; and exhibition files, including plans, photographs, and loan forms. Also included are materials related to Cox's photographic projects and other professional activities, including proposals, plans, teaching files, and professional travel itineraries, as well as material related to the Yo Mama's Last Supper controversy; personal business records, including invoices, sales records, contracts, and agreements; printed material, including clippings, exhibition materials, magazines, and newspapers; and photographic material including slides, contact sheets, prints and copies of Cox's work, family photographs, travel photographs, and photograph portfolios/scrapbooks.
Arrangement:
This collection is arranged as eight series.
Series 1: Biographical Material, 1945, 1955, 1973-2011 (Box 1; 0.3 linear feet)
Series 2: Correspondence, 1975-1977, 1990-2008 (Box 1; 0.3 linear feet)
Series 3: Writings, circa 1975, circa 1990s-2008 (Boxes 1-2; 0.4 linear feet)
Series 4: Exhibition Files, circa 1990s-2010 (Box 2; 0.4 linear feet)
Series 5: Projects and Professional Activities, circa 1987-2009 (Box 2, Box 7; 0.4 linear feet)
Series 6: Personal Business Records, 1992-2015 (Box 3; 0.2 linear feet)
Series 7: Printed Material, 1974-2018 (Boxes 3-7; 3.4 linear feet)
Series 8: Photographic Material, circa 1980s-2000s, undated (Boxes 6-7; 0.3 linear feet)
Biographical / Historical:
Renee V. Cox (1960- ) is a Jamaican-born African American photographer in New York, NY. She is known for using her work to celebrate Black womanhood and for confronting racism and sexism in her reimagined depictions of religious or cultural figures. Cox began her photographic career as a fashion photographer, working with major fashion houses, supermodels, and agencies to create images that were published in Essence, Seventeen, Mademoiselle, Ebony Man, Sportswear International, and many others.
In 1992, she earned her Master of Fine Arts from the School of Visual Arts in New York, NY and went on to attend the Whitney Museum of American Art Independent Study Program. Renee Cox was the first woman to attend the program while pregnant and she created works in her Yo Mama series during this time, including a statue of her nude, pregnant form.
In 2001, Cox's work Yo Mama's Last Supper was included in the Committed to the Image exhibition at the Brooklyn Museum. The image is a reimagining of Leonardo Da Vinci's The Last Supper with Cox as Jesus surrounded by Black disciples and a white Judas. New York mayor Rudolph Giuliani called for a commission to set decency standards for any New York museum receiving public funds. In addition to the press coverage, Cox received hate mail and threats from people about the piece.
Cox continues to create work engaged in dialogues about the intersection of race, gender, class, and power. Her work has been exhibited internationally and is held in many private and public collections.
Provenance:
The papers were donated in 2019 by Renee V. Cox as part of the Archives' African American Collecting Initiative funded by the Henry Luce Foundation.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Photographers -- New York (State) -- New York Search this
Woman's Building (Los Angeles, Calif.) Search this
Container:
Box 7, Folder 3
Type:
Archival materials
Date:
1976-1980
Collection Citation:
Woman's Building records, 1970-1992. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Getty Foundation. Funding for the digitization of this collection was provided by The Walton Family Foundation and Joyce F. Menschel, Vital Projects Fund, Inc.
Woman's Building (Los Angeles, Calif.) Search this
Container:
Box 11, Folder 45
Type:
Archival materials
Date:
circa 1977-1978
Collection Citation:
Woman's Building records, 1970-1992. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Getty Foundation. Funding for the digitization of this collection was provided by The Walton Family Foundation and Joyce F. Menschel, Vital Projects Fund, Inc.
Woman's Building (Los Angeles, Calif.) Search this
Container:
Box 18, Folder 39
Type:
Archival materials
Date:
1985
Collection Citation:
Woman's Building records, 1970-1992. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Getty Foundation. Funding for the digitization of this collection was provided by The Walton Family Foundation and Joyce F. Menschel, Vital Projects Fund, Inc.
Carrie Mae Weems edited by Sarah Elizabeth Lewis with Christine Garnier ; essays and interviews by Sarah Elizabeth Lewis, Huey Copeland, bell hooks, Coco Fusco, Carrie Mae Weems, Thelma Golden, Deborah Willis, Robin Kelsey, Katori Hall, Salamishah Tillet, Dawoud Bey, Jennifer Blessing, Thomas J. Lax, Kimberly Drew, Erina Duganne, Yxta Maya Murray, Kimeberly Juanita Brown, Gwendolyn DuBois Shaw, José Rivera, and Jeremy McCarter
Quotes and excerpts must be cited as follows: Oral history interview with Cinthya Santos-Briones, 2020 September 16. Archives of American Art, Smithsonian Institution.
United States. General Services Administration. Design Excellence and the Arts Oral History Project Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Athena Tacha, 2009 December 4-6. Archives of American Art, Smithsonian Institution.
Quotes and excerpts must be cited as follows: Oral history interview with Sarah Edwards Charlesworth, 2011 November 2-9. Archives of American Art, Smithsonian Institution.
Quotes and excerpts must be cited as follows: Oral history interview with Mary Lucier, 2011 Sept. 27-30. Archives of American Art, Smithsonian Institution.
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America Search this
Type:
Interviews
Sound recordings
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Janine Antoni, 2012 December 10-19. Archives of American Art, Smithsonian Institution.
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America Search this
Extent:
104 Pages (Transcript)
7 Items (sound files (5 hrs., 59 min.))
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2012 December 10-19
Scope and Contents:
An interview of Janine Antoni conducted 2012 December 10-19, by Judith Olch Richards, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Antoni's studio, in Brooklyn, New York.
Biographical / Historical:
Janine Antoni (1964- ) is a performance artist, sculptor, and photographer in Brooklyn, New York. Judith Olch Richards (1947- ) is former director of iCI in New York, New York.
General:
Originally recorded as 7 sound digital wav files. Duration is 5 hrs., 59 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This interview is open for research. Contact Reference Services for more information.
Occupation:
Performance artists -- New York (State) -- New York Search this
Sculptors -- New York (State) -- New York Search this
Photographers -- New York (State) -- New York Search this
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Exhibition records of the Contemporary Study Wing of the Finch College Museum of Art, 1943-1975. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Andrew W. Mellon Foundation, administered through the Council on Library and Information Resources' Hidden Collections grant program. Funding for the digitization of two motion picture films was provided by the Smithsonian Women's Committee, and for the remaining sound and video recordings from the Smithsonian's Collection Care Pool Fund. Funding for the digitization of the collection, not including audiovisual materials, was provided by The Walton Family Foundation and the Terra Foundation for American Art.
