Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.
Do not use original materials when available on reference video or audio tapes.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Reproduction permission from Archives Center: reproduction fees may apply. All duplication requests must be reviewed and approved by Archives Center staff.
Series Citation:
Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution
Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.
Do not use original materials when available on reference video or audio tapes.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Reproduction permission from Archives Center: reproduction fees may apply. All duplication requests must be reviewed and approved by Archives Center staff.
Series Citation:
Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution
1 Photographic print ((contact print)., b&w, 6 x 6 cm.)
1 Photographic print ((dupe print)., b&w, 8 x 10 in.)
Type:
Archival materials
Negatives
Photographic prints
Place:
Africa
Natal (South Africa)
South Africa
Date:
1949
Scope and Contents:
Zulu Man Leading Group of People, 1949. The man is wearing traditional attire made of fur and holding a shield and a couple spears. Behind him are women dressed in skirts, jewelry, and holding canes. There are more people in the background following the man and women. Photograph by Constance Stuart Larrabee, 1949.
There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print for reference purposes.
Local Note:
Original Constance Stuart Larrabee Number: 17-17
Contact Sheet Numbers: 332083-2
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
1 Photographic print ((contact print)., b&w, 6 x 6 cm.)
1 Photographic print ((dupe print)., b&w, 8 x 10 in.)
Type:
Archival materials
Negatives
Photographic prints
Place:
Africa
South Africa
Date:
1949
Scope and Contents:
Alan Paton With Children in Front of Church, Natal. The children are walking in a single file line out of the church. Alan Paton is standing at the doorway of the church with the young woman. Photograph by Constance Stuart Larrabee, Feb. 1949.
This photograph was taken when Constance Stuart was on assignment for Harper's Bazaar, an American magazine. Her task was to create a portfolio inspired by the seminal book "Cry, The Beloved Country," which had brought the conditions in South Africa to the attention of the world. The author of the book was the South African writer Alan Paton (1903-1988). It was published in the United States in 1948. Alan Paton accompanied her on the assignment. In June 1949, Harper's Bazaar published an essay by Alan Paton entitled "A Letter from South Africa in which Alan Paton Guides you to his Corner of the 'Beloved Country'." Six photographs by Constance Stuart accompany the essay.
There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print for reference purposes.
Local Note:
Contact Sheet Number: 332090-13
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Genre/Form:
Photographic prints
Collection Citation:
Constance Stuart Larrabee Collection, EEPA 1998-006, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Sponsor:
The cataloging of the Constance Stuart Larrabee Collection was supported by a grant from The Smithsonian Women's Committee.
1 Photographic print ((dupe print)., b&w, 8 x 10 in.)
Type:
Archival materials
Negatives
Photographic prints
Place:
Africa
South Africa
Date:
1949
Scope and Contents:
Woman Buying Bananas, Natal. African woman buying bananas from a young Indian woman. Photograph by Constance Stuart Larrabee, Feb. 1949.
This photograph was taken when Constance Stuart was on assignment for Harper's Bazaar, an American magazine. Her task was to create a portfolio inspired by the seminal book "Cry, The Beloved Country," which had brought the conditions in South Africa to the attention of the world. The author of the book was the South African writer Alan Paton (1903-1988). It was published in the United States in 1948. Alan Paton accompanied her on the assignment. In June 1949, Harper's Bazaar published an essay by Alan Paton entitled "A Letter from South Africa in which Alan Paton Guides you to his Corner of the 'Beloved Country'." Six photographs by Constance Stuart accompany the essay.
There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print for reference purposes.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Genre/Form:
Photographic prints
Collection Citation:
Constance Stuart Larrabee Collection, EEPA 1998-006, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Sponsor:
The cataloging of the Constance Stuart Larrabee Collection was supported by a grant from The Smithsonian Women's Committee.
1 Photographic print ((contact print)., b&w, 6 x 6 cm.)
1 Photographic print ((dupe print)., b&w, 8 x 10 in.)
Type:
Archival materials
Negatives
Photographic prints
Place:
Africa
South Africa
Date:
1949
Scope and Contents:
Alan Paton at Store, Natal. An Indian woman is handing a bunch of carrots to Alan Paton. A young Indian girl and man are standing next to the woman. Photograph by Constance Stuart Larrabee, Feb. 1949.
This photograph was taken when Constance Stuart was on assignment for Harper's Bazaar, an American magazine. Her task was to create a portfolio inspired by the seminal book "Cry, The Beloved Country," which had brought the conditions in South Africa to the attention of the world. The author of the book was the South African writer Alan Paton (1903-1988). It was published in the United States in 1948. Alan Paton accompanied her on the assignment. In June 1949, Harper's Bazaar published an essay by Alan Paton entitled "A Letter from South Africa in which Alan Paton Guides you to his Corner of the 'Beloved Country'." Six photographs by Constance Stuart accompany the essay.
There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print for reference purposes.
Local Note:
Contact Sheet Number: 332090-16A
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Genre/Form:
Photographic prints
Collection Citation:
Constance Stuart Larrabee Collection, EEPA 1998-006, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Sponsor:
The cataloging of the Constance Stuart Larrabee Collection was supported by a grant from The Smithsonian Women's Committee.
1 Photographic print ((contact print)., b&w, 6 x 6 cm.)
1 Photographic print ((dupe print)., b&w, 8 x 10 in.)
Type:
Archival materials
Negatives
Photographic prints
Place:
Africa
South Africa
Date:
1949
Scope and Contents:
Alan Paton at Store, Natal. An Indian woman is handing a bunch of carrots to Alan Paton. A young Indian girl and man are standing next to the woman. Photograph by Constance Stuart Larrabee, Feb. 1949.
This photograph was taken when Constance Stuart was on assignment for Harper's Bazaar, an American magazine. Her task was to create a portfolio inspired by the seminal book "Cry, The Beloved Country," which had brought the conditions in South Africa to the attention of the world. The author of the book was the South African writer Alan Paton (1903-1988). It was published in the United States in 1948. Alan Paton accompanied her on the assignment. In June 1949, Harper's Bazaar published an essay by Alan Paton entitled "A Letter from South Africa in which Alan Paton Guides you to his Corner of the 'Beloved Country'." Six photographs by Constance Stuart accompany the essay.
There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print for reference purposes.
Local Note:
Contact Sheet Number: 332090-16A
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Genre/Form:
Photographic prints
Collection Citation:
Constance Stuart Larrabee Collection, EEPA 1998-006, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Sponsor:
The cataloging of the Constance Stuart Larrabee Collection was supported by a grant from The Smithsonian Women's Committee.
1 Photographic print ((contact print)., b&w, 6 x 6 cm.)
1 Photographic print ((dupe print)., b&w, 8 x 10 in.)
Type:
Archival materials
Negatives
Photographic prints
Place:
Africa
South Africa
Johannesburg (South Africa)
Date:
1948
Scope and Contents:
Women and Children, 1948. Photographic image of two women are sitting on the steps of a brick township settlement on the outskirts of Johannesburg. There are two girls wearing bonnets standing nearby. Also the laundry line can be seen above the women. Photograph by Constance Stuart Larrabee, 1948.
In 1945, Constance Stuart returned from her assignment as the first female South African war correspondent in World War II. Her reputation as a photographer grew. She maintained a photographic studio in Pretoria and Johannesburg. This series of images which she entitled "Johannesburg Black Man" depict life in downtown Johannesburg and in parts of the city, where Black South Africans lived, such as Sophiatown, Pimville, and Newclare. A second series of images focuses on Father Huddleston's work in Sophiatown. In 1948-1949, in the early days of apartheid, Stuart documented the building of the South Western townships (Soweto) and the way Africans adjusted to this new environment.
There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print for reference purposes.
Local Note:
Original Constance Stuart Larrabee Number: 36-80
Contact Sheet Number: 332089-21
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Genre/Form:
Photographic prints
Collection Citation:
Constance Stuart Larrabee Collection, EEPA 1998-006, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Sponsor:
The cataloging of the Constance Stuart Larrabee Collection was supported by a grant from The Smithsonian Women's Committee.
1 Photographic print ((contact print)., b&w, 6 x 6 cm.)
1 Photographic print ((dupe print)., b&w, 8 x 10 in.)
Type:
Archival materials
Negatives
Photographic prints
Place:
Africa
South Africa
Johannesburg (South Africa)
Date:
1948
Scope and Contents:
Policeman and Woman, Johannesburg, 1948. Photographic image of a policemman standing against a wall talking to a woman. Photograph by Constance Stuart Larrabee, 1948.
In 1945, Constance Stuart returned from her assignment as the first female South African war correspondent in World War II. Her reputation as a photographer grew. She maintained a photographic studio in Pretoria and Johannesburg. This series of images which she entitled "Johannesburg Black Man" depict life in downtown Johannesburg and in parts of the city, where Black South Africans lived, such as Sophiatown, Pimville, and Newclare. A second series of images focuses on Father Huddleston's work in Sophiatown. In 1948-1949, in the early days of apartheid, Stuart documented the building of the South Western townships (Soweto) and the way Africans adjusted to this new environment.
There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print for reference purposes.
Local Note:
Original Constance Stuart Larrabee Number: 36-148
Contact Sheet Number: 332089-16
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Genre/Form:
Photographic prints
Collection Citation:
Constance Stuart Larrabee Collection, EEPA 1998-006, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Sponsor:
The cataloging of the Constance Stuart Larrabee Collection was supported by a grant from The Smithsonian Women's Committee.
1 Photographic print ((dupe print)., b&w, 8 x 10 in.)
Type:
Archival materials
Negatives
Photographic prints
Place:
Africa
South Africa
Johannesburg (South Africa)
Date:
1947-48
Scope and Contents:
Woman Telling Story to Children, 1947-48. Photographic image of a woman telling a story to a large group of children in a park. One boy has his hands on the woman's shoulders. The other children are looking at the woman. Photograph by Constance Stuart Larrabee, 1948.
There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print for reference purposes.
Local Note:
Original Constance Stuart Larrabee Number: 11-119
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Genre/Form:
Photographic prints
Collection Citation:
Constance Stuart Larrabee Collection, EEPA 1998-006, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Sponsor:
The cataloging of the Constance Stuart Larrabee Collection was supported by a grant from The Smithsonian Women's Committee.
1 Photographic print ((dupe print)., b&w, 8 x 10 in.)
Type:
Archival materials
Negatives
Photographic prints
Place:
Africa
South Africa
Johannesburg (South Africa)
Date:
1947-48
Scope and Contents:
Woman Telling Story to Children, 1947-48. Photographic image of a woman with her hands behind her head. She is telling a story to a large group of children in a park. One boy has his hands on the woman's shoulders. The other children are looking at the woman. Photograph by Constance Stuart Larrabee, 1948.
There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print for reference purposes.
Local Note:
Original Constance Stuart Larrabee Number: 11-120
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Genre/Form:
Photographic prints
Collection Citation:
Constance Stuart Larrabee Collection, EEPA 1998-006, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Sponsor:
The cataloging of the Constance Stuart Larrabee Collection was supported by a grant from The Smithsonian Women's Committee.
1 Photographic print ((dupe print)., b&w, 8 x 10 in.)
Type:
Archival materials
Negatives
Photographic prints
Place:
Africa
South Africa
Johannesburg (South Africa)
Date:
1947-48
Scope and Contents:
Man and Woman, 1947-48. Photographic image of a young man with his arms crossed in front of him standing next to a young woman. Photograph by Constance Stuart Larrabee, 1948.
There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA also produced an 8x10 study print for reference purposes.
Local Note:
Original Constance Stuart Larrabee Number: 4
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Genre/Form:
Photographic prints
Collection Citation:
Constance Stuart Larrabee Collection, EEPA 1998-006, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Sponsor:
The cataloging of the Constance Stuart Larrabee Collection was supported by a grant from The Smithsonian Women's Committee.
1 Photographic print ((contact print)., b&w, 6 x 6 cm.)
1 Photographic print ((dupe print)., b&w, 8 x 10 in.)
Type:
Archival materials
Negatives
Photographic prints
Place:
Africa
South Africa
Lesotho
Date:
1947
Scope and Contents:
Sotho Woman, 1947. Photographic portrait image of a young Sotho woman. Photograph by Constance Stuart Larrabee, 1947.
There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print for reference purposes.
Local Note:
Original Constance Stuart Larrabee Number: none
Contact Sheet Number: 320562-63
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
1 Photographic print ((contact print)., b&w, 6 x 6 cm.)
1 Photographic print ((dupe print)., b&w, 8 x 10 in.)
Type:
Archival materials
Negatives
Photographic prints
Place:
Africa
South Africa
Date:
1947
Scope and Contents:
Transkei Men, 1947. Two men are sitting in the grass. One man is drinking, probably beer, from a metal container. The other man is sitting nearby watching him drink. They are both wearing blankets around them and jewelry. This takes place after the Sunday morning beer drinking. The men sit separately from the women. Photograph by Constance Stuart Larrabee, 1947.
In 1947, Constance Staurt Larrabee visited the Transkei. She was there researching the housing problems in Southern Africa.
There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print for reference purposes.
Local Note:
Original Constance Stuart Larrabee Number: 6-256
Contact Sheet Number: 306405-37
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
1 Photographic print ((contact print)., b&w, 6 x 6 cm.)
1 Photographic print ((dupe print)., b&w, 8 x 10 in.)
Type:
Archival materials
Negatives
Photographic prints
Place:
Africa
South Africa
Date:
1947
Scope and Contents:
Transkei Men, 1947. Several men are sitting in the grass near the base structure of a homestead. One man is sitting on a rock with his back facing the camera. Another man in the back is holding a pipe. They are wearing hats, head wraps, blankets around them, and jewelry. This takes place after the Sunday morning beer drinking. The men sit separately from the women. Photograph by Constance Stuart Larrabee, 1947.
In 1947, Constance Staurt Larrabee visited the Transkei. She was there researching the housing problems in Southern Africa.
There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print for reference purposes.
Local Note:
Original Constance Stuart Larrabee Number: 6-257
Contact Sheet Number: 306405-37
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
1 Photographic print ((contact print)., b&w, 6 x 6 cm.)
1 Photographic print ((dupe print)., b&w, 8 x 10 in.)
Type:
Archival materials
Negatives
Photographic prints
Place:
Africa
South Africa
Date:
1947
Scope and Contents:
Transkei Men, 1947. Several men are sitting in the grass and one man is standing up drinking from a metal container, probably beer. They are wearing hats, head wraps, blankets around them, and jewelry. This takes place after the Sunday morning beer drinking. The men sit separately from the women. Photograph by Constance Stuart Larrabee, 1947.
In 1947, Constance Staurt Larrabee visited the Transkei. She was there researching the housing problems in Southern Africa.
There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print for reference purposes.
Local Note:
Original Constance Stuart Larrabee Number: 6-258
Contact Sheet Number: 306405-37
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
