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Nora Speyer and Sideo Fromboluti papers

Creator:
Speyer, Nora  Search this
Fromboluti, Sideo, 1921-  Search this
Names:
Long Point Gallery (Provincetown, Mass.)  Search this
Extent:
2.5 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Video recordings
Date:
circa 1940-2015
Scope and Contents:
The papers of Nora Speyer and Sideo Fromboluti measure 2.5 linear feet and date from the early 1940s until the 2010s. The collection documents Speyer's and Fromboluti's lives and works through biographical material, correspondence, writings, sketchbooks, artworks, photographic materials, personal business records, clippings and other printed materials, and audio-visual materials. Also found is biographical mrelating to Speyer's family, including her mother, sculptor Tillie Speyer, her brother James, a prominent museum curator, and her sister Darthea, a prominent gallerist in Paris. Also present are documents relating to the Speyer family's art collections.

Correspondence is primarily between Nora and family, with a smattering of other personal and professional correspondence. Photographic materials document both Speyer and Fromboluti at home and in their studios, while traveling, and with friends and family in New York, Woodstock, and Providence, where the couple were founding members of the Long Point Gallery. Also included are photographs, some in digital format, of their respective artworks and exhibitions. The collection includes one notebook and scattered unpublished writings by Nora and two sketchbooks and an unpublished memoir by Sideo. Printed material consists primarily of invitation cards and catalogues for exhibitions, along with publications about their collection of antiquities and a signed portfolio of prints by various Long Point Gallery artists. A small number of VHS tapes document a lecture by Fromboluti, an interview with fellow Long Point Gallery founder Robert Motherwell, and a Long Point Gallery dinner.
Biographical / Historical:
Nora Speyer (1923- ) and her husband Sideo Fromboluti (1921- ) are painters based in New York, NY and Wellfleet, Massachusetts and two of the founding members of Long Point Gallery in Provincetown, Massachusetts.
Provenance:
Donated in 2022 by Iona Fromboluti-Wirls, the artists' daughter.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State) -- New York  Search this
Painters -- Massachusetts -- Provincetown  Search this
Topic:
Women artists  Search this
Genre/Form:
Sketchbooks
Video recordings
Identifier:
AAA.speynora
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98cb828b7-aaa9-47ff-9a36-53462ea855d5
EDAN-URL:
ead_collection:sova-aaa-speynora

Hazel Hannell papers

Creator:
Hannell, Hazel Johnson, 1895-2002  Search this
Names:
Century of Progress International Exposition (1933-1934 : Chicago, Ill.)  Search this
Chicago Society of Artists  Search this
Hannell, V. M. S., 1896-1964  Search this
Extent:
1.2 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1934-1985
Summary:
The papers of Hazel Hannell measure 1.2 linear feet and date from 1934 to 1985. The papers focus on Hazel Hannell's and Vinol M. S. Hannell's careers in Chicago, Illinois and their participation with Chicago-area art groups. Found are forty-seven calendars published by the Chicago Society of Artists, some of which are annotated by the Hannells. Also found are scattered biographical materials, photographs, and clippings.
Scope and Contents:
The papers of Hazel Hannell measure 1.2 linear feet and date from 1934 to 1985. The papers focus on Hazel Hannell's and Vinol M. S. Hannell's careers in Chicago, Illinois and their participation with Chicago-area art groups. Found are forty-seven calendars published by the Chicago Society of Artists, some of which are annotated by the Hannells. Also found are scattered biographical materials, photographs, and clippings.
Arrangement:
Due to the small size of this collection the papers are arranged as one series.
Biographical / Historical:
Hazel Hannell (1895-2002) was a painter, ceramicist, and activist in Indiana and Chicago, Illinois. Born Mary Hazel Johnson, she married printmaker V.M.S. (Vinol) Hannell. Together, the Hannells were active in the No-Jury exhibitions and the Chicago Society of Artists. The Hannells often worked together making furniture from their own and others' designs. They co-designed the interior of the Victor Vienna Cafe at the Century of Progress Exposition.
Provenance:
Donated 1986 by Hazel Hannell.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Illinois -- Chicago  Search this
Ceramicists -- Illinois -- Chicago  Search this
Topic:
Women artists  Search this
Women painters  Search this
Women ceramicists  Search this
Citation:
Hazel Hannell papers, 1934-1985. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.hannhaze
See more items in:
Hazel Hannell papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw96cc866f8-b8bc-4fcc-8738-22c121891616
EDAN-URL:
ead_collection:sova-aaa-hannhaze

Surreal worlds from Meret Oppenheim to Frida Kahlo

Editor:
Pfeiffer, Ingrid  Search this
Host institution:
Schirn Kunsthalle Frankfurt  Search this
Louisiana (Museum : Humlebæk, Denmark),)  Search this
Physical description:
419 pages illustrations (some color), facsimiles, portraits (some color) 30 cm
Type:
Exhibitions
Expositions
Exhibition catalogs
History
Catalogues d'exposition
Place:
20th century
Date:
2020
20th century
20e siècle
Topic:
Surrealism  Search this
Women artists--History  Search this
Surréalisme  Search this
Femmes artistes--Histoire  Search this
Women artists  Search this
Malerei  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1158323

Austa Densmore Sturdevant papers, circa 1890-1979

Creator:
Sturdevant, Austa Densmore, 1855-1936  Search this
Subject:
Cragsmoor Artist Colony  Search this
Citation:
Austa Densmore Sturdevant papers, circa 1890-1979. Archives of American Art, Smithsonian Institution.
Topic:
Women artists  Search this
Women painters  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)5686
(DSI-AAA_SIRISBib)208521
AAA_collcode_sturaust
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208521

Barbara Aubin papers, circa 1867-2006, bulk 1940-2014

Creator:
Aubin, Barbara, 1928-2014  Search this
Subject:
Kucera, Kathryn  Search this
Art Institute of Chicago. School  Search this
Type:
Scrapbooks
Video recordings
Citation:
Barbara Aubin papers, circa 1867-2006, bulk 1940-2014. Archives of American Art, Smithsonian Institution.
Topic:
Women artists  Search this
Women educators  Search this
Women painters  Search this
Theme:
Chicago's Art-Related Archival Materials: A Terra Foundation Resource  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)17365
(DSI-AAA_SIRISBib)381310
AAA_collcode_aubibarb
Theme:
Chicago's Art-Related Archival Materials: A Terra Foundation Resource
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_381310

Oral history interview with Margaret Tomkins, 1984 June 6

Interviewee:
Tomkins, Margaret, 1916-2002  Search this
Interviewer:
Guenther, Bruce  Search this
Subject:
FitzGerald, James  Search this
Artists Gallery (Seattle, Wash.)  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Margaret Tomkins, 1984 June 6. Archives of American Art, Smithsonian Institution.
Topic:
Abstract expressionism  Search this
Artists -- Northwestern States -- Interviews  Search this
Art, Modern -- Northwestern States  Search this
Women artists  Search this
Women painters  Search this
Record number:
(DSI-AAA_CollID)12308
(DSI-AAA_SIRISBib)212455
AAA_collcode_tomkin84
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212455
Online Media:

Oral history interview with Ruth Esherick and Mansfield Bascom on Wharton Esherick

Interviewee:
Bascom, Ruth Esherick  Search this
Bascom, Mansfield  Search this
Interviewer:
Pacini, Marina  Search this
Names:
Esherick, Wharton  Search this
Extent:
105 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1991 March 26
Scope and Contents:
An interview of Ruth Esherick Bascom and Mansfield Bascom regarding Wharton Esherick, conducted 1991 March 26, by Marina Pacini, for the Archives of American Art Philadelphia Project.
Ruth Esherick Bascom and Mansfield Bascom speak about Wharton Esherick's family, his education, his "organic" life in Paoli, Pennsylvania, and his efforts to support himself through the sale of his paintings, furniture and sculpture. They discuss Esherick's work, its stylistic development, and changes in his prints and furniture, materials; clients such as the Hedgrow Theater, The Fischer family, Marjorie Content, Curtis Bok; Esherick's studio and his workshop; Esherick's relationship with Miriam Phillips and some of the clients she brought him; and contacts in New York City.
Biographical / Historical:
Ruth Esherick Bascom from Paoli, Pennsylvania, is the daughter of Wharton Esherick (1887-1970), who was a sculptor, painter, printmaker, and furniture maker from Philadelphia, Pennsylvania. Bascom is married to Mansfield Bascom.
General:
Originally recorded on 2 sound cassettes. Reformatted in 2010 as 4 digital wav files. Duration is 2 hr., 40 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics anda others.
Restrictions:
Transcript: Patrons must use microfilm copy.
Occupation:
Painters -- Pennsylvania -- Philadelphia  Search this
Cabinetmakers -- Pennsylvania -- Philadelphia  Search this
Printmakers -- Pennsylvania -- Philadelphia  Search this
Sculptors -- Pennsylvania -- Philadelphia  Search this
Topic:
Women artists  Search this
Women painters  Search this
Women printmakers  Search this
Women sculptors  Search this
Art, Modern  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.bascom91
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c9080509-75de-4d93-a6fc-98e58b40861d
EDAN-URL:
ead_collection:sova-aaa-bascom91
Online Media:

Oral history interview with Faith Ringgold

Interviewee:
Ringgold, Faith  Search this
Interviewer:
Nadelman, Cynthia  Search this
Names:
Gwathmey, Robert, 1903-1988  Search this
Lippard, Lucy R.  Search this
Lloyd, Tom, 1929-  Search this
Morris, Robert, 1931-2018  Search this
Tucker, Marcia  Search this
Extent:
349 Pages (Transcript)
15 Items (sound files (10 hr., 49 min.), digital)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
1989 September 6-October 18
Scope and Contents:
An interview of Faith Ringgold conducted 1989 September 6-October 18, by Cynthia Nadelman, for the Archives of American Art.
Ringgold discusses Harlem from the 1930s through the 1970s; her background and education; her art and political activities; feminism; the evolution of her work; her paintings, soft sculpture constructions, quilts, and performance pieces. She recalls Robert Gwathmey, Tom Lloyd, Robert Morris, Marcia Tucker, Lucy Lippard, her mother, and others.
Biographical / Historical:
Faith Ringgold (1930- ) is an Afro-American painter, sculptor, and performance artist from New York, N.Y.
General:
Originally recorded on 8 sound cassettes. Reformatted in 2010 as 15 digital wav files. Duration is 10 hr., 50 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators. Funding for this interview provided by the Lannan Foundation.
Occupation:
Painters -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York  Search this
Quiltmakers -- New York (State) -- New York  Search this
Topic:
Performance art  Search this
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Sculpture, Modern -- 20th century -- New York (State) -- New York  Search this
African American artists  Search this
Women artists  Search this
Women painters  Search this
Women performance artists  Search this
Women sculptors  Search this
African American quiltmakers  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.ringgo89
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a7611879-5e18-48a4-8202-96d4af3aaeb9
EDAN-URL:
ead_collection:sova-aaa-ringgo89
Online Media:

Barbara Aubin papers

Creator:
Aubin, Barbara, 1928-2014  Search this
Names:
Art Institute of Chicago. School  Search this
Kucera, Kathryn  Search this
Extent:
5.1 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Video recordings
Date:
circa 1867-2006
bulk 1940-2014
Summary:
The papers of painter, teacher and curator, Barbara Aubin, measure 5.1 linear feet and date from circa 1867-2014, with the bulk of the material dating from 1940-2014. The collection comprises biographical materials, correspondence, writings, exhibition files, professional files, printed materials,scrapbooks, artwork, and photographic materials.
Scope and Contents:
The papers of painter, teacher and curator, Barbara Aubin, measure 5.1 linear feet and date from circa 1867-2014, with the bulk of the material dating from 1940-2014. The collection comprises biographical materials consisting of student records from the Art Institute of Chicago, planners and address books, resumes, and unidentified material on electronic discs; correspondence with galleries regarding exhibitions, with friends including Kathy Kucera, and others; writings including drafts and notes for articles, and poems by Aubin; exhibition files containing planning documents, promotional material, and video recordings for Send a Postcard to Barbara (1980), Women's Day (2004, 2005), and a retrospective of Aubin's work at Elmhurst College (2008); professional files consisting of 4+ Decades of Art project material, membership records, Candidate for Professor binders, letters of support from colleagues, and a files for other professional activities; printed materials mainly featuring Aubin and her artwork; scrapbooks consisting of printed materials, photographs, and other material relating to Aubin's exhibitions and career; artwork consisting of collages by Aubin, prints, and vintage paintings; and photographic materials with slides, photographic prints, and negatives of Aubin, personal snapshots of friends and family, exhibitions, and works of art.
Arrangement:
The collection is arranged as 9 series.

Series 1: Biographical Material, 1952-2006 (0.2 linear feet; Boxes 1, 7)

Series 2: Correspondence, circa 1944-2010 (0.2 linear feet; Box 1)

Series 3: Writings, 1960-2006 (0.2 linear feet; Box 1)

Series 4: Exhibition Files, 1979-2012 (0.5 linear feet; Boxes 1-2)

Series 5: Professional Files, 1966-2012 (0.8 linear feet; Box 2)

Series 6: Printed Materials, circa 1950-2014 (0.6 linear feet; Boxes 2-3)

Series 7: Scrapbooks, 1950s-2000s (1.2 linear feet; Boxes 3-4, 7)

Series 8: Artwork, circa 1867-circa 2000s (0.2 linear feet; Box 4)

Series 9: Photographic Materials, circa 1880s-2000s (1.2 linear feet; Boxes 4-7)
Biographical / Historical:
Barbara Aubin (1928-2014) was a painter, teacher, and curator in Chicago, Illinois known for her work with postcard art and collage.

In 1949, she received a B.A. in sociology from Carleton College in M.N. She went on to earn both a B.A. and M.A. in art education from the School of the Art Institute in Chicago in 1954 and 1955 respectively. After graduation, she traveled to France and Italy on the George D. Brown Foreign Travel Fellowship in 1955-1956 and to Haiti for a Fulbright Fellowship in 1958-1960.

Aubin taught at the School of the Art Institute of Chicago in 1956-1958 and 1960-1967, Chicago State University in 1971-1991, and was a visiting artist at St. Louis Community College in 1980-1981. She was a member of the Chicago Artists Coalition, Chicago Society of Artists, and was a founder of the Chicago Women's Caucus for Art.
Provenance:
The Barbara Aubin papers were donated in 2016 by the Barbara Aubin estate via Amie Hyman, executor and in 2023 by the Union League Club of Chicago via Mark Tunney, General Manager, and Jane Stevens, trustee.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Educators -- Illinois -- Chicago  Search this
Painters -- Illinois -- Chicago  Search this
Art museum curators -- Illinois -- Chicago  Search this
Topic:
Women artists  Search this
Women educators  Search this
Women painters  Search this
Genre/Form:
Scrapbooks
Video recordings
Citation:
Barbara Aubin papers, circa 1867-2014, bulk 1940-2014. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.aubibarb
See more items in:
Barbara Aubin papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9dee97ff6-4aa6-4978-87a5-189e8b64d858
EDAN-URL:
ead_collection:sova-aaa-aubibarb

Thesis on Regional Women Artists by Loretta Swanson

Collection Creator:
Aubin, Barbara, 1928-2014  Search this
Container:
Box 1, Folder 18
Type:
Archival materials
Date:
2000
Scope and Contents:
Aubin was 1 of 12 women who answered a questionnaire for Swanson's research. However, Aubin and the other women artists are not identified in the paper.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Barbara Aubin papers, circa 1867-2014, bulk 1940-2014. Archives of American Art, Smithsonian Institution.
See more items in:
Barbara Aubin papers
Barbara Aubin papers / Series 3: Writings
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw911ed9a06-e3b5-403c-bfdd-17cf518aa373
EDAN-URL:
ead_component:sova-aaa-aubibarb-ref32

Austa Densmore Sturdevant papers

Creator:
Sturdevant, Austa Densmore, 1855-1936  Search this
Names:
Cragsmoor Artist Colony  Search this
Extent:
14 Items
Type:
Collection descriptions
Archival materials
Date:
circa 1890-1979
Summary:
The papers of New York painter Austa Densmore Sturdevant measure 0.01 linear feet and date from circa 1890 to 1979. The papers include a letter from Sturdevant to her mother, and 2 family letters; copy prints of 3 photographs of Sturdevant and her Paris studio; 3 postcards postmarked July 1892, Tannersville, N.Y., from Sturdevant to her mother with sketches of students sketching (possibly sent while studying at nearby Onteora art colony created in 1887 by Candace Wheeler); 4 clippings on Sturdevant and Cragsmoor; and a catalog, "A Century of Women Artists at Cragsmoor."
Scope and Contents:
The papers of New York painter Austa Densmore Sturdevant measure 0.01 linear feet and date from circa 1890 to 1979. The papers include a letter from Sturdevant to her mother, and 2 family letters; copy prints of 3 photographs of Sturdevant and her Paris studio; 3 postcards postmarked July 1892, Tannersville, N.Y., from Sturdevant to her mother with sketches of students sketching (possibly sent while studying at nearby Onteora art colony created in 1887 by Candace Wheeler); 4 clippings on Sturdevant and Cragsmoor; and a catalog, "A Century of Women Artists at Cragsmoor."
Arrangement:
Due to the small size of this collection the papers are arranged as one series.

Series 1: Austa Densmore Sturdevant papers, circa 1890-1979 (Folder 1; 14 items)
Biographical / Historical:
Austa Densmore Sturdevant (1855-1936) was a painter based in Cragsmoor, N.Y. Sturdevant was also the owner and manager of the Cragsmoor Inn, a popular gathering place for visiting artists.
Provenance:
The Austa Densmore Sturdevant papers were donated to the Archives of American Art in 1977 and 1979 by Clarissa C. Dryden, Sturdevant's granddaughter.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State)  Search this
Topic:
Women artists  Search this
Women painters  Search this
Citation:
Austa Densmore Sturdevant papers, circa 1890-1979. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.sturaust
See more items in:
Austa Densmore Sturdevant papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91acfdd27-10f7-4c6f-814d-a03c3a3f1a0e
EDAN-URL:
ead_collection:sova-aaa-sturaust

Austa Densmore Sturdevant papers

Collection Creator:
Sturdevant, Austa Densmore, 1855-1936  Search this
Extent:
14 Items (Folder 1)
Type:
Archival materials
Date:
circa 1890-1979
Scope and Contents:
The papers of New York painter Austa Densmore Sturdevant measure 0.01 linear feet and date from circa 1890 to 1979. The papers include a letter from Sturdevant to her mother, and 2 family letters; copy prints of 3 photographs of Sturdevant and her Paris studio; 3 postcards postmarked July 1892, Tannersville, N.Y., from Sturdevant to her mother with sketches of students sketching (possibly sent while studying at nearby Onteora art colony created in 1887 by Candace Wheeler); 4 clippings on Sturdevant and Cragsmoor; and a catalog, "A Century of Women Artists at Cragsmoor."
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Austa Densmore Sturdevant papers, circa 1890-1979. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.sturaust, Series 1
See more items in:
Austa Densmore Sturdevant papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91068d579-9a99-4ec9-8799-0793023db3c1
EDAN-URL:
ead_component:sova-aaa-sturaust-ref4

The Veil and the Rebozo: Fashioning Identity in the Self-Portraits of María Izquierdo

Creator:
National Portrait Gallery  Search this
Type:
YouTube Videos
Uploaded:
2020-10-28T16:06:08.000Z
YouTube Category:
Education  Search this
Topic:
Portraits  Search this
See more by:
NatlPortraitGallery
Data Source:
National Portrait Gallery
YouTube Channel:
NatlPortraitGallery
EDAN-URL:
edanmdm:yt_A0NnBs8gIX4

Creating the cover for “Becoming Miriam Schapiro” #shorts #illustration #drawing #art #artist

Creator:
Smithsonian American Art Museum  Search this
Type:
YouTube Videos
Uploaded:
2023-12-18T15:00:18.000Z
YouTube Category:
Education  Search this
Topic:
Art, American  Search this
See more by:
americanartmuseum
Data Source:
Smithsonian American Art Museum
YouTube Channel:
americanartmuseum
EDAN-URL:
edanmdm:yt_9_rrfYDfdz4

Clarice Smith Virtual Lecture Series: Jolene Rickard (Tuscarora)

Creator:
Smithsonian American Art Museum  Search this
Type:
Lectures
YouTube Videos
Uploaded:
2020-10-29T22:30:00.000Z
YouTube Category:
Education  Search this
Topic:
Art, American  Search this
See more by:
americanartmuseum
Data Source:
Smithsonian American Art Museum
YouTube Channel:
americanartmuseum
EDAN-URL:
edanmdm:yt_CLz4zlQOxIs

Meet Miriam Schapiro

Creator:
Smithsonian American Art Museum  Search this
Type:
Interviews
YouTube Videos
Uploaded:
2012-12-04T15:01:42.000Z
YouTube Category:
Education  Search this
Topic:
Art, American  Search this
See more by:
americanartmuseum
Data Source:
Smithsonian American Art Museum
YouTube Channel:
americanartmuseum
EDAN-URL:
edanmdm:yt_IPCq8r52B4Y

Erica Hirshler: Looking at John Singer Sargent

Creator:
Smithsonian American Art Museum  Search this
Type:
Lectures
YouTube Videos
Uploaded:
2010-10-20T22:13:38.000Z
YouTube Category:
Education  Search this
Topic:
Art, American  Search this
See more by:
americanartmuseum
Data Source:
Smithsonian American Art Museum
YouTube Channel:
americanartmuseum
EDAN-URL:
edanmdm:yt_K6F-Kc-qH0U

Illustration process for “Ester Hernandez: A Better World" online comic book #Shorts

Creator:
Smithsonian American Art Museum  Search this
Type:
YouTube Videos
Uploaded:
2022-09-22T20:08:47.000Z
YouTube Category:
Education  Search this
Topic:
Art, American  Search this
See more by:
americanartmuseum
Data Source:
Smithsonian American Art Museum
YouTube Channel:
americanartmuseum
EDAN-URL:
edanmdm:yt_R9W_rfnEDNw

Linda Nochlin Consider the Difference: American Women Artists

Creator:
Smithsonian Institution  Search this
Type:
YouTube Videos
Uploaded:
2009-11-19T07:01:26.000Z
YouTube Category:
Education  Search this
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SmithsonianVideos
Data Source:
Smithsonian Institution
YouTube Channel:
SmithsonianVideos
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edanmdm:yt_PYRnH-DmO7E

Katy Hessel: The Story of Art without Men

Creator:
Hirshhorn Museum and Sculpture Garden  Search this
Type:
Conversations and talks
YouTube Videos
Uploaded:
2023-06-23T19:03:49.000Z
YouTube Category:
Entertainment  Search this
Topic:
Art, modern  Search this
See more by:
hirshhornmuseum
Data Source:
Hirshhorn Museum and Sculpture Garden
YouTube Channel:
hirshhornmuseum
EDAN-URL:
edanmdm:yt_3byyI4G_5Ew

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