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(Near Grez, France), (painting)

Painter:
Vonnoh, Robert William 1858-1933  Search this
Medium:
Oil on wood panel
Type:
Paintings
Date:
Ca. 1890
Topic:
Cityscape--France--Grez  Search this
Landscape--Garden  Search this
Architecture exterior--Detail--Fence  Search this
Control number:
IAP 93970050
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_344795

(Two Figures Walking at Sunset), (painting)

Painter:
Vonnoh, Robert William 1858-1933  Search this
Medium:
Oil on canvas
Type:
Paintings
Date:
Ca. 1920
Topic:
Landscape--Road  Search this
Landscape--Time--Sunset  Search this
Landscape--Town  Search this
Recreation--Leisure--Strolling  Search this
Figure group  Search this
Control number:
IAP 9C810009
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_346259

A Glorious Moment, (painting)

Painter:
Vonnoh, Robert William 1858-1933  Search this
Medium:
Oil on canvas
Type:
Paintings
Owner/Location:
Madron Gallery Chicago Illinois
Topic:
Landscape--Time--Sunset  Search this
Landscape--Time--Evening  Search this
Landscape--River  Search this
Landscape--Tree  Search this
Control number:
IAP 8E100015
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_437870

A Late Autumn Epic, (painting)

Painter:
Vonnoh, Robert William 1858-1933  Search this
Medium:
Oil
Type:
Paintings
Owner/Location:
Sotheby Parke Bernet New York New York
Topic:
Landscape--Season--Autumn  Search this
Control number:
IAP 63005748
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_123129

A Late Autumn Epic, (painting)

Painter:
Vonnoh, Robert William 1858-1933  Search this
Medium:
Oil on canvas
Type:
Paintings
Date:
Ca. 1918
Topic:
Landscape--Season--Autumn  Search this
Control number:
IAP 89550075
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_379461

A Sunlit Hillside, (painting)

Painter:
Vonnoh, Robert William 1858-1933  Search this
Medium:
Oil on canvas
Type:
Paintings
Owner/Location:
National Academy of Design 1083 Fifth Avenue New York New York 10128
Date:
1890
Topic:
Landscape  Search this
Architecture exterior--Domestic--House  Search this
Control number:
IAP 36270864
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_44508

A. Phimister Proctor, (painting)

Painter:
Vonnoh, Robert William 1858-1933  Search this
Subject:
Proctor, A. Phimister  Search this
Medium:
Oil on canvas
Type:
Paintings
Owner/Location:
National Academy of Design 1083 Fifth Avenue New York New York 10128
Date:
1903
Topic:
Portrait male--Waist length  Search this
Occupation--Art--Sculptor  Search this
Object--Art Tool--Chisel  Search this
Control number:
IAP 36270865
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_44509

Alexander Biddle, Col., (painting)

Painter:
Vonnoh, Robert William 1858-1933  Search this
Subject:
Biddle, Alexander  Search this
Medium:
Oil
Type:
Paintings
Owner/Location:
Philadelphia Contributionship for Insurance of Houses 212 S. Fourth St Philadelphia Pennsylvania 19106
Date:
1891
Topic:
Portrait male--Bust  Search this
Control number:
IAP 62420010
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_110245

Alexander N. Fullerton (1804-1880), (painting)

Painter:
Vonnoh, Robert William 1858-1933  Search this
Subject:
Fullerton, Alexander N  Search this
Medium:
Oil
Type:
Paintings
Owner/Location:
Chicago Historical Society Clark Street at North Avenue Chicago Illinois 60614
Date:
1895
Topic:
Portrait male--Full length  Search this
Control number:
IAP 12030829
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_255820

Alexander N. Fullerton (1804-80), (painting)

Painter:
Vonnoh, Robert William 1858-1933  Search this
Forbes, James (copy after)  Search this
Subject:
Fullerton, Alexander N  Search this
Medium:
Oil
Type:
Paintings-Copy
Paintings
Owner/Location:
Chicago Historical Society Clark Street at North Avenue Chicago Illinois 60614
Date:
1895
Topic:
Portrait male--Full length  Search this
Control number:
IAP 12030225
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_255217

Alexander Phimister Proctor

Artist:
Robert William Vonnoh, 17 Sep 1858 - 28 Dec 1933  Search this
Sitter:
Alexander Phimister Proctor, 1862 - 1950  Search this
Medium:
Oil on canvas on Masonite
Dimensions:
76.2cm x 61.1cm (30" x 24 1/16"), Accurate
Type:
Painting
Date:
1903
Topic:
Interior  Search this
Personal Attribute\Facial Hair\Mustache  Search this
Personal Attribute\Facial Hair\Beard  Search this
Tool  Search this
Costume\Smock  Search this
Alexander Phimister Proctor: Male  Search this
Alexander Phimister Proctor: Visual Arts\Artist\Sculptor  Search this
Portrait  Search this
Credit Line:
Owner: National Academy of Design
Object number:
1357-P-1800
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4fb1b5376-7aed-4cea-9318-e7694172c383
EDAN-URL:
edanmdm:npg_1357-P-1800

Along the Meadowbrook (Pleasant Valley, Old Lyme, Conn.), (painting)

Painter:
Vonnoh, Robert William 1858-1933  Search this
Medium:
Oil
Type:
Paintings
Date:
Ca. 1920
Topic:
Landscape--Connecticut--Old Lyme  Search this
Control number:
IAP 9B320006
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_246409

American Autumn, (painting)

Painter:
Vonnoh, Robert William 1858-1933  Search this
Medium:
Oil on canvas
Type:
Paintings
Owner/Location:
Madron Gallery Chicago Illinois
Topic:
Landscape--Season--Autumn  Search this
Architecture exterior--Domestic--House  Search this
Control number:
IAP 8E100012
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_437866

Artist Files

Collection Creator:
Robert Schoelkopf Gallery  Search this
Extent:
(boxes 1-23, 23 linear ft.)
Type:
Archival materials
Date:
1851-1991, undated
Scope and Contents note:
This series forms the core of the collection and comprises files relating to more than three hundred artists whose work the gallery represented or handled at some point. The main types of material that can be found here include correspondence with artists and clients interested in borrowing, consigning, or purchasing their work; printed material documenting exhibitions of individual artists at the Robert Schoelkopf Gallery and related events; general reference material about gallery artists; photographic images of works of art dealt with by the gallery; and photographs of artists. Items of particular interest are noted in parentheses after the folder title.

Individual artists are represented by groups of material ranging from a single file to several linear feet of files, depending on the gallery's level of involvement with their work. Groups of files of particular interest are described in greater detail below. A list of all known group and one-person exhibitions held at the gallery is provided as an appendix and can be used to identify the dates of exhibitions for specific artists.

Relations with many of the gallery's contemporary artists are particularly well documented in this series. The gallery's interest in figurative painting that incorporated elements of allegory, myth, fantasy, and dreams is evinced in files relating to artists such as Milet Andrejevic, Bruno Civitico, Martha Mayer Erlebacher, and David Ligare. Gabriel Laderman, another artist who worked extensively with allegorical themes, is also well represented in this series, and of particular interest are his letters describing his experiences living and working in Malaysia. Correspondence files relating to the painter Caren Canier contain personal letters from the artist that detail her attitude to her work and her relationships with her husband, artist Langdon Quin, and their two children. Paul Wiesenfeld, a realist painter who specialized in portraits and finely detailed interiors, also wrote to the gallery from Germany disclosing aspects of his personal life that affected his work. Correspondence with sculptor Isabel McIlvain contains detailed explanations by the artist of her attitudes to her work and her sculpting methods. McIlvain's files also chronicle her commission to produce a sculpture of John F. Kennedy that was unveiled in Boston in 1990.

Files relating to William Bailey record many aspects of his relationship with the Schoelkopfs. Correspondence files primarily comprise letters to and from clients interested in Bailey's work but are interspersed with correspondence with Bailey and his wife that often details personal aspects of their lives as well as providing insight into Bailey's artistic development and his experiences living in Italy, where he and his family resided much of the time. Consignments and sales of Bailey's work are well documented here, as is the gallery's role in the compilation and publication of three books about the artist. An extensive collection of news clippings records various stages of his career and the growth of his commercial success.

Two substantial groups of files document the gallery's representation of painter Louisa Matthiasdottir and her husband, Leland Bell. Correspondence with Bell includes mention of his time spent in Europe and his teaching experiences, and reveals his sardonic wit.

Several files of correspondence with Miyako Ito offer rich insight into a short period during the artist's life. The bulk of the material comprises letters written by Ito to Robert Schoelkopf in 1960 and 1961, occasionally on a daily basis and often of a very poetic and deeply reflective and emotional nature.

Folders relating to Joseph Cornell contain some correspondence with the artist that offers insight into his personality. They also record Schoelkopf's bid, albeit in vain, to represent the artist's estate following his death in 1972 and the gallery's commitment to Cornell through continued consignment of his work.

Files concerning Manierre Dawson document the gallery's representation of the artist's estate and arrangements for the first one-person exhibition of his paintings in New York only a few months before his death in the summer of 1969. The files include correspondence with Dawson in which he discusses preparations for the exhibition, supplies information concerning dates and locations of his paintings, and expresses concerns about his illness. Letters from Dawson's wife, Lillian, written immediately after his death, can also be found here as well as several marked-up copies of the catalog for the 1969 exhibition that includes an introduction written by the artist. The Dawson files document the activities of the partnership formed by Frank J. McKeown, Jr., Dr. Lewis Obi, and Lefferts L. Mabie, Jr., to purchase paintings from the Dawson estate and provide details of how the partnership worked with Schoelkopf as the sole gallery agency for Dawson's paintings. The files also record the distribution of loans and gifts from the partnership to various art institutions.

More than two feet of records offer detailed coverage of Robert Schoelkopf's interest in Gaston Lachaise and his involvement in the administration of the Lachaise Foundation. Correspondence files chronicle relations among Schoelkopf, John B. Pierce, Jr. (trustee of the foundation), and Felix Landau and record decisions taken regarding publications about the artist, policies for casting and limiting editions of his sculpture, and strategies for promoting Lachaise through exhibitions. The traveling exhibition that opened in September 1967 and was still circulating in 1991 is well documented here, as are other practical concerns such as maintaining accounting and storage records of the artist's work.

Files relating to Ethel Myers include correspondence with the artist's daughter, Virginia Downes, and document Schoelkopf's handling of Myers's estate and his involvement in exhibitions to promote her work. The files include one undated letter and one copy of a letter from Myers to Downes, dated 1941, and a copy of a letter from Henry McBride to Myers from 1913. Copies of autobiographical notes written by Myers about her childhood, artists she knew, her marriage to Jerome Myers, and the outbreak of war in Europe can also be found here.

Several files document the appointment and activities of Robert Schoelkopf and Felix Landau as exclusive agents for the sale of works of art from the estate of Elie Nadelman.

A substantial group of files relating to Joseph Stella chronicle Schoelkopf's involvement with Michael and Sergio Stella, trustees of Joseph Stella's estate, and his representation of the estate from 1963 until 1971, when he withdrew from the position following a dispute over commissions. The gallery continued to consign work from the Stella estate until 1991, and these files contain details of those consignments and reflect Schoelkopf's lifelong commitment to promoting Stella's work.

Files relating to John Henry Bradley Storrs document Schoelkopf's relationship with the artist's daughter, Monique Storrs Booz, who designated Schoelkopf as the new agent for works of art from her father's estate when her contract with the Downtown Gallery was terminated in 1969. Schoelkopf continued to represent Storrs's work when Monique Storrs Booz died in 1985, leaving the estate in the hands of two of the artist's grandchildren. Details of the gallery's relationship with Noel Frackman, who conducted important research on Storrs, can also be found here. Of additional interest are two sets of photographs attributed to John Storrs: a group of eleven platinum prints (apparently there were originally thirteen), primarily portraits of children, and a group of twenty-seven silver gelatin prints of rural and coastal scenes.

Another significant component of this series is the number of files documenting the gallery's relationship with various contemporary photographers. Files of correspondence concerning Brassaï contain substantial correspondence with the photographer himself, who frequently wrote to the gallery in French. Records relating to Walker Evans detail Evans's consignments to the gallery and include some letters from him of a more personal nature, such as one describing his observations during a trip to London in 1966. Photographer Giséle è wrote regularly to the gallery, and her letters include detailed descriptions of the processes she employed in printing her work.

Correspondence relating to Julia Margaret Cameron contains several items of interest including a letter from Cameron dated August 10, 1873, to a Mrs. Way concerning photographs of Way's daughter, and an article on Cameron by Charles Harvard with notes containing biographical details about the photographer.

Within its artist files the gallery retained a group of files marked "Miscellaneous." These files contain small amounts of material, often only one or two pieces, relating to various artists for whom an individual file was not maintained or who were unidentified. These records are placed at the end of the alphabetical files and contain primarily copy prints, transparencies, and slide transparencies. Material is arranged alphabetically by name of artist, with records relating to unidentified artists placed at the beginning. To retain the alphabetical arrangement various media formats are filed together and dated material is interfiled with undated material, which forms the bulk of the contents.

The gallery tended to group various types of paper records together with correspondence in a single file. The term "correspondence" in this series, therefore, refers not only to incoming and outgoing letters but also to accounting and consignment records, reports (such as inventory lists), artists' résumés, exhibition lists, price lists, and other miscellaneous notes. In cases where a certain type of "correspondence" was originally filed separately from other material of this kind, and represents a significant amount of material, that material is filed in a separate folder (e.g., Accounting and Consignment Records).

Generally, arrangement of photographs in this series follows the system outlined under Organization and Arrangement, with some notable exceptions. Photographs of works of art by Gaston Lachaise and Elie Nadelman were originally arranged in a numbering system that is fairly consistent, and this basic original order has been retained. Also, for large groups of photographs of works of art, such as those by Gaston Lachaise, Joseph Stella, and John Henry Bradley Storrs, the gallery filed photographs by media in which the work of art was created; such delineations are reflected in the final arrangement.

The gallery maintained a collection of negatives, primarily of works of art by artists found in Series 1: Artist Files, in addition to other artists not represented there. There is also a small number of negatives of installation shots. The negatives are arranged alphabetically by artist name, with unknown artists at the beginning, and are stored, for preservation reasons, in containers separate from other records in the series. Negative numbers found on the original sleeves have been transcribed onto the paper enclosures now housing the negatives, so that they may be matched to prints in Series 1: Artist Files, in cases where prints exist. An appendix provides an alphabetical list of artists whose work is represented in the negative collection. In some cases, names of artists are incomplete because of insufficient information on the original negative sleeves.

See Appendix A for a list of artists represented in the negatives of works of art found in Series 1.
Appendix A: Artists Represented in Negatives of Works of Art:
Albright, Ivan

[Allston]

Anderson, Lennart

Andrejevic, Milet

Anshutz, Thomas Pollock

Aponovich, James

Bailey, William

Ballaine, G.

Balthus

Barye

Bazelon, Cecile Gray

Beauchamp

Beckwith

Bell, E.

Bell, Leland

Bellows, George

Benton, Thomas Hart

Bernard

Birch, Thomas

[Blauvelk]

Bluemner, Oscar

Blythe, David Gilmour

Bolles, Jesse H.

Bouvier, August

Bradford, William

Branchard, Emile Pierre

Brassaï

Bratby, John

Breckenridge, Hugh H.

Bricher, A. T.

Brook, Alexander

Brown, John George

Burchfield, Charles

Burra, Edward

Carles, Arthur B.

Carlsen

Cartier-Bresson, Henri

Charkow, Natalie

Chase, William Merritt

Chiriani, Richard

Civitico, Bruno

Clark, Alson Skinner

Codman, Charles

Cohen, Frederick

Cole, Thomas

Coleman, Glenn O.

Conrad, Kramer

Cornell, Joseph

Cropsey, Jasper Francis

Currier, [J. Frank]

Dallman, Daniel

Dalou, Jules

Dasburg, Andrew

Daugherty, James Henry

[Davidson]

Davidson, Jo

Davies, Arthur B.

Davis, Stuart

Dawson, Manierre

Degas, Edgar

De Kooning, Willem

Demuth, Charles

Dewing, Thomas Wilmer

Dickinson, Preston

Diederich, William Hunt

[Dix, Otto]

Du Bois, Guy Péne

Duchamp, Marcel

Duveneck, Frank

Eaton

Edmonson, Will

[Eilshemius]

Epstein, [Sir Jacob]

Erlebacher, Martha Mayer

Evans, Walker

Fellini

Fisher, M.

Fiske, Gertrude

Flannagan, John Bernard

Forbes, Charles

Frazier, John Robinson

Freckelton, Sondra

Frieseke, Frederick C.

Gallatin, A. E.

Gay, Walter

Gifford, R. Swain

Gifford, Sanford Robinson

Gignoux, R.

Glackens, William J.

Gleizes, Albers

Goodnough, Robert

Goodwin, Arthur Clifton

Gorky, Arshile

Gorsline

Graham, John

Graham, William

Grant

Grausman, Philip

Graves, Morris

Groz

Guglielmi, Louis

Guillaume

Halsall

Han, Raymond

Hardy, DeWitt

Hart, William

Hartley, Marsden

Hartman, Bertram C.

Harvey, Anne

Hatke, Walter

Hawthorne, Charles Webster

Heade, Martin Johnson

Henri, Robert

Hill, T.

Hirst, Claude R.

Hitchcock

Hohwiller, L. M.

Hopper, Edward

Horton, William S.

Johnson, David

Johnson, Eastman

Johnson, Lester

Jones, Bern

Kane, John

Karfunkle, David

Kelly, L.

Kensett, John Frederick

Klee, Paul

Klimt, Gustav

Kline, Franz

Knaths, Karl

[Kresch]

Kruger, Louise

Kuhn, Walt

Kuniyoshi, Yasuo

Lachaise, Gaston

Laderman, Gabriel

Lawrence, Jacob

Lawson, Ernest

Lechay, Myron

Leibowitz, Leonard

Leutz

Levinson, Abraham F.

Ligare, David

Lipchitz

Luks, George

MacDonald-Wright, Stanton

MacMonnies, Frederick William

Manolo

Manship, Paul

Manzu

Marin, John

Martin, Homer D.

Matthiasdottir, Louisa

Matulka, Jan

Maurer, Alfred Henry

McFee Henry

McIlvain, Isabel

Melchers

Metcalf, Willard Leroy

Mills

[Morandi, Giovanni]

Muybridge, Eadweard

Müller, Jan

Muller, Lisa

Myers, Jerome

Nadelman, Elie

Nakian, Reuben

Nevelson, Louise

Newman, A. L.

Nick, George Bentley

Of, George F.

O'Keeffe, Georgia

Orozco, José Clemente

Peterson, Jane

Peto, John Frederick

Pfreim, Bernard

Picasso, Pablo

Piccolo, Richard

Pollet, Joseph

Pollock, Jackson

Poor, H.

Powers, Hiram

Prendergast, Maurice Brazil

Price

Prior, William Matthew

Quin, Langdon

Raiselis, Richard

Ream, C. P.

Reid, Robert

Richards, William Trost

Rimmer, William

Robinson, T. W.

Rodin, Auguste

Romero, Orozco

Rummelspacher

Russell, Morgan

Ryan, Richard

[Ryder, Albert Pinkham]

Saint-Gaudens, Augustus

Salemme, Antonio

Salemme, Attilio

Sargent, John Singer

Schamberg, Morton L.

Schiele, Egon

Schmidt, Edward

Schultz, E. N.

Scott, J. W. A.

Shahn, Ben

Shaw, Sidney Dale

Sheeler, Charles

Shinn, Everett

Sklarski, Bonnie

Sloan, John

Smith, Hope

Staples, W. L.

Steene

Steichen, Edward

Stella, Joseph

Storrs, John Henry Bradley

Stuart, Frederick, T.

Suba, Miklos

Tamayo, Rufino

Tanguy, Yves

Tanner, Henry Ossawa

Taylor, Henry Fitch

Tillim, Sidney

Touster, Irwin

Turner, Helen

Twachtman, John Henry

Urness, Scott

[V., F.]

Van Beest

Van Everen, Jay

Vedder, Elihu

Vespignani

Vonnoh, Robert William

Walcutt, William

[Wall]

Weber, Max

Weir, Julian Alden

Weiss, George

Whistler, James McNeill

Whittredge, Worthington

Wiesenfeld, Paul

Woking

Wood, Thomas Waterman

Wyant, A. H.

Wyeth, Andrew

Zorach, [William]
Collection Restrictions:
The collection is open for research. Use requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Robert Schoelkopf Gallery records, 1851-1991, bulk 1962-1991. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.robeschg, Series 1
See more items in:
Robert Schoelkopf Gallery records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91abedf45-34c2-49e3-b4eb-079833b500d7
EDAN-URL:
ead_component:sova-aaa-robeschg-ref13

Artist's Mother ?, (painting)

Painter:
Vonnoh, Robert William 1858-1933  Search this
Subject:
Vonnoh  Search this
Medium:
Oil
Type:
Paintings
Owner/Location:
Raydon Gallery New York New York
Date:
1902
Topic:
Portrait female  Search this
Control number:
IAP 60941008
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_72682

At the Dressing Table, (painting)

Title:
Bessie Potter Vonnoh at Her Dressing Table, (painting)
Painter:
Vonnoh, Robert William 1858-1933  Search this
Subject:
Vonnoh, Bessie Potter  Search this
Medium:
Oil on canvas
Type:
Paintings
Date:
1912
Topic:
Portrait female--Full length  Search this
Occupation--Art--Painter  Search this
Architecture interior--Domestic--House  Search this
Architecture interior--Domestic--Bedroom  Search this
Object--Furniture--Mirror  Search this
Dress--Accessory--Jewelry  Search this
Recreation--Leisure--Grooming  Search this
Control number:
IAP 6151A564
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_102480

Autumn Morn, (painting)

Title:
Pleasant Valley, Lyme, Connecticut, (painting)
Painter:
Vonnoh, Robert William 1858-1933  Search this
Medium:
Oil
Type:
Paintings
Owner/Location:
Goldfield Galleries 8400 Melrose Ave Los Angeles California 90069
Topic:
Landscape--Season--Autumn  Search this
Landscape--Time--Morning  Search this
Landscape--Connecticut--Old Lyme  Search this
Landscape--Valley  Search this
Control number:
IAP 80045273
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_178495

Bertha Elizabeth Smith Walker

Artist:
Robert William Vonnoh, 17 Sep 1858 - 28 Dec 1933  Search this
Sitter:
Bertha Elizabeth Smith Walker, 1867 - 1919?  Search this
Medium:
Oil on canvas
Dimensions:
104.6cm x 89.2cm (41 3/16" x 35 1/8"), Sight
Type:
Painting
Date:
1902
Topic:
Bertha Elizabeth Smith Walker: Female  Search this
Portrait  Search this
Credit Line:
Owner: Chicago History Museum
Object number:
1955.187
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4b12d24f3-4b44-430e-be53-45606a9cf853
EDAN-URL:
edanmdm:npg_1955.187

Beside the River (Grez), (painting)

Painter:
Vonnoh, Robert William 1858-1933  Search this
Medium:
Oil on canvas
Type:
Paintings
Date:
1890
Topic:
Landscape--France--Grez  Search this
Landscape--River--Loing River  Search this
Architecture--Bridge  Search this
Architecture exterior--Domestic--House  Search this
Control number:
IAP 92520227
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_380428

Bessie Potter (1872-1955), (painting)

Painter:
Vonnoh, Robert William 1858-1933  Search this
Subject:
Vonnoh, Bessie Potter  Search this
Medium:
Oil
Type:
Paintings
Owner/Location:
Corcoran Gallery of Art 500 17th Street, N.W Washington District of Columbia 20006 Accession Number: 55.66
Date:
1895
Topic:
Portrait female--Bust  Search this
Occupation--Art--Sculptor  Search this
Control number:
IAP 08260302
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_40373

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