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Joanne Leonard at University of Michigan Museum of Art (1992)

Collection Creator:
Lippard, Lucy R.  Search this
Container:
Box 44, Folder 17
Type:
Archival materials
Date:
1985-1991
Scope and Contents:
Oversized material housed in Box 52, Folder 4
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Lucy R. Lippard papers, 1930s-2007, bulk 1960s-1990s. Archives of American Art, Smithsonian Institution.
See more items in:
Lucy R. Lippard papers
Lucy R. Lippard papers / Series 5: Exhibitions
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97a5513a6-bf7d-427a-8402-f70fc8495fc6
EDAN-URL:
ead_component:sova-aaa-lipplucy-ref907

Robert J. Del Bonta Collection

Creator:
Del Bontà, Robert John  Search this
Former owner:
Underwood & Underwood  Search this
Names:
Picart, Bernard, 1673-1733  Search this
Extent:
12 Linear feet
Type:
Collection descriptions
Archival materials
Prints
Stereographs
Engravings
Place:
India
Shiva
South Asia
India -- Goa
Calcutta (India)
Sri Lanka
Date:
Circa 1500-1900
Scope and Contents:
The collection primarily contains prints, engravings, and books. The majority of the collection highlights the Indian subcontinent from the 16th to the 20th centuries through the lens of Europeans. It contains depiction of the subcontinent's peoples, cultures, monuments, religious sites, and religious practices as seen in Dutch, English, French, German, and Italian publications. Among this collection are also some representations of people from other parts of the world.
Arrangement:
The collection is arranged into seven series, beginning with the initial gift in support of the 2014 exhibition, Strange and Wondrous: Prints of India from the Robert J. Del Bontà Collection. Each series represents a grouping selected by the donor and follows the donor's original curation of the material. E or engraving numbers reflect the donor's numbering system.

Series 1: Original gift supporting the exhibition, Strange and Wondrous: Prints of India from the Robert J. Del Bontà Collection in 2014 focusing on ascetics and mendicants. Series 2: Prints and Engravings relating to the rulers including Timurid and Mughal rulers Series 3: 16th-17th century prints Series 4: Engravings and prints from around the world Series 5: English engravings depicting India Series 6: Dutch and French engravings of voyages across the world Series 7: French engravings depicting monuments of India
Biographical / Historical:
Dr. Robert J. Del Bontà was born in 1949. He received his Ph.D. from the University of Michigan in 1978. From 1993 to 2000 he was a research associate and guest curator at the Asian Art Museum of San Francisco. He also curated major exhibitions for the Berkeley Art Museum; the University of Michigan Museum of Art; the Portland Art Museum; and the New Orleans Museum of Art. He writes and lectures on a wide range of subjects relating to South Asian art including paintings, prints, photographs, popular art, sculptures, and architecture. More recently, he also writes about European prints pertaining to Europe's perception of India and Indo-Portuguese art.

Del Bontà began to collect prints related to South Asia while completing his doctorate in South Asian art history at the University of Michigan in the 1970s. The Robert J. Del Bontà collection contains prints and books depicting people, cultures, religious customs, gods and goddesses, and architecture of Asia, with a specific emphasis on South Asian art.
Restrictions:
Collection is open for research.
Rights:
Permission to reproduce and publish an item from the Archives is coordinated through the National Museum of Asian Art's Rights and Reproductions department. Please contact the Archives in order to initiate this process.
Topic:
Fakirs -- India  Search this
Hinduism  Search this
Voyages and travels  Search this
Ethnography -- South Asia  Search this
Mughal Empire  Search this
Religion  Search this
Buddhist temples  Search this
Cave temples  Search this
Mosques  Search this
Buddhas  Search this
Buddhism  Search this
Genre/Form:
Prints
Stereographs
Engravings
Citation:
Robert J. Del Bonta Collection, FSA A2014.06. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C.
Identifier:
FSA.A2014.06
See more items in:
Robert J. Del Bonta Collection
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc3d67d91eb-ce7c-4c80-b796-d41e9805c3ab
EDAN-URL:
ead_collection:sova-fsa-a2014-06
Online Media:

University of Michigan Museum of Art

Collection Creator:
Macbeth Gallery  Search this
Container:
Box 80, Folder 25
Type:
Archival materials
Date:
1919, 1944-1958
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Macbeth Gallery records, 1838-1968, bulk 1892 to 1953. Archives of American Art, Smithsonian Institution.
See more items in:
Macbeth Gallery records
Macbeth Gallery records / Series 1: Correspondence Files / 1.1: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90c55d93e-88fc-4193-9edc-5e66992423a4
EDAN-URL:
ead_component:sova-aaa-macbgall-ref10825

Taking shape abstraction from the Arab world 1950s-1980s edited by Suheyla Takesh and Lynn Gumpert ; foreword by Lynn Gumpert essays by Iftikhar Dadi [ and eight others]

Editor:
Takesh, Suheyla  Search this
Author:
Gumpert, Lynn  Search this
Dadi, Iftikhar  Search this
Host institution:
Grey Art Gallery  Search this
Mary and Leigh Block Museum of Art  Search this
Herbert F. Johnson Museum of Art  Search this
McMullen Museum of Art  Search this
Physical description:
256 pages color illustrations 29 cm
Type:
Exhibitions
Exhibition catalogs
Place:
Arab countries
Date:
2020
20th century
Topic:
Art, Arab  Search this
Abstract expressionism  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1117355

Symposium, Directions and Redirections: Impressionism Around 1880 at University of Michigan Museum of Art

Collection Creator:
Nochlin, Linda  Search this
Container:
Box 22, Folder 35
Type:
Archival materials
Date:
1979
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Linda Nochlin papers, circa 1876, 1937-2017. Archives of American Art, Smithsonian Institution.
See more items in:
Linda Nochlin papers
Linda Nochlin papers / Series 5: Professional Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92147635f-9852-48fb-81e7-63efeb23d310
EDAN-URL:
ead_component:sova-aaa-nochlind-ref749

Clay as soft power Shigaraki ware in postwar America and Japan Natsu Oyobe, Kazuko Todate

Title:
Shigaraki ware in postwar America and Japan
Author:
Oyobe, Natsu  Search this
Todate, Kazuko  Search this
Writer of introduction:
Cort, Louise Allison 1944-  Search this
Publisher:
University of Michigan Museum of Art  Search this
Physical description:
92 pages color illustrations 23 cm
Type:
Exhibitions
Exhibition catalogs
Catalogues d'exposition
Place:
Japan
Shigaraki-chō
United States
Date:
2022
20th century
Topic:
Shigaraki pottery  Search this
Pottery, Japanese  Search this
Art--Political aspects  Search this
Art--Aspect politique  Search this
political art  Search this
International relations  Search this
Relations  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1164505

Lawrence and Barbara Fleischman papers

Creator:
Fleischman, Lawrence A. (Lawrence Arthur), 1925-1997  Search this
Names:
American Federation of Arts  Search this
Archives of American Art  Search this
Corcoran Gallery of Art  Search this
Detroit Institute of Arts  Search this
Henry Francis du Pont Winterthur Museum  Search this
Kennedy Galleries  Search this
Kraushaar Galleries  Search this
M. Knoedler & Co.  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Midtown Galleries (New York, N.Y.)  Search this
Milwaukee Art Center  Search this
Museum of Modern Art (New York, N.Y.)  Search this
National Gallery of Art (U.S.)  Search this
Pennsylvania Academy of the Fine Arts  Search this
Philadelphia Museum of Art  Search this
United States Information Agency  Search this
University of Michigan. Museum of Art  Search this
Whitney Museum of American Art  Search this
Allston, Washington, 1779-1843  Search this
Arms, John Taylor, 1887-1953  Search this
Bailey, Grace  Search this
Bailey, Truman E., 1902?-1959  Search this
Bohrod, Aaron  Search this
Burchfield, Charles Ephraim, 1893-1967  Search this
Culver, Charles B. (Charles Beach), 1908-1967  Search this
Eakins, Thomas, 1844-1916  Search this
Evergood, Philip, 1901-1973  Search this
Fleischman, Barbara  Search this
Gentle, Esther, 1900-  Search this
Krentzin, Earl, 1929-  Search this
Marin, John, 1870-1953  Search this
Pollack, Peter, 1909-1978  Search this
Rattner, Abraham  Search this
Richardson, Constance, 1905-  Search this
Richardson, Edgar Preston, 1902-1985  Search this
Ryder, Albert Pinkham, 1847-1917  Search this
Sellers, Charles Coleman, 1903-  Search this
Watkins, Franklin Chenault, 1894-1972  Search this
Extent:
4.9 Linear feet
Type:
Collection descriptions
Archival materials
Typescripts
Photographs
Date:
1837-1984
bulk 1935-1979
Summary:
The papers of art collectors, art patrons, and philanthropists Lawrence and Barbara Fleischman measure 4.9 linear feet and date from 1837 to 1984, with the bulk of the materials dating from 1935-1979. The papers are comprised mostly of correspondence with artists, museums, and arts organizations. Also found are scattered biographical materials, artists' autograph letters purchased by the Fleischmans, exhibition files, notes and writings, printed material, and photographs.
Scope and Contents:
The papers of art collectors, art patrons, and philanthropists Lawrence and Barbara Fleischman measure 4.9 linear feet and date from 1837 to 1984, with the bulk of the materials dating from 1935-1979. The papers are comprised mostly of correspondence with artists, museums, and arts organizations. Also found are scattered biographical materials, artists' autograph letters purchased by the Fleischmans, exhibition files, notes and writings, printed material, and photographs.

One folder of biographical material includes a biographical account and a certificate of appreciation from the Common Council for the City of Detroit.

The bulk of the collection is comprised of correspondence documenting the Fleischman's art related activities and interests primarily during the 1950s and 1960s. Individual correspondents include Aaron Bohrod, Charles E. Burchfield, Charles B. Culver, Philip Evergood, Earl Krentzin, John Marin, Jr., Abraham Rattner and Esther Gentle, Peter Pollack, Edgar P. and Constance Richardson, Charles Coleman Sellers, and Franklin Watkins. One letter from Charles E. Burchfield includes four etching plates used to create the color print of Hot September Wind.

Arts organizations and galleries represented in the correspondence include the American Federation of Arts, the Archives of American Art, the Arts Commission of the City of Detroit, the Corcoran Gallery of Art, the Detroit Institute of Art, Kennedy Galleries, M. Knoedler and Co., Inc., Kraushaar Galleries, the Metropolitan Museum of Art, the Midtown Galleries, the Museum of Modern Art, the National Gallery of Art, the Pennsylvania Academy of the Fine Arts, the Philadelphia Museum of Art, the School of the Society of Arts and Crafts, the United States Information Agency, the Whitney Museum of American Art, and the Winterthur Museum.

Autograph letters purchased by the Fleischmans include letters written by artists Washington Allston (addressed to Thomas Sully), Albert Pinkham Ryder, and John Taylor Arms.

Exhibition files document the various exhibitions of art work from the Lawrence and Barbara Fleischman Collection at the University of Michigan Museum of Art; the Detroit Institute of Art; in Central and South America; in Greece, Israel and Russia; and at the Milwaukee Art Center. The files contain letters, notes, printed material, and photographs.

Three folders of notes and writings include "Introduction to Earl Krentzin Catalog" by Lawrence Fleischman and "Selection of Excerpts from the Soviet Press and Radio Attacking U. S. Culture" by unidentified authors.

Scattered printed material includes miscellaneous clippings and catalogs not connected with the Exhibition Files series. There is also a book John Marin: The Man and his Work by E. M. Benson that was autographed by Marin to the Fleischmans in 1953.

Photographs include portrait photographs of Lawrence Fleischman, photographs of Lawrence and Barbara Fleischman with colleagues, of art work from the Fleischman Collection, of Truman and Grace Bailey in their studio, and a copy photograph of Thomas Eakins as a boy.
Arrangement:
The collection is arranged as 7 series:

Missing Title

Series 1: Biographical Material, 1958 (Box 1; 1 folder)

Series 2: Correspondence, 1949-1984 (Boxes 1-4, 7; 3.8 linear feet)

Series 3: Autograph Letters, 1837-1942 (Box 4; 4 folders)

Series 4: Exhibition Files, 1953-1960 (Boxes 4-5, 7; 0.5 linear feet)

Series 5: Notes and Writings, 1957-1962 (Box 5; 3 folders)

Series 6: Printed Material, 1935-1969 (Box 5-6; 6 folders)

Series 7: Photographs, 1953-1965 (Box 6; 13 folders)
Biographical / Historical:
Lawrence Fleischman (1925-1997) of New York City was an American art collector, patron, philanthropist, and benefactor. He and his wife, Barbara Greenberg Fleischman, assembled an impressive collection of art and artifacts that they shared with the public as part of their philanthropic activities aimed at fostering a wider appreciation of the arts around the world.

Lawrence Fleischman was born on February 14, 1925 in Detroit, Michigan, the son of Stella and Arthur Fleischman, the owner of a large carpet business. He attended the Western Military Academy in Alton, Illinois, and studied engineering at Purdue University. In 1942, he interrupted his studies to volunteer for service in the U.S. Army during World War II. While serving in France, he met a doctor who further fostered Fleischman's ever growing interest in American art. Following the war, he graduated with a degree in physics from the University of Detroit. Fleischman met Barbara Greenberg in Detroit and they were married in 1948.

Beginning in the late 1940s, Fleischman established a fledgling television station, developed holdings in real estate, and began purchasing art work. Initially the Fleischmans collected undervalued 20th century American art and were friends with several artists, including John Marin, Charles Burchfield, Stuart Davis, and Ben Shahn. They also expanded the scope of their collection to include 19th century American works.

During the 1950s, Lawrence Fleischman realized how there were few American art historians and college departments, as well as a lack of primary source material. Fleischman worked with Edgar P. Richardson, then director of the Detroit Institute of Art, to raise funds and they founded the Archives of American Art at the Detroit Institute of Art in 1954. The Archives of American Art was, and still is, dedicated to the collection, preservation, and study of primary source records that document the history of the visual arts in the United States. Lawrence A. Fleischman is a founding Trustee of the AAA and served as the Chairman of the Board from 1958 to 1966. His wife, Barbara joined the Board of Trustees in 1997 and served as Chair from 2003 to 2007. She is a Trustee Emerita.

Lawrence Fleischman's business and philanthropic interests included the Arthur Fleischman Carpet Company, the Lee Plaza Hotel-Motel in Detroit, Art Adventurers, the Art School of the Society of Arts and Crafts in Detroit, the Friends of the Whitney Museum of American Art in New York, the Cultural Committee of the United States Information Agency, and the Art Commission of Detroit, which governed the Detroit Institute of Art. He also served as an officer of the Board for many of the arts-related organizations.

In 1996, the Fleischmans moved their family from Detroit to New York City, where Lawrence Fleischman became a partner in the Kennedy Galleries.

The Fleischmans philanthropic activities include generous support of the Metropolitan Museum of Art, the Detroit Institute of Art, the Cleveland Museum, the British Museum, the Vatican Museum, and lifelong support of the Archives of American Art.

Lawrence Fleischman died on January 31, 1997 in London, England. Barbara Fleischman lives in New York City and continues to be an active supporter of the visual arts.
Related Materials:
Among the Archives holdings are two oral history interviews with Lawrence A. Fleischman. The first was conducted by Paul Cummings in 1970 and the second conducted by Gail Stavitsky in 1994 . Both interviews have transcripts available.
Separated Materials:
The Archives of Art also holds microfilm of material lent for microfilming, the majority of which was later donated, except for five letters on reel D197. These include one postcard from Constance Richardson, 1956; one letter from Constance Richardson, 1957; one letter from Franklin Watkins, 1955; one letter from Lawrence Fleischman to Wilbur H. Hunter, 1960; and one letter from Richard D. Tucker, 1960. This material remains with lender and is not described in the collection container inventory.
Provenance:
The Lawrence and Barbara Fleischman papers were donated in several accretions by Lawrence and Barbara Fleischman from 1954 to 2007. Letters were also loaned for microfilming in 1965, but nearly all of them were subsequently donated.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- United States  Search this
Topic:
Painting, American  Search this
Art patrons Michigan Detroit  Search this
Artists' studios -- Photographs  Search this
Philanthropists  Search this
Art -- Collectors and collecting -- United States  Search this
Genre/Form:
Typescripts
Photographs
Citation:
Lawrence and Barbara Fleischman Papers, 1837-1984. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.fleilawr
See more items in:
Lawrence and Barbara Fleischman papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92905ad60-9c85-493f-90b7-272f1486ef69
EDAN-URL:
ead_collection:sova-aaa-fleilawr
Online Media:

Manet and Spain: prints and drawings an exhibition prepared by Joel Isaacson

Author:
Isaacson, Joel  Search this
Author:
University of Michigan Museum of Art  Search this
Physical description:
vii, 47 p illus 27 cm
Type:
Books
Exhibition catalogues
Date:
1969
Call number:
NE650.M2 I8X
NE650.M2I8X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_5915

University of Michigan Museum of Art

Collection Creator:
Zabriskie Gallery  Search this
Container:
Box 92, Folder 95
Type:
Archival materials
Date:
1976-1989
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Zabriskie Gallery Records, 1905-2011. Archives of American Art, Smithsonian Institution.
See more items in:
Zabriskie Gallery records
Zabriskie Gallery records / Series 7: Institution Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c439b459-5c45-4095-a4e4-ffce074cca9e
EDAN-URL:
ead_component:sova-aaa-zabrgall-ref3752

University of Michigan Museum of Art records, 1855-1972

Creator:
University of Michigan. Museum of Art  Search this
Subject:
Smith, David  Search this
Willard, Marian  Search this
Willard Gallery  Search this
Citation:
University of Michigan Museum of Art records, 1855-1972. Archives of American Art, Smithsonian Institution.
Theme:
Art organizations  Search this
Record number:
(DSI-AAA_CollID)9045
(DSI-AAA_SIRISBib)211235
AAA_collcode_univmich
Theme:
Art organizations
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211235

Charles Henry Sawyer papers, 1933-1977

Creator:
Sawyer, Charles Henry, 1906-2005  Search this
Subject:
Hayes, Bartlett H.  Search this
Addison Gallery of American Art  Search this
American Academy of Arts and Sciences  Search this
American Craft Council  Search this
Association of Art Museum Directors  Search this
Federal Art Project  Search this
Fogg Art Museum  Search this
Independent Schools Art Instructors Association  Search this
Museum Publishers Association  Search this
Upper Peninsula Crafts Council (Mich.)  Search this
Worcester Art Museum  Search this
Citation:
Charles Henry Sawyer papers, 1933-1977. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Study and teaching -- United States  Search this
Art in universities and colleges  Search this
Theme:
Research and writing about art  Search this
Record number:
(DSI-AAA_CollID)9065
(DSI-AAA_SIRISBib)211258
AAA_collcode_sawychar
Theme:
Research and writing about art
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211258

Oral history interview of Charles Henry Sawyer, 1977 January 25

Interviewee:
Sawyer, Charles Henry, 1906-2005  Search this
Interviewer:
Helms, Cynthia Newman  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview of Charles Henry Sawyer, 1977 January 25. Archives of American Art, Smithsonian Institution.
Topic:
Art, American -- Michigan  Search this
Museum directors -- Michigan -- Ann Arbor -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12927
(DSI-AAA_SIRISBib)213075
AAA_collcode_sawyer77
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213075
Online Media:

University of Michigan Museum of Art

Collection Creator:
Spark, Victor D. (Victor David), 1898-1991  Search this
Container:
Box 13, Folder 41
Type:
Archival materials
Date:
1951-1953
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Victor D. Spark papers, circa 1830-1983, bulk 1930-1970. Archives of American Art, Smithsonian Institution.
See more items in:
Victor D. Spark papers
Victor D. Spark papers / Series 3: Client Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a82dad16-adec-47bd-83aa-13d9765659ea
EDAN-URL:
ead_component:sova-aaa-sparvict-ref1097

Great waves & mountains perspectives and discoveries in collecting the arts of Japan edited by Natsu Oyobe and Allysa B. Peyton

Title:
Great waves and mountains
Perspectives and discoveries in collecting the arts of Japan
Editor:
Oyobe, Natsu  Search this
Peyton, Allysa B.,  Search this
Physical description:
278 pages illustrations (chiefly color) 32 cm
Type:
Books
Pictorial works
History
Place:
Japan
Date:
2022
Meiji period, 1868-1912
Topic:
Art, Japanese--Collectors and collecting  Search this
Japonism--Collectors and collecting  Search this
ART / Asian / Japanese  Search this
ART / History / Contemporary (1945-)  Search this
History  Search this
Collectors and collecting  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1163719

Eight New York Painters (1956), University of Michigan Museum of Art

Collection Creator:
White, Charles (1918-1979)  Search this
Container:
Box 7, Folder 49
Type:
Archival materials
Date:
1956
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Charles W. White papers, 1933-1987. Archives of American Art, Smithsonian Institution.
See more items in:
Charles W. White papers
Charles W. White papers / Series 6: Gallery and Exhibition Files / 6.2: Exhibition Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw980041d2e-55a6-4e1a-b777-1ae34465368c
EDAN-URL:
ead_component:sova-aaa-whitchar-ref375

35 Minutes from Times Square

Artist:
Jack Levine, American, b. Boston, Massachusetts, 1915—2010  Search this
Medium:
Oil on canvas
Dimensions:
48 x 39 1/8 in. (121.9 x 99.2 cm)
Type:
Painting
Date:
(1956)
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Joseph H. Hirshhorn Foundation, 1966
Accession Number:
66.3062
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Social Realism
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py2f95c0f9e-1b61-43fd-84f8-071b159f660f
EDAN-URL:
edanmdm:hmsg_66.3062

The Abbot

Artist:
John Storrs, American, b. Chicago, Illinois, 1885–1956  Search this
Medium:
Bronze
Dimensions:
17 1/8 x 8 1/8 x 12 1/8 in. (43.5 x 20.6 x 30.7 cm); 29 1/4 lb. (13.29 kg)
Type:
Sculpture
Date:
1920
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966
Accession Number:
66.4825
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Early American Modernism
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py288f18937-21a1-492a-a1e6-b667e01e9c23
EDAN-URL:
edanmdm:hmsg_66.4825

Black Hills with Cedar

Artist:
Georgia O'Keeffe, American, b. Sun Prairie, Wisconsin, 1887–1986  Search this
Medium:
Oil on canvas
Dimensions:
16 × 30 in. (40.6 × 76 cm)
Type:
Painting
Date:
1941
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981
Accession Number:
86.3471
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Early American Modernism
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py22d234423-2f25-44f4-b50a-3e6c2373ca12
EDAN-URL:
edanmdm:hmsg_86.3471

John Adams

Artist:
Thomas Truman Spear, 1803 - 1882  Search this
Copy after:
Gilbert Stuart, 3 Dec 1755 - 9 Jul 1828  Search this
Sitter:
John Adams, 30 Oct 1735 - 4 Jul 1826  Search this
Medium:
Oil on canvas
Dimensions:
Sight: 74.6 × 62.1 cm (29 3/8 × 24 7/16")
Type:
Painting
Date:
1850
Topic:
Equipment\Walking stick\Cane  Search this
Home Furnishings\Furniture\Seating\Sofa  Search this
John Adams: Male  Search this
John Adams: Literature\Writer  Search this
John Adams: Politics and Government\Congressman\Continental congressman  Search this
John Adams: Politics and Government\Statesman\Colonial statesman\Signer of Declaration  Search this
John Adams: Politics and Government\Vice-President of US  Search this
John Adams: Politics and Government\Diplomat  Search this
John Adams: Politics and Government\President of US  Search this
John Adams: Politics and Government\State Legislator\Massachusetts  Search this
Portrait  Search this
Credit Line:
Owner: University of Michigan Museum of Art
Object number:
1895.27
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4aa08b2f3-de2a-4a1a-8ea5-86dd08fad195
EDAN-URL:
edanmdm:npg_1895.27

Francis Wayland

Attribution:
Thomas Truman Spear, 1803 - 1882  Search this
Sitter:
Francis Wayland, 1796 - 1865  Search this
Medium:
Oil on canvas
Dimensions:
Stretcher: 76.8 × 64cm (30 1/4 × 25 3/16")
Type:
Painting
Date:
mid 19th century
Topic:
Costume\Dress Accessory\Eyeglasses  Search this
Personal Attribute\Facial Hair\Muttonchops  Search this
Francis Wayland: Male  Search this
Francis Wayland: Religion and Spirituality\Clergy\Pastor  Search this
Francis Wayland: Education and Scholarship\Administrator\University administrator\University president  Search this
Portrait  Search this
Credit Line:
Owner: University of Michigan Museum of Art
Object number:
1895.46
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm410791261-beb5-421d-85c8-6054f643e848
EDAN-URL:
edanmdm:npg_1895.46

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