[Article] Smith, D. G. 1992. A new freshwater moss animal in the genus Plumatella (Ectoprocta: Phylactolaemata: Plumatellidae) from New England (U.S.A.). Can. J. Zool. 70: 2192-2201.
Place:
Moose Brook, unnamed pond 1.1 KM NNW of junction with MA Rt. 32/122 and Washburn Rd., Worcester County, Massachusetts, United States
Perspectives on Andean prehistory and protohistory : papers from the Third Annual Northeast Conference on Andean Archaeology and Ethnohistory / edited by Daniel H. Sandweiss and D. Peter Kvietok
Author:
Northeast Conference on Andean Archaeology and Ethnohistory (3rd : 1984 : University of Massachusetts at Amherst) Search this
Wholemount, 5% Formalin fix, mounted in Epon/Araldite resin
Type Status:
Paratype
Type Citation:
[Article] Hochberg, R. 2004. Smithsoniarhynches, a new genus of interstitial Gnathorhychidae (Platyhelminthes: Kalyptorhynchia) from Mosquito Lagoon and Indian River Lagoon, Florida. Jour. Mar. Biol. Assoc. U.K. 84 (6): 1143-1149.
Place:
Indian River Lagoon, Fort Pierce Inlet, Florida, United States, North Atlantic Ocean
Collection Date:
10 Mar 2004
Common name:
Turbellarians
Taxonomy:
Animalia Platyhelminthes Rhabditophora Rhabdocoela Gnathorhynchidae
Sectioned, 2.5% Glutaraldehyde fix, 1% osmium tetroxide postfix, mounted in Epon/Araldite resin and stained with Richardson's stain
Type Status:
Paratype
Type Citation:
[Article] Hochberg, R. 2004. Smithsoniarhynches, a new genus of interstitial Gnathorhychidae (Platyhelminthes: Kalyptorhynchia) from Mosquito Lagoon and Indian River Lagoon, Florida. Jour. Mar. Biol. Assoc. U.K. 84 (6): 1143-1149.
Place:
Mosquito Lagoon, Florida, United States, North Atlantic Ocean
Collection Date:
19 Feb 2004
Common name:
Turbellarians
Taxonomy:
Animalia Platyhelminthes Rhabditophora Rhabdocoela Gnathorhynchidae
Wholemount, 5% Formalin fix, mounted in Epon/Araldite resin
Type Status:
Holotype
Type Citation:
[Article] Hochberg, R. 2004. Smithsoniarhynches, a new genus of interstitial Gnathorhychidae (Platyhelminthes: Kalyptorhynchia) from Mosquito Lagoon and Indian River Lagoon, Florida. Jour. Mar. Biol. Assoc. U.K. 84 (6): 1143-1149.
Place:
Mosquito Lagoon, Florida, United States, North Atlantic Ocean
Collection Date:
19 Feb 2004
Common name:
Turbellarians
Taxonomy:
Animalia Platyhelminthes Rhabditophora Rhabdocoela Gnathorhynchidae
Wholemount, 5% Formalin fix, mounted in Epon/Araldite resin
Type Status:
Paratype
Type Citation:
[Article] Hochberg, R. 2004. Smithsoniarhynches, a new genus of interstitial Gnathorhychidae (Platyhelminthes: Kalyptorhynchia) from Mosquito Lagoon and Indian River Lagoon, Florida. Jour. Mar. Biol. Assoc. U.K. 84 (6): 1143-1149.
Place:
Mosquito Lagoon, Florida, United States, North Atlantic Ocean
Collection Date:
19 Feb 2004
Common name:
Turbellarians
Taxonomy:
Animalia Platyhelminthes Rhabditophora Rhabdocoela Gnathorhynchidae
This short documentary provides an overview of the development of church music alongside the growth of African American churches in the eastern United States from the arrival of black Africans in Jamestown in 1619 through 1877 and the Reconstruction era. The evolution of church music within African American churches included the formation of music programs and performances, hymnals, choirs, negro spirituals, and music education as well as the addition of organs to accompany the singing of psalms, hymns, and anthems. During the Great Awakening of the 1730s and 1740s, the Christianization of slaves and Africanization of Protestant hymns swept through the American colonies. European Christianity and the emotionalism of the African homeland were combined during the Second Awakening, which began in the late eighteenth century and lasted until the middle of the nineteenth century. The history of church music created by urban and rural congregations within New England and Southern states is explored.
Short documentary. Part of Climbing Jacob's Ladder Audiovisual Records. Complete production: AV000962, AV003327. Production elements: AV002679 [narration], AV003345 [outtakes - sound], AV003421 [music], AV003336 [music]. AV003421: 6 songs including We Are Climbing Jacob's Ladder [also known as Jacob's Ladder] and Battle Hymn of the Republic [also known as Glory! Glory! Hallelujah!]. AV003336: 2 recordings of We Are Climbing Jacob's Ladder. Dated 19940923 [AV000962]. Undated [all other recordings].
Biographical / Historical:
Church Songs of Black Americans 1740 - 1877 was created alongside the Climbing Jacob's Ladder: The Rise of Black Churches in Eastern American Cities, 1740 - 1877 exhibition which explored the growth and central role of African American churches during the 18th- and 19th-centuries in the eastern United States: Boston, Savannah, New York, Philadelphia, Baltimore, Washington, and Richmond. The exhibition was organized by the Anacostia Museum and held there from October 1987 to October 1988.
Local Numbers:
ACMA AV003327
ACMA AV002679
ACMA AV003345
ACMA AV003421
ACMA AV003336
ACMA AV002642
General:
Title transcribed from opening credits of video recording.
Series Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist at ACMarchives@si.edu.
The collection is open for research. Use requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Howard Wise Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Howard Wise Gallery records, 1943-1969. Archives of American Art, Smithsonian Institution.
Smithsonian Institution Office of Public Affairs Search this
Physical description:
35mm;
Type:
Black-and-white negatives
Date:
1968
August 16, 1968
Local number:
SIA Acc. 11-008 [OPA-1313]
Restrictions & Rights:
No access restrictions Many of SIA's holdings are located off-site, and advance notice is recommended to consult a collection. Please email the SIA Reference Team at osiaref@si.edu
Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.
Do not use original materials when available on reference video or audio tapes.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Reproduction permission from Archives Center: reproduction fees may apply. All duplication requests must be reviewed and approved by Archives Center staff.
Series Citation:
Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution
134.16 Linear feet (167 boxes, 7 rolls, and 7 map-folders)
Type:
Collection descriptions
Archival materials
Place:
Philippines
Date:
1921-2011
bulk 1960s
Summary:
The papers of Michiko Takaki, 1921-2011 (bulk 1960s), document her field work among the Kalinga people of the northern Philippines and her professional contributions as a faculty member at the University of Massachusetts, Boston. The papers consist primarily of economic and linguistic field data gathered between 1964 and 1968, used in the production of her doctoral dissertation ("Aspects of Exchange in a Kalinga Society, Northern Luzon," 1977) and throughout her anthropological career. The collection consists of field notes, maps, photographic prints, negatives, slides, sound recordings, recorded film, data and analysis, correspondence, working files and drafts, and publications.
Scope and Contents:
The papers of Michiko Takaki, circa 1921-2011 (bulk 1960s), document her research into the Kalinga people of the northern Luzon region of the Philippines as both an economic and lingustic anthropologist. The collection consists of field notes; maps; photographic prints, negatives, and slides; sound recordings; recorded film; data and analysis; correspondence; working files and drafts; and publications.
The bulk of the collection consists of field-gathered data into the economics, culture, and language of the Kalinga people, created and compiled during Takaki's doctoral fieldwork in the Philippines between 1964 and 1968. This data was used in the production of her doctoral dissertation, "Aspects of Exchange in a Kalinga Society, Northern Luzon" (1977) and throughout the remainder of her career as a faculty member at the University of Massachusetts, Boston. In addition to Takaki, this material was often created or edited by her Kalinga research assistants during the period of her fieldwork or by her graduate student assistants at UMass-Boston. The material can be divided into the analytical categories related to the two main threads of Takaki's research: economic and subsistence activities, and linguistics. Economic material in the collection includes tables and tabulations of data on property, rice cultivation, and livestock use, as well as climatic data and cultural stories about exchange systems and subsistence work. Also included is gathered research into the Kalinga response to the Chico River Dam development project of the northern Luzon, an electric power generation project from the 1980s. Language material in the collection includes word lists, vocabulary slips, and morphology and phonology analysis that document the Kalinga language family of the northern Luzon. Also included are working files related to Takaki's project to translate Morice Vanoverbergh's Iloko Grammar into Kalinga.
Maps, photographic images, sound, and film contained in this collection largely document Takaki's fieldwork and research interests into Kalinga society and culture. Field-gathered data has been separated out into its own series. These materials - field notes and field data, maps, photographs, and sound and film recordings - form the first five series of the collection (Series 1-5). Research and analysis, compiled and refined from field-gathered data on the topics of culture, economics, and language, are arranged into their own three topical series (Series 6-8).
The collection also contains correspondence, as well as material documenting Takaki's professional life as a graduate student and faculty member. It includes grant applications, graduate essays, course preparation materials, professional presentations and publications, a curriculum vitae and tenure dossier from the University of Massachusetts, Boston, and a copy of her master's thesis, "A Case Study of Cross-Cultural Communication: Some Aspects of the Psychological Warfare as Applied by the United States against Japan during the World War II" (1960).
Arrangement:
The Michiko Takaki papers are divided into 10 series:
Series 1: Field data and field notes, 1935-1985 (bulk 1960s)
Series 2: Maps, circa 1950-2003, undated
Series 3: Photographs, circa 1964-2006
Series 4: Sound recordings, circa 1964-1995
Series 5: Films, circa 1964-1968
Series 6: Kalinga texts, circa 1960-2006, undated
Series 7: Economic and subsistence activities research and analysis, circa 1961-1997
Series 8: Lingustic research and analysis, 1921-1993
Series 9: Correspondence, 1960-2002
Series 10: Professional materials, circa 1958-2011
Biographical / Historical:
Michiko "Michi" Takaki was born on September 11, 1930 to Noboru Takaki and Sumiko Kohaka in Tokyo, Japan.
As a GARIOA Scholar (Government Appropriation for Relief in Occupied Areas), Takaki earned an associate's degree from Stephen's College in Columbia, Missouri (1952) and a bachelor's degree in comparative literature from Lindenwood College in St. Charles, Missouri (1953). She also earned a second bachelor's degree from the Tokyo Women's Christian University (1954), returning to the US to earn a master's degree in journalism from Southern Illinois University (1960). In the fall of 1960, Takaki began graduate studies in anthropology under Prof. Harold C. Conklin at Columbia University. Conklin transferred to the Department of Anthropology at Yale University in 1962. Takaki followed, completing her dissertation and earning her PhD from Yale in 1977.
From 1964 to 1968, Takaki completed a 46-month period of ethnographic fieldwork in the Philippines. Her dissertation, published in 1977, was entitled "Aspects of Exchange in a Kalinga Society, Northern Luzon." After a brief stint as a curator of Pacific ethnology at the American Museum of Natural History (1970-1973), Takaki became a faculty member in the Department of Anthropology at the University of Massachusetts, Boston. While teaching, Takaki continued her research into the Northern Luzon region of the Philippines. Her early research into economic and subsistence activities gave way, in later years, to lingustic anthropology centered on the Kalinga language family. Takaki was granted tenure in 1980, and she remained on the UMass-Boston faculty until her retirement in 2002.
Michiko Takaki died in Boston, Massachusetts, on December 5, 2014.
Chronology
1930 September 11 -- Born in Tokyo, Japan
1951-1953 -- GARIOA Scholar (Government Appropriation for Relief in Occupied Areas)
1952 -- A.A. Stephens College
1953 -- B.A. Lindenwood College
1954 -- B.A. Tokyo Women's Christan University
1960 -- M.A. Southern Illinois University (Journalism)
1960-1962 -- Graduate coursework, Columbia University Department of Anthropology
1962-1968 -- Graduate coursework, Yale University Department of Anthropology
1964-1968 -- Field work in the Philippines
1964-1965 -- Research Fellow, International Rice Research Institute
1970-1973 -- Curator, Pacific Ethnology, Division of Anthropology, American Museum of Natural History
1973-2002 -- Faculty, University of Massachusetts, Boston
1977 -- Ph.D. Yale University (Anthropology)
1980 November -- Awarded tenure by the University of Massachusetts, Boston
2014 December 5 -- Died in Boston, Massachusetts
Separated Materials:
The eleven film reels in the collection have been transferred to the Human Studies Film Archives, accession number HSFA 2017-009, but are described in this finding aid in Series 5: Films.
Provenance:
These papers were donated to the National Anthropological Archives by R. Timothy Sieber, Professor and Chair of the Department of Anthropology, University of Massachusetts, Boston, in 2016.
Restrictions:
Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the Human Studies Film Archives may not be played.
Digital media in the collection is restricted for preservation reasons.
Access to the Michiko Takaki papers requires an appointment.
Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the Human Studies Film Archives may not be played.
Digital media in the collection is restricted for preservation reasons.
Access to the Michiko Takaki papers requires an appointment.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Michiko Takaki papers, National Anthropological Archives, Smithsonian Institution
Sponsor:
Funding for the processing of this collection was provided by the Wenner-Gren Foundation.