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Oral history interview with Moira Roth, 2011 April 22-24

Interviewee:
Roth, Moira, 1933-  Search this
Interviewer:
Heinemann, Sue  Search this
Subject:
Antin, Eleanor  Search this
Chicago, Judy  Search this
Jacob, Mary Jane  Search this
Chadwick, Whitney  Search this
Baca, Judith Francisca  Search this
Nochlin, Linda  Search this
Kaprow, Allan  Search this
Kozloff, Joyce  Search this
Stevens, May  Search this
Machida, Margo  Search this
Selz, Peter Howard  Search this
Bernardi, Claudia  Search this
Lippard, Lucy R.  Search this
Ringgold, Faith  Search this
Schapiro, Miriam  Search this
Duchamp, Marcel  Search this
Lacy, Suzanne  Search this
Women's Caucus for Art  Search this
University of California, Berkeley  Search this
University of Vienna  Search this
London School of Economics and Political Science  Search this
Elizabeth Murray Oral History of Women in the Visual Arts Project  Search this
Type:
Interviews
Sound recordings
Topic:
Asian American women  Search this
Britain, Battle of, Great Britain, 1940  Search this
Art historians  Search this
Experimental theater  Search this
Sociology  Search this
Cornwall (England : County)  Search this
Art  Search this
World War, 1939-1945  Search this
Europe  Search this
Feminism  Search this
N?  Search this
Authors  Search this
Record number:
(DSI-AAA_CollID)15938
(DSI-AAA_SIRISBib)300234
AAA_collcode_roth11
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_300234

Peter Howard Selz papers, 1929-2018, bulk 1950-2005

Creator:
Selz, Peter Howard, 1919-2019  Search this
Subject:
Bury, Pol  Search this
Paris, Harold Persico  Search this
Golub, Leon  Search this
Baykam, Bedri  Search this
Guston, Philip  Search this
Dubuffet, Jean  Search this
Rothko, Mark  Search this
Lindner, Richard  Search this
Lipschitz, Jacques  Search this
Giacometti, Alberto  Search this
Graves, Morris  Search this
O'Keeffe, Georgia  Search this
Tinguely, Jean  Search this
Hadzi, Dimitri  Search this
Reinhardt, Ad  Search this
Conner, Bruce  Search this
Petlin, Irving  Search this
Chase-Riboud, Barbara  Search this
Lebrun, Rico  Search this
Onslow-Ford, Gordon  Search this
Bergman, Ciel  Search this
Benton, Fletcher Chapman  Search this
Beckmann, Max  Search this
Feininger, Lyonel  Search this
Calder, Alexander  Search this
Christo  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Institute of Design (Chicago, Ill.)  Search this
Marlborough Gallery  Search this
San Francisco Bay Area Rapid Transit District (Calif.)Art Council  Search this
University of California, Berkeley.University Art Museum  Search this
College Art Association (U.S.)  Search this
Pomona College (Claremont, Calif.)  Search this
Type:
Photographs
Sound recordings
Video recordings
Scrapbooks
Topic:
Ceramics  Search this
Art historians  Search this
Political cartoons  Search this
Painting, Abstract  Search this
Art  Search this
Authors  Search this
Realism in art  Search this
Pop art  Search this
San Francisco Bay Area (Calif.)  Search this
Environmental art  Search this
Art, Modern  Search this
Record number:
(DSI-AAA_CollID)8464
(DSI-AAA_SIRISBib)210640
AAA_collcode_selzpete
Theme:
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210640
Additional Online Media:

Charles Cajori papers, 1940-2015

Creator:
Cajori, Charles, 1921-2013  Search this
Subject:
Chaet, Bernard  Search this
Ippolito, Angelo  Search this
Adams, Pat  Search this
Simon, Sidney  Search this
Bell, Leland  Search this
Cézanne, Paul  Search this
Gray, Cleve  Search this
King, William Dickey  Search this
Cajori, Charles  Search this
Soutine, Chaim  Search this
Carles, Mercedes  Search this
Forge, Andrew  Search this
Finkelstein, Louis  Search this
Dodd, Lois  Search this
Pearlstein, Philip  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Whitney Museum of American Art  Search this
Colorado Springs Fine Arts Center  Search this
Roko Gallery (New York, N.Y.)  Search this
Tanager Gallery (New York, N.Y.)  Search this
Stable Gallery  Search this
Bertha Schaefer Gallery (New York, N.Y.)  Search this
Cooper Union for the Advancement of Science and Art  Search this
University of California, Berkeley  Search this
Watkins Art Gallery (American University)  Search this
David Findlay Galleries (New York, N.Y.)  Search this
Gallery Association of New York State  Search this
Lohin Geduld Gallery  Search this
New York Studio School of Drawing, Painting and Sculpture  Search this
American University (Washington, D.C.)  Search this
Type:
Interviews
Video recordings
Sound recordings
Transcripts
Photographs
Topic:
Painters  Search this
Educators  Search this
Record number:
(DSI-AAA_CollID)15960
(DSI-AAA_SIRISBib)302402
AAA_collcode_cajochar
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_302402
Additional Online Media:

Interview with Paul Vanderbilt reel 11

Creator:
Vanderbilt, Paul, 1905-1992  Search this
Subject:
Vanderbilt, Paul  Search this
Library of Congress  Search this
University of California, Berkeley  Search this
Type:
Sound Recording
Date:
196-?
Record number:
(DSI-AAA)16901
See more items in:
Paul Vanderbilt papers, 1854-1992, bulk 1945-1992
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_16901

Erle Loran papers

Creator:
Loran, Erle, 1905-1999  Search this
Names:
Fine Arts Museums of San Francisco  Search this
Friends of Ethnic Art  Search this
San Francisco Art Institute  Search this
University of California, Berkeley -- Faculty  Search this
Bearden, Romare, 1911-1988  Search this
Cézanne, Paul, 1839-1906  Search this
Dasburg, Andrew, 1887-1979  Search this
Greenberg, Clement, 1909-1994  Search this
Haley, John, 1905-1991  Search this
Hartley, Marsden, 1877-1943  Search this
Hatfield, Dalzell, 1893-1963  Search this
Hofmann, Hans, 1880-1966  Search this
Levinson, Harry  Search this
Sabean, Samuel  Search this
Schaefer, Bertha, 1895-1971  Search this
Still, Clyfford, 1904-  Search this
Wilke, Ulfert, 1907-1987  Search this
Extent:
12.6 Linear feet
Type:
Collection descriptions
Archival materials
Watercolors
Sketches
Photographs
Writings
Date:
1912-1999
Summary:
The papers of California painter, writer, and teacher Erle Loran measure 12.6 linear feet and date from 1912 to 1991. Found are biographical materials; two linear feet of personal and professional correspondence; personal business records; writings which include extensive drafts and notes for Loran's book Cezanne's Composition; over 400 items of artwork that include watercolors, drawings, charcoal, and pastel studies; printed materials; photographs of Loran, family, and friends, and artwork; and one audio recording of a lecture by Loran on Cezanne.
Scope and Content Note:
The papers of California painter and teacher Erle Loran measure 12.6 linear feet and date from 1912 to 1991. Found are biographical materials; two linear feet of personal and professional correspondence; personal business records; writings which include extensive drafts and notes for Loran's book Cezanne's Composition; over 400 items of artwork that include watercolors, drawings, charcoal, and pastel studies; printed materials; photographs of Loran, family, and friends, and artwork; and one audio recording of a lecture by Loran on Cezanne.

Biographical materials include biographical sketches, curriculum vita, a will, notes and a notebook, and an appointment book for 1987. Also found is an anniversary invitation, a certificate from the University of California, and the Pepsi-Cola award for 1948.

Two linear feet of correspondence is with artists, critics, galleries, and universities. Correspondents inlcude Romare Bearden, Andrew Dasburg, Clement Greenberg, John Haley, Dalzell Hatfield, Hans Hofmann, Harry Levinson (president of Permanent Pigments), Sam Sabean, Bertha Schaefer, Clyfford Still, and Ulfert Wilke. There is also correspondence with the University of California.

Personal business records include exhibition files, price and consignment lists, teaching materials, University of California Press records, and records relating to the publication of his book on Cézanne. Some of these records also document Loran's involvement with the Fine Arts Museum, Friends of Ethnic Arts, and the San Francisco Art Institute. In addition, there are records related to Loran's role in a donation of forty-five paintings by Hans Hofmann to the University Art Center. Also found are materials related to Loran's activities as an art collector including sales receipts, auction catalogs, and photographs of artwork owned by Loran.

Writings by Loran include a complete manuscript version of Cézanne's Composition along with additional notes and drafts, and numerous other short essays on Cézanne's life and art. Loran's other writings include essays about Hans Hofmann, Marsden Hartley, symbology in abstract art, and contemporary art.

Loran's career as an artist is extensively documented by four linear feet of original artwork, mostly preliminary sketches. The work demonstrates a variety of techniques including watercolor, pastel, pencil, pen, gouache, and oil sketches. Content includes landscapes, portraits, fantasy scenes, urban scenes, and rural scenes.

Printed materials include extensive newsclippings from seven decades, exhibition announcements, and exhibition catalogs. Photographs are of Loran, his second wife Clyta, the Loran family, friends and colleagues, artwork, and source materials. Also found within the papers is an audio recording on cassette of a lecture by Loran on Cézanne.
Arrangement:
The collection is arranged into 8 series:

Series 1: Biographical Materials, 1930s-1990s (Box 1; 0.25 linear feet)

Series 2: Correspondence, 1912-1992 (Boxes 1-3; 2.0 linear feet)

Series 3: Personal Business Records, 1930s-1992 (Box 3; 0.25 linear feet)

Series 4: Writings, 1921-1999 (Boxes 3-4; 1.25 linear feet)

Series 5: Artwork, 1920s-1980s (Boxes 4-8, 13-14; 4.3 linear feet)

Series 6: Printed Material, 1925-1999 (Boxes 8-10, 14; 2.3 linear feet)

Series 7: Photographs, 1910s-1990s (Boxes 10-12, 14; 2.5 linear feet)

Series 8: Audio Recording, 1982 (Box 12; 1 folder)
Biographical Note:
California painter, writer, and teacher Erle Loran was born on October 2, 1905 in Minneapolis, Minnesota. He attended the Minneapolis School of Art and graduated in 1926. That same year, Loran won the Paris Prize from the Chaloner Foundation which enabled him to study in France for the next three years. Here, he immersed himself into the world of Paul Cezanne. He lived for two years in Cézanne's studio, meeting many who knew Cezanne, including painter Emile Bernard, and art dealer Ambroise Vollard. This experience was critical to the development of Loran's artistic vision and his later writings and lectures about Cézanne.

In 1929, Loran returned to the United States, and published the article "Cézanne's Country" in The Arts in 1930. He then spent the early 1930s in Minnesota, after returning to Minneapolis to be treated for tuberculosis. There, Loran began to paint in a regionalist style, producing landscapes and scenes of life in rural Minnesota. In 1931, Loran was given his first one-man show at the Kraushaar Gallery in New York. During the depression, Loran began teaching art and was given painting commissions as part of the federal arts programs of the WPA.

Loran moved to California in 1937 and accepted a position as professor in the art department at the University of California, Berkeley. There he taught until retiring in 1973, serving as the department's chair in the 1950s. He established a program to invite east coast artists to teach at the university, and participants included Conrad Marca-Relli and Milton Resnick. Loran's students included Jay DeFeo, Richard Diebenkorn, and Sam Francis. In 1941 Loran began to write the synthesis of his research and interpretations about Cézanne's work, culminating in his pioneering book Cézanne's Composition published in 1943 by the University of California Press.

During this period Loran associated himself with modernist Hans Hofmann. Loran's early paintings were lyrical abstractions in primary colors; however, his style constantly changed with the times. Watercolor was Loran's medium of choice because it lent itself to his often-remote plein air locations, such as the ghost towns of California and Nevada. With John Haley and Worth Ryder he formed the "Berkeley Group," whose paintings consisted of scenes of the California and southwestern landscape painted in flat, open areas of color. During the war, painting in the open became increasingly difficult and Loran transitioned from plein-air painting to studio work. Shortly thereafter he began to focus his painting on abstraction.

Loran's artwork during the 1950s consisted primarily of abstractions based on natural forms like crystal and driftwood. In 1955, he spent six weeks studying with Hans Hofmann, whom he later called, along with Cézanne, a second "great father figure." In 1960, he was instrumental in securing a gift of forty-five paintings by Hans Hofmann for Berkeley's University Art Center. In the late 1960s, his work became a fusing of Op, Pop, and Hard Edge. From this he moved to figurative painting and later to geometric designs and symbols.

Loran continued to paint throughout the rest of his life in a variety of styles, including nudes, abstractions, and landscapes. Besides being an artist and a teacher, Loran was also a lifelong collector of ethnic art who specialized in African, Asian, Native American, and pre-Columbian tribal art. Many works from his collection are presently housed at the de Young Museum in San Francisco. Loran died in 1999 in Berkeley, at the age of 93.
Related Material:
Found in the Archives of American Art is an oral history interview with Erle Loran conducted by Herschel Chipp, June 18, 1981, and a 1981 interview with Erle and Clyta Loran in the Fine Arts Museums of San Francisco Interviews With Artists collection. Also found is a letter from Loran to Richard Wattenmaker, 1975.
Separated Material:
The Archives of American Art also holds material lent for microfilming (reel 906) including photographs of artwork by Erle Loran and two clippings of reproductions of Loran's artwork. Lent materials were returned to the lender and are not described in the collection container inventory.
Provenance:
Erle Loran lent the Archives of American Art materials for microfilming and donated papers in 1975. In 1999 Mrs. Ruth Schora-Loran, Loran's widow, donated additional material, including artworks.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Erle Loran papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art, Abstract  Search this
Art teachers -- California -- Berkeley  Search this
Art -- Collectors and collecting -- California -- San Francisco Bay Area  Search this
Painters -- California -- Berkeley  Search this
Painting, Modern -- 20th century -- California -- Berkeley  Search this
Art, Modern -- 20th century  Search this
Genre/Form:
Watercolors
Sketches
Photographs
Writings
Citation:
Erle Loran Papers, 1912-1999. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.loraerle
See more items in:
Erle Loran papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-loraerle
Additional Online Media:

University of California, Berkeley

Collection Creator:
Loran, Erle, 1905-1999  Search this
Container:
Box 2, Folder 48
Type:
Archival materials
Date:
1947-1981
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Erle Loran papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Erle Loran Papers, 1912-1999. Archives of American Art, Smithsonian Institution.
See more items in:
Erle Loran papers
Erle Loran papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-loraerle-ref139

University of California, Berkeley

Collection Creator:
Loran, Erle, 1905-1999  Search this
Container:
Box 12, Folder 20
Type:
Archival materials
Date:
circa 1940s
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Erle Loran papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Erle Loran Papers, 1912-1999. Archives of American Art, Smithsonian Institution.
See more items in:
Erle Loran papers
Erle Loran papers / Series 7: Photographs
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-loraerle-ref698

Interferometer, Polarizing, Michelson, Balloon Borne Far-Infrared Spectrometer

Manufacturer:
University of California, Berkeley  Search this
Materials:
HAZMAT: Cadmium Plating
Body - aluminum, mixed metals, electronics
Dimensions:
3-D: 9 × 11.5 × 32.5cm (3 9/16 × 4 1/2 × 12 13/16 in.)
Type:
INSTRUMENTS-Scientific
Country of Origin:
United States of America
Credit Line:
Gift of P. L. Richards, Department of Physics, University of California, Berkely.
Inventory Number:
A19970343003
Restrictions & Rights:
Usage conditions apply
See more items in:
National Air and Space Museum Collection
Location:
National Air and Space Museum in Washington, DC
Exhibition:
Explore the Universe
Data Source:
National Air and Space Museum
GUID:
http://n2t.net/ark:/65665/nv9c4de4eca-f07b-4203-afef-897a098ad3a6
EDAN-URL:
edanmdm:nasm_A19970343003
Additional Online Media:

Shell, Balloon Borne Far-Infrared Spectrometer

Materials:
Aluminum, Paint, Steel, Rubber (Silicone), Phenolic Resin, Brass, Mineral (glass) fabric, Epoxy
Dimensions:
Storage (Rehoused on aluminum pallet with additional objects): 215.3 × 153.7 × 101.6cm, 165.1kg (84 3/4 × 60 1/2 × 40 in., 364lb.)
Type:
INSTRUMENTS-Scientific
Country of Origin:
United States of America
Credit Line:
Donated by the University of California, Berkeley
Inventory Number:
A19970343002
Restrictions & Rights:
Usage conditions apply
See more items in:
National Air and Space Museum Collection
Data Source:
National Air and Space Museum
GUID:
http://n2t.net/ark:/65665/nv92d2aa5f1-009e-4df2-8c0b-0fdee6d25123
EDAN-URL:
edanmdm:nasm_A19970343002
Additional Online Media:

Radiometer, Microwave, U2

Manufacturer:
Lawrence Berkeley Laboratory, University of California  Search this
Materials:
Aluminum, optics, electronics, wave guides
Dimensions:
3-D: 2.8 × 16cm (1 1/8 × 6 5/16 in.)
3-D (Covers, Each): 55.9 × 50.8 × 68.6cm (22 × 20 × 27 in.)
Type:
INSTRUMENTS-Scientific
Country of Origin:
United States of America
Credit Line:
Transferred by DOE and the University of California, Lawrence Berkeley Laboratory.
Inventory Number:
A19960312000
Restrictions & Rights:
Usage conditions apply
See more items in:
National Air and Space Museum Collection
Location:
National Air and Space Museum in Washington, DC
Exhibition:
Explore the Universe
Data Source:
National Air and Space Museum
GUID:
http://n2t.net/ark:/65665/nv957dc1f07-a074-4e74-be61-54df1482acdd
EDAN-URL:
edanmdm:nasm_A19960312000
Additional Online Media:

Spectrometer, Far-infrared, Balloon Borne

Manufacturer:
University of California, Berkeley  Search this
Materials:
Interior: mixed metals, optical and electronic components.
Shell: steel
Dimensions:
3-D: 47 × 44.5 × 137.2cm (18 1/2 × 17 1/2 × 54 in.)
Type:
INSTRUMENTS-Scientific
Country of Origin:
United States of America
Credit Line:
Donated by P. L. Richards, Department of Physics, University of California, Berkley
Inventory Number:
A19970343000
Restrictions & Rights:
Usage conditions apply
See more items in:
National Air and Space Museum Collection
Location:
National Air and Space Museum in Washington, DC
Exhibition:
Explore the Universe
Data Source:
National Air and Space Museum
GUID:
http://n2t.net/ark:/65665/nv9c43fb8ee-5131-4c7a-a23a-05dbe23f5c8d
EDAN-URL:
edanmdm:nasm_A19970343000
Additional Online Media:

Lawrance J-1, Radial 9 Engine

Designer:
Lawrance Aero Engine Corp  Search this
Manufacturer:
Wright Aeronautical  Search this
Materials:
Steel, Aluminum, Rubber, Wood, Paint, Preservative coating
Dimensions:
Other: 43 1/2 x 42in. (110.5 x 106.7cm)
Approximate (Weight on stand): 365.1kg (805lb.)
Type:
PROPULSION-Reciprocating & Rotary
Country of Origin:
United States of America
Date:
Circa 1922
Credit Line:
Gift of the University of California, Berkeley
Inventory Number:
A19860286000
Restrictions & Rights:
Usage conditions apply
See more items in:
National Air and Space Museum Collection
Data Source:
National Air and Space Museum
GUID:
http://n2t.net/ark:/65665/nv9002bb1c2-7318-4e9d-ae0c-f34ebaff2a0a
EDAN-URL:
edanmdm:nasm_A19860286000
Additional Online Media:

Hawaiian Sovereignty Symposium 2: Williamson Chang

Creator:
National Museum of the American Indian  Search this
Type:
Youtube videos
Uploaded:
2016-02-19T16:16:19.000Z
Topic:
Native Americans;American Indians  Search this
Youtube Category:
Education  Search this
See more by:
SmithsonianNMAI
YouTube Channel:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
EDAN-URL:
edanmdm:yt_6ZWO0you8JM

Inka Engineering Symposium 1: Introductions & Opening Remarks

Creator:
National Museum of the American Indian  Search this
Type:
Youtube videos
Uploaded:
2013-11-19T15:28:08.000Z
Topic:
Native Americans;American Indians  Search this
Youtube Category:
Education  Search this
See more by:
SmithsonianNMAI
YouTube Channel:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
EDAN-URL:
edanmdm:yt_LH5Vajc5g_M

Revealing Ancestral Central America, Part 1

Creator:
National Museum of the American Indian  Search this
Type:
Youtube videos
Uploaded:
2013-09-12T19:02:44.000Z
Topic:
Native Americans;American Indians  Search this
Youtube Category:
Education  Search this
See more by:
SmithsonianNMAI
YouTube Channel:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
EDAN-URL:
edanmdm:yt_v1V09SXynCU

The Buddha as the Yogin: The Making of a Nationalist Art History

Creator:
Freer Gallery of Art and Arthur M. Sackler Gallery  Search this
Type:
Youtube videos
Uploaded:
2014-01-27T16:44:32.000Z
Topic:
Art, Asian  Search this
Youtube Category:
Education  Search this
See more by:
FreerSackler
YouTube Channel:
FreerSackler
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
EDAN-URL:
edanmdm:yt_KRNBXyFSEoE

Panel Discussion - A Closer Look at African American Artists in SAAM’s Collection

Creator:
Smithsonian American Art Museum  Search this
Type:
Youtube videos
Uploaded:
2020-02-09T00:32:31.000Z
Topic:
Art, American  Search this
Youtube Category:
Education  Search this
See more by:
americanartmuseum
YouTube Channel:
americanartmuseum
Data Source:
Smithsonian American Art Museum
EDAN-URL:
edanmdm:yt_XMjaL11vpXE

“Chiura Obata: American Modern” at the Smithsonian American Art Museum

Creator:
Smithsonian American Art Museum  Search this
Type:
Youtube videos
Uploaded:
2019-11-21T23:17:21.000Z
Topic:
Art, American  Search this
Youtube Category:
Education  Search this
See more by:
americanartmuseum
YouTube Channel:
americanartmuseum
Data Source:
Smithsonian American Art Museum
EDAN-URL:
edanmdm:yt_7_IbPsRVhAA

An Evening with Smithsonian Secretary Wayne Clough

Creator:
Smithsonian Institution  Search this
Type:
Youtube videos
Uploaded:
2010-07-15T15:24:06.000Z
Youtube Category:
Education  Search this
See more by:
SmithsonianVideos
YouTube Channel:
SmithsonianVideos
Data Source:
Smithsonian Institution
EDAN-URL:
edanmdm:yt_T7NP1vQZ2Dg

U.S. National Collegiate Athletic Association medal awarded to Eulace Peacock

Manufactured by:
Unidentified  Search this
Issued by:
National Collegiate Athletic Association, American and Canadian, founded 1906  Search this
Received by:
Eulace Peacock, American, 1914 - 1996  Search this
Subject of:
University of California, Berkeley, American, founded 1868  Search this
Edwards Stadium, American, founded 1932  Search this
Medium:
metal with silk (textile) , dye and thread
Dimensions:
H x W x D (overall): 2 11/16 × 1 5/8 × 1/4 in. (6.9 × 4.1 × 0.6 cm)
H x W x D (pin): 1/4 × 1 9/16 × 1/4 in. (0.6 × 3.9 × 0.6 cm)
H x W x D (ribbon): 1 5/16 × 1 9/16 × 1/4 in. (3.4 × 3.9 × 0.6 cm)
H x W x D (medal): 1 1/2 × 1 7/16 × 1/16 in. (3.8 × 3.7 × 0.2 cm)
Type:
pins (fasteners)
medals
Place used:
Berkeley, Alameda County, California, United States, North and Central America
Date:
1935
Topic:
African American  Search this
Athletes  Search this
Education  Search this
Track and field  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture
Object number:
A2014.63.105.1.115
Restrictions & Rights:
No Known Copyright Restrictions
See more items in:
National Museum of African American History and Culture Collection
Classification:
Awards and Medals
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5a5438cba-3634-412e-a601-9392caa2844f
EDAN-URL:
edanmdm:nmaahc_A2014.63.105.1.115

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