Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Macbeth Gallery records, 1838-1968, bulk 1892 to 1953. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Getty Grant Program. Digitization of the scrapbooks was supported by a grant from the Smithsonian Institution Women's Committee. Correspondence, financial and shipping records, inventory records, and printed material were digitized with funding provided by the Mr. and Mrs. Raymond J. Horowitz Foundation for the Arts, the Terra Foundation for American Art and The Walton Family Foundation.
Papers of Orland Campbell pertain to Campbell's career as a portrait artist and to a Gilbert Stuart portrait of Thomas Jefferson, owned, authenticated, and restored by Orland and his brother, Courtney Campbell. Includes:
biographical material, obituaries and condolences, business correspondence, ca. 1920-1970, subject files, research notes, tyescripts, sketchbooks and sketches, family papers, financial material, photographs of Campbell and works of art, thirteen scrapbooks, two books, and miscellany.
Biographical / Historical:
Portrait painter.
Provenance:
Donated 1980 by Mrs. Elizabeth Wilson, widow of Orland Campbell.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
6.9 Linear feet ((partially microfilmed on 13 reels))
Type:
Collection descriptions
Archival materials
Date:
1830-1960
Scope and Contents:
The Mary Bartlett Cowdrey papers measure 6.9 linear feet and date from 1830-1960. Included is material relating to her involvement with the National Academy of Design
Letters, invoices, and clippings relate to the National Academy Design's exhibitions and exhibition records, 1952-1954. Among the correspondents are Eliot Clark, Charles Downing Lay, Vernon Porter, R.W.G. Vail, and Lawrence Grant White; and Cowdrey's collection of ca. 200 photographs and other reproductions of Gilbert Stuart portraits and the publication Essays on American Art and Artists, Eastern Art League, 1896, signed by Cowdrey. Also included are notes, correspondence, photographs, publications, and clippings collected by Cowdrey for a biography of William Sidney Mount, ca. 1830-1957 microfilmed on reels D362-D363, and a letter from Jerome Mellquist, an art historian and specialist on French modern art, regarding his interests and his work , December 14, 1956. The letter has been microfilmed on reel D9.
Biographical / Historical:
Mary Bartlett Cowdrey (1830-1960) was an art historian in Passaic, New Jersey. Bartlett was author of "National Academy of Design Exhibition Record, 1826-1860," 2 v., 1944 a co-author: "William Sidney Mount, 1807-1868, An American Painter," 1944. Cowdrey was also a collector for Archives of American Art in the late 1950s.
Other Title:
Reel D9: Microfilm title: Jerome Mellquist
Related Materials:
Also in the Archives are papers lent for microfilming on reels N60-11, NY59-5, NY59-11, NY59-18-NY59-19, NY59-29 including files on 19th century American artists compiled by Cowdrey, containing notes, reproductions, clippings, biographical material, and publications; and material microfilmed on reels D75- D78 including alphabetical indexes of artists who exhibited at the National Academy of Design, 1861-1890, including their dates, exhibition dates, their works and prices, and their address at the time of the exhibit, plus notes and correspondence relating to this compilation. This work was intended to be a continuation of Cowdrey's book NATIONAL ACADEMY OF DESIGN EXHIBITION RECORD, 1826-1860 (The New York Historical Society, New York, 1943.)
Papers of Mary Bartlett Cowdrey, 1834-1963, are also located at the University of Delaware Library's Special Collections.
Provenance:
Material on reels D362-D363, D9 and unfilmed material donated 1956 and 1966 by Mary Bartlett Cowdrey. In 2001, Paul D. Schweitzer, Cowdrey's friend and Director and Chief Curator of the Munson Williams Proctor Arts Institute in Utica, N.Y, donated 0.2 ft. of Cowdrey's files relating to her work on the National Academy of Design. All other papers were lent for microfilming 1956-1966 by Cowdrey.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm.