Search Results

Creator:

Haberle, John, 1856-1933  Search this

Names:

Benjamin-Constant, 1845-1902  Search this

Clairin, Georges, 1843-1919  Search this

Frankenstein, Alfred V. (Alfred Victor), 1906-1981  Search this

Gérôme, Jean Léon, 1824-1904  Search this

Munkácsy, Mihály, 1844-1900  Search this

Rochegrosse, Georges, 1859-1938  Search this

Extent:

1.1 Linear feet ((partially microfilmed on 2 reels))

Type:

Collection descriptions

Archival materials

Date:

1882-1985

bulk 1882-1931

Scope and Contents:

Biographical material, letters, notes and writings, a monograph design, printed material, a scrapbook, and photographs.

REEL 2813: Eighteen letters to Haberle regarding the exhibition and sale of his work, 1891-1901; and a letter from J. William Middendorf to Haberle's son-in-law, Victor Demmer, concerning a Haberle exhibition at the Whitney Museum of Art, 1966.

REEL 3753: 176 drawings, 1882-1931, and 24 commercially printed greeting cards.

UNMICROFILMED: Biographical material; an autobiographical account, 1925; letters to Haberle from colleagues discussing his work, 1870-1915; letters from Haberle to his wife Sarah "Sadie" Haberle, 1893-1898, and his daughter Vera, 1898; and letters to Vera and Victor Demmer and Gladys Haberle Fresnada concerning Haberle's work, 1960-1971, from Alfred Frankenstein and others; notes and writings including poems, 1925, musical annotations, a card file on writing, 8 pages from a travel journal, 1931, and "directions for finishing the painting donated to New Britain."

Also included are a monogram design, 1903; photographs of Haberle, members of his family, 1894, works of art, 1888, views of 2 houses, 1960, and artists in their studios including Georges Clairin, Benjamin Constant, Jean Léon Gérome, Mihaly Munkacsy, and Georges Rochegrosse; clippings, 1887-1970; a scrapbook containing greeting cards and stickers; and printed material, 1874-1932.

Biographical / Historical:

Still-life painter, art instructor; New Haven, Conn. Haberle was apprenticed to a lithography and engraving company during the 1870s, studied at the National Academy of Design between 1884 and 1885 and later founded the New Haven Sketch Club, where he also taught. He specialized in trompe l'oeil still-life paintings, producing most of this work between 1887 and 1900. Deteriorating eyesight caused him to paint broader, more traditional still-lifes and landscapes in later life.

Provenance:

Material on reel 2813 was donated 1969 by Mrs. Vera Haberle Demmer, the daughter of John Haberle. Material on reel 3753 lent, and unmicrofilmed material donated 1986 by James and Claudia Mize, descendants of Haberle.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm.

Occupation:

Painters -- Connecticut -- New Haven  Search this

Topic:

Artists' studios -- Photographs  Search this

Trompe l'oeil painting  Search this

Painting, American  Search this

Still-life painting  Search this

Identifier:

AAA.habejohn

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw951616074-5d66-4ce7-a535-9cb06a10db16

EDAN-URL:

ead_collection:sova-aaa-habejohn

Collection Creator:

Robert Schoelkopf Gallery  Search this

Extent:

(boxes 28-29, 1 linear ft.)

Type:

Archival materials

Date:

1960-1988, undated

Scope and Contents note:

This series primarily documents group exhibitions held at the Robert Schoelkopf Gallery between 1963 and 1987, in addition to several exhibitions held in other locations. Records relating to exhibitions of work by individual artists are not included in this series but can be found in Series 1: Aftist Files. The first files in the series contain exhibition lists and printed material for shows that have no accompanying material and thus are not represented in an individual folder. Much of the printed matter consists of general reference material relating to themes of group shows held at the gallery. It also documents group exhibitions at other locations that featured artists in whom the gallery had an interest. Three folders of photographs that were originally labeled "Publicity Photographs" can be found immediately following these files.

The bulk of the series deals with specific exhibitions. Records include photographs of installations and individual works of art shown, exhibition catlogs, clippings, press releases, and material pertaining to related events. Correspondence concerning arrangements for exhibitions and requests for information can also be found here. Files chronicling specific exhibitions are arranged chronologically, with the exception of three files combining material relating to two exhibitions entitled Nine Realist Painters and Nine Realist Painters Revisited that can be found at the end of the series. Dates of exhibitions are given in parentheses after the exhibition titles and should not be confused with record dates.

The series contains ten negatives of photographs used in the 1985 exhibition, Photographs of the American West, and three negatives of installation shots from the 1985 exhibition, American Stone Carvers. For preservation reasons these are stored at the end of the negatives from Series 1: Artist Files, in Box 24.

See Appendix B for a list of all known exhibitions at the Robert Schoelkopf Gallery.

Appendix B: Exhibitions at Robert Schoelkopf Gallery:

Below is a list of all known exhibitions held at the Robert Schoelkopf Gallery. Italics indicate that the exact title of an exhibition is is known. Brackets indicate that the date or occurrence of an exhibition is assumed but cannot be confirmed.

DateExhibitionNov., 1962 -- A Selection of Drawings & Watercolors

Nov. 13-Dec. 1, 1962 -- Johan Birnie

Dec. 4-22, 1962 -- Norman Zammitt

Jan. 2-Feb. 9, 1963 -- Joseph Stella

Mar. 5-30, 1963 -- 19th Century American Paintings

Apr. 2-27, 1963 -- Ethel Myers: Drawings and Sculpture

May 1-31, 1963 -- Gus Mager (1878-1955)

Oct. 1-19, 1963 -- Murray Reich: Recent Paintings

Oct. 19-Nov. 16, 1963 -- Joseph Stella

Nov. 9-Dec. 7, 1963 -- Irwin Touster

Dec. 10-Jan. 4, 1964 -- 9 Realist Painters

Jan. 7-25, 1964 -- 19th Century American Paintings & Drawings: Beckwith, Bierstadt, Bradford, Carlsen, Chase, Cropsey, Durand, Duveneck, Field, Gifford, Kensett, Harnett, Hassam, La Farge, Leavitt, Martin, Melchers, Moran, Ranger, Ream, Richards, Stella

Jan. 28-Feb. 15, 1964 -- Louisa Matthiasdottir: Recent Paintings

Feb. 18-Mar. 14, 1964 -- An Exhibition of Portraits by Gaston Lachaise

Mar.-Apr., 1964 -- Joseph Pollet

May 5-30, 1964 -- Antonio Salemme

June 2-26, 1964 -- New York, New York

Oct., 1964 -- Joseph Stella: An Exhibition of Drawings

[Nov.], 1964 -- [Gabriel Laderman]

undated, 1965 -- Lisa Muller

Jan. 5-30, 1965 -- Lillian Delevoryas

Mar. 2-27, 1965 -- Sidney Tillim

Apr., 1965 -- Joseph Pollet

May, 1965 -- George Weiss

May 25-June 25, 1965 -- 19th and 20th Century Americans

Oct. 26-Nov. 13, 1965 -- Joseph Fiore

Dec. 7-31, 1965 -- George Bentley Nick

Jan. 4-29, 1966 -- Robert Cornell Memorial Exhibition

Jan. 11-29, 1966 -- Douglas Gorsline

Feb. 1-19, 1966 -- Drawings and Sculpture by Gaston Lachaise

Feb. 23-Mar. 13, 1966 -- Leland Bell: Paintings

Mar.-Apr., 1966 -- Charles Marks: Drawings

Mar. 15-Apr. 2, 1966 -- Ethel Myers

Apr. 5-23, 1966 -- Louisa Matthiasdottir

Apr. 26-May 14, 1966 -- Joseph Cornell: Collages

May 17-June 11, 1966 -- Lillian Delevoryas

July 1-31, 1966 -- A Selection of Modern Sculpture: Becquet, Bolotowsky, Butler, Calder, Chadwick, Dalou, Davidson, Flannagan, Gauguin, Kogan, Kuhn, Lachaise, Manzu, Marini, Moore, Nadelman, Rodin, Salemme

Oct. 11-29, 1966 -- Adolph Rosenblatt

Nov. 1-19, 1966 -- Joseph Stella: Watercolors, Drawings, and Collages

Nov. 22-Dec. 10, 1966 -- Sydney Dale Shaw

Dec. 20-Jan. 7, 1967 -- Walker Evans

Jan. 10-Feb. 4, 1967 -- Miklos Suba

Feb. 7-25, 1967 -- Joseph Pollet: Paris, Seven Years

Feb.-Mar., 1967 -- Charles Marks: Paintings, 1960-1967

Mar. 21-Apr. 8, 1967 -- 19th & 20th Century American Paintings

Apr. 11-29, 1967 -- Gabriel Laderman: Recent Paintings

May 2-20, 1967 -- Recent Paintings and Watercolors by Sidney Tillim

May 23-July 28, 1967 -- 19th and 20th Century American Landscapes

Sept. 19-Oct. 7, 1967 -- Exhibition of Watercolors, Drawings and Prints by Gallery Artists

Sept. 19-Oct. 7, 1967 -- Sculpture by Thyra Davidson

Oct. 10-31, 1967 -- George Bentley Nick: Recent Paintings

Oct. 31-Nov. 25, 1967 -- Figurative Painting of the Fifties

Nov., 1967 -- 19th & 20th Century American Art

Nov. 28-Jan. 6, 1968 -- Julia Margaret Cameron, 1815-1879

Jan. 9-27, 1968 -- Louisa Matthiasdottir: Paintings and Sculpture

Jan. 30-Feb. 17, 1968 -- William Bailey

Mar. 19-Apr. 13, 1968 -- Jane Peterson: Paintings, 1910-1920

Apr. 16-May 4, 1968 -- Leland Bell: Paintings

May 7-31, 1968 -- Yun Gee

Sept. 28-Oct. 17, 1968 -- Leonard Leibowitz: Paintings and Etchings

Oct. 19-Nov. 7, 1968 -- Adolph Rosenblatt

Nov. 9-Dec. 5, 1968 -- Louise Kruger

Nov. 22.-Dec. 10, 1968 -- Sydney Dale Shaw

Dec. 7-Jan. 2, 1969 -- Gertrude Fiske: Oil Paintings, 1910-1928

Jan. 4-23, 1969 -- Irwin Touster

Jan. 25-Feb. 13, 1969 -- Joseph Fiore: Recent Paintings

Feb. 15-Mar. 6, 1969 -- William S. Horton

Mar. 8-Apr. 3, 1969 -- Gaston Lachaise: Sculpture and Drawings

Apr. 5-May 1, 1969 -- Manierre Dawson: Paintings, 1909-1913

May 3-23, 1969 -- Sidney Tillim: Paintings

May 3-July 18, 1969 -- American Landscapes of the 19th and 20th Centuries

Oct. 4-23, 1969 -- John Robinson Frazier (1889-1966)

Oct. 25-Nov. 13, 1969 -- Gabriel Laderman

Nov. 14-Dec. 4, 1969 -- Louisa Matthiasdottir

Dec. 6-24, 1969 -- Eugéne Atget (1857-1927): Photographs

Jan. 3-29, 1970 -- Joseph Stella: Oils, Watercolors, Drawings, and Collages

Jan. 31-Feb. 19, 1970 -- Douglas Gorsline

Feb. 21-Mar. 12, 1970 -- Leland Bell: Paintings

Mar. 14-Apr. 2, 1970 -- Louise Kruger: Sculpture

Apr. 4-30, 1970 -- Significant 19th & 20th Century Photographs

Apr. 4-30, 1970 -- Paul Manship

May 2-29, 1970 -- American Narrative Painting of the 19th Century

June 8-July 3, 1970 -- Modernist Painting in America

Oct. 3-22, 1970 -- Leonard Leibowitz: Recent Paintings

Oct. 24-Nov. 19, 1970 -- Jan Matulka

Nov. 21-Dec. 24, 1970 -- John Henry Bradley Storrs: Paintings, Sculpture, and Drawings

Jan. 9-28, 1971 -- Cecile Gray Bazelon: Paintings

Jan. 30-Feb. 25, 1971 -- Walker Evans: Photographs

Mar. 20-Apr. 8, 1971 -- Myron Lechay: Paintings, 1922-1932

[Summer], 1971 -- Gaston Lachaise: Sculpture and Drawings

[July], 1971 -- American Landscape Paintings

Sept. 18-Oct. 14, 1971 -- Brassaï: Photographs

Oct. 16-Nov. 11, 1971 -- William Bailey: Paintings and Drawings

Nov. 13-Dec. 2, 1971 -- Alson Clark (1876-1949)

Dec. 4-31, 1971 -- James H. Daugherty: Retrospective

Jan. 4-27, 1972 -- Paul Manship (1885-1966)

Jan. 7-30, 1972 -- Four Americans

Jan. 29-Feb. 17, 1972 -- Louisa Matthiasdottir

Feb. 19-Mar. 9, 1972 -- Miklos Suba and O. Louis Guglielmi: Paintings of New York

Mar. 11-30, 1972 -- Douglas Gorsline

[April, 1972 -- Jan Matulka]

Apr. 22-May 11, 1972 -- Leland Bell

May 13-June 1, 1972 -- Gertrude Fiske (1878-1961)

June 3-30, 1972 -- Julia Margaret Cameron: Victorian Photographs

July, 1972 -- Landscapes by American Artists

Sept. 12-Oct. 5, 1972 -- 20th Century Drawings

Oct. 7-Nov. 2, 1972 -- Gabriel Laderman

Nov. 4-30, 1972 -- John Storrs (1885-1956): Drawings and Prints

Dec. 2-23, 1972 -- 19th and 20th Century Landscape Photography

Jan. 2-25, 1973 -- Martha Mayer Erlebacher: Paintings, Drawings, and Watercolors

Jan. 27-Feb. 22, 1973 -- Bruno Civitico: Paintings and Drawings

Feb. 24-Mar. 22, 1973 -- Paul Wiesenfeld: Paintings

Mar. 24-Apr. 19, 1973 -- Cecile Gray Bazelon

Apr. 21-May 17, 1973 -- Walker Evans

[Apr. 21-May 17], 1973 -- [The Unknown Lachaise]

May 19-June 14, 1973 -- Brooklyn Bridge: Paintings, Prints, Photographs, Memorabilia, and Historical Documents Celebrating the 90th Anniversary of One of Man's Noblest Works

Sept. 18-Oct. 13, 1973 -- A Century of Photographs, 1842-1949

Oct. 20-Nov. 29, 1973 -- Gaston Lachaise: Sculpture and Drawings

Dec. 8-Jan. 17, 1974 -- Photography in Italy in the 19th Century

Jan. 19-Feb. 14, 1974 -- Louisa Matthiasdottir

Feb. 16-Mar. 14, 1974 -- Myron Lechay: Paintings of the Twenties & Thirties

Mar. 16-Apr. 11, 1974 -- Leland Bell: Recent Paintings

Apr. 13-May 9, 1974 -- Douglas Cumming: Paintings and Drawings

May 11-June 7, 1974 -- Gabriel Laderman: Retrospective

June 11-July 19, 1974 -- The Art of the Portrait Photograph

Oct. 1-31, 1974 -- North American Indians

Oct. 19-Nov. 14, 1974 -- William Bailey

Nov. 2-30, 1974 -- Walker Evans: Vintage Prints

Dec. 10-Jan. 11, 1975 -- The Art of the Photogravure

Jan. 7-31, 1975 -- Four Americans

Jan. 14-Feb. 28, 1975 -- Rome by Robert MacPherson

Feb. 4-Mar. 1, 1975 -- Altar Pieces of World War II

Mar. 4-29, 1975 -- Giséle è

[Mar. 4-Apr. 26], 1975 -- [John Henry Bradley Storrs]

Apr. 1-30, 1975 -- Margaret Bourke-White, 1904-1971

Apr. 29-May 30, 1975 -- Martha Mayer Erlebacher

May 3-31, 1975 -- Arnold Genthe

June 2-July 11, 1975 -- 19th Century Photographs of the Middle East

June 10-July 11, 1975 -- New Talent

Sept. 16-Oct. 18, 1975 -- Richard Piccolo

Sept. 16-Oct. 30, 1975 -- August Sander: Vintage Prints

Oct. 3-Nov. 9, 1975 -- Impressionism: Gertrude Fiske

Nov. 4-29, 1975 -- Kipton Kumler: Photographs

Nov. 24-Dec. 2, 1975 -- Cecile Gray Bazelon

Dec. 2-24, 1975 -- Roger Fenton: Photographs of the Crimean War

undated, 1976 -- Andrew Dasburg and Some Friends

Jan. 6-31, 1976 -- Van Deren Coke

Jan. 13-Feb. 14, 1976 -- Louisa Matthiasdottir

Feb. 17-Mar. 13, 1976 -- Bonnie Sklarski

Mar. 2-30, 1976 -- Fredrich Cantor: Photographs

Mar. 16-Apr. 17, 1976 -- Bruno Civitico

Apr. 1-29, 1976 -- Cecil Beaton

Apr. 20-May 15, 1976 -- Leland Bell

May 1-28, 1976 -- Cyanotypes by Well Known and Amateur Photographers from the Turn of the Century and Today

June 1-July 16, 1976 -- Laton A. Huffman: Frontier Photographs

June 4-July 16, 1976 -- Drawings by Gallery Artists

Oct. 5-30, 1976 -- Paul Wiesenfeld

Nov. 9-Dec. 4, 1976 -- Don Wynn

Dec. 14-Jan. 15, 1977 -- Joan Myers

Jan. 25-Feb. 26, 1977 -- Joseph Stella

Mar. 7-Apr. 2, 1977 -- Walker Evans: Photographs, 1930-1971

Apr. 12-May 7, 1977 -- Gabriel Laderman: Paintings of Malaysia

May 17-June 10, 1977 -- Walter Hatke

June 14-July 15, 1977 -- Paul Caponigro: Photographs

Sept. 13-Oct. 8, 1977 -- Brooklyn College Art Department Past and Present, 1942-1977

Oct. 15-Nov. 5, 1977 -- William Wilkins

Nov. 12-Dec. 3, 1977 -- Frances Cohen Gillespie: Recent Paintings

Dec. 10-Jan. 7, 1978 -- Richard Piccolo: Recent Paintings

Dec. 14-Jan. 15, 1978 -- Joan Myers: Photography

Jan. 14-Feb. 9, 1978 -- Early 20th Century American Modernist Painting

Feb. 11-Mar. 11, 1978 -- Louisa Matthiasdottir: Recent Paintings

Mar. 18-Apr. 8, 1978 -- Bruno Civitico: Recent Paintings

Apr. 15-May 6, 1978 -- Leland Bell

June 19-July 21, 1978 -- 19th and 20th Century American Painting

Sept. 16-Oct. 14, 1978 -- Drawings by Gaston Lachaise and Elie Nadelman

Oct. 21-Nov. 18, 1978 -- John Storrs: Paintings of the Thirties

Nov. 21-Dec. 23, 1978 -- Emile Branchard & William Fellini: Two 20th Century American Primitive Painters

Dec. 10-Jan. 7, 1979 -- Richard Piccolo

undated, 1979 -- Laton Huffman: Photographs

Jan. 6-Feb. 10, 1979 -- William Bailey: Recent Paintings

Feb. 17-Mar. 17, 1979 -- Jan Matulka

Mar. 24-Apr. 21, 1979 -- Joseph Stella: Works on Paper

Apr. 28-May 26, 1979 -- John Storrs: Painting and Sculpture of the Thirties

June 4-July 13, 1979 -- American Impressionism

Sept. 15-Oct. 6, 1979 -- Hans Burkhardt: Drawings, 1936-1979

Oct. 13-Nov. 10, 1979 -- William Wilkins: Recent Paintings

Nov. 18-Dec. 8, 1979 -- Keith Jacobshagen: Recent Paintings

Dec. 15-Jan. 12, 1980 -- Martha Mayer Erlebacher: Drawings and Watercolors

undated, 1980 -- [DeWitt Hardy]

undated, 1980 -- Leland Bell: Recent Paintings

Jan. 19-Feb. 16, 1980 -- Louisa Matthiasdottir: Recent Paintings

Feb. 23-Mar. 22, 1980 -- 19th and 20th Century American Paintings and Sculpture

Mar. 29-Apr. 26, 1980 -- Richard Piccolo: Recent Paintings

June 9-July 3, 1980 -- Walter Hatke: Recent Paintings and Drawings

July, 1980 -- The Modernist Movement in America

August, 1980 -- American Paintings

Sept. 6-Oct. 1, 1980 -- American Drawings and Watercolors

Oct. 4-29, 1980 -- Daniel Dallman: Recent Paintings and Drawings

Dec. 2-23, 1980 -- Bruno Civitico: Recent Paintings

undated, 1981 -- Bonnie Sklarski

Jan. 3-28, 1981 -- Milet Andrejevic: Recent Paintings

Mar. 28-Apr. 22, 1981 -- Manierre Dawson: Paintings, 1910-1914

Apr. 25-May 20, 1981 -- Paul Wiesenfeld: Recent Paintings

June 9-July 15, 1981 -- Contemporary Figure Drawings

Sept. 15-30, 1981 -- Early 20th Century Artists: City Images

Oct. 3-28, 1981 -- William Wilkins: Recent Paintings

Oct. 31-Nov. 25,1981 -- Natalie Charkow: Sculpture

Jan. 2-27, 1982 -- Louisa Matthiasdottir: New Works

Jan. 30-Feb. 24, 1982 -- Isabel McIlvain: Recent Sculpture

Feb. 27-Mar. 24, 1982 -- Gaston Lachaise: Twenty Sculptures

Apr. 3-May 4, 1982 -- William Bailey: Recent Paintings

May 8-June 2, 1982 -- Keith Jacobshagen

June 5-July 16, 1982 -- Edward Schmidt: Recent Paintings and Drawings

Sept. 7-29, 1982 -- American Paintings & Drawings of the Twenties & Thirties

Oct. 2-27, 1982 -- Raymond Han: Recent Still Life Paintings

Oct. 30-Nov. 24, 1982 -- Martha Mayer Erlebacher: Recent Oils, Pastels and Drawings

Nov. 30-Dec. 22, 1982 -- Contemporary Arcadian Paintings

Jan. 4-26, 1983 -- John Henry Bradley Storrs: Paintings, Sculpture, and Drawings

Jan. 29-Feb. 23, 1983 -- DeWitt Hardy: Recent Watercolors

Apr. 23-May 18, 1983 -- Richard Piccolo

May 21-June 15, 1983 -- Barbara Cushing: Recent Paintings

June 4-July 16, 1983 -- Drawings by Gallery Artists

Sept. 6-28, 1983 -- American Realist Works on Paper

Oct. 29-Nov. 23, 1983 -- Philip Grausman: Portraits 1973-1983, Sculpture, and Drawings

Nov. 3-Dec. 5, 1983 -- Recent American Still Life Painting

Nov. 29-Dec. 21, 1983 -- Bruno Civitico: Recent Paintings

Dec. 28-Jan. 25, 1984 -- Walter Hatke: Recent Paintings

Jan. 28-Feb. 22, 1984 -- Paintings of the Twenties and Thirties: Works by Gallery Artists

Jan. 28-Feb. 22, 1984 -- Joseph Stella

Mar. 3-28, 1984 -- Daniel Dallmann: Recent Paintings

Apr. 21-May 16, 1984 -- Louisa Matthiasdottir

June 19-July 13, 1984 -- Richard Ryan: Recent Paintings

July-Aug., 1984 -- Group Show of Gallery Artists

Sept. 8-Oct. 3, 1984 -- 20th Century American Modernism

Oct. 6-31, 1984 -- Raymond Han: Recent Paintings

Nov. 3-Dec. 5, 1984 -- Recent American Still Life Painting

Dec. 8-Jan. 2, 1985 -- Nine Realist Painters Revisited

undated, 1985 -- Caren Canier

Jan. 5-30, 1985 -- Martha Mayer Erlebacher: Recent Paintings

Feb. 2-27, 1985 -- Recent American Portraiture

Mar. 30-Apr. 4, 1985 -- David Ligare

May 4-29, 1985 -- James Aponovich: Recent Paintings

Summer, 1985 -- Early 20th Century American Modernism

Sept. 7-Oct. 2, 1985 -- Photographs of the American West

Oct. 5-30, 1985 -- Laura Shechter: Recent Paintings

Nov. 2-Dec. 4, 1985 -- American Wood Carvers of the 19th and 20th Centuries

Dec. 7-31, 1985 -- American Stone Carvers

Jan. 4-29, 1986 -- Sondra Freckelton

Mar. 1-26, 1986 -- Gabriel Laderman: Recent Narrative Paintings and Other Work

Mar. 29-Apr. 23, 1986 -- Barbara Cushing: Recent Landscape Paintings

Apr. 26-May 21, 1986 -- City Streets

May 24-June 18, 1986 -- Bonnie Sklarski: Recent Paintings

June 23-July 25, 1986 -- The Modernist Movement in America

Sept. 6-Oct. 1, 1986 -- Stone Roberts: Recent Paintings

Oct. 1-29, 1986 -- Jan Matulka: Drawings and Prints

Nov. 1-Dec. 3, 1986 -- William Bailey: Recent Paintings

Jan. 10-Feb. 4, 1987 -- John Henry Bradley Storrs

Feb.-Mar., 1987 -- Raymond Han

Mar. 7-Apr. 1, 1987 -- Daniel Dallman

Apr. 4-29, 1987 -- James Aponovich: Recent Paintings

June 2-26, 1987 -- Langdon Quin: Recent Paintings

July-Aug., 1987 -- Summer Group Show

Sept. 1-Oct. 14, 1987 -- Isabel McIlvain: Recent Sculpture

Oct. 24-Nov. 27, 1987 -- Philip Grausman: Recent Sculpture

Dec. 6-Jan. 7, 1988 -- Louisa Matthiasdottir: Recent Paintings

undated, 1988 -- Milet Andrejevic: Paintings

Feb. 6-Mar. 2, 1988 -- Sondra Freckelton: Recent Watercolors

April 2-May 4, 1988 -- Jan Matulka: Paintings of the 1920s and 1930s

Sept. 10-Oct. 12, 1988 -- Plain Geometry Part II: Geometric Abstraction in America, 1930-1960

Oct. 15-Nov. 16, 1988 -- The Figure: American Sculpture of the Early 20th Century

Nov. 19-Dec. 21, 1988 -- Peter Saari: Recent Work

Jan. 3-31, 1989 -- The Modern Pastoral

Feb. 4-Mar. 8, 1989 -- Louisa Matthiasdottir: Recent Paintings, Pastels, and Watercolors

Apr. 15-May 17, 1989 -- Richard Ryan: Recent Paintings and Drawings

July 7-26, 1989 -- Walter Hatke

Sept. 9-Oct. 11, 1989 -- Raymond Han: Recent Paintings

Oct. 15-Nov. 15, 1989 -- Stone Roberts

[Nov. 21-Dec. 24], 1989 -- [John Storrs]

undated, 1990 -- Ed Garman and James M. Guy

Jan. 6-Feb. 7, 1990 -- David Ligare: Recent Paintings and Drawings

Feb. 10-Mar. 14, 1990 -- Sondra Freckelton

Mar. 17-Apr. 20, 1990 -- Leland Bell

Apr. 21-May 23, 1990 -- James Aponovich: Recent Paintings

May 26-June 27, 1990 -- Four Artists/Four Decades: A Selection of Works on Paper by Gaston Lachaise, Jan Matulka, John Storrs, and Joseph Stella from the Years 1910-1950

Oct. 13-Nov. 14, 1990 -- Gabriel Laderman: Recent Paintings

Jan. 5-Feb. 6, 1991 -- Rolph Scarlett (1889-1984): Paintings and Works on Paper

Feb. 9-Mar. 13, 1991 -- William Bailey: Recent Paintings, Caseins, and Drawings

Mar. 16-Apr. 17, 1991 -- Louisa Matthiasdottir: Recent Paintings

Apr. 20-May 15, 1991 -- Caren Canier: Recent Paintings and Collages

May 18-June 12, 1991 -- Richard Raiselis: Recent Paintings

Collection Restrictions:

The collection is open for research. Use requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Robert Schoelkopf Gallery records, 1851-1991, bulk 1962-1991. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Getty Foundation.

Identifier:

AAA.robeschg, Series 3

See more items in:

Robert Schoelkopf Gallery records

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw90ae1ba42-e309-418f-b68d-6db0095a20a0

EDAN-URL:

ead_component:sova-aaa-robeschg-ref813

Collection Creator:

Robert Schoelkopf Gallery  Search this

Container:

Box 29, Folder 20

Type:

Archival materials

Date:

1984, undated

Collection Restrictions:

The collection is open for research. Use requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Robert Schoelkopf Gallery records, 1851-1991, bulk 1962-1991. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Getty Foundation.

See more items in:

Robert Schoelkopf Gallery records

Robert Schoelkopf Gallery records / Series 3: Group Exhibition Files

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw960e15c17-c0ef-4991-908f-148ba65ca49e

EDAN-URL:

ead_component:sova-aaa-robeschg-ref847

Creator:

Magriel, Paul David, 1906-  Search this

Extent:

0.2 Linear feet ((350 items on partial microfilm reel))

Type:

Collection descriptions

Archival materials

Date:

1940-1967

Scope and Contents:

Letters received, 1940-1967, from museum directors and curators, dealers and other collectors concerning the identification, exhibition, and sale of Magriel's collection, particularly Renaissance bronzes and American drawings, watercolors and still life paintings. Correspondents include Ira Glackens, Francis Watson (Magriel's purchasing agent in London), John Davis Hatch, Irwin Untermeyer and others. Also included are letters from Frances Hawkins about the Museum of Modern Art, 1942-1943.

Biographical / Historical:

Art collector, New York, N.Y.

Provenance:

Donated 1967 by Paul Magriel.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.

Topic:

Art -- Collectors and collecting  Search this

Identifier:

AAA.magrpaul

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw99ee9a4af-1589-45ff-94ac-3ec13399f9d3

EDAN-URL:

ead_collection:sova-aaa-magrpaul

Interviewee:

Terrill, Joey, 1955-  Search this

Interviewer:

Fialho, Alex, 1989-  Search this

Names:

Visual Arts and the AIDS Epidemic: An Oral History Project  Search this

Extent:

9 Items (sound files (6 hr.,13 min.) Audio, digital, wav)

92 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Sound recordings

Interviews

Date:

2017 December 30-31

Scope and Contents:

An interview with Joey Terrill conducted 2017 December 30 and 31, by Alex Fialho, for the Archives of American Art's Visual Arts and the AIDS Epidemic: An Oral History Project, at Terrill's home and studio in Los Angeles, California.

Terrill speaks of his family and upbringing in Los Angeles; early exposure to '60s politics and working-class Chicano activism; early exposure to art-making; early understanding and experience of his queerness; attending Cathedral High School and Immaculate Heart College; moving to New York in 1980; making and distributing the first batch of Maricón and Malflora T-shirts; contemporary appreciation and revitalization of his work; the genesis, production, distribution, reissue, and legacy of Homeboy Beautiful; his seroconversion in 1980; exhibiting his Chicanos Invade New York series in 1980; memories of the early AIDS crisis and ensuing activism; testing HIV-positive in 1989, and subsequent developments in his art; his relationships with Mundo Meza, Jack Vargas, Ray Navarro, Gerardo Velazquez, Alice Armendariz, Teddy Sandoval, Carlos Almaraz, and Harry Gamboa, Jr; contributing an essay to the Art AIDS America catalogue; his still life painting practice; his 2013 retrospective at ONE Archives; ideas for an new anniversary issue of Homeboy Beautiful; his current and ongoing AIDS activism with AIDS Healthcare Foundation; and his hopes for future assessments of his legacy. Terrill also recalls Carlton Dinnall, Patssi Valdez, Jim Aguilar, Gronk, Roberto Legorreta, Willie Herrón, Terry Saunders, Richard Crawford, Sister Corita Kent, Joey Arias, Steven Fregoso, Victor Durazo, Richard T. Rodriguez, David Frantz, Ondine Chavoya, Paul Polubinskas, Daniel Ramirez, Efren Valadez, Carole Caroompas, Skot Armstrong, Greg Poe, Rea Tajiri, Richard Gildart, John Henninger, Craig Brown, Chris Brownlie, Richard Starr, Paul Coleman, Steven Muñoz, Roger Horwitz, Dr. Eugene Rolgolsky, Jef Huereque, Beto Araiza, Miguel Angel Reyes, Guillermo Hernandez, Monica Palacios, Robert Gil de Montes, Eddie Dominguez, Simon Doonan, Jonathan Katz, Rob Hernandez, Dan Guerrero, Diane Gamboa, and others.

Biographical / Historical:

Joey Terrill (1955- ) is an artist in Los Angeles, California. Alex Fialho (1989- ) is a curator and arts writer who is the Programs Director for Visual AIDS in New York, New York.

Provenance:

This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.

Topic:

Artists -- California -- Los Angeles -- Interviews  Search this

AIDS (Disease) and the arts  Search this

Artists (LGBTQ)  Search this

Gay artists  Search this

Genre/Form:

Sound recordings

Interviews

Sponsor:

Funded by the Keith Haring Foundation.

Identifier:

AAA.terril17

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9dcead001-f363-4f52-b8b5-c31164b97794

EDAN-URL:

ead_collection:sova-aaa-terril17

Collection Creator:

Gellert, Hugo, 1892-1985  Search this

Container:

Box 3, Folder 4

Type:

Archival materials

Date:

1936

Collection Restrictions:

The collection has been digitized and is available online via AAA's website.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Hugo Gellert papers, 1916-1986. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art

See more items in:

Hugo Gellert papers

Hugo Gellert papers / Series 4: Organizational Records

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw98c1fbe1b-7d8c-4ec9-9f80-4c16e018312a

EDAN-URL:

ead_component:sova-aaa-gellhugo-ref106

Collection Creator:

National Arts Club (New York, N.Y.)  Search this

Container:

Reel 4266, Frame 187-397

Type:

Archival materials

Date:

1937-1940

Scope and Contents note:

Members' Exhibition of Small Paintings, in Black and White, Dec. 8-25, 1937

Members' Annual Exhibition, Jan. 12-Feb., 1938

Third Exhibition of Neighboring Art Organizations, March 14-April 2, 1938

Exhibition of the Younger Artists Group, April 6-20, 1938

Exhibition of a Group of Former Painter and Sculptor Members, Jan. 12-27, 1939

Members' Annual Exhibition, Feb. 1-25, 1939

Flower Paintings, March 1-31, 1939

Fourth Annual Exhibition of Neighboring Art Organizations, April 5-21, 1939

Annual Junior Members' Exhibition, May 10-24, 1939

Selected Works by Deceased Artists from the National Arts Club's Permanent Collection, June-Oct. 1939

Special Exhibition of the Paintings of Junior Members, Oct. 18-28, 1939

Christmas Sale of Paintings, Drawing, Photographs, and Sculpture by Junior Members, Dec. 4-25, 1939

Members' Annual Exhibition, Jan. 3-19, 1940

Distinguished Exhibition of the Work of Living American Painters, Non-Members, Jan. 24-Feb. 9, 1940

Ceramics, Feb. 14-29, 1940

Annual Junior Members' Exhibition, April 3-19, 1940

Flower and Still Life Paintings, April 24-May 3, 1940

Collection Restrictions:

The collection is open for research. Patrons must use microfilm copy.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

National Arts Club records, 1898-1960. Archives of American Art, Smithsonian Institution.

See more items in:

National Arts Club records

National Arts Club records / Series 9: Scrapbooks / 9.2: National Arts Club Printed Matter

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw90fb2a6ef-dbef-4f55-89a6-8c56a97849d5

EDAN-URL:

ead_component:sova-aaa-natiartc-ref507

Creator:

Murphy, Hermann Dudley, 1867-1945  Search this

Names:

Vose Galleries of Boston  Search this

Abbott, Mary Ogden, 1894-1981  Search this

Barrie, Erwin S., 1886-1983  Search this

Prendergast, Maurice Brazil, 1858-1924  Search this

Ryder, Chauncey F., 1868-1949  Search this

Sizer, Theodore, 1892-1967  Search this

Tarbell, Edmund Charles, 1862-1938  Search this

Trowbridge, Alexander Buell, 1868-1950  Search this

Extent:

2.8 Linear feet

Type:

Collection descriptions

Archival materials

Photographs

Scrapbooks

Prints

Sketches

Sketchbooks

Place:

Mexico -- description and travel

Date:

circa 1878-1982

Summary:

The papers of painter and frame maker Hermann Dudley Murphy measure 2.8 linear feet and date from circa 1878-1982. Found are biographical materials, correspondence, writings, personal business records, printed materials, a scrapbook, photographs, and original artworks, including sketchbooks.

Scope and Contents:

The papers of painter and frame maker Hermann Dudley Murphy measure 2.8 linear feet and date from circa 1878-1982. Found are biographical materials, correspondence, writings, personal business records, printed materials, a scrapbook, photographs, and original artworks, including sketchbooks.

The bulk of the papers focus on the later part of Herman Dudley Murphy's career. Specifically, correspondence focuses on the sale of still-life paintings and sketches and sketchbooks are mostly from Murphy's travels through Europe and Mexico from the 1920s to the 1930s. Correspondents include Mary Ogden Abbott, Edwin S. Barrie, Maurice Prendergast, Chauncey Ryder, Theodore Sizer, Edmund Tarbell, Alexander Trowbridge, and Vose Gallery among others. Personal business records comment on the sale of works of art from 1897 until 1944. Printed materials include clippings and exhibition catalogs spanning Murphy's career. One scrapbook contains photos and printed materials. Photographs and snapshots are of Hermann Dudley Murphey and family, family travels, and works of art and frames. Artwork consists of loose sketches, prints, and sketchbooks.

Arrangement:

This collection is arranged as 8 series.

Missing Title

Series 1: Biographical Materials, 1887-circa 1940 (Box 1; 7 folders)

Series 2: Correspondence, circa 1890-1962 (Box 1; 0.3 linear feet)

Series 3: Writings and Notes, circa 1900-1942 (Box 1; 7 folders)

Series 4: Personal Business and Financial Records, 1897-1944 (Box 1; 0.2 linear feet)

Series 5: Printed Material, 1889-1982 (Box 1-2; 0.9 linear feet)

Series 6: Scrapbook, circa 1910 (Box 2; 1 folder)

Series 7: Photographs, circa 1878-circa 1950 (Box 2; 0.2 linear feet)

Series 8: Artwork, 1892-circa 1940 (Box 2-4; 0.8 linear feet)

Biographical / Historical:

Hermann Dudley Murphy (1867-1945) was a painter and frame maker active in Boston, Massachusetts.

Hermann Dudley Murphy was born in Massachusetts in 1867. He studied art under Edmund Tarbell at the Boston Museum School and later in Paris at the Académie Julian. His early career focused on portraiture and landscape painting. While in Paris, Murphy learned to make frames for artworks. After exhibiting at the 1913 Armory Show, Murphy rejected Modernism and painted still-life. He was known for his Tonalist style and his floral still-life paintings which included objects d'art such as Chinese ceramics, bronze statues, and textiles. Additionally, Murphy taught art classes at the Harvard School of Architecture and the Worcester Art Museum School.

Murphy married Caroline Bowles Murphy with whom he had two children, Carlene and Dudley Murphy. After Caroline died, he married artist Nellie Littlehale. With Nellie, he shared an interest in deck-seat canoeing. Murphy died in 1945.

Provenance:

The collection was donated in 1985 by Alexander B. and Dudley D. B. Samoiloff, grandsons of Hermann Dudley Murphy.

Restrictions:

Use of original papers requires an appointment.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Painters  Search this

Topic:

Picture frames and framing -- Massachusetts  Search this

Genre/Form:

Photographs

Scrapbooks

Prints

Sketches

Sketchbooks

Citation:

Hermann Dudley Murphy papers, circa 1878-1982. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Terra Foundation for American Art

Identifier:

AAA.murpherm

See more items in:

Hermann Dudley Murphy papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw92334041b-1080-46f6-bac1-2ce4b9c143bb

EDAN-URL:

ead_collection:sova-aaa-murpherm

Creator:

McFee, Henry Lee, 1886-1953  Search this

Names:

Rosen, Charles, 1878-1950  Search this

Speicher, Eugene Edward, 1883-1962  Search this

Stevens, Will Henry, 1881-1949  Search this

Extent:

18 Items (Reel 3134: (on a partial microfilm reel))

0.3 Linear feet (Unfilmed)

Type:

Collection descriptions

Archival materials

Scrapbooks

Date:

1928-1964

Scope and Contents:

Biographical material (1928-1950), 6 letters (1953), 2 scrapbooks (1929-1964), printed material (1929-1964) and photographs concern the life and career of Henry Lee McFee.

Reel 3134: Photographs show McFee (1929) and 5 of his paintings. Printed material consists of 8 reproductions of his works and 4 clippings (1950-1964).

Unfilmed: Biographical material consists of 5 award and membership certificates (1928-1950). Letters consist of one Christmas card and 5 letters of condolence (1953). Printed material consists of clippings (1929-1950), reproductions of works of art, and a poster. Photographs show McFee, his studio, and his works.

Unfilmed: Two scrapbooks contain photographs of McFee and his works. One also includes photographs of gallery installations and printed reproductions of his works (1931-1950). The other, assembled by McFee's step-daughter, also contains clippings (1929-1964), 2 exhibition catalogs (undated and 1949), an advertisement and annotated galley proof for a book of reproductions of McFee's paintings (1950), 2 typescripts on painting by McFee, and photographs of colleagues including Charles Rosen, Eugene Speicher, and Will Henry Stevens.

Biographical / Historical:

Painter. After graduation from Kemper Military School in 1905, he entered art school in Pittsburgh, Pennsylvania in 1907. In the following year, he studied under Birge Harrison at the Art Students League summer classes in Woodstock, New York. In 1937 he was the director of the Museum School of Art in San Antonio, Texas. He moved to Claremont College in 1947 to teach in the graduate school.

Provenance:

Donated by McFee's stepdaughter, Marian S. Sweeney, who inherited the papers from her mother, Eleanor McFee.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.

Occupation:

Art teachers  Search this

Painters -- California  Search this

Topic:

Realism  Search this

Still-life painting, American  Search this

Genre/Form:

Scrapbooks

Identifier:

AAA.mcfehenr

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw90709f38d-bf02-470c-99a6-fdd538e0940f

EDAN-URL:

ead_collection:sova-aaa-mcfehenr

Collection Creator:

Jacques Seligmann & Co  Search this

Container:

Box 73, Folder 22

Type:

Archival materials

Date:

1938-1948

Collection Restrictions:

Use of original papers requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.

Sponsor:

Processing of the collection was funded by the Getty Grant Program; digitization of the collection was funded by the Samuel H. Kress Foundation and the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.

See more items in:

Jacques Seligmann & Co. records

Jacques Seligmann & Co. records / Series 1: Correspondence / 1.3: General Correspondence

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw96b9a6f12-27a4-4c4c-bc40-2239bd881a85

EDAN-URL:

ead_component:sova-aaa-jacqself-ref10752

Collection Creator:

Jacques Seligmann & Co  Search this

Container:

Box 100, Folder 7

Type:

Archival materials

Date:

1934-1946

Collection Restrictions:

Use of original papers requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.

Sponsor:

Processing of the collection was funded by the Getty Grant Program; digitization of the collection was funded by the Samuel H. Kress Foundation and the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.

See more items in:

Jacques Seligmann & Co. records

Jacques Seligmann & Co. records / Series 1: Correspondence / 1.3: General Correspondence

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9660ee723-9462-462d-b9d7-dbee268a881a

EDAN-URL:

ead_component:sova-aaa-jacqself-ref11580

Collection Creator:

Jacques Seligmann & Co  Search this

Container:

Box 104, Folder 8

Type:

Archival materials

Date:

1945-1958

1928

1974-1975

Collection Restrictions:

Use of original papers requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.

Sponsor:

Processing of the collection was funded by the Getty Grant Program; digitization of the collection was funded by the Samuel H. Kress Foundation and the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.

See more items in:

Jacques Seligmann & Co. records

Jacques Seligmann & Co. records / Series 1: Correspondence / 1.4: Museum Correspondence

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9f2044a68-c758-4d01-ab78-35184c3356ba

EDAN-URL:

ead_component:sova-aaa-jacqself-ref11735

Collection Creator:

Jacques Seligmann & Co  Search this

Container:

Box 105, Folder 4

Type:

Archival materials

Date:

undated

1942-1957

Collection Restrictions:

Use of original papers requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.

Sponsor:

Processing of the collection was funded by the Getty Grant Program; digitization of the collection was funded by the Samuel H. Kress Foundation and the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.

See more items in:

Jacques Seligmann & Co. records

Jacques Seligmann & Co. records / Series 1: Correspondence / 1.4: Museum Correspondence

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9f54a4875-acfa-41a0-bb16-1f2ff2b962f8

EDAN-URL:

ead_component:sova-aaa-jacqself-ref11751

Collection Creator:

Jacques Seligmann & Co  Search this

Container:

Box 106, Folder 10

Type:

Archival materials

Date:

1934-1938

Collection Restrictions:

Use of original papers requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.

Sponsor:

Processing of the collection was funded by the Getty Grant Program; digitization of the collection was funded by the Samuel H. Kress Foundation and the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.

See more items in:

Jacques Seligmann & Co. records

Jacques Seligmann & Co. records / Series 1: Correspondence / 1.4: Museum Correspondence

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9a1a6ce81-8670-46a9-adb5-60571e0f3cb3

EDAN-URL:

ead_component:sova-aaa-jacqself-ref11770

Collection Creator:

Jacques Seligmann & Co  Search this

Container:

Box 113, Folder 1

Type:

Archival materials

Date:

1934-1958

Collection Restrictions:

Use of original papers requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.

Sponsor:

Processing of the collection was funded by the Getty Grant Program; digitization of the collection was funded by the Samuel H. Kress Foundation and the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.

See more items in:

Jacques Seligmann & Co. records

Jacques Seligmann & Co. records / Series 1: Correspondence / 1.4: Museum Correspondence

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw915febc66-ca49-4eea-ab2c-5702862a493a

EDAN-URL:

ead_component:sova-aaa-jacqself-ref11836

Collection Creator:

Jacques Seligmann & Co  Search this

Container:

Box 115, Folder 12

Type:

Archival materials

Date:

1954-1974

Collection Restrictions:

Use of original papers requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.

Sponsor:

Processing of the collection was funded by the Getty Grant Program; digitization of the collection was funded by the Samuel H. Kress Foundation and the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.

See more items in:

Jacques Seligmann & Co. records

Jacques Seligmann & Co. records / Series 1: Correspondence / 1.4: Museum Correspondence

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9a31c992d-9bd7-4ab2-a24f-d1d5393131a2

EDAN-URL:

ead_component:sova-aaa-jacqself-ref11879

Collection Creator:

Jacques Seligmann & Co  Search this

Container:

Box 122, Folder 2

Type:

Archival materials

Date:

1934-1965

Collection Restrictions:

Use of original papers requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.

Sponsor:

Processing of the collection was funded by the Getty Grant Program; digitization of the collection was funded by the Samuel H. Kress Foundation and the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.

See more items in:

Jacques Seligmann & Co. records

Jacques Seligmann & Co. records / Series 1: Correspondence / 1.4: Museum Correspondence

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw971753ffb-ffb2-4dbf-b6f9-dc6392a5dfd1

EDAN-URL:

ead_component:sova-aaa-jacqself-ref11972

Collection Creator:

Jacques Seligmann & Co  Search this

Container:

Box 125, Folder 16

Type:

Archival materials

Date:

1952-1975

Collection Restrictions:

Use of original papers requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.

Sponsor:

Processing of the collection was funded by the Getty Grant Program; digitization of the collection was funded by the Samuel H. Kress Foundation and the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.

See more items in:

Jacques Seligmann & Co. records

Jacques Seligmann & Co. records / Series 1: Correspondence / 1.4: Museum Correspondence

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9085057fb-0f7f-46be-b6dc-d0f7e85c7939

EDAN-URL:

ead_component:sova-aaa-jacqself-ref12029

Collection Creator:

Jacques Seligmann & Co  Search this

Container:

Box 127, Folder 12

Type:

Archival materials

Date:

1951-1972

Collection Restrictions:

Use of original papers requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.

Sponsor:

Processing of the collection was funded by the Getty Grant Program; digitization of the collection was funded by the Samuel H. Kress Foundation and the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.

See more items in:

Jacques Seligmann & Co. records

Jacques Seligmann & Co. records / Series 1: Correspondence / 1.4: Museum Correspondence

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw931f1d05d-c699-4430-bc39-1079b5d3dd8c

EDAN-URL:

ead_component:sova-aaa-jacqself-ref12054

Collection Creator:

Jacques Seligmann & Co  Search this

Container:

Box 130, Folder 15

Type:

Archival materials

Date:

1949-1958

Collection Restrictions:

Use of original papers requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.

Sponsor:

Processing of the collection was funded by the Getty Grant Program; digitization of the collection was funded by the Samuel H. Kress Foundation and the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.

See more items in:

Jacques Seligmann & Co. records

Jacques Seligmann & Co. records / Series 1: Correspondence / 1.4: Museum Correspondence

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9944fad63-0461-4336-ab2d-2f12d62daa1e

EDAN-URL:

ead_component:sova-aaa-jacqself-ref12109