The records of the Baxter Art Gallery measure 17 linear feet and date from 1962 to 1997. The collection documents the activities of the gallery founded by Professor David Smith in 1971 on the campus of the California Institute of Technology in Pasadena, California. Documentation includes administrative records, business correspondence, programs and events, exhibition files, and printed material, as well as three films by artist Lillian Schwartz shown at the gallery. The bulk of the collection (9.7 linear feet) consists of Exhibition Files, which document nearly every exhibition held at the gallery from 1971 to 1985. Of note are detailed records regarding "25 Years of Space Photography," the last exhibition held at Baxter Art Gallery in 1985 which toured internationally through 1997. Also included are records of the Pasadena Gallery of Contemporary Arts, which was founded by former director Jay Belloli after Baxter Art Gallery closed.
Scope and Contents:
The records of the Baxter Art Gallery measure 17 linear feet and date from 1962 to 1997. The collection documents the activities of the gallery founded by Professor David Smith in 1971 on the campus of the California Institute of Technology in Pasadena, California. Documentation includes administrative records, business correspondence, programs and events, exhibition files, and printed material, as well as three films by artist Lillian Schwartz shown at the gallery. The bulk of the collection (9.7 linear feet) consists of Exhibition Files, which document nearly every exhibition held at the gallery from 1971 to 1985. Of note are detailed records regarding "25 Years of Space Photography," the last exhibition held at Baxter Art Gallery in 1985 which toured internationally through 1997. Also included are records of the Pasadena Gallery of Contemporary Arts, which was founded by former director Jay Belloli after Baxter Art Gallery closed.
Arrangement:
The collection is arranged as 7 series.
Series 1: Administrative Records, 1970-1987 (Boxes 1-4, Box 21; 3.4 linear feet)
Series 2: Business Correspondence, 1969-1988 (Box 4, Box 21; 0.5 linear feet)
Series 3: Programs and Events, 1971-1986 (Boxes 4-5, Box 21; 0.5 linear feet)
Series 4: Exhibition Files, 1968-1997 (Boxes 5-14, Box 21, FC 17; 9.7 linear feet)
Series 5: Printed Material, 1962-1989 (Box 14, Box 21, OV 16, OV 23; 0.7 linear feet)
Series 6: Pasadena Gallery of Contemporary Arts Records, 1981-1990 (Boxes 14-15, Boxes 21-22, OV 23; 1.6 linear feet)
Series 7: Motion Picture Film, circa 1970, circa 1975 (FC 18-20; 0.4 linear feet)
Biographical / Historical:
Baxter Art Gallery (1971-1985) was an art exhibition space at the California Institute of Technology in Pasadena, California founded by Professor David Smith.
David R. Smith, professor of Literature, established an exhibition program for Caltech in 1968 as part of the Institute Programs Committee. In 1971 Baxter Art Gallery was formally established as part of the new Donald E. Baxter Hall of the Humanities and Social Sciences. The majority of the exhibitions focused on contemporary art, with a special interest in Southern California artists and art and technology. David Smith became the first gallery director. After years of struggling to find funding for exhibitions, in 1977 the gallery received sponsorship from the Pasadena Art Alliance. The establishment of Friends of the Baxter Art Gallery around this time allowed for more educational programs around the exhibitions, such as lectures, informal talks, films, tours, and performances.
Michael H. Smith served as director from 1977 to 1982, followed by Jay Belloli, director from 1982 to 1985. In 1984 the closing of the gallery was announced, despite outcry from faculty and the public. The last exhibition "25 Years of Space Photography" was held at the gallery from May 22 to September 2, 1985. That exhibition continued to tour internationally to over 50 museums under the curatorship of Jay Belloli.
After Baxter Art Gallery closed Belloli established the Pasadena Gallery of Contemporary Arts and worked to find a new exhibition space. This gallery in collaboration with the Pasadena Arts Workshop became the Armory Center for the Arts in 1989 and Belloli served as Director of Gallery Programs.
Provenance:
The records were donated in 1986 by the Baxter Art Gallery via David Smith and Jay Belloli, Directors, and in 1991 by David Grether, chair of the Division of Humanities at the California Institute of Technology. Additional records were donated in 2011 and 2019 by Jay Belloli.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
This video history consists of original, master and reference videos documenting a children's lecture program by George R. Carruthers, a physicist and inventor. Carruthers invented the Far Ultra-Violet Camera (FUVCAM).
Scope and Contents note:
This collection contains original, master, and reference videos documenting Dr. George Carruthers. Dr. Carruthers discusses his invention, the Far Ultra-Violet Camera (FUVCAM), as well his background, and experience working with the space program.
Arrangement:
Divided into 3 series: 1) Original Videos; 2) Master Videos; 3) Reference Videos.
Biographical / Historical:
Dr. George Carruthers was born in 1939 and grew up in Milford, Ohio and Chicago's South Side. Carruthers received his B.S. in Physics from the University of Illinois in 1961, M.S. Physics in 1962, and his Ph.D in aeronautical and astronomical engineering in 1964. After receiving his Ph.D in 1964, Carruthers joined the Naval Research Laboratory (NRL), Space Science Division where he is now Senior Astrophysicist. Along with William Conway, another scientist, Carruthers developed the lunar surface ultraviolet camera and spectrograph used on the moon by Apollo 16 in 1972. The camera was used to take ultraviolet pictures of the Earth during the Apollo 16 space mission. It was the first camera to take pictures of the upper levels of the earth's atmosphere and to show that hydrogen exists in outer space.
Provenance:
This videohistory was created by the Innovative Lives Program of The Jerome and Dorothy Lemelson Center for the Study of Invention and Innovation on February 22, 1996. The Innovative Lives series brings young people and American inventors together to discuss inventions and the creative process and to experiment and play with hands-on activities related to each inventor's product.
Restrictions:
Collection is open for research but the original videos are stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Astronaut John H. Glenn, Jr. took the first human-captured, color still photographs of the Earth during his three-orbit mission on February 20, 1962, with an Ansco Autoset model camera. This collection consists of a packet of four 35mm color slides produced from color photographs taken by Glenn during his space flight, which Ansco included with each purchase of its Ansco Autoset 35mm camera as an advertising promotion.
Scope and Contents:
This collection consists of a packet of four Anscochrome 35 mm color slides (transparencies) produced from color photographs taken by astronaut John Glenn during his space flight, which Ansco included with each purchase of its Ansco Autoset 35 mm camera as an advertising promotion. The collection also includes the original slide envelope with a description of each photograph.
1. View of the Atlas Mountains in Sahara Desert. Coast of Morocco and Atlantic Ocean in foreground.
2. One of the three sunsets Col. Glenn saw.
3. Clouds over the Pacific Ocean.
4. East coast of Florida, Atlantic Ocean in foreground, Gulf of Mexico in center background.
Arrangement:
Slides are presented in original order. Digital images show fronts and backs of slides in reflected light, a view of the slides in transmitted light, and front and back of the original envelope containing the slides.
Biographical / Historical:
Astronaut John H. Glenn, Jr. took the first human-captured, color still photographs of the Earth during his three-orbit mission on February 20, 1962, with an Ansco Autoset camera. The fully automatic Ansco Autoset model was manufactured for Ansco by the Japanese camera company Minolta, being essentially the same design as the Minolta Hi-Matic. For ease of use by Glenn, National Aeronautics and Space Administration (NASA) technicians attached a pistol grip handle and trigger to this commercial 35 mm camera, as well as a large viewfinder on top as Glenn, wearing a spacesuit helmet, could not get his eye close to a built-in viewfinder.
The Ansco brand name dates from the merger in 1901 of two American photography firms, E. & H. T. Anthony & Co. and Scovill Manufacturing. In 1907, the company now known as the Anthony & Scovill Co., producers of photographic films, papers, and cameras, officially changed their name to Ansco. In 1928, Ansco (based in Binghamton, New York) merged with the German photographic company Agfa to form the Agfa-Ansco Corporation which soon came under the control of the German chemical conglomerate IG Farben; the following year Agfa-Ansco's holding company name was changed to American IG Chemical Corporation, although their products retained the Agfa-Ansco brand name. In 1939, American IG was merged with General Aniline to form General Aniline & Film (GAF) with Agfa-Ansco becoming a subsidiary of GAF. Agfa-Ansco's German connections became an issue with the entrance of the United States into World War II, and in 1941 the US government seized GAF's American interests (including Agfa-Ansco) as enemy property. In 1944, "Agfa" was dropped from the name to become the Ansco Division of GAF. The US government continued to run the company for the next twenty years, with GAF not becoming a public firm until 1965. By the late 1970s the Ansco company had ceased the manufacture of film and was effectively dead; in 1978 GAF sold the rights to the Ansco trademark name to a Hong Kong firm which produced the last Ansco brand cameras in the early 1990s.
Related Materials:
The modified Ansco Autoset camera used by astronaut John H. Glenn, Jr. on the Mercury Friendship 7 flight is in the Smithsonian National Air and Space Museum collection: Camera, 35mm, Glenn, Friendship 7, A19670198000.
Provenance:
Bill Jonscher, Gift, 2019, NASM.2019.0047
Restrictions:
No restrictions on access
Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Sally K. Ride Papers, Acc. 2014-0025, National Air and Space Museum, Smithsonian Institution.
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Sally K. Ride Papers, Acc. 2014-0025, National Air and Space Museum, Smithsonian Institution.
7.46 Cubic feet (11 flat boxes with 4 reels in each.)
Type:
Collection descriptions
Archival materials
70mm (photographic film size)
Date:
1984-1993
Summary:
Modified Hasselblad cameras have been used during space flight as early as the 1960s. During NASA's Space Transportation System (STS), crewmembers had 70mm handheld Hasselblad cameras to use in addition to the cameras mounted within the shuttle. Images within this collection mostly include Earth observations and flight deck activities from twenty-two space shuttle missions during the 1980s and early 1990s.
Scope and Contents:
This donation consists of forty-four 70mm color positive film reels containing still photography captured by a Hasselblad camera during the National Aeronautics and Space Administration's Space Transportation System (STS), better known the Space Shuttle Program. The reels include images, mostly Earth observational and orbital photographs, from twenty-two missions during the 1980s and early 1990s.
Arrangement:
Arranged chronologically by mission.
Biographical / Historical:
Hasselblad cameras have been used by the National Aeronautics and Space Administration (NASA) as early as Project Mercury in the 1960s. The cameras were later developed, modified, and employed in foundational human spaceflight programs as such the Apollo missions. By the beginning of Space Shuttle era in the 1970s, Hasselblad cameras were standard use for still photography in space. During NASA's Space Transportation System (STS), crewmembers had 70mm handheld Hasselblad cameras to use on the flight deck in addition to the cameras mounted within the shuttle. When shuttle missions returned to Earth, flight films went to the Johnson Space Center lab for processing post-flight. NASA kept the originals, and masters were created to be distributed to authorized interested parties. Hasselblad likely retained copies of the film to review functionality and troubleshoot technical issues.
Provenance:
Hasselblad Inc., Gift, 2021, NASM.2022.0002
Restrictions:
While there are no restrictions on access, please note that the National Air and Space Museum Archives is currently unable to safely review or reproduce this collection due to conservation concerns.
Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Found here are extensive files documenting exhibitions held at the Baxter Art Gallery. A small amount of material also documents early exhibitions from 1968-1970 held on campus before the gallery was founded in 1971. The amount of documentation on each exhibition varies, and files may include correspondence, lists of artwork, loan agreements, planning notes, exhibition layouts, biographical material about artists, press clippings, exhibition announcements and catalogs, slides, installation photographs, and audio and video recordings.
Also included are detailed records regarding "25 Years of Space Photography," the last exhibition held at Baxter Art Gallery in 1985 which toured internationally through 1990. Found here are extensive planning documents and correspondence as well as individual files for each exhibition location. Planning material for an exhibition, "The Earth from Space" (1993), curated by Jay Belloli, appears at the end of this series.
Arrangement:
Folders are arranged chronologically by date of exhibition. Folders regarding the tour of "25 Years of Space Photography" are arranged alphabetically by location.
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Baxter Art Gallery records, 1962-1997. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of the 2019 addition to the collection was provided by Gerald and Bente Buck.
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Baxter Art Gallery records, 1962-1997. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of the 2019 addition to the collection was provided by Gerald and Bente Buck.
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Baxter Art Gallery records, 1962-1997. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of the 2019 addition to the collection was provided by Gerald and Bente Buck.
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Baxter Art Gallery records, 1962-1997. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of the 2019 addition to the collection was provided by Gerald and Bente Buck.
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Baxter Art Gallery records, 1962-1997. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of the 2019 addition to the collection was provided by Gerald and Bente Buck.
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Baxter Art Gallery records, 1962-1997. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of the 2019 addition to the collection was provided by Gerald and Bente Buck.
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Baxter Art Gallery records, 1962-1997. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of the 2019 addition to the collection was provided by Gerald and Bente Buck.
