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Family, 1957-2016

Collection Creator:
Jessen, Gene Nora  Search this
Container:
Box 19, Folder 1
Type:
Archival materials
Collection Restrictions:
No restrictions on access
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Gene Nora Stumbough Jessen Papers, NASM.2023.0052, National Air and Space Museum, Smithsonian Institution.
See more items in:
Gene Nora Stumbough Jessen Papers
Gene Nora Stumbough Jessen Papers / Series 4: Scrapbooks, Photo Albums and Oversized, 1956-2013 and undated
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg285be3c7c-68dd-4e73-a54e-2cb77d414979
EDAN-URL:
ead_component:sova-nasm-2023-0052-ref151

2009

Collection Creator:
Jessen, Gene Nora  Search this
Container:
Box 20, Folder 1
Type:
Archival materials
Collection Restrictions:
No restrictions on access
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Gene Nora Stumbough Jessen Papers, NASM.2023.0052, National Air and Space Museum, Smithsonian Institution.
See more items in:
Gene Nora Stumbough Jessen Papers
Gene Nora Stumbough Jessen Papers / Series 4: Scrapbooks, Photo Albums and Oversized, 1956-2013 and undated
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg263fbe9ef-f20c-4ed7-8a75-3da97d9438f7
EDAN-URL:
ead_component:sova-nasm-2023-0052-ref152

Eileen Collins' first launch, STS-63, February 1, 1995

Collection Creator:
Jessen, Gene Nora  Search this
Container:
Box 21, Folder 1
Type:
Archival materials
Collection Restrictions:
No restrictions on access
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Gene Nora Stumbough Jessen Papers, NASM.2023.0052, National Air and Space Museum, Smithsonian Institution.
See more items in:
Gene Nora Stumbough Jessen Papers
Gene Nora Stumbough Jessen Papers / Series 4: Scrapbooks, Photo Albums and Oversized, 1956-2013 and undated
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg2c3c45e43-3cba-4a65-a634-b20dabf5e25f
EDAN-URL:
ead_component:sova-nasm-2023-0052-ref153

"Portrait of a Distinguished Citizen"

Collection Creator:
Jessen, Gene Nora  Search this
Container:
Box 21, Folder 2
Type:
Archival materials
Collection Restrictions:
No restrictions on access
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Gene Nora Stumbough Jessen Papers, NASM.2023.0052, National Air and Space Museum, Smithsonian Institution.
See more items in:
Gene Nora Stumbough Jessen Papers
Gene Nora Stumbough Jessen Papers / Series 4: Scrapbooks, Photo Albums and Oversized, 1956-2013 and undated
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg2632f7767-58a4-48f8-96d0-e30b2b7a7931
EDAN-URL:
ead_component:sova-nasm-2023-0052-ref154

Jordan, 1989

Collection Creator:
Jessen, Gene Nora  Search this
Container:
Box 22, Folder 1
Type:
Archival materials
Scope and Contents:
Sixth Biennial World Congress on Aerospace Education, July 23-26, 1989
Collection Restrictions:
No restrictions on access
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Gene Nora Stumbough Jessen Papers, NASM.2023.0052, National Air and Space Museum, Smithsonian Institution.
See more items in:
Gene Nora Stumbough Jessen Papers
Gene Nora Stumbough Jessen Papers / Series 4: Scrapbooks, Photo Albums and Oversized, 1956-2013 and undated
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg225b62443-b19d-475d-b328-225e0810fa1b
EDAN-URL:
ead_component:sova-nasm-2023-0052-ref155

"Idaho Plane Talk" [date unknown]

Collection Creator:
Jessen, Gene Nora  Search this
Container:
Box 22, Folder 2
Type:
Archival materials
Collection Restrictions:
No restrictions on access
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Gene Nora Stumbough Jessen Papers, NASM.2023.0052, National Air and Space Museum, Smithsonian Institution.
See more items in:
Gene Nora Stumbough Jessen Papers
Gene Nora Stumbough Jessen Papers / Series 4: Scrapbooks, Photo Albums and Oversized, 1956-2013 and undated
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg2c0c4fec7-46a4-4029-a1ea-4dd52599fb8b
EDAN-URL:
ead_component:sova-nasm-2023-0052-ref156

Scrapbook

Series Creator:
Warshaw, Isadore, 1900-1969  Search this
Container:
Box ADD66, Folder 1
Type:
Archival materials
Date:
1900-1913
Scope and Contents note:
One annotated scrapbook containing affixed articles, images, about advertisements about pianos, piano construction, and accessories.
Series Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Warshaw Collection of Business Americana Subject Categories: Pianos, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Warshaw Collection of Business Americana Subject Categories: Pianos
Warshaw Collection of Business Americana Subject Categories: Pianos / 1: Business Records, Marketing Material, and Other / 1.4: Publications and Other
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8958adf01-ad76-49ca-a790-38dc93d78097
EDAN-URL:
ead_component:sova-nmah-ac-0060-s01-01-pianos-ref20

Seaverns Evidence

Series Creator:
Warshaw, Isadore, 1900-1969  Search this
Container:
Box ADD63, Folder 7
Type:
Archival materials
Date:
1909-1910
Scope and Contents note:
Mass produced testimonial scrapbook with facsimile letters.
Series Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Warshaw Collection of Business Americana Subject Categories: Pianos, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Warshaw Collection of Business Americana Subject Categories: Pianos
Warshaw Collection of Business Americana Subject Categories: Pianos / 1: Business Records, Marketing Material, and Other / 1.4: Publications and Other
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8540bacd1-fadb-43d1-a1c4-232f6186512d
EDAN-URL:
ead_component:sova-nmah-ac-0060-s01-01-pianos-ref25

Ching Ho Cheng papers

Creator:
Cheng, Ching Ho  Search this
Names:
Brown, Tally  Search this
Cheng-Wilson, Sybao  Search this
Cohen, Ira  Search this
Millard, Gregory  Search this
Myers, Vali, 1930-2003  Search this
Rattray, David  Search this
Seid, Dui  Search this
Extent:
6.8 Linear feet
Type:
Collection descriptions
Archival materials
Sketches
Drawings
Sketchbooks
Photographs
Scrapbooks
Date:
circa 1950-2014
bulk 1970-1989
Summary:
The papers of New York City Asian American artist Ching Ho Cheng measure 6.8 linear feet and date from circa 1950 to 2014, with the bulk of the materials dating from 1970-1989. The collection documents Cheng's art career and life through biographical material, correspondence, personal business and estate records, printed material, a scrapbook, photographic material, artwork, sketchbooks, and artifacts.
Scope and Contents:
The papers of New York City Asian American artist Ching Ho Cheng measure 6.8 linear feet and date from circa 1950 to 2014, with the bulk of the materials dating from 1970-1989. The collection documents Cheng's art career and life through biographical material, correspondence, personal business and estate records, printed material, a scrapbook, photographic material, artwork, sketchbooks, and artifacts.

Biographical material includes artist's statements, biographical writings, lists, life and death documents, a memorial book, naturalization paperwork, and one file of collaborative poetry with David Rattray.

Correspondence includes letters and postcards from Cheng's friends, artists, and family, including Tally Brown, Ira Cohen, Gregory Millard, Vali Myers, David Rattray, and Dui Seid.

Personal business and estate records contain contracts, loan agreements, inventories, and other records documenting income and expenses.

Printed material is comprised of books, clippings, exhibition announcements and catalogs, journals, magazines, newsletters, postcards, press releases, programs, and posters documenting Cheng's career.

One scrapbook contains clippings and reproductions of Cheng's work.

Photographic material includes photographs, negatives, and slides featuring portraits of Cheng, Gregory Millard, Tally Brown, Vali Myers, Sybao Cheng-Wilson, and others.

Artwork and fifteen sketchbooks contain drawings and sketches, mostly quick studies of geometric compositions done in pencil, ink, and colored pencil.

Artifacts include a metal box, various fabric scraps, a paintbrush, and a blue enamel mug, which is the subject of one of Cheng's paintings.
Arrangement:
The collection is arranged as nine series

Missing Title

Series 1: Biographical Material, circa 1970-1990 (0.3 linear foot; Box 1)

Series 2: Correspondence, 1957-2014 (2.2 linear feet; Box 1-3)

Series 3: Personal Business and Estate Records, circa 1970-2010 (0.7 linear foot; Box 3-4)

Series 4: Printed Material, 1954-2011 (1.1 linear feet; Box 4-5, 7, OV 9)

Series 5: Scrapbook, 1982-1983 (1 folder; Box 5)

Series 6: Photographic Material, circa 1950-1990 (0.4 linear feet; Box 5, 7)

Series 7: Artwork, circa 1960-1990 (1linear foot; Box 5, 8, OV 10)

Series 8: Sketchbooks, circa 1970-1990 (0.5 linear feet; Box 6, 8)

Series 9: Artifacts, circa 1970-1990 (0.6 linear feet; Box 6)
Biographical / Historical:
Ching Ho Cheng (1946-1989) was a Chinese American artist based in New York City.

Cheng was born in Cuba but spent most of life in New York City. After receiving his BFA from the Cooper Union in 1968, Cheng lived in Paris and Amsterdam, where he had his first solo exhibition in 1976. Shortly after, Cheng moved back to New York City. He became associated with the Warhol circle, and took up residence in the Chelsea Hotel, where he lived until his death in 1989.

Working in the pop psychedelic style early in his career, Cheng later developed a technique of creating abstract paintings with stencils and torn paper that he treated and soaked. He was in more than fifteen exhibitions before his death, and his work has been collected posthumously by the Hirshhorn, the Whitney, and many other museums.
Provenance:
The Ching Ho Cheng papers were donated to the Archives of American Art in 2014 and 2016 by Sybao Cheng-Wilson, Cheng's sister and executor of the Ching Ho Cheng estate.
Restrictions:
This collection is temporarily closed to researchers due to archival processing and digitization. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State) -- New York  Search this
Topic:
Asian American art  Search this
Asian American artists  Search this
Chinese American art  Search this
Chinese American artists  Search this
Asian American painters  Search this
Genre/Form:
Sketches
Drawings
Sketchbooks
Photographs
Scrapbooks
Citation:
Ching Ho Cheng papers, circa 1950-2014, bulk 1970-1989. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.chenchin
See more items in:
Ching Ho Cheng papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91424b382-b141-4533-a128-128db7bf4258
EDAN-URL:
ead_collection:sova-aaa-chenchin
Online Media:

Anne Thompson Bray Papers

Creator:
Bray, Anne Thompson  Search this
Names:
United States. National Aeronautics and Space Administration  Search this
Extent:
0.58 Cubic feet (One letter document case and one flat box.)
Type:
Collection descriptions
Archival materials
Press releases
Scrapbooks
Date:
1960s, 1992, 2009
Summary:
This collection consists of three binders containing science news releases and a scrapbook containing photographs of Anne Thompson Bray and other the staff at the the Space News Roundup .
Scope and Contents:
This collection consists of three binders containing science news releases: "The Fledging Science Writer Vol 1" October 1965 through March 1966, containing astronaut by-liners and non-space topics; "The Fledging Science Writer Vol. 2," April 1966 through September 1966, containing spouse and family astronaut families topics; and [Vol. 3], containing flight technical topics. These folders include both the releases by World Book Encyclopedia Science Services (including ones written by Anne Thompson Bray) as well as the accompanying black and white photographs, some from NASA and some taken by World Book staff photographers. The collection also includes a scrapbook containing photographs of Anne Thompson Bray and other the staff at the Space News Roundup .
Arrangement:
No arrangement.
Biographical / Historical:
Anne Thompson Bray (1934–2009) graduated from the University of North Carolina School of Journalism. Bray then went to work for the Fayetteville Observer before joining the NASA's Public Affairs staff first as a staff writer and then as the editor of the Space News Roundup , the official newspaper of the NASA Manned Spacecraft Center (now Lyndon B. Johnson Space Center). From April 1962 until July of 1963 Bray covered the Mercury Space Program from Houston, Texas. After the Mercury Space Program was completed, she left the civil service and worked for Cornet Magazine and Ford Aerospace, the Aerospace and Defense Division of Ford Motor Company. Bray also worked with World Book Encyclopedia Science Services.
Provenance:
Jessica Moyd Smith, Gift, 2020, NASM.2021.0004
Restrictions:
No restrictions on access
Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Topic:
Astronautics  Search this
Mercury Project  Search this
Astronauts  Search this
Genre/Form:
Press releases -- 20th century
Scrapbooks -- 1950-2000
Citation:
Anne Thompson Bray Papers, NASM.2021.0004, National Air and Space Museum, Smithsonian Institution.
Identifier:
NASM.2021.0004
See more items in:
Anne Thompson Bray Papers
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg2d079e4f7-444a-4cda-95b7-523b25601133
EDAN-URL:
ead_collection:sova-nasm-2021-0004
Online Media:

Scrapbook

Collection Creator:
Cheng, Ching Ho  Search this
Extent:
1 Folder (Box 5)
Type:
Archival materials
Date:
1982-1983
Scope and Contents:
The scrapbook dates from 1982-1983 and contains clippings and reproductions of Cheng's work.
Collection Restrictions:
This collection is temporarily closed to researchers due to archival processing and digitization. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Ching Ho Cheng papers, circa 1950-2014, bulk 1970-1989. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.chenchin, Series 5
See more items in:
Ching Ho Cheng papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e0dbeb9c-8c18-4651-bf37-d6f67ceb58ac
EDAN-URL:
ead_component:sova-aaa-chenchin-ref15

Scrapbook

Collection Creator:
Cheng, Ching Ho  Search this
Container:
Box 5, Folder 7
Type:
Archival materials
Date:
1982-1983
Collection Restrictions:
This collection is temporarily closed to researchers due to archival processing and digitization. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Ching Ho Cheng papers, circa 1950-2014, bulk 1970-1989. Archives of American Art, Smithsonian Institution.
See more items in:
Ching Ho Cheng papers
Ching Ho Cheng papers / Series 5: Scrapbook
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99c5f7dda-0652-4e79-a3be-16f8c0710d89
EDAN-URL:
ead_component:sova-aaa-chenchin-ref52

Ellison "Tarzan" Myers Brown scrapbook and clippings

Creator:
Salimeno, Thomas, Sr., 1900-1987  Search this
Names:
Brown, Ellison, 1913-1975  Search this
Extent:
.25 Linear feet
Culture:
Narragansett  Search this
Type:
Collection descriptions
Archival materials
Place:
Boston (Mass.)
Rhode Island
Date:
1936-2021
Undated
Summary:
This collection contains newspaper clippings on the running career of Ellison "Tarzan" Brown and his trainer Thomas "Tippy" Salimeno, Sr.
Scope and Contents:
This collection contains 19 newspaper and magazine clippings collected by Thomas "Tippy" Salimeno, Sr. on the career of Ellison "Tarzan" Brown, whom he trained. There are also four newspaper clippings on Salimeno as a trainer. Additionaly included is a scrapbook of clippings compiled by Salimeno's friend and local sports writer George Falcone in 1987.
Arrangement:
Content is arranged in one series. Clippings are in chronological order followed by a scrapbook that is mostly undated.
Ellison "Tarzan" Myers Brown:
Ellison "Tarzan" Myers Brown, also called Deerfoot by the Narragansett, was born on September 22, 1913, to Otis Brown (1879-1943) and Grace Babcock (1876-1935) in Westerly, Rhode Island. He was a very athletic kid, always running and climbing. Brown first met Thomas "Tippy" Salimeno, Sr. when he was 12 years old after following another Narragansett runner on a professional training run. Salimeno was impressed with Tarzan's ability to keep up and promised to train him once he turned 16. After the pair started working together, Brown won many footraces, and he would sell the trophies or prizes in order to support his family and community. In 1936, Brown won the Boston Marathon ahead of the favored winner John Kelly after passing him on a downhill stretch, which caused the hill to become famously known as "heartbreak hill." The win also brought much needed attention to the Narragansett nation, who were fighting for recognition after Rhode Island Supreme Court claimed to detribalize them. Brown would go on to win the Boston Marathon again in 1939 and was chosen for the U.S. Olympic team in 1936 and 1940. His athletic skill led him to be inducted into the American Indian Athletic Hall of Fame in 1973. Brown was married to Ethel Wilcox (1919-2015) and they had 4 children. He passed away August 23, 1975.
Thomas "Tippy" Salimeno:
Thomas "Tippy" Salimeno was born March 14, 1900. He owned a café in Westerly and was also an athlete trainer, promoter, and manager for boxers and runners. He was a prominent figure in local and semi-pro sports due to his vast knowledge of the subject and training success. He passed away May 30, 1987
Provenance:
Gift of Anna Brown-Jackson, 2023
Restrictions:
Access to NMAI Archives Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archives Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Citation:
Identification of specific item; Date (if known); Ellison "Tarzan" Myers Brown Scrapbook and Clippings, image #, NMAI.AC.402; National Museum of the American Indian Archives Center, Smithsonian Institution.
Identifier:
NMAI.AC.446
See more items in:
Ellison "Tarzan" Myers Brown scrapbook and clippings
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv4a6820f71-2ec8-447c-aaa9-1be796460344
EDAN-URL:
ead_collection:sova-nmai-ac-446
Online Media:

"Tarzan" Clippings

Collection Creator:
Salimeno, Thomas, Sr., 1900-1987  Search this
Container:
Map-case 13, Oversize 8
Type:
Archival materials
Date:
1940
1981
Collection Restrictions:
Access to NMAI Archives Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archives Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Collection Citation:
Identification of specific item; Date (if known); Ellison "Tarzan" Myers Brown Scrapbook and Clippings, image #, NMAI.AC.402; National Museum of the American Indian Archives Center, Smithsonian Institution.
See more items in:
Ellison "Tarzan" Myers Brown scrapbook and clippings
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv42539c28c-e764-4e56-a109-b266e569e138
EDAN-URL:
ead_component:sova-nmai-ac-446-ref8

National Sculpture Society records, 1883-1962

Creator:
National Sculpture Society (U.S.)  Search this
Subject:
Bitter, Karl Theodore Francis  Search this
Ward, John Quincy Adams  Search this
New York Architectural League  Search this
Type:
Scrapbooks
Place:
New York N.Y. -- Photographs
Citation:
National Sculpture Society records, 1883-1962. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Societies, etc.  Search this
Sculpture, Modern -- 19th century -- United States  Search this
Sculpture, Modern -- 20th century -- United States  Search this
War memorials -- United States  Search this
Theme:
Art organizations  Search this
Record number:
(DSI-AAA_CollID)9082
(DSI-AAA_SIRISBib)211275
AAA_collcode_natiscul
Theme:
Art organizations
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211275

Design Talk | Exploring A.I.: Data Portraits

Creator:
Cooper Hewitt, Smithsonian Design Museum  Search this
Type:
YouTube Videos
Uploaded:
2019-12-05T00:24:29.000Z
YouTube Category:
Education  Search this
Topic:
Design  Search this
See more by:
cooperhewitt
Data Source:
Cooper Hewitt, Smithsonian Design Museum
YouTube Channel:
cooperhewitt
EDAN-URL:
edanmdm:yt_1wmDLe1TnTc

John DeWitt papers, 1962-1979

Creator:
DeWitt, John, 1910-1984  Search this
Subject:
Dodd, Lamar  Search this
Celmins, Vija  Search this
Raffael, Joseph  Search this
Magafan, Ethel  Search this
McCoy, Ann Wyeth  Search this
Hereward Lester Cooke Foundation  Search this
American artist and water reclamation (1973: Washington, D.C.)  Search this
America 1976 (1976-1978: Washington, D.C.)  Search this
United States. Bureau of Reclamation  Search this
Type:
Interviews
Sound recordings
Photographs
Scrapbooks
Citation:
John DeWitt papers, 1962-1979. Archives of American Art, Smithsonian Institution.
Theme:
Patronage  Search this
Record number:
(DSI-AAA_CollID)10398
(DSI-AAA_SIRISBib)213774
AAA_collcode_dewijohn
Theme:
Patronage
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_213774
Online Media:

John DeWitt papers

Creator:
DeWitt, John, 1910-1984  Search this
Names:
America 1976 (1976-1978: Washington, D.C.)  Search this
American artist and water reclamation (1973: Washington, D.C.)  Search this
Hereward Lester Cooke Foundation  Search this
United States. Bureau of Reclamation  Search this
Celmins, Vija, 1938-  Search this
Dodd, Lamar  Search this
Magafan, Ethel, 1915 or 1916-1993  Search this
McCoy, Ann Wyeth  Search this
Raffael, Joseph, 1933-  Search this
Extent:
1.4 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Sound recordings
Photographs
Scrapbooks
Date:
1962-1979
Summary:
The scattered papers of federal arts administrator John DeWitt date from 1962-1979, and measure 1.4 linear feet. The collection primarily documents 1970s arts programs sponsored by the U.S. Bureau of Reclamation, an agency of the Department of the Interior. Found within the papers are correspondence concerning the department's art projects and exhibition files for The American Artist and Water Reclamation, 1972, and America 1976.
Scope and Content Note:
The scattered papers of federal arts administrator John DeWitt date from 1962-1979, and measure 1.4 linear feet. The collection primarily documents 1970s arts programs organized by DeWitt while working for the U.S. Bureau of Reclamation, an agency of the Department of the Interior. Found within the papers are scattered correspondence concerning the department's art projects, including the Preservation of Endangered Species Art Program and activities of the Hereward Lester Cooke Foundation. There are letters from artists Vija Celmins, Lamar Dodd, and Ethel Magafan.

Files for the two exhibitions organized by DeWitt for the U.S. Bureau of Reclamation, The American Artist and Water Reclamation and America 1976, include a wide variety of materials. There are correspondence, lists of artwork, printed materials, a scrapbook, financial materials, audio recordings of interviews with DeWitt, audio recordings of a symposium on America 1976, and numerous photographs of exhibited artwork and participating artists. There are also additional photographs of DeWitt and his colleagues and artists Joseph Raffael and Ann Wyeth McCoy.
Arrangement:
The collection is arranged as 3 series; each series is arranged chronologically.

Missing Title

Series 1: Correspondence, 1965-1979 (Box 1; 10 folders)

Series 2: Exhibition Files, 1962-1978 (Box 1, 2; 1.3 linear feet)

Series 3: Photographs, 1970-1974 (Box 2; 1 folder)
Biographical Note:
John DeWitt was born in 1910 and was a wood sculptor and federal arts administrator in Washingon, D.C.

DeWitt began his career as a professional writer and was a wood sculptor connected with the Veerhoff Gallery in Washington, D.C. His wife, Miriam Hapgood DeWitt, was a painter. In the late 1960s, DeWitt was the Director of Art Programs for the Bureau of Reclamation, an agency of the Department of Interior responsible for water conservation in arid regions of the United States. At this time, the Bureau initiated a program to present its accomplishments to the public through arts commissions and exhibitions. Under the direction of DeWitt and Lloyd Goodrich of the Whitney Museum of American Art, some 40 artists including Ralston Crawford, Peter Hurd, and Norman Rockwell, were invited to depict the scope of reclamation projects in the American West. The artists were given a free hand to depict any scene in any medium as long as the subject matter pertained to the Bureau of Reclamation's program. The resulting artwork was displayed in an exhibition, The American Artist and Water Reclamation, that opened at the National Gallery of Art in April 1972, and then toured the country in a traveling exhibition sponsored by the Smithsonian Institution.

As the Director of the Visual Arts Program for the Department of the Interior, DeWitt celebrated the Bicentennial by organizing the exhibition America 1976, for which he hired over forty realist painters including Vija Celmins, Ralston Crawford, Alex Katz, Philip Pearlstein, and Wayne Thiebaud, to depict a diverse range of Americana. DeWitt was employed by the Department of the Interior until 1977.

John DeWitt died in 1984.
Provenance:
The John DeWitt papers were donated in 1987 by DeWitt's widow, Miriam Hapgood DeWitt.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Arts administrators -- Washington (D.C.)  Search this
Genre/Form:
Interviews
Sound recordings
Photographs
Scrapbooks
Citation:
John DeWitt papers, 1962-1979. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.dewijohn
See more items in:
John DeWitt papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97958eaa1-1c25-42af-8cff-7fe4114adeba
EDAN-URL:
ead_collection:sova-aaa-dewijohn
Online Media:

André Emmerich Gallery Records and André Emmerich Papers

Creator:
André Emmerich Gallery  Search this
Names:
Galerie André Emmerich  Search this
Sotheby Parke Bernet & Co.  Search this
Sotheby's (Firm)  Search this
Caro, Anthony, 1924-  Search this
Emmerich, André  Search this
Francis, Sam, 1923-1994  Search this
Frankenthaler, Helen, 1928-2011  Search this
Greenberg, Clement, 1909-1994  Search this
Hockney, David  Search this
Hofmann, Hans, 1880-1966  Search this
Louis, Morris, 1912-1962  Search this
Noland, Kenneth, 1924-2010  Search this
Olitski, Jules, 1922-2007  Search this
Pepper, Beverly  Search this
Extent:
311.4 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Visitors' books
Sound recordings
Video recordings
Scrapbooks
Etchings
Date:
circa 1929-2009
Summary:
The André Emmerich Gallery records and André Emmerich papers measure 311.4 linear feet and date from 1929 to 2009. The collection documents the business of the André Emmerich Gallery as well as André Emmerich's life and activities related to the business of selling art. Gallery records include correspondence; appointment books; administrative and subject files; exhibition files; artist files and accounts; inventory, sales, purchase, and consignment records; chronological files; financial and legal records; printed materials; original artwork; photographic and audiovisual materials. Also found are personal papers and records relating to André Emmerich. A small addition received in 2014 includes general correspondence, administrative files, exhibition files, artists' files, inventory records, consignment records, printed material, photographic materials, and André Emmerich personal papers and records.
Scope and Content Note:
The André Emmerich Gallery records and André Emmerich papers measure 311.4 linear feet and date from 1929 to 2009. The collection documents the business of the André Emmerich Gallery as well as André Emmerich's life and activities related to the business of selling art. Gallery records include correspondence; appointment books; administrative and subject files; exhibition files; artist files and accounts; inventory, sales, purchase, and consignment records; chronological files; financial and legal records; printed materials; original artwork; photographic and audiovisual materials. Also found are personal papers and records relating to André Emmerich.

The records document the gallery's daily business operations, exhibitions, and relationships with artists, dealers, clients, galleries, and museums. Artists particularly well-represented throughout the collection include Anthony Caro, Sam Francis, Helen Frankenthaler, David Hockney, Hans Hofmann, Morris Louis, Kenneth Noland, Jules Olitski, and Beverly Pepper.

Records pre-dating the gallery's establishment in 1954 are primarily newspaper and magazine clippings related to artists, personal photographs and photographs of artists, an original etching, and some of André Emmerich's personal records including biographical materials, correspondence, writings, and legal and financial records. Records post-dating the gallery's closure in 1998 are primarily residual business records related to the final disposition of artwork, clippings, photographs of André Emmerich and gallery staff, biographical materials, personal correspondence, writings, legal and financial records, and condolences received by Emmerich's wife upon his death in 2007.

Correspondence is primarily with galleries, museums and clients about business matters. Correspondence files also cover topics such as appraisals, authentications, offers of sale, artists seeking representation, image requests, job applications and recommendations. Also included are the New York gallery's copies of correspondence between the New York staff and the Zurich staff.

André Emmerich's appointment books document appointments, notes, and reminders about Emmerich's business and personal activities. Four appointment books relating to the birth of Emmerich's three sons and second marriage were kept by the family. The appointment books are access restricted and require written permission to use.

Administrative files include corporate records establishing the Andre Emmerich gallery's structure, records documenting the gallery's daily operations, advertising and publicity material, and records about the Sotheby's acquisition. There are also materials related to Top Gallant Farm, from its establishment to its closure. Travel records relate to André Emmerich's business trips and vacations along with some files on the travels of a several staff members at the gallery. Files about the operations of the Galerie André Emmerich in Zurich, Switzerland are included in the series as well.

Subject files relate to Emmerich's gallery business as well as personal and political interests, such as antiquities, art fairs and exhibitions, lecture research, art associations, and sculpture parks. There are several files on the art critic Clement Greenberg and former president of Gay Men's Health Crisis, Nathan Kolodner, who was also an art dealer and director of the Andre Emmerich Gallery.

Exhibition files contain numerous exhibition catalogs and printed materials related to exhibitions held or organized by the André Emmerich Gallery in Manhattan and Galerie André Emmerich in Zurich. The files contain materials ranging such as exhibition invitations, posters, printed materials, press releases, and guest books. Photographs of exhibitions can be found in the Photographic Materials series.

Artist files include biographical materials, clippings, correspondence, mailing lists, price lists, printed materials, and occasionally lectures, writings, and audiovisual materials for many of the artists represented or shown by André Emmerich Gallery. The General Correspondence files might contain duplicates or expanded versions of some of the correspondence. Photographs of artists can be found in the Photographic Materials series.

Artist accounts comprise account statements prepared periodically by the gallery documenting each artist's expenses and sales. Ledgers and general accounting files can be found in the Other Financial and Legal Records series.

Inventory records include inventory cards describing artwork entering and leaving the gallery and files containing various gallery inventories. Artist inventory cards, representing artists from both the New York and Zurich galleries, list the artist, title, date, media and measurements of an artwork. The cards also indicate whether the work was ultimately sold, returned to the artist, consigned, etc., and divided into categories accordingly. Inventory files show various gallery inventories.

Sales records document gallery sales and include paid invoices, records relating to Zurich sales, general sales records such as price lists and canceled sales, and Sotheby's Parke-Bernet auction reports. There are gaps in sales invoices in 1961-1964 and 1969-1971.

Purchase records include correspondence and invoices related to purchases and offers; annotated invoices for works of art bought by the gallery; André Emmerich, Inc. related purchase records; "Non-Modern" art related purchase records.

Consignment records include correspondence and consignment agreements documenting consignments to and from the André Emmerich Gallery; consignments from other galleries to André Emmerich, Inc.; and general consignment records.

Chronological files include copies of invoices or cover letters documenting the movement of artwork into and out of the gallery through sales, consignments, loans, and approvals. Records dating January through August 1968, January through March 1969, and September 1969 through July 1971 are missing.

Financial and legal records include client and partner account statements, resale and exempt organization certificates, accounting ledgers, and legal files related to disputes involving or of interest to the gallery.

Printed materials include auction catalogs and reports, books, and clippings describing André Emmerich, the galleries in New York and Zurich, Top Gallant Farm, and the art world. Also included is a large scrapbook created by the gallery containing clippings and gallery announcements dated 1955-1958. Clippings relating to particular artists can be found in the Artists Files series.

There are two pieces of original artwork in the collection. One is a 1974 print of a 1933 composite etching by Esther Dick Gottlieb, Adolphe Gottlieb, Edgar Levy, Lucille Corcos Levy, David Smith, and Dorothy Dehner Smith. The second is a 1998 lithograph by Louise Bourgeoise, called The Face of the Critic. The artist gave the lithograph as a gift in honor of Robert Hughes and the Archives of American Art and is numbered 61 out of a series of 300.

Photographic materials include prints, slides, negatives, and transparencies. Subjects include artists, André Emmerich, gallery installations, Top Gallant Farm, events, artists' studios, gallery staff, gallery space, and artwork. Photographs which show André Emmerich are indicated as such in the finding aid.

Audiovisual materials includes videocassettes and one audiocassette related to the art world. Videocassettes related to specific artists can be found in the Artists Files series. Videocassettes related to André Emmerich can be found in the André Emmerich Personal Papers and Records series. Videocassettes related to Top Gallant Farm and Sotheby's can be found in the Administrative Files series.

Personal papers and records relating to André Emmerich include biographical materials, personal correspondence, writings and lectures, and legal and financial records. The biographical materials include an address book, interviews and identifying documents. Writings include articles, edits, dissertations, lectures, etc. There are also some miscellaneous correspondence which is organized chronologically.

The small addition received in 2014 includes general correspondence, administrative files, exhibition files, artists' files, inventory records, consignment records, printed material, photographic materials, and André Emmerich personal papers and records.
Arrangement:
The collection is arranged as 19 series:

Missing Title

Series 1: General Correspondence Files, 1958-2006 (boxes 1-18, OV 314-315; 18.2 linear feet)

Series 2: André Emmerich Appointment Books, 1954-2007 (boxes 19, 325, 326; 1.7 linear feet)

Series 3: Administrative Files, 1954-2003 (boxes 20-31, 306, OV 314, OV 316-319; 11 linear feet)

Series 4: Subject Files, 1958-1967, 1971-2000 (boxes 31-32, 306, OV 318, OV 320; 2 linear feet)

Series 5: Exhibition Files, circa 1954-1998 (boxes 32-40, 306, 307, OV 318-322; 8.5 linear feet)

Series 6: Artists Files, 1929-1932, 1938-2007 (boxes 40-68, 307, 308, OV 320-323; 28 linear feet)

Series 7: Artist Accounts, 1958-1998 (boxes 68-81; 13.5 linear feet)

Series 8: Inventory Records, circa 1954-2000(boxes 82-128; 46.5 linear feet)

Series 9: Sales Records, 1959-1998 (boxes 128-168; 40 linear feet)

Series 10: Purchase Records, 1961-1966, 1972-1994 (boxes 168-170; 2 linear feet)

Series 11: Consignment Records, 1961-2002 (boxes 170-177; 7.7 linear feet)

Series 12: Chronological File of Incoming and Outgoing Artwork, 1968-1998 (boxes 178-185; 8 linear feet)

Series 13: Other Financial and Legal Records, 1956-1999 (boxes 186-202; 16.5 linear feet)

Series 14: Printed Materials, 1955-1960, 1965-2008 (boxes 202-204, 308, 309; 3 linear feet)

Series 15: Original Artwork, 1933, 1974, 1998 (box 205, 310; 0.7 linear feet (2 folders))

Series 16: Photographic Materials, circa 1930-1935, 1941-1998, circa 2005 (Boxes 205-296, 311-313, OV 324; 92.8 linear feet)

Series 17: General Audio and Video Recordings, 1985, 1990-1995 (Boxes 297-298; 1.3 linear feet)

Series 18: André Emmerich Personal Papers and Records, 1937-1940, 1946-2008 (Boxes 298-305, OV 321, OV 323; 7.7 linear feet)

Series 19: Addition to the The André Emmerich Gallery records and André Emmerich papers, 1956-2009 (Boxes 328-329, OV 330; 2.1 linear feet)
Historical Note:
André Emmerich (1924-2007) was one of America's most noted contemporary art dealers and opened the André Emmerich Gallery in New York in 1954. The gallery showcased contemporary art, particularly Color Field painting and monumental sculpture.

André Emmerich was born on October 11, 1924 in Frankfurt, Germany. From age 7 he was raised in Amsterdam before emigrating with his family to New York City in 1940. He studied at Oberlin College and developed an interest in pre-Columbian art and antiquities. After graduation, he spent ten years in Paris working as a writer and editor before returning to New York. He married Constance Emmerich and the couple had three sons, Adam, Noah, and Toby.

In 1954 Emmerich opened the André Emmerich Gallery at 18 East 77th Street and initially specialized in contemporary American and European art and pre-Columbian antiquities. In 1956, the gallery moved to 17 East 64th Street, and in 1959 to the Fuller Building at 41 East 57th Street. Emmerich wrote two books about pre-Columbian art, Art Before Columbus in 1963 and Sweat of the Sun, Tears of the Moon: Gold and Silver in Pre-Columbian Art in 1965.

In 1961, Emmerich learned that French and Company, a gallery advised by art critic Clement Greenberg, was closing its department of contemporary art. French and Company had represented Color Field painters Morris Louis, Kenneth Noland, and Jules Olitski. Emmerich immediately invited Louis and Noland to be represented by his gallery. In 1966 he extended the invitation to Olitski as well, and Helen Frankenthaler joined soon after. The gallery's reputation as one of the earliest and most important promoters of Color Field painters was launched.

In addition to Color Field painters, the gallery represented, among others, Pierre Alechinsky, Karel Appel, Milton Avery, Herbert Ferber, Sam Francis, John Graham, Al Held, David Hockney, Hans Hofmann, John Hoyland, Judy Pfaff, Miriam Schapiro, and Anne Truitt.

Until January 1983, sales of pre-Columbian art primarily went through an entity called André Emmerich Inc. (AE Inc.), while sales of contemporary went through the André Emmerich Gallery Inc. (AEG). In 1983, the two entities were merged and operated under the name André Emmerich Gallery Inc.

In 1971, Emmerich began operating a downtown gallery at 420 West Broadway, in SoHo, in space shared with Leo Castelli, Virginia Dwan, and Ileana Sonnabend. In 1972, Emmerich opened a branch of his gallery in Zurich. He incorporated the Galerie André Emmerich Gmbh primarily for the purpose of leasing gallery space in Zurich. Until February 1974, sales of Pre-Columbian art in Zurich were made by an entity called André Emmerich Gallery Inc., New York Filiale Zurich. The Galerie André Emmerich Gmbh was officially liquidated in May 1982. The Filiale was formally closed in October 1996. Galerie André Emmerich also enjoyed a short-lived joint venture with Gimpel & Hanover.

André Emmerich served as president of the Art Dealers Association of America from 1972-1974 and again from 1991-1994.

Emmerich opened a private 150 acre sculpture park, Top Gallant Farm, on his estate in Pawling, New York, in 1982, where he stored and exhibited monumental sculptures by artists his gallery represented including Anthony Caro, Beverly Pepper, Alexander Liberman, Alexander Calder, Mark di Suvero, George Rickey, and Keith Haring. David Hockney painted waves onto floor of the property's swimming pool in 1986. Emmerich operated the sculpture park until 1996.

Emmerich sold his gallery to Sotheby's in 1996. He continued to be affiliated with the gallery until Sotheby's closed the gallery in 1998. Emmerich then began work on his memoir, My Life With Art, excerpts of which have been published in Art News, the Wall Street Journal, and The New Criterion.

Andre Emmerich died in New York 2007 and is survived by his second wife, Susanne Emmerich.
Related Material:
Among the holdings of the Archives of American Art is an oral history interview with André Emmerich conducted by Mona Hadler on January 18, 1993.
Provenance:
The André Emmerich Gallery records and André Emmerich papers were donated to the Archives of American Art by André Emmerich in eight accretions between 1999 and 2002. Two additional accretions were donated by Emmerich's wife Susanne in 2008 and 2009; and by James Yohe, executive director (1990-1999), in 2009 and 2014.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Sculpture, Abstract  Search this
Color-field painting  Search this
Art -- Economic aspects  Search this
Artists' studios -- Photographs  Search this
Function:
Art galleries, Commercial -- New York (State)
Art galleries, Commercial -- Switzerland
Genre/Form:
Photographs
Visitors' books
Sound recordings
Video recordings
Scrapbooks
Etchings
Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.andremmg
See more items in:
André Emmerich Gallery Records and André Emmerich Papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw995f3b4aa-1b0f-46f4-8b5d-e0bf1191a740
EDAN-URL:
ead_collection:sova-aaa-andremmg
Online Media:

Printed Materials

Collection Creator:
André Emmerich Gallery  Search this
Extent:
3 Linear feet (Boxes 202-204, 308, 309)
Type:
Archival materials
Date:
1955-1960, 1965-2008
Scope and Contents note:
This series consists of auction catalogs and reports, books, newspaper and magazine clippings, and scrapbooks. Printed materials related to specific artists can be found in Series 6: Artists Files.

Some of the records are in foreign languages, including Dutch, German, Japanese and Spanish. The bulk of the records in other languages are in the Clippings Subseries.
Arrangement note:
The series is arranged as 4 subseries:

14.1: Auction Catalogs and Reports, 1978-1984, 1989

14.2: Books, 1982-1994

14.3: Clippings, 1958-1960, 1965-2008

14.4: Scrapbook, 1955-1958
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.andremmg, Series 14
See more items in:
André Emmerich Gallery Records and André Emmerich Papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93c58fc0f-387f-4862-a27a-0fd844b6ee85
EDAN-URL:
ead_component:sova-aaa-andremmg-ref6609

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