Search Results

Photographer:

Elisofon, Eliot  Search this

Collection Photographer:

Elisofon, Eliot  Search this

Extent:

1 Slides (photographs) (col.)

Type:

Archival materials

Slides (photographs)

Color slides

Place:

Africa

Congo (Democratic Republic)

Date:

1967

Scope and Contents:

This photograph was taken when Eliot Elisofon was on assignment for American Broadcasting Company and traveled to Africa from early December 1966 to early February 1967.

Local Numbers:

C 3 ZAI 15.19 EE 67

General:

Title is provided by EEPA staff based on photographer's notes.

Local Note:

45

Frame value is 13.

Slide No. C 3 ZAI 15.19 EE 67

Collection Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Collection Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Topic:

Leaders  Search this

Rites and ceremonies -- Africa  Search this

Clothing and dress -- Africa  Search this

Headdresses -- headgear -- Africa  Search this

Genre/Form:

Color slides

Collection Citation:

Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution

Identifier:

EEPA.1973-001, Item EEPA EECL 2403

See more items in:

Eliot Elisofon Field collection

Eliot Elisofon Field collection / Congo (Democratic Republic) / EECL / Kinshasa, Congo (Democratic Republic)

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

GUID:

https://n2t.net/ark:/65665/xo72dd1d231-27a9-476b-b75b-ce9b50320672

EDAN-URL:

ead_component:sova-eepa-1973-001-ref16164

Photographer:

Elisofon, Eliot  Search this

Collection Photographer:

Elisofon, Eliot  Search this

Extent:

1 Slides (photographs) (col.)

Type:

Archival materials

Slides (photographs)

Color slides

Place:

Africa

Congo (Democratic Republic)

Date:

1967

Scope and Contents:

The photograph depicts Government officials, some wearing cloth featuring former president of Congo, Mobutu Sese Seko. Surrounding Mobutu's picture are political slogans. The practice of using cloth to commemorate events and communicate messages is universal. In central Africa, message-laden cloth is often particularly arresting. This photograph was taken when Eliot Elisofon was on assignment for American Broadcasting Company and traveled to Africa from early December 1966 to early February 1967.

Local Numbers:

C 3 ZAI 15.20 EE 67

General:

Title is provided by EEPA staff based on photographer's notes.

Local Note:

43

Frame value is 23.

Slide No. C 3 ZAI 15.20 EE 67

Collection Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Collection Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Topic:

Rites and ceremonies -- Africa  Search this

Leaders  Search this

Clothing and dress -- Africa  Search this

Genre/Form:

Color slides

Collection Citation:

Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution

Identifier:

EEPA.1973-001, Item EEPA EECL 2406

See more items in:

Eliot Elisofon Field collection

Eliot Elisofon Field collection / Congo (Democratic Republic) / EECL / Kinshasa, Congo (Democratic Republic)

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

GUID:

https://n2t.net/ark:/65665/xo75bc2568f-f5d7-40f5-95c4-fa2dc5d23515

EDAN-URL:

ead_component:sova-eepa-1973-001-ref16197

Photographer:

Elisofon, Eliot  Search this

Collection Photographer:

Elisofon, Eliot  Search this

Extent:

1 Slides (photographs) (col.)

Type:

Archival materials

Slides (photographs)

Color slides

Place:

Africa

Congo (Democratic Republic)

Date:

1967

Scope and Contents:

The photograph depicts Government officials, some wearing cloth featuring former president of Congo, Mobutu Sese Seko. Surrounding Mobutu's picture are political slogans. The practice of using cloth to commemorate events and communicate messages is universal. In central Africa, message-laden cloth is often particularly arresting. This photograph was taken when Eliot Elisofon was on assignment for American Broadcasting Company and traveled to Africa from early December 1966 to early February 1967.

Local Numbers:

C 3 ZAI 15.21 EE 67

General:

Title is provided by EEPA staff based on photographer's notes.

Local Note:

43

Frame value is 26.

Slide No. C 3 ZAI 15.21 EE 67

Collection Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Collection Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Topic:

Rites and ceremonies -- Africa  Search this

Leaders  Search this

Clothing and dress -- Africa  Search this

Genre/Form:

Color slides

Collection Citation:

Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution

Identifier:

EEPA.1973-001, Item EEPA EECL 2407

See more items in:

Eliot Elisofon Field collection

Eliot Elisofon Field collection / Congo (Democratic Republic) / EECL / Kinshasa, Congo (Democratic Republic)

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

GUID:

https://n2t.net/ark:/65665/xo7f0b3b557-be8e-4836-a942-715bd800d458

EDAN-URL:

ead_component:sova-eepa-1973-001-ref16208

Photographer:

Elisofon, Eliot  Search this

Collection Photographer:

Elisofon, Eliot  Search this

Extent:

1 Slides (photographs) (col.)

Type:

Archival materials

Slides (photographs)

Color slides

Place:

Africa

Congo (Democratic Republic)

Date:

1967

Scope and Contents:

"In Zaire (now Democratic Republic of Congo), President Mobutu regularly appeared in public wearing a leopard-skin cap as part of his presidential regalia. While the form of the hat derives from a military cap, his choice of leopard skin was certainly calculated to exploit the symbolic association of the leopard with chiefly legitimacy and power that has a long history in many societies in this region." [Arnoldi M.J., 1995: Introduction: The Head and Hair; Crowning Achievements. UCLA Fowler Museum of Cultural History]. This photograph was taken when Eliot Elisofon was on assignment for American Broadcasting Company and traveled to Africa from early December 1966 to early February 1967.

Local Numbers:

C 3 ZAI 15.22 EE 67

General:

Title is provided by EEPA staff based on photographer's notes.

Local Note:

43

Frame value is 36.

Slide No. C 3 ZAI 15.22 EE 67

Collection Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Collection Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Topic:

Leaders  Search this

Rites and ceremonies -- Africa  Search this

Clothing and dress -- Africa  Search this

Headdresses -- headgear -- Africa  Search this

Genre/Form:

Color slides

Collection Citation:

Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution

Identifier:

EEPA.1973-001, Item EEPA EECL 2408

See more items in:

Eliot Elisofon Field collection

Eliot Elisofon Field collection / Congo (Democratic Republic) / EECL / Kinshasa, Congo (Democratic Republic)

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

GUID:

https://n2t.net/ark:/65665/xo78266cf4b-04b3-4af5-bf63-fba2b1a2e7fa

EDAN-URL:

ead_component:sova-eepa-1973-001-ref16219

Photographer:

Elisofon, Eliot  Search this

Collection Photographer:

Elisofon, Eliot  Search this

Extent:

1 Slides (photographs) (col.)

Type:

Archival materials

Slides (photographs)

Color slides

Place:

Africa

Congo (Democratic Republic)

Date:

1967

Scope and Contents:

"In Zaire (now Democratic Republic of Congo), President Mobutu regularly appeared in public wearing a leopard-skin cap as part of his presidential regalia. While the form of the hat derives from a military cap, his choice of leopard skin was certainly calculated to exploit the symbolic association of the leopard with chiefly legitimacy and power that has a long history in many societies in this region." [Arnoldi M.J., 1995: Introduction: The Head and Hair; Crowning Achievements. UCLA Fowler Museum of Cultural History]. This photograph was taken when Eliot Elisofon was on assignment for American Broadcasting Company and traveled to Africa from early December 1966 to early February 1967.

Local Numbers:

C 3 ZAI 15.23 EE 67

General:

Title is provided by EEPA staff based on photographer's notes.

Local Note:

45

Frame value is 33.

Slide No. C 3 ZAI 15.23 EE 67

Collection Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Collection Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Topic:

Leaders  Search this

Rites and ceremonies -- Africa  Search this

Clothing and dress -- Africa  Search this

Headdresses -- headgear -- Africa  Search this

Genre/Form:

Color slides

Collection Citation:

Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution

Identifier:

EEPA.1973-001, Item EEPA EECL 2409

See more items in:

Eliot Elisofon Field collection

Eliot Elisofon Field collection / Congo (Democratic Republic) / EECL / Kinshasa, Congo (Democratic Republic)

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

GUID:

https://n2t.net/ark:/65665/xo72f6e0834-81ff-4af1-8dda-55eb7ec26507

EDAN-URL:

ead_component:sova-eepa-1973-001-ref16230

Photographer:

Elisofon, Eliot  Search this

Collection Photographer:

Elisofon, Eliot  Search this

Extent:

1 Slides (photographs) (col.)

Type:

Archival materials

Slides (photographs)

Color slides

Place:

Africa

Congo (Democratic Republic)

Date:

1967

Scope and Contents:

This photograph was taken when Eliot Elisofon was on assignment for American Broadcasting Company and traveled to Africa from early December 1966 to early February 1967.

Local Numbers:

C 3 ZAI 15.25 EE 67

General:

Title is provided by EEPA staff based on photographer's notes.

Local Note:

42

Frame value is 25.

Slide No. C 3 ZAI 15.25 EE 67

Collection Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Collection Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Topic:

Leaders  Search this

Rites and ceremonies -- Africa  Search this

Clothing and dress -- Africa  Search this

Headdresses -- headgear -- Africa  Search this

Genre/Form:

Color slides

Collection Citation:

Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution

Identifier:

EEPA.1973-001, Item EEPA EECL 2411

See more items in:

Eliot Elisofon Field collection

Eliot Elisofon Field collection / Congo (Democratic Republic) / EECL / Kinshasa, Congo (Democratic Republic)

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

GUID:

https://n2t.net/ark:/65665/xo748b46ca5-0248-47ec-aab5-243019a608ae

EDAN-URL:

ead_component:sova-eepa-1973-001-ref16252

Photographer:

Elisofon, Eliot  Search this

Collection Photographer:

Elisofon, Eliot  Search this

Extent:

1 Slides (photographs) (col.)

Culture:

Bororo (African people)  Search this

Wodaabe (African people)  Search this

Type:

Archival materials

Slides (photographs)

Color slides

Place:

Africa

Niger

Date:

1971

Scope and Contents:

"In central Niger, between the great Sahara Desert and the Grasslands, lies an immense steppe in which the Wodaabe, commonly called Bororo, are virtually the only Fulbe group that has preserved the ancient nomadic tradition." [Beckwith/Van Offelen, 1983: Nomads of Niger. Harry N. Abrams]. "The jeerewol, or geerewol (gerewol), is the war dance. It is also called ngaanka in eastern Niger, which means 'the invitation' to competition and ritual 'choosing'. It is danced for a full week and it is the most serious of all Wodaabe dances. It is performed mainly by very beautiful young men who are judged by others. Jeerewol dancers, yeerotoobe (plural), do not eat on the days that they perform but they are served water so they can remain in the right positions. The three or four selected suboyoobe ('choosers') are pretty young women standing alone in the open space south of the big ceremonial jeerewol tree, silluki, facing the male performers." [Bovin M., 2001: Nomads Who Cultivate Beauty. Nordiska afrikainstitutet]. This photograph was taken when Eliot Elisofon was on assignment for Westinghouse Film and traveled to Africa from October 26, 1970 to end of March 1971.

Local Numbers:

D 1 BRR 3 EE 71

General:

Title is provided by EEPA staff based on photographer's notes.

Local Note:

Frame value is 16.

Slide No. D 1 BRR 3 EE 71

Collection Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Collection Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Topic:

Dance  Search this

Rites and ceremonies -- Africa  Search this

Headdresses -- headgear -- Africa  Search this

Body arts  Search this

Jewelry  Search this

Genre/Form:

Color slides

Collection Citation:

Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution

Identifier:

EEPA.1973-001, Item EEPA EECL 2551

See more items in:

Eliot Elisofon Field collection

Eliot Elisofon Field collection / Niger

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

GUID:

https://n2t.net/ark:/65665/xo7c0a795aa-1108-404c-8b43-94d7a60e8e4b

EDAN-URL:

ead_component:sova-eepa-1973-001-ref17805

Photographer:

Elisofon, Eliot  Search this

Collection Photographer:

Elisofon, Eliot  Search this

Extent:

1 Slides (photographs) (col.)

Culture:

Tuaregs  Search this

Type:

Archival materials

Slides (photographs)

Color slides

Place:

Africa

Mali

Date:

1959

Scope and Contents:

"A more organized 'conversation' with an audience is called a 'tende'. It is a spontaneous event. It may occur during a wedding or at a child's christening or when a person returns from a long absence or when there is a visitor. Usually an elderly woman starts a tende by bringing a wooden mortar, filling it with water, and covering it with a skin. This is the drum. The women rhytmically drum the most famous melodies, clap their hands, and sing while the men listen, speak, and recite poems. Sometimes young men take the initiative and show off with their camels. The tende can last for hours until the women who started it decide it is time for sleep. When these meetings are larger and more formal, they are called 'ahal'." [Castelli Gattinara G., 2006: Poetry as a Reflection of Tuareg Cultural Values and Identities; Art of Being Tuareg. UCLA Fowler Museum of Cultural History]. During his trip to Mali, Elisofon visited the Kel Tademekket confederation of Tuareg people located in the Tombouctou region. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.

Local Numbers:

Z 1 MAL 1 EE 59

General:

Title is provided by EEPA staff based on photographer's notes.

Local Note:

57938 1 44

Photograph appeared in Life Magazine.

Frame value is 13.

Slide No. Z 1 MAL 1 EE 59

Collection Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Collection Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Topic:

Rites and ceremonies -- Africa  Search this

Clothing and dress -- Africa  Search this

Animals -- Africa  Search this

Cultural landscapes  Search this

Photographers  Search this

Genre/Form:

Color slides

Collection Citation:

Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution

Identifier:

EEPA.1973-001, Item EEPA EECL 26334

See more items in:

Eliot Elisofon Field collection

Eliot Elisofon Field collection / Mali

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

GUID:

https://n2t.net/ark:/65665/xo752204155-741d-4ca8-b7b7-c056cc41938b

EDAN-URL:

ead_component:sova-eepa-1973-001-ref18720

Photographer:

Elisofon, Eliot  Search this

Collection Photographer:

Elisofon, Eliot  Search this

Extent:

1 Slides (photographs) (col.)

Culture:

Tuaregs  Search this

Type:

Archival materials

Slides (photographs)

Color slides

Place:

Africa

Mali

Date:

1959

Scope and Contents:

"A more organized 'conversation' with an audience is called a 'tende'. It is a spontaneous event. It may occur during a wedding or at a child's christening or when a person returns from a long absence or when there is a visitor. Usually an elderly woman starts a tende by bringing a wooden mortar, filling it with water, and covering it with a skin. This is the drum. The women rhytmically drum the most famous melodies, clap their hands, and sing while the men listen, speak, and recite poems. Sometimes young men take the initiative and show off with their camels. The tende can last for hours until the women who started it decide it is time for sleep. When these meetings are larger and more formal, they are called 'ahal'." [Castelli Gattinara G., 2006: Poetry as a Reflection of Tuareg Cultural Values and Identities; Art of Being Tuareg. UCLA Fowler Museum of Cultural History]. During his trip to Mali, Elisofon visited the Kel Tademekket confederation of Tuareg people located in the Tombouctou region. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.

Local Numbers:

Z 1 MAL 1.1 EE 59

General:

Title is provided by EEPA staff based on photographer's notes.

Local Note:

57938 1 44

Photograph appeared in Life Magazine.

Frame value is 14.

Slide No. Z 1 MAL 1.1 EE 59

Collection Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Collection Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Topic:

Rites and ceremonies -- Africa  Search this

Clothing and dress -- Africa  Search this

Animals -- Africa  Search this

Cultural landscapes  Search this

Photographers  Search this

Genre/Form:

Color slides

Collection Citation:

Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution

Identifier:

EEPA.1973-001, Item EEPA EECL 26335

See more items in:

Eliot Elisofon Field collection

Eliot Elisofon Field collection / Mali

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

GUID:

https://n2t.net/ark:/65665/xo7c7f3771a-9139-4e0d-a05e-36a541f358d4

EDAN-URL:

ead_component:sova-eepa-1973-001-ref18721

Photographer:

Elisofon, Eliot  Search this

Collection Photographer:

Elisofon, Eliot  Search this

Extent:

1 Slides (photographs) (col.)

Type:

Archival materials

Slides (photographs)

Color slides

Place:

Africa

Nigeria

Date:

1959

Scope and Contents:

Cathedral Church of Christ, Lagos, Nigeria. The date on the slide is DEC 59.

Local Numbers:

G 2 NIG 1.0 EE 59

General:

Title is provided by EEPA staff based on photographer's notes.

Local Note:

58482 1 37

Frame value is 27.

Slide No. G 2 NIG 1.0 EE 59

Collection Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Collection Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Topic:

Rites and ceremonies -- Africa  Search this

Genre/Form:

Color slides

Collection Citation:

Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution

Identifier:

EEPA.1973-001, Item EEPA EECL 26491

See more items in:

Eliot Elisofon Field collection

Eliot Elisofon Field collection / Nigeria

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

GUID:

https://n2t.net/ark:/65665/xo796fecdef-1e22-4c4e-a5f7-f738b4a80a31

EDAN-URL:

ead_component:sova-eepa-1973-001-ref18894

Photographer:

Elisofon, Eliot  Search this

Collection Photographer:

Elisofon, Eliot  Search this

Extent:

1 Slides (photographs) (col.)

Culture:

Enya (African people)  Search this

Genya (African people)  Search this

Type:

Archival materials

Slides (photographs)

Color slides

Place:

Africa

Congo (Democratic Republic)

Date:

1951

Scope and Contents:

"We have in the man-woman relationship an opposition that finds expression in a variety of ways. At one time the relation will be a complementary and perfetly equal one, at other times there will be question of a one-sided male dominance. On all kinds of occasions the women had their own independent place. At feasts, ceremonial payments and funerals, the women sat separately. When there was dancing, women mostly danced together, and they took part in the celebrating in their own way. They were indefetigable, as they seemed to be also in their ordinary daily activities." [Droogers A., 1980: The Dangerous Journey, Symbolic Aspects of Boys' Initiation among the Wagenia of Kisangani, Zaire. Mouton Publishers, The Hague]. This photograph was taken when Eliot Elisofon traveled to Africa from early March 1951 to July 1951.

Local Numbers:

D 3 ENI 1 EE 51

General:

Title is provided by EEPA staff based on photographer's notes.

Local Note:

Frame value is 0.

Slide No. D 3 ENI 1 EE 51

Collection Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Collection Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Topic:

Rites and ceremonies -- Africa  Search this

Clothing and dress -- Africa  Search this

Body arts  Search this

Women  Search this

Beadwork  Search this

Genre/Form:

Color slides

Collection Citation:

Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution

Identifier:

EEPA.1973-001, Item EEPA EECL 2766

See more items in:

Eliot Elisofon Field collection

Eliot Elisofon Field collection / Congo (Democratic Republic) / EECL / Kisangani, Congo (Democratic Republic)

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

GUID:

https://n2t.net/ark:/65665/xo7c3f22629-e68e-4fd2-aad1-6dc7826e4c58

EDAN-URL:

ead_component:sova-eepa-1973-001-ref19071

Photographer:

Elisofon, Eliot  Search this

Collection Photographer:

Elisofon, Eliot  Search this

Extent:

1 Slides (photographs) (col.)

Culture:

Enya (African people)  Search this

Genya (African people)  Search this

Type:

Archival materials

Slides (photographs)

Color slides

Place:

Africa

Congo (Democratic Republic)

Date:

1951

Scope and Contents:

"We have in the man-woman relationship an opposition that finds expression in a variety of ways. At one time the relation will be a complementary and perfetly equal one, at other times there will be question of a one-sided male dominance. On all kinds of occasions the women had their own independent place. At feasts, ceremonial payments and funerals, the women sat separately. When there was dancing, women mostly danced together, and they took part in the celebrating in their own way. They were indefetigable, as they seemed to be also in their ordinary daily activities." [Droogers A., 1980: The Dangerous Journey, Symbolic Aspects of Boys' Initiation among the Wagenia of Kisangani, Zaire. Mouton Publishers, The Hague]. This photograph was taken when Eliot Elisofon traveled to Africa from early March 1951 to July 1951.

Local Numbers:

D 3 ENI 1.1 EE 51

General:

Title is provided by EEPA staff based on photographer's notes.

Local Note:

Frame value is 0.

Slide No. D 3 ENI 1.1 EE 51

Collection Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Collection Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Topic:

Rites and ceremonies -- Africa  Search this

Clothing and dress -- Africa  Search this

Body arts  Search this

Women  Search this

Beadwork  Search this

Genre/Form:

Color slides

Collection Citation:

Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution

Identifier:

EEPA.1973-001, Item EEPA EECL 2767

See more items in:

Eliot Elisofon Field collection

Eliot Elisofon Field collection / Congo (Democratic Republic) / EECL / Kisangani, Congo (Democratic Republic)

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

GUID:

https://n2t.net/ark:/65665/xo7a614e7a9-f5f5-4a13-80a4-207c7d568021

EDAN-URL:

ead_component:sova-eepa-1973-001-ref19072

Photographer:

Elisofon, Eliot  Search this

Collection Photographer:

Elisofon, Eliot  Search this

Extent:

1 Slides (photographs) (col.)

Culture:

Enya (African people)  Search this

Genya (African people)  Search this

Type:

Archival materials

Slides (photographs)

Color slides

Place:

Africa

Congo (Democratic Republic)

Date:

1951

Scope and Contents:

"We have in the man-woman relationship an opposition that finds expression in a variety of ways. At one time the relation will be a complementary and perfetly equal one, at other times there will be question of a one-sided male dominance. On all kinds of occasions the women had their own independent place. At feasts, ceremonial payments and funerals, the women sat separately. When there was dancing, women mostly danced together, and they took part in the celebrating in their own way. They were indefetigable, as they seemed to be also in their ordinary daily activities." [Droogers A., 1980: The Dangerous Journey, Symbolic Aspects of Boys' Initiation among the Wagenia of Kisangani, Zaire. Mouton Publishers, The Hague]. This photograph was taken when Eliot Elisofon traveled to Africa from early March 1951 to July 1951.

Local Numbers:

D 3 ENI 2 EE 51

General:

Title is provided by EEPA staff based on photographer's notes.

Local Note:

Frame value is 0.

Slide No. D 3 ENI 2 EE 51

Collection Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Collection Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Topic:

Rites and ceremonies -- Africa  Search this

Clothing and dress -- Africa  Search this

Body arts  Search this

Women  Search this

Beadwork  Search this

Genre/Form:

Color slides

Collection Citation:

Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution

Identifier:

EEPA.1973-001, Item EEPA EECL 2768

See more items in:

Eliot Elisofon Field collection

Eliot Elisofon Field collection / Congo (Democratic Republic) / EECL / Kisangani, Congo (Democratic Republic)

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

GUID:

https://n2t.net/ark:/65665/xo79a2ca4dc-56b8-4fbe-8735-ab3cf08fceb4

EDAN-URL:

ead_component:sova-eepa-1973-001-ref19073

Photographer:

Elisofon, Eliot  Search this

Collection Photographer:

Elisofon, Eliot  Search this

Extent:

1 Slides (photographs) (col.)

Culture:

Enya (African people)  Search this

Genya (African people)  Search this

Type:

Archival materials

Slides (photographs)

Color slides

Place:

Africa

Congo (Democratic Republic)

Date:

1951

Scope and Contents:

"We have in the man-woman relationship an opposition that finds expression in a variety of ways. At one time the relation will be a complementary and perfetly equal one, at other times there will be question of a one-sided male dominance. On all kinds of occasions the women had their own independent place. At feasts, ceremonial payments and funerals, the women sat separately. When there was dancing, women mostly danced together, and they took part in the celebrating in their own way. They were indefetigable, as they seemed to be also in their ordinary daily activities." [Droogers A., 1980: The Dangerous Journey, Symbolic Aspects of Boys' Initiation among the Wagenia of Kisangani, Zaire. Mouton Publishers, The Hague]. This photograph was taken when Eliot Elisofon traveled to Africa from early March 1951 to July 1951.

Local Numbers:

D 3 ENI 3.2 EE 51

General:

Title is provided by EEPA staff based on photographer's notes.

Local Note:

Frame value is 0.

Slide No. D 3 ENI 3.2 EE 51

Collection Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Collection Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Topic:

Rites and ceremonies -- Africa  Search this

Clothing and dress -- Africa  Search this

Beadwork  Search this

Body arts  Search this

Women  Search this

Genre/Form:

Color slides

Collection Citation:

Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution

Identifier:

EEPA.1973-001, Item EEPA EECL 2772

See more items in:

Eliot Elisofon Field collection

Eliot Elisofon Field collection / Congo (Democratic Republic) / EECL / Kisangani, Congo (Democratic Republic)

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

GUID:

https://n2t.net/ark:/65665/xo780cd26cc-e44c-42d6-bcde-09ddfec5d1d1

EDAN-URL:

ead_component:sova-eepa-1973-001-ref19078

Photographer:

Elisofon, Eliot  Search this

Collection Photographer:

Elisofon, Eliot  Search this

Extent:

1 Slides (photographs) (col.)

Culture:

Enya (African people)  Search this

Genya (African people)  Search this

Type:

Archival materials

Slides (photographs)

Color slides

Place:

Africa

Congo (Democratic Republic)

Date:

1951

Scope and Contents:

"We have in the man-woman relationship an opposition that finds expression in a variety of ways. At one time the relation will be a complementary and perfetly equal one, at other times there will be question of a one-sided male dominance. On all kinds of occasions the women had their own independent place. At feasts, ceremonial payments and funerals, the women sat separately. When there was dancing, women mostly danced together, and they took part in the celebrating in their own way. They were indefetigable, as they seemed to be also in their ordinary daily activities." [Droogers A., 1980: The Dangerous Journey, Symbolic Aspects of Boys' Initiation among the Wagenia of Kisangani, Zaire. Mouton Publishers, The Hague]. This photograph was taken when Eliot Elisofon traveled to Africa from early March 1951 to July 1951.

Local Numbers:

D 3 ENI 3.3 EE 51

General:

Title is provided by EEPA staff based on photographer's notes.

Local Note:

Frame value is 0.

Slide No. D 3 ENI 3.3 EE 51

Collection Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Collection Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Topic:

Rites and ceremonies -- Africa  Search this

Clothing and dress -- Africa  Search this

Body arts  Search this

Women  Search this

Beadwork  Search this

Genre/Form:

Color slides

Collection Citation:

Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution

Identifier:

EEPA.1973-001, Item EEPA EECL 2773

See more items in:

Eliot Elisofon Field collection

Eliot Elisofon Field collection / Congo (Democratic Republic) / EECL / Kisangani, Congo (Democratic Republic)

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

GUID:

https://n2t.net/ark:/65665/xo772ae7412-41a5-4523-8763-57b24bbca541

EDAN-URL:

ead_component:sova-eepa-1973-001-ref19079

Photographer:

Elisofon, Eliot  Search this

Collection Photographer:

Elisofon, Eliot  Search this

Extent:

1 Slides (photographs) (col.)

Culture:

Bamana (African people)  Search this

Type:

Archival materials

Slides (photographs)

Color slides

Place:

Africa

Mali

Date:

1971

Scope and Contents:

"The male ci wara headdress epitomizes what art historian Robert Goldwater describes as the 'vertical' style, one of the three distinctive regional idioms developed by Bamana blacksmiths that draw upon the form of the antelope to interpret the mythical figure Ci Wara. The soaring vertical axis of the male antelope's horns suggests power and grace. They angle ever so slightly as they rise, bending sharply at the summit in hooked tips. that upward movement is echoed by the ears, which are elongated, narrow vertical volumes. The rest of the headdress, in contrast, is wavy lines and rounded curves. Ci wara headdresses are often augmented with jewelry in anticipation of performances. James Brink comments that 'men are responsible for preparing the headdresses and dressing the performers; women take care of washing the costume and providing the jewelry that will make the headdresses beautiful'." [La Gamma A., 2002: Genesis: Ideas of Origin in African Sculpture. The Metropolitan Museum of Art, New York. Yale University Press, New Haven and London]. This photograph was taken when Eliot Elisofon was on assignment for Westinghouse Film and traveled to Africa from October 26, 1970 to end of March 1971.

Local Numbers:

7

E 1 BMB 1 EE 71

General:

Citation source: Archives staff.

Title is provided by EEPA staff based on photographer's notes.

Local Note:

Selgem EE11915400

A photographic print resides in the collection.

Series Reference: 1.

Frame value is 18.

Slide No. E 1 BMB 1 EE 71

Collection Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Collection Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Topic:

Rites and ceremonies -- Africa  Search this

Masquerades  Search this

Masks  Search this

Animals in art  Search this

Animals in art -- antelopes  Search this

Animals in art -- Composite animals  Search this

Wood-carving  Search this

Headdresses -- headgear -- Africa  Search this

Genre/Form:

Color slides

Collection Citation:

Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution

Identifier:

EEPA.1973-001, Item EEPA EECL 3363

See more items in:

Eliot Elisofon Field collection

Eliot Elisofon Field collection / Mali

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

GUID:

https://n2t.net/ark:/65665/xo730bd5c04-6f8e-4f36-8844-50461421d767

EDAN-URL:

ead_component:sova-eepa-1973-001-ref19735

Photographer:

Elisofon, Eliot  Search this

Collection Photographer:

Elisofon, Eliot  Search this

Extent:

1 Slides (photographs) (col.)

Culture:

Bamana (African people)  Search this

Type:

Archival materials

Slides (photographs)

Color slides

Place:

Africa

Mali

Date:

1971

Scope and Contents:

"The male ci wara headdress epitomizes what art historian Robert Goldwater describes as the 'vertical' style, one of the three distinctive regional idioms developed by Bamana blacksmiths that draw upon the form of the antelope to interpret the mythical figure Ci Wara. The soaring vertical axis of the male antelope's horns suggests power and grace. They angle ever so slightly as they rise, bending sharply at the summit in hooked tips. that upward movement is echoed by the ears, which are elongated, narrow vertical volumes. The rest of the headdress, in contrast, is wavy lines and rounded curves. Ci wara headdresses are often augmented with jewelry in anticipation of performances. James Brink comments that 'men are responsible for preparing the headdresses and dressing the performers; women take care of washing the costume and providing the jewelry that will make the headdresses beautiful'." [La Gamma A., 2002: Genesis: Ideas of Origin in African Sculpture. The Metropolitan Museum of Art, New York. Yale University Press, New Haven and London]. This photograph was taken when Eliot Elisofon was on assignment for Westinghouse Film and traveled to Africa from October 26, 1970 to end of March 1971.

Local Numbers:

E 1 BMB 2 EE 71

General:

Title is provided by EEPA staff based on photographer's notes.

Local Note:

7

Frame value is 21.

Slide No. E 1 BMB 2 EE 71

Collection Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Collection Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Topic:

Rites and ceremonies -- Africa  Search this

Masquerades  Search this

Masks  Search this

Wood-carving  Search this

Animals in art  Search this

Animals in art -- antelopes  Search this

Animals in art -- Composite animals  Search this

Headdresses -- headgear -- Africa  Search this

Genre/Form:

Color slides

Collection Citation:

Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution

Identifier:

EEPA.1973-001, Item EEPA EECL 3364

See more items in:

Eliot Elisofon Field collection

Eliot Elisofon Field collection / Mali

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

GUID:

https://n2t.net/ark:/65665/xo7b731a727-4d61-4419-b4cc-0a042bbb7987

EDAN-URL:

ead_component:sova-eepa-1973-001-ref19736

Photographer:

Elisofon, Eliot  Search this

Collection Photographer:

Elisofon, Eliot  Search this

Extent:

1 Slides (photographs) (col.)

Culture:

Bamana (African people)  Search this

Type:

Archival materials

Slides (photographs)

Color slides

Place:

Africa

Mali

Date:

1971

Scope and Contents:

"The male ci wara headdress epitomizes what art historian Robert Goldwater describes as the 'vertical' style, one of the three distinctive regional idioms developed by Bamana blacksmiths that draw upon the form of the antelope to interpret the mythical figure Ci Wara. The soaring vertical axis of the male antelope's horns suggests power and grace. They angle ever so slightly as they rise, bending sharply at the summit in hooked tips. that upward movement is echoed by the ears, which are elongated, narrow vertical volumes. The rest of the headdress, in contrast, is wavy lines and rounded curves. Ci wara headdresses are often augmented with jewelry in anticipation of performances. James Brink comments that 'men are responsible for preparing the headdresses and dressing the performers; women take care of washing the costume and providing the jewelry that will make the headdresses beautiful'." [La Gamma A., 2002: Genesis: Ideas of Origin in African Sculpture. The Metropolitan Museum of Art, New York. Yale University Press, New Haven and London]. This photograph was taken when Eliot Elisofon was on assignment for Westinghouse Film and traveled to Africa from October 26, 1970 to end of March 1971.

Local Numbers:

7

General:

Title is provided by EEPA staff based on photographer's notes.

Local Note:

7

Frame value is 22.

Slide No. E 1 BMB 3 EE 71

Collection Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Collection Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Topic:

Rites and ceremonies -- Africa  Search this

Masquerades  Search this

Masks  Search this

Wood-carving  Search this

Animals in art  Search this

Animals in art -- antelopes  Search this

Animals in art -- Composite animals  Search this

Headdresses -- headgear -- Africa  Search this

Genre/Form:

Color slides

Collection Citation:

Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution

Identifier:

EEPA.1973-001, Item EEPA EECL 3365

See more items in:

Eliot Elisofon Field collection

Eliot Elisofon Field collection / Mali

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

GUID:

https://n2t.net/ark:/65665/xo7c1395551-68db-4f89-be7d-2405339ac8f4

EDAN-URL:

ead_component:sova-eepa-1973-001-ref19737

Photographer:

Elisofon, Eliot  Search this

Collection Photographer:

Elisofon, Eliot  Search this

Extent:

1 Slides (photographs) (col.)

Culture:

Bamana (African people)  Search this

Type:

Archival materials

Slides (photographs)

Color slides

Place:

Africa

Mali

Date:

1971

Scope and Contents:

"In Antilopes du soleil, his 1980 survey of ci wara, Dominique Zahan classifies this corpus of works in group I, which comprises pairs that overtly emphasize the differentiation of the male and female forms. Zahan notes that the social distinctions between men and women that suffuse Bamana society are referenced in the antelope sculptures through sexual attibutes: the male's penis and the infant carried by the female. Female ci wara headdress are also generally smaller than the males. The fawn depicted on her back is invariably a miniature representation of either the adult male or female. The fundamental differences underlying the designs of the male and female headdresses in this style derive from the fact that they are modeled on different species of animal. The head, neck, ears, and horns of the male form draw upon features of the roan antelope, known as dage, and its lower part refers to the aardvark. The female form is inspired by the oryx antelope." [La Gamma A., 2002: Genesis: Ideas of Origin in African Sculpture. The Metropolitan Museum of Art, New York. Yale University Press, New Haven and London]. This photograph was taken when Eliot Elisofon was on assignment for Westinghouse Film and traveled to Africa from October 26, 1970 to end of March 1971.

Local Numbers:

E 1 BMB 4 EE 71

General:

Title is provided by EEPA staff based on photographer's notes.

Exhibitions Note:

"Convergence," organized and held by Morgan State University on view from December 14, 2002 thru April 13, 2003. LL03-0015

Local Note:

Caption: Bamana Chi-wara (antelope) headdress dancers, near Bamako, Mali. Photograph by Eliot Elisofon, April, 1971. Image no. EEPA 3366. Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.

48

Frame value is 33.

Slide No. E 1 BMB 4 EE 71

Collection Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Collection Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Topic:

Rites and ceremonies -- Africa  Search this

Dance  Search this

Masquerades  Search this

Masks  Search this

Wood-carving  Search this

Animals in art  Search this

Animals in art -- antelopes  Search this

Animals in art -- Composite animals  Search this

Headdresses -- headgear -- Africa  Search this

Genre/Form:

Color slides

Collection Citation:

Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution

Identifier:

EEPA.1973-001, Item EEPA EECL 3366

See more items in:

Eliot Elisofon Field collection

Eliot Elisofon Field collection / Mali

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

GUID:

https://n2t.net/ark:/65665/xo7fd9d54ca-87e6-415b-9882-dbc92f5c6e9f

EDAN-URL:

ead_component:sova-eepa-1973-001-ref19738

Photographer:

Elisofon, Eliot  Search this

Collection Photographer:

Elisofon, Eliot  Search this

Extent:

1 Slides (photographs) (col.)

Culture:

Bamana (African people)  Search this

Type:

Archival materials

Slides (photographs)

Color slides

Place:

Africa

Mali

Date:

1971

Scope and Contents:

"In Antilopes du soleil, his 1980 survey of ci wara, Dominique Zahan classifies this corpus of works in group I, which comprises pairs that overtly emphasize the differentiation of the male and female forms. Zahan notes that the social distinctions between men and women that suffuse Bamana society are referenced in the antelope sculptures through sexual attibutes: the male's penis and the infant carried by the female. Female ci wara headdress are also generally smaller than the males. The fawn depicted on her back is invariably a miniature representation of either the adult male or female. The fundamental differences underlying the designs of the male and female headdresses in this style derive from the fact that they are modeled on different species of animal. The head, neck, ears, and horns of the male form draw upon features of the roan antelope, known as dage, and its lower part refers to the aardvark. The female form is inspired by the oryx antelope." [La Gamma A., 2002: Genesis: Ideas of Origin in African Sculpture. The Metropolitan Museum of Art, New York. Yale University Press, New Haven and London]. This photograph was taken when Eliot Elisofon was on assignment for Westinghouse Film and traveled to Africa from October 26, 1970 to end of March 1971.

Local Numbers:

E 1 BMB 4.1 EE 71

General:

Citation source: Archives staff.

Title is provided by EEPA staff based on photographer's notes.

Exhibitions Note:

Contexual image in "African Masks from the Noel Collection" held by the Tubman African American Museum in Macon, Georgia, 2003. LL03-0069

Local Note:

48

Frame value is 32.

Slide No. E 1 BMB 4.1 EE 71

Collection Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Collection Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Topic:

Rites and ceremonies -- Africa  Search this

Dance  Search this

Masquerades  Search this

Masks  Search this

Wood-carving  Search this

Animals in art  Search this

Animals in art -- antelopes  Search this

Animals in art -- Composite animals  Search this

Headdresses -- headgear -- Africa  Search this

Genre/Form:

Color slides

Collection Citation:

Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution

Identifier:

EEPA.1973-001, Item EEPA EECL 3367

See more items in:

Eliot Elisofon Field collection

Eliot Elisofon Field collection / Mali

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

GUID:

https://n2t.net/ark:/65665/xo7460740eb-a048-4dac-9b68-a1b71179e435

EDAN-URL:

ead_component:sova-eepa-1973-001-ref19739