Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Art Foundry and Art Foundry Editions records, circa 1975-circa 2007. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Smithsonian Institution Collections Care and Preservation Fund.
The papers relating to art commissioned for the Ronald Reagan Building and International Trade Center, compiled by Judith Zilczer, measure 0.4 linear feet and date from 1992-1998. Papers kept by Zilczer in her capacity as a member of an advisory committee to the General Services Administrations (GSA) Art-in-Architecture Program, charged with recommending works of art to decorate the federal Ronald Reagan Building and International Center. The collection documents the process that resulted in the selection of three works of art: Martin Puryear's Bearing Witness, Stephen Robin's Federal Triangle Flowers, and Keith Sonnier's Route Zenith. The records also document the role of the committee as advocates for the artists when Stop Work Orders for Puryear and Sonnier were issued due to massive construction overruns.
Scope and Contents:
The papers relating to art commissioned for the Ronald Reagan Building and International Trade Center, compiled by Judith Zilczer, measure 0.4 linear feet and date from 1992-1998. Papers kept by Zilczer in her capacity as a member of an advisory committee to the General Services Administrations (GSA) Art-in-Architecture Program, charged with recommending works of art to decorate the federal Ronald Reagan Building and International Center. The collection documents the process that resulted in the selection of three works of art: Martin Puryear's Bearing Witness, Stephen Robin's Federal Triangle Flowers, and Keith Sonnier's Route Zenith. The records also document the role of the committee as advocates for the artists when Stop Work Orders for Puryear and Sonnier were issued due to massive construction overruns.
Records include correspondence and printed material about the building opening preparations and dedication ceremony; correspondence and notes about the Stop Work Order in 1995; correspondence and site proposal from Keith Sonnier; correspondence, meeting minutes and notes, projects, installations, and artists regarding the Art-in-Architecture Program; and correspondence, proposals, and architectural drawings regarding the GSA.
Arrangement:
This collection is arranged as 1 series.
Biographical / Historical:
The U.S. General Services Administration allocates up to ½ of one percent of the estimated construction costs of a Federal building for commissioning works of art. The Ronald Reagan Building and International Trade Center, at Pennsylvania Avenue and 14th Streets, had an estimated construction cost of $350 million, but became the most expensive federal building ever constructed at a price tag of more than $818 million. Judith Zilczer served on the panel to make recommendations concerning the type and location of works of art for GSA's consideration. Other panelists were Charles Atherton, Charles Blitzer, M. J. Brodie, Peggy Cooper Cafritz, Jack Cowart, James Ingo Freed, Tom Green, George Gurney, Lester Hunkele, and Alec Simpson. Because of their deliberations, Puryear, Robin, and Sonnier were awarded commissions. While these papers document Zilczer's interactions with committee members and others, they concern only her participation. The story behind the Reagan Building GSA commission forms a significant chapter in the history of late twentieth-century public patronage.
Related Materials:
Also found in the Archives of American Art are personal papers of historian, writer and curator Judith Zilczer, which measure 0.4 linear feet and date from 1973-1995, and an oral history interview with Paul Allen Reed conducted by Judith Zilczer, April 29, 1994.
Additionally, The Smithsonian Institution Archives in Washington, D.C. holds a large collection of Judith K. Zilczer Papers, 1975-2003.
Provenance:
The papers relating to art commissioned for the Ronald Reagan Building and International Trade Center were transferred from the Smithsonian Hirshhorn Museum and Sculpture Garden on July 9, 1998, where Zilczer worked as curator.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Topic:
Federal aid to the arts -- United States Search this
Art -- Commissioning -- Washington (D.C.) Search this
Papers relating to art commissioned for the Ronald Reagan Building and International Trade Center, 1992-1998. Archives of American Art, Smithsonian Institution.
After nature : sculpture by Bård Breivik, Heide Fasnacht, Martin Puryear, Scott Richter, Mia Westerlund Roosen, Robert Therrien, Steve Wood / curated by Steven Henry Madoff
Shaping the future of craft : 2006 National Leadership Conference, Houston, Texas October 19-21, 2006 / American Craft Council ; [editors, Monica Hampton, Lily Kane]
Author:
National Leadership Conference (American Crafts Council) (10th : 2006 : Houston, Tex.) Search this
