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Collector Records business records

Musician:
Penn, Larry  Search this
McGee, Bobbie  Search this
Magpie  Search this
Killen, Louis  Search this
Creator:
Collector Records  Search this
Glazer, Joe, 1918-2006  Search this
Extent:
34.28 Cubic feet (3 record boxes of business records; 8 record boxes, including 374 non-master audio reels (10", 7", 5", 4" and 2" reels); 160 10" reels in open stacks; 4 record boxes, including 853 audio cassettes; 1 record box, including 36 video cassettes; and 491 long play records, 45s and compact discs.)
Type:
Collection descriptions
Archival materials
Digital audio tapes
Vhs (videotape format)
Audiocassettes
Audiotapes
Date:
circa 1937-2004
bulk 1960-1990
Summary:
This collection documents the activities of Joe Glazer's record label Collector Records. Materials include the label's original commercial recordings, paper records related to day-to-day business operations and production, field recordings made by Joe Glazer, and Glazer's personal music collection.
Scope and Contents:
The Collector Records business records, measuring 34.28 cubic feet, date from 1937-2004 and contain materials relating to founder Joe Glazer's work with the label, as well as his work as a participant in the labor movement.

The records include papers documenting the promotion, production, and business operations of Collector Records; original audiorecordings used for Collector Records masters; audiorecordings made in the field by Joe Glazer; video recordings of performances by and interviews with Joe Glazer, including performances at labor union events; audiorecordings of interviews with Joe Glazer; Collector Records recordings and releases; and Glazer's personal commercial music collection.
Arrangement:
Records are arranged in 7 series:

Series 1: Promotional, Performance, and Record Planning Materials, 1971-2004

Series 2: Financial and Administrative Records, 1966-2003

Series 3: Open-reel Audiorecordings, 1937-1990

Series 4: Cassette Audiorecordings, 1949-2002

Series 5: Video Recordings, 1984-2004

Series 6: Digital Audio Tape (DAT) Audiorecordings, 1982-1994

Series 7: Published Audiorecordings
Biographical / Historical:
Since the Industrial Revolution, working people have been organizing and campaigning for better treatment from their employers. The labor movement and its unions struggle for fair wages, safe working conditions, and many other benefits. Music is an important tool in the labor movement to motivate workers and help build solidarity. Labor songs detail political issues, glorify martyrs and heroes in the movement, and, most of all, inspire and uplift workers. Joe Glazer (1918-2006), often called "Labor's Troubadour," spent a lifetime as one of America's noted historians of labor song. His booming baritone and exuberant guitar have performed for millions of workers, strikers, and students. He was the author of several significant labor songs, notably "The Mill Was Made of Marble," which is a commentary on the need for cleaner, safer mill conditions for textile workers. In addition to his performing, he was employed by the United Rubber Workers, the Textile Workers Union of America, and the United States Information Agency over the course of his career.

Glazer founded Collector Records in 1970 to distribute his own recordings of labor songs and those of younger and newer performers he had met through his work—many of them through the Labor Heritage Foundation, which he founded in 1978, and its yearly Great Labor Arts Exchange. Some artists, such as Bobbie McGee, went on to become well-known folk singers, but many Collector artists remained at their jobs. Eddie Starr (1956-2003) was a third-generation Illinois steelworker who declined a life on the road as a rock musician, and took a factory job at home to support his family. Kenny Winfree was a textile worker when Glazer heard his bluegrass-style labor songs. He continues to work, now at an aircraft plant in Texas, where he is an active member of UAW Local 848.

Collector Records paints a clear picture of workers' struggles. Songs depict everyday hazards and ailments encountered on the job, allowing workers to express their situation and make audiences aware of their plight. "Cotton Mill Colic" is a classic folk song written in 1926 by David McCarn, a textile mill worker in North Carolina that describes the harsh conditions and low pay of mill-working life. The steelworker in "Corrido Minero" sings about the ever-present danger of working in a mine with outdated equipment. Newer workplace issues are expressed in labor songs as well. The worker in John O'Connor's song suffers from carpal tunnel syndrome, one of the most frequent of modern workplace afflictions, occurring among those who perform a great deal of computer data entry and causing extreme pain in the hands and arms.

Collector Records Business Records is a historic collection presenting music to inspire and motivate working people. The Glazer family donated the label's recordings, along with Glazer's original song and narrative recordings, business records, and personal commercial music collection to the Smithsonian Center for Folklife and Cultural Heritage in 2006.
Shared Stewardship of Collections:
The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://doi.org/10.25573/data.21771155.
Provenance:
The Ralph Rinzler Folklife Archives and Collections acquired the Collector Records business records in 2006 through a donation by the Glazer family.
Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Protest songs  Search this
Political ballads and songs  Search this
Labor movement -- Songs and music  Search this
Labor unions  Search this
Genre/Form:
Digital audio tapes
VHS (videotape format)
Audiocassettes
Audiotapes -- Open reel
Citation:
Collector Records business records, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.COLL
See more items in:
Collector Records business records
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk55b66dd3a-f065-44dc-89b5-2ee37ea8aa4a
EDAN-URL:
ead_collection:sova-cfch-coll
Online Media:

Rinzler Memorial Concert: Union Round Robin; Lead Belly Dubs

Recorder:
Reiniger, Pete, 1949-  Search this
Place, Jeffrey  Search this
Performer:
Terry, Sonny  Search this
Seeger, Peggy, 1935-  Search this
Purkey, Elaine  Search this
Reynolds, George  Search this
Dickens, Hazel, 1935-2011  Search this
Seeger, Pete, 1919-2014  Search this
Rodriguez-Seeger, Tao, 1972-  Search this
Leadbelly, 1885-1949  Search this
Rodolfo  Search this
Extent:
1 Sound disc (digital, 4 3/4 in.)
Culture:
Americans  Search this
Anglo-American  Search this
Type:
Archival materials
Sound discs
Place:
Appalachian Region, Southern -- Songs and music
Tennessee
United States
New Market (Tenn.)
New York
England
Great Britian
Virginia
West Virginia
Georgia
Contents:
Ralph Rinzler Memorial Festival, New Market, TN (Highlander Center), 9 April 1995, Disc 18 1. Union Round Robin: Rodolfo and Pat, Peggy Seeger, Elaine Purkey, Hazel Dickens and George Reynolds, Julie Belafonte and Kate Rinzler, Pete Seeger and Tao Rodriguez Lead Belly acetates, possibles for SF40044 9. ACT-280 Lead Belly "Big Fat Woman" 10. ACT-399 Lead Belly "Big Fat Woman" 11. ACT-399 Lead Belly "Big Fat Woman" 12. ACT-129 Lead Belly "Blind Lemon" 13. ACT-263 Lead Belly "Blind Lemon/Buck Dance" 14. ACT-3233 Lead Belly "Blind Lemon" 15. ACT-3233 Lead Belly "Bottle Up and Go" 16. ACT-317 Lead Belly "Bottle Up and Go" 17. ACT-129 Lead Belly "Bottle Up and Go" 18. ACT-399 Lead Belly "Bottle Up and Go" 19. ACT-317 Lead Belly "Bottle Up and Go (Uncle Sam Says)" 20. ACT-129 Lead Belly "On a Monday" 21. ACT-133 Lead Belly, Sonny Terry "On a Monday" 22. ACT-1612 Lead Belly, Sonny Terry "On a Monday"
Track Information:
101 null / Rodolfo. Spanish language.

102 We Gave the World for a Job / Peggy Seeger. Guitar. English language.

103 One Day More / Elaine Purkey. Guitar. English language.

104 America Our Union / Elaine Purkey. Guitar. English language.

105 Black Lung / George Reynolds, Hazel Dickens. Guitar. English language.

107 Hallelujah / Pete Seeger, Tao Rodriguez-Seeger. Banjo. English language.

109 Big Fat Woman (ACT-280) / Lead Belly. Piano. English language.

110 Big Fat Woman (ACT-389) / Lead Belly. Piano. English language.

111 Big Fat Woman (ACT-399) / Lead Belly. Piano. English language.

112 Blind Lemon (ACT-129) / Lead Belly. Guitar. English language.

113 Blind Lemon (ACT-263) / Lead Belly. Guitar. English language.

113 Buck Dance (ACT-263) / Lead Belly. Guitar. English language.

114 Blind Lemon (ACT-3233) / Lead Belly. Guitar. English language.

115 Bottle Up and Go (ACT-3233) / Lead Belly. Guitar. English language.

116 Borrow Love and Go (ACT-317) / Lead Belly. Guitar. English language.

117 Borrow Love and Go (ACT-129) / Lead Belly. Guitar. English language.

118 Bottle Up and Go (ACT-399) / Lead Belly. Guitar. English language.

119 Bottle Up and Go (Uncle Sam Says)(ACT-317) / Lead Belly. Guitar. English language.

120 On a Monday (ACT-129) / Lead Belly. Guitar. English language.

121 On a Monday (ACT-133) / Lead Belly, Sonny Terry. Guitar,Harmonica. English language.

122 On a Monday (ACT-1612) / Lead Belly, Sonny Terry. Guitar,Harmonica. English language.
Local Numbers:
FP-CDR-0071
Date/Time and Place of an Event Note:
Recorded in: New York, New Market (Tenn.), United States, Tennessee, 1995.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Folksong revival  Search this
Topical songs  Search this
Folk songs -- United States  Search this
Labor unions -- Songs and music  Search this
Folk songs -- West Virginia  Search this
Working class -- Songs and music  Search this
Protest songs  Search this
Glees, catches, rounds, etc.  Search this
Blues (Music)  Search this
Guitar  Search this
Banjo  Search this
Piano  Search this
Harmonica  Search this
Appalachian Region  Search this
Coal  Search this
Protest  Search this
Struggle  Search this
Labor  Search this
World War, 1939-1945  Search this
African Americans  Search this
Function:
Labor unions
Identifier:
CFCH.AVPR, Item FP-CDR-0071
See more items in:
CFCH Audiovisual Projects
CFCH Audiovisual Projects / Audio Recordings / Ralph Rinzler Memorial Concert
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk57e1d09ad-568d-4ea4-952b-1d156399b32b
EDAN-URL:
ead_component:sova-cfch-avpr-ref782

Evening of Protest Songs, Pete Seeger and Sweet Honey in the Rock, number 2 of 5

Collection Collector:
Maltsby, Portia  Search this
Collection Creator:
Smithsonian Institution. Program in African American Culture  Search this
Container:
Box 61, Reel 11
Type:
Archival materials
Audio
Date:
1978-02
Collection Restrictions:
Collection is open for research. Access and use of audiovisual materials available in the Archives Center reading room or by requesting copies of audiovisual materials at RightsReproductions@si.edu
Collection Rights:
Copyright restrictions exist. Collection items available for reproduction Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Program in African American Culture Collection, Archives Center, National Museum of American History.
See more items in:
Program in African American Culture Collection
Program in African American Culture Collection / Series 4: Interviews, Speaking Engagements and Performances
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8759e9b0e-6298-4e62-b341-077a11cb9347
EDAN-URL:
ead_component:sova-nmah-ac-0408-ref1543

Evening of Protest Songs, Pete Seeger and Sweet Honey in the Rock, number 4 of 5

Collection Collector:
Maltsby, Portia  Search this
Collection Creator:
Smithsonian Institution. Program in African American Culture  Search this
Container:
Box 61, Reel 13
Type:
Archival materials
Audio
Date:
1978-02
Collection Restrictions:
Collection is open for research. Access and use of audiovisual materials available in the Archives Center reading room or by requesting copies of audiovisual materials at RightsReproductions@si.edu
Collection Rights:
Copyright restrictions exist. Collection items available for reproduction Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Program in African American Culture Collection, Archives Center, National Museum of American History.
See more items in:
Program in African American Culture Collection
Program in African American Culture Collection / Series 4: Interviews, Speaking Engagements and Performances
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep82ca6cd20-7a4c-4278-bb1f-bd9bbb4681f3
EDAN-URL:
ead_component:sova-nmah-ac-0408-ref1544

Evening of Protest Songs, Pete Seeger and Sweet Honey in the Rock, number 3 of 5

Collection Collector:
Maltsby, Portia  Search this
Collection Creator:
Smithsonian Institution. Program in African American Culture  Search this
Container:
Box 61, Reel 12
Type:
Archival materials
Audio
Date:
1978-02
Collection Restrictions:
Collection is open for research. Access and use of audiovisual materials available in the Archives Center reading room or by requesting copies of audiovisual materials at RightsReproductions@si.edu
Collection Rights:
Copyright restrictions exist. Collection items available for reproduction Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Program in African American Culture Collection, Archives Center, National Museum of American History.
See more items in:
Program in African American Culture Collection
Program in African American Culture Collection / Series 4: Interviews, Speaking Engagements and Performances
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8949b1f06-be05-4d23-9ebc-3ab5ba9f40f3
EDAN-URL:
ead_component:sova-nmah-ac-0408-ref1545

Evening of Protest Songs, Pete Seeger and Sweet Honey in the Rock, number 1 of 5

Collection Collector:
Maltsby, Portia  Search this
Collection Creator:
Smithsonian Institution. Program in African American Culture  Search this
Container:
Box 61, Reel 10
Type:
Archival materials
Audio
Date:
1978-02
Collection Restrictions:
Collection is open for research. Access and use of audiovisual materials available in the Archives Center reading room or by requesting copies of audiovisual materials at RightsReproductions@si.edu
Collection Rights:
Copyright restrictions exist. Collection items available for reproduction Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Program in African American Culture Collection, Archives Center, National Museum of American History.
See more items in:
Program in African American Culture Collection
Program in African American Culture Collection / Series 4: Interviews, Speaking Engagements and Performances
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8468e7ab8-8f7c-4c75-a759-35a63c3582d0
EDAN-URL:
ead_component:sova-nmah-ac-0408-ref1546

Voices of the Civil Rights Movement, audio cassette, OTC 408.5.12

Collection Collector:
Maltsby, Portia  Search this
Collection Creator:
Smithsonian Institution. Program in African American Culture  Search this
Container:
Box 114, Cassette 2
Type:
Archival materials
Audio
Date:
1984-03-02
Scope and Contents:
Thursday. January 31. 1980 Session II: "Groups and Ensembles" 3:00 pm - 4:00 pm

Side A

GUY and CANDIE CARAWAN perform "We Shall Overcome" (cont.)

GUY CARAWAN and JAMILA perform "We Are Not Afraid," a version of "We Shall Overcome"

JOYCELYN McKISSICK (MICAELA) sings: "We Went Down To Mississippi" "Take This Hammer" "Get Your Rights Jack" "Certainly Lord" "Freedom Train A Coming" "We're Marching On To Zion"

Last 12 minutes blank.

SideB

"Freedom Train A Coming" "We're Marching On To Zion"

SNCC Freedom Singers I: BERNICE JOHNSON REAGON, CHARLES NEBLETT, RUTHA MAE HARRIS, CORDELL REAGON sing: "Fighting For My (Our) Rights" "We Shall Not Be Moved" "Woke Up This Morning With Freedom On My Mind" "Ain't Gonna Let Nobody Turn Me Round" "Just A Closer Walk With Thee" "Going Back To Southwest Georgia" or "I'm A Man of Constant Sorrow" "Sometimes I Feel Like A Motherless Child"

BERNICE JOHNSON REAGON introduces PETE SEEGER who talks about the history of the protest song from pre-biblical to modern times.

Last 12 minutes blank.
Collection Restrictions:
Collection is open for research. Access and use of audiovisual materials available in the Archives Center reading room or by requesting copies of audiovisual materials at RightsReproductions@si.edu
Collection Rights:
Copyright restrictions exist. Collection items available for reproduction Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Program in African American Culture Collection, Archives Center, National Museum of American History.
See more items in:
Program in African American Culture Collection
Program in African American Culture Collection / Series 1: Program Files
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8b75c6434-6f09-4663-87e1-1d3542a38990
EDAN-URL:
ead_component:sova-nmah-ac-0408-ref1828

Voices of the Civil Rights Movement, Thursday. January 31. 1980 Session II: "Groups and Ensembles" conference tape number 14, OVU 408.5.14

Collection Collector:
Maltsby, Portia  Search this
Collection Creator:
Smithsonian Institution. Program in African American Culture  Search this
Extent:
1 Videocassettes (U-matic)
Container:
Box 203, Video 3, Item AC0408-OV0014
Type:
Archival materials
Moving Images
Videocassettes (u-matic)
Date:
1980-01-31
Scope and Contents:
Thursday, January 31, 1980, Session II: "Groups and Ensembles"

"Just A Closer Walk With Thee" "Going Back To Southwest Georgia" or "I'm A Man of Constant Sorrow"

"Sometimes I Feel Like A Motherless Child"

Bernice Johnson Reagon introduces Pete Seeger who talks about the history of the protest song from pre-biblical to modern times.

Guy Carawan introduces Amanda Bowens Perdew of the Americus Trio. She speaks about Americus, Georiga and the significance of song in the survival of the participants of the Civil Rights Movement. Sings "This May Be the Last Time." Jimmy Collier sings "This May Be the Last Time."

Jimmy Collier and James Orange sing:

"(The Reason I Sing This Song) I Don't Wanna Be Lost In the Slums" "The Death On the Walls" "Burn Baby Burn" "Freedom Bells" "Woke Up This Morning With My Mind Staid On Freedom"
Collection Restrictions:
Collection is open for research. Access and use of audiovisual materials available in the Archives Center reading room or by requesting copies of audiovisual materials at RightsReproductions@si.edu
Collection Rights:
Copyright restrictions exist. Collection items available for reproduction Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Program in African American Culture Collection, Archives Center, National Museum of American History.
See more items in:
Program in African American Culture Collection
Program in African American Culture Collection / Series 1: Program Files
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep86d3fc2be-409d-448f-8a95-ffab966927ff
EDAN-URL:
ead_component:sova-nmah-ac-0408-ref3075

Sound Recordings

Collection Creator:
Chernow, Burt  Search this
Extent:
3 Linear feet (Boxes 3-5)
Type:
Archival materials
Date:
1977-1997
Scope and Contents:
Sound recordings are mainly comprised of interviews of the Christos, their family, and their associates conducted by Burt Chernow between 1984 and 1996, in the course of his research for Christo and Jeanne-Claude: A Biography. Chernow wrote the biography chronologically, collecting research for each period of the Christos' lives in sequence, so the early interviews deal mainly with their early years, and later interviews with more recent years. In some cases, the subject content of the interview -- often a place or project name -- is indicated on the tape label, in which case it is noted in the container list. Interviews with associates include other artists, curators, people who worked on the Christos large-scale projects, critics, and others who knew them personally. Among the many significant interview subjects are Arman, Mary Bauermeister, Leo Castelli, Lynn Hershman, Ray Johnson, Allan Kaprow, Ivan Karp, Albert and David Maysles, Claes Oldenburg, Pierre Restany, Niki de Saint Phalle, Peter Selz, Harry Shunk, Holly Solomon, Saul Steinberg, and Sam Weiner.

In addition to the more formal interviews, a series of impromptu interviews were conducted by Ann and Burt Chernow during the three Christo projects that were executed while Chernow was working on the biography: the Wrapped Pont-Neuf, Umbrellas, and the Wrapped Reichstag. These project-related interviews and recordings were typically made on site with spectators and producers of the projects while they were on view. Also found are lectures, press conferences, broadcast programs, recorded notes, and music, including a 1981 lecture on Christo by Jan Van Der Marck.

Interviews of Christo by others, and lectures given by Christo which pre-date the period of Chernow's research, are filed at the end of the series. Some were recorded off the air, and others were recorded by Chernow or other attendees to the appearances. Some appear to have been copied from original recordings, and the sound quality is poor. Two musical recordings associated with Christo projects are also found in the series, including a protest song about "Surrounded Islands," and music composed for the Japanese installation of "Umbrellas."

Chernow's research was conducted chronologically, that is, Chernow collected information about each period of their lives and then wrote his first draft of that portion of the biography before moving on to the next period. The interviews reflect this process, with earlier interviews covering earlier periods of the artists' lives, and later interviews covering later periods as each section was researched and written.

Most of the interviews have partial transcripts in series 1.3, which were created by Burt Chernow. The transcripts typically contain summarized portions, with only the portions Chernow found most salient to his research transcribed. The recordings in this series, then, are a unique record of the complete interviews that took place. Recorded conversations with Jeanne-Claude regarding corrections to Chernow's drafts of the biography, created in 1995-1997, do not have typically have transcripts. See series 1.3 for more details.
Arrangement:
Interviews with Christo and Jeanne-Claude are filed chronologically at the beginning of the series, and interviews with others about the Christos follow, filed alphabetically by name. Occasionally interviews from both of these categories are found on the same tape, and cross-references are provided in the inventory. For recordings made during the Pont-Neuf project (Sept 1985), the Umbrellas project (October 1991), or the Reichstag project (June 1995), cassettes are filed by project, with cross-references to subjects of the project-specific interviews found in the alphabetical inventory list. The collected interviews and lectures (1977-1984) are filed chronologically. Although the tape inventory created by Ann Chernow that came with the collection does not seem to follow any logical sequence, inventory numbers written on the tapes are included in the container list to facilitate access to the physical tapes in the collection.

Additional sound recordings include spoken translations of Christo letters to family in series 1.1, Biographical Materials, a spoken history of the biography project by Ann Chernow, found in series 1.6, Business Records, and an interview with Arman for an article about the artist from 1993, found in series 2, Other Writings.
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Burt Chernow papers, 1930-2002. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.cherburt, Subseries 1.2
See more items in:
Burt Chernow papers
Burt Chernow papers / Series 1: Research Material for Christo and Jeanne-Claude: A Biography
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c73e9bd2-c811-43e6-82cb-9f99fb59aa4a
EDAN-URL:
ead_component:sova-aaa-cherburt-ref9

FH 5410 Raimon: Catalonian Protest Songs

Collection Creator:
Asch, Moses  Search this
Distler, Marian, 1919-1964  Search this
Folkways Records  Search this
Container:
Box 22, Folder 43
Type:
Archival materials
Date:
1970-1971
Scope and Contents note:
Record labels, label copy, liner notes (final), contract copy
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.ASCH, File Asch_02_022_043
See more items in:
Moses and Frances Asch Collection
Moses and Frances Asch Collection / Series 2: Folkways Production / 2.1: Production Files
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk52c066735-efaf-4dba-a3c2-a88e905ec610
EDAN-URL:
ead_component:sova-cfch-asch-ref6230

Festival Recordings: Narrative Stage: Cherokee Hymn Singing: Protest Songs

Creator:
Smithsonian Institution. Festival of American Folklife. American Indian Program 1992 Washington, D.C.  Search this
Davis, Mariel Smith (recorder)  Search this
Howard, Timothea, 1953-2017 (recorder)  Search this
Performer:
Dreadfulwater, J.B., 1932-2002  Search this
McLemore, Joanne, 1925-  Search this
Goodrich, John, 1931-  Search this
McLemore, Sanders  Search this
Henhawk, Dugan  Search this
Porter, Murray, 1960-  Search this
Lyons, Rex  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
compact audio cassette
1 Sound cassette (analog.)
Culture:
Iroquois  Search this
Indians of North America  Search this
Americans  Search this
Cherokee  Search this
Onondaga Indians  Search this
Oneida Indians  Search this
Type:
Archival materials
Sound cassettes
Place:
United States
Washington (D.C.)
Oklahoma
Tahlequah (Okla.)
New York
Canada
Nedrow (N.Y.)
Ontario
Date:
1992 June 25
Track Information:
101 Cherokee Hymn Singing / J.B. Dreadfulwater, Joanne McLemore, John Goodrich, Sanders McLemore.

102 Protest Songs / Dugan Henhawk, Murray Porter, Rex Lyons. Piano.
Local Numbers:
FP-1992-CT-0049
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 25, 1992.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Oral history  Search this
American Indian  Search this
Gospel music  Search this
Piano  Search this
Baptists  Search this
Religion  Search this
Christianity  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1992 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1992, Item FP-1992-CT-0049
See more items in:
Smithsonian Folklife Festival records: 1992 Festival of American Folklife
Smithsonian Folklife Festival records: 1992 Festival of American Folklife / Series 2: The Changing Soundscape in Indian Country / 2.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk595cdcf9b-8e44-4abf-954d-f42f2ff6ed18
EDAN-URL:
ead_component:sova-cfch-sff-1992-ref839

Festival Recordings: Narrative Stage: Sacred/Secular Music: Protest Songs

Creator:
Smithsonian Institution. Festival of American Folklife. American Indian Program 1992 Washington, D.C.  Search this
Howard, Timothea, 1953-2017 (recorder)  Search this
Artist:
Porter, Murray, 1960-  Search this
Dreadfulwater, J.B., 1932-2002  Search this
Performer:
Porter, Murray, 1960-  Search this
Dreadfulwater, J.B., 1932-2002  Search this
McDonald, Mike, 1961-  Search this
Houle, Lawrence, 1938-  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
compact audio cassette
1 Sound cassette (analog.)
Culture:
Indians of North America  Search this
Americans  Search this
Iroquois  Search this
Cherokee  Search this
Oneida Indians  Search this
Type:
Archival materials
Sound cassettes
Place:
United States
Washington (D.C.)
Canada
Québec (Province)
Oklahoma
Manitoba
Akwesasne Indian Reserve (Québec and Ont.)
Ontario
Date:
1992 June 26-1992 June 27
Track Information:
101 Sacred/Secular Music / J.B. Dreadfulwater, Mike McDonald, Lawrence Houle.

102 Protest Songs / Murray Porter. Piano.
Local Numbers:
FP-1992-CT-0056
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 26, 1992.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Oral history  Search this
American Indian  Search this
Protest songs  Search this
Piano  Search this
Baptists  Search this
Katua  Search this
Religion  Search this
Ecology  Search this
Struggle  Search this
Rights and responsibilities.  Search this
Protest  Search this
Borderlands  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1992 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1992, Item FP-1992-CT-0056
See more items in:
Smithsonian Folklife Festival records: 1992 Festival of American Folklife
Smithsonian Folklife Festival records: 1992 Festival of American Folklife / Series 2: The Changing Soundscape in Indian Country / 2.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5e84ab34c-f6f4-46a9-8c12-6ba0ec19f4a3
EDAN-URL:
ead_component:sova-cfch-sff-1992-ref846

Festival Recordings: Narrative Stage: Protest Songs: Classical Music

Creator:
Smithsonian Institution. Festival of American Folklife. American Indian Program 1992 Washington, D.C.  Search this
Kamalidiin, Sais (recorder)  Search this
Van Buren, Tom (recorder)  Search this
Performer:
Henhawk, Dugan  Search this
Porter, Murray, 1960-  Search this
Lyons, Rex  Search this
Davids, Brent Michael, 1959-  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
compact audio cassette
1 Sound cassette (analog.)
Culture:
Indians of North America  Search this
Americans  Search this
Iroquois  Search this
Oneida Indians  Search this
Mohawk  Search this
Type:
Archival materials
Sound cassettes
Place:
United States
Washington (D.C.)
New York
Canada
Nedrow (N.Y.)
Ontario
Arizona
Tempe (Ariz.)
Date:
1992 June 27
Track Information:
101 Protest Songs / Dugan Henhawk, Murray Porter, Rex Lyons. Piano,Guitar.

102 Classical Music / Brent Michael Davids. Crystal flute.
Local Numbers:
FP-1992-CT-0057
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 27, 1992.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Oral history  Search this
American Indian  Search this
Protest songs  Search this
Music  Search this
Piano  Search this
Guitar  Search this
Crystal flute  Search this
Onandoga Indians  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1992 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1992, Item FP-1992-CT-0057
See more items in:
Smithsonian Folklife Festival records: 1992 Festival of American Folklife
Smithsonian Folklife Festival records: 1992 Festival of American Folklife / Series 2: The Changing Soundscape in Indian Country / 2.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5ba654658-74ad-461c-be77-34d39e75f742
EDAN-URL:
ead_component:sova-cfch-sff-1992-ref847

Festival Recordings: Narrative Stage: Iroquoian Traditions; Protest Songs

Creator:
Smithsonian Institution. Festival of American Folklife. American Indian Program 1992 Washington, D.C.  Search this
Place, Janet L. (recorder)  Search this
Walker, Tracy (recorder)  Search this
Performer:
Porter, Murray, 1960-  Search this
Bonaparte, Brad  Search this
Lyons, Kent R., 1961-  Search this
McDonald, Mike, 1961-  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
compact audio cassette
1 Sound cassette (analog.)
Culture:
Indians of North America  Search this
Americans  Search this
Iroquois  Search this
Oneida Indians  Search this
Akwesasne Mohawk  Search this
Onondaga Indians  Search this
Type:
Archival materials
Sound cassettes
Place:
United States
Washington (D.C.)
Canada
Ontario
New York
Québec (Province)
Akwesasne Indian Reserve (Québec and Ont.)
Nedrow (N.Y.)
Date:
1992 June 28
Track Information:
101 Protest Songs / Murray Porter. Piano.

102 Iroquoian Traditions / Brad Bonaparte, Kent R. Lyons, Mike McDonald.
Local Numbers:
FP-1992-CT-0063
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 28, 1992.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Oral history  Search this
American Indian  Search this
Protest songs  Search this
Piano  Search this
Struggle  Search this
Columbus Quincentenary, 1992-1993  Search this
Pollution  Search this
Ecology  Search this
Lacrosse  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1992 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1992, Item FP-1992-CT-0063
See more items in:
Smithsonian Folklife Festival records: 1992 Festival of American Folklife
Smithsonian Folklife Festival records: 1992 Festival of American Folklife / Series 2: The Changing Soundscape in Indian Country / 2.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5eafe8f15-f07e-4cc7-84df-843cc9fa8b2d
EDAN-URL:
ead_component:sova-cfch-sff-1992-ref853

Festival Recordings: Narrative Stage: Fiddle Workshop; Protest Songs: Marketing: Sacred/Secular MusicFW-1992-7RR-0067: Banjo Recordings: Pat Cloud

Creator:
Smithsonian Institution. Festival of American Folklife. American Indian Program 1992 Washington, D.C.  Search this
Davis, Mariel Smith (recorder)  Search this
Sanders, Sallie (recorder)  Search this
Performer:
Stevens, Bill, 1933-  Search this
Johnson, Brian  Search this
Houle, Lawrence, 1938-  Search this
Henhawk, Dugan  Search this
Porter, Murray, 1960-  Search this
Lyons, Rex  Search this
Lopez, Dennis, 1965-  Search this
Segura, Knifewing, 1957-  Search this
Bonaparte, Brad  Search this
Dreadfulwater, J.B., 1932-2002  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
compact audio cassette
1 Sound cassette (analog.)
Culture:
Athapascan Indians  Search this
Iroquois  Search this
Indians of North America  Search this
Americans  Search this
Ojibwa Indians  Search this
Michif  Search this
Oneida Indians  Search this
Onondaga Indians  Search this
Zuni  Search this
Cherokee  Search this
Type:
Archival materials
Sound cassettes
Place:
United States
Washington (D.C.)
Canada
Manitoba
North Dakota
Alaska
New York
Nedrow (N.Y.)
Ontario
New Mexico
Arizona
Québec (Province)
Oklahoma
Akwesasne Indian Reserve (Québec and Ont.)
Date:
1992 June 29
Track Information:
101 Fiddle Workshop / Bill Stevens, Brian Johnson, Lawrence Houle. Fiddle.

102 Protest Songs / Dugan Henhawk, Murray Porter, Rex Lyons. Piano,Guitar.

103 Marketing / Rex Lyons, Dennis Lopez, Knifewing Segura.

104 Sacred/Secular Music / Lawrence Houle, Brad Bonaparte, J.B. Dreadfulwater.
Local Numbers:
FP-1992-CT-0067-7
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 29, 1992.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Oral history  Search this
Fiddle tunes  Search this
Protest songs  Search this
Gospel music  Search this
Violin  Search this
Piano  Search this
Guitar  Search this
Struggle  Search this
Borderlands  Search this
Tohono O'Odham Indians  Search this
Music trade  Search this
Religion  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1992 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1992, Item FP-1992-CT-0067
See more items in:
Smithsonian Folklife Festival records: 1992 Festival of American Folklife
Smithsonian Folklife Festival records: 1992 Festival of American Folklife / Series 2: The Changing Soundscape in Indian Country / 2.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk50d8d5192-dc25-42c4-b328-4b6aca0e00a7
EDAN-URL:
ead_component:sova-cfch-sff-1992-ref857

Festival Recordings: Narrative Stage: Classical Music; Protest Songs FW-1992-7RR-0071: Banjo Recordings: Abdourahamon Mangarra- Gambian Griot

Creator:
Smithsonian Institution. Festival of American Folklife. American Indian Program 1992 Washington, D.C.  Search this
Mitchell, John N. (recorder)  Search this
Cameron, Donald (recorder)  Search this
Performer:
Davids, Brent Michael, 1959-  Search this
Henhawk, Dugan  Search this
Segura, Knifewing, 1957-  Search this
Porter, Murray, 1960-  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
compact audio cassette
1 Sound cassette (analog.)
Culture:
Iroquois  Search this
Zuni  Search this
Indians of North America  Search this
Americans  Search this
Mohegan Indians  Search this
Onondaga Indians  Search this
Oneida Indians  Search this
Type:
Archival materials
Sound cassettes
Place:
United States
Washington (D.C.)
Arizona
Tempe (Ariz.)
New York
Canada
Nedrow (N.Y.)
Ontario
New Mexico
Date:
1992 July 2
Track Information:
101 Classical Music / Brent Michael Davids. Crystal flute,Water-drum.

102 Protest Songs / Dugan Henhawk, Knifewing Segura, Murray Porter. Piano,Guitar.
Local Numbers:
FP-1992-CT-0071
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 2, 1992.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Oral history  Search this
American Indian  Search this
Music  Search this
Protest songs  Search this
Crystal flute  Search this
Water-drum  Search this
Piano  Search this
Guitar  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1992 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1992, Item FP-1992-CT-0071
See more items in:
Smithsonian Folklife Festival records: 1992 Festival of American Folklife
Smithsonian Folklife Festival records: 1992 Festival of American Folklife / Series 2: The Changing Soundscape in Indian Country / 2.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5c5ddb690-af20-4bc6-9116-bc56265b341b
EDAN-URL:
ead_component:sova-cfch-sff-1992-ref861

Festival Recordings: Narrative Stage: Protest Songs: Fiddle Workshop

Creator:
Smithsonian Institution. Festival of American Folklife. American Indian Program 1992 Washington, D.C.  Search this
McCauley, John (recorder)  Search this
Henhawk, Dugan  Search this
Performer:
Henhawk, Dugan  Search this
Segura, Knifewing, 1957-  Search this
Stevens, Bill, 1933-  Search this
Johnson, Brian  Search this
Martell, Todd, 1968-  Search this
White Boy & the Wagon Burners (Musical group)  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
compact audio cassette
1 Sound cassette (analog.)
Culture:
Indians of North America  Search this
Americans  Search this
Zuni  Search this
Onondaga Indians  Search this
Athapascan Indians  Search this
Michif  Search this
Type:
Archival materials
Sound cassettes
Place:
United States
Washington (D.C.)
New York
Nedrow (N.Y.)
Arizona
North Dakota
Alaska
Date:
1992 July 3
Track Information:
101 Protest Songs / White Boy & the Wagon Burners (Musical group), Dugan Henhawk, Knifewing Segura. Guitar.

102 Fiddle Workshop / Bill Stevens, Brian Johnson, Todd Martell. Fiddle.
Local Numbers:
FP-1992-CT-0078
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 3, 1992.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Oral history  Search this
American Indian  Search this
Protest songs  Search this
Rockabilly music  Search this
Fiddle tunes  Search this
Guitar  Search this
Violin  Search this
Ecology  Search this
Struggle  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1992 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1992, Item FP-1992-CT-0078
See more items in:
Smithsonian Folklife Festival records: 1992 Festival of American Folklife
Smithsonian Folklife Festival records: 1992 Festival of American Folklife / Series 2: The Changing Soundscape in Indian Country / 2.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk50fe20822-a42a-42f8-9b8d-bbdc1189d010
EDAN-URL:
ead_component:sova-cfch-sff-1992-ref868

Audio Log Sheets

Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Type:
Archival materials
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 2017 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
See more items in:
Smithsonian Folklife Festival records: 2017 Smithsonian Folklife Festival
Smithsonian Folklife Festival records: 2017 Smithsonian Folklife Festival / Special Events / Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk50c3d26fa-39a4-4649-8b5c-8c7bcfc284f9
EDAN-URL:
ead_component:sova-cfch-sff-2017-ref1020
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Audio Log Sheets digital asset number 1

Audio Log Sheets

Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Type:
Archival materials
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 2014 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
See more items in:
Smithsonian Folklife Festival records: 2014 Smithsonian Folklife Festival
Smithsonian Folklife Festival records: 2014 Smithsonian Folklife Festival / Series 3: Kenya: Mambo Poa / 3.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk51d53dc03-07bf-439d-8971-4c983700886f
EDAN-URL:
ead_component:sova-cfch-sff-2014-ref1052
3 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Audio Log Sheets digital asset number 1
  • View Audio Log Sheets digital asset number 2
  • View Audio Log Sheets digital asset number 3

Festival Recordings: Narrative Stage: Instrument Construction: Sacred/Secular Music: Marketing; Protest Songs FW-1992-7RR-0077: Banjo Recordings: Alan O'Bryant

Creator:
Smithsonian Institution. Festival of American Folklife. American Indian Program 1992 Washington, D.C.  Search this
McCauley, John (recorder)  Search this
Henhawk, Dugan  Search this
Performer:
Davids, Brent Michael, 1959-  Search this
Dreadfulwater, J.B., 1932-2002  Search this
Segura, Knifewing, 1957-  Search this
Carlos, Roger F., 1942-  Search this
Henhawk, Dugan  Search this
White Boy & the Wagon Burners (Musical group)  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
compact audio cassette
1 Sound cassette (analog.)
Culture:
Indians of North America  Search this
Americans  Search this
Mohegan Indians  Search this
Cherokee  Search this
Zuni  Search this
Tohono O'Odham Indians  Search this
Onondaga Indians  Search this
Type:
Archival materials
Sound cassettes
Place:
United States
Washington (D.C.)
Arizona
Tempe (Ariz.)
Oklahoma
Tahlequah (Okla.)
New York
Nedrow (N.Y.)
Date:
1992 July 3
Track Information:
101 Instrument Construction / Brent Michael Davids. Crystal flute,Water-drum.

102 Sacred/Secular Music / J.B. Dreadfulwater.

103 Marketing: The Recording Industry / Knifewing Segura, Roger F. Carlos.

104 Protest Songs / Knifewing Segura, White Boy & the Wagon Burners (Musical group), Dugan Henhawk. Guitar.
Local Numbers:
FP-1992-CT-0077
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 3, 1992.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Oral history  Search this
American Indian  Search this
Gospel music  Search this
hymns  Search this
Protest songs  Search this
Rockabilly music  Search this
Crystal flute  Search this
Water-drum  Search this
Guitar  Search this
Musical instruments -- Construction  Search this
Religion  Search this
Baptists  Search this
Christianity  Search this
Sound recording industry  Search this
Music trade  Search this
Tohono O'Odham Indians  Search this
Struggle  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1992 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1992, Item FP-1992-CT-0077
See more items in:
Smithsonian Folklife Festival records: 1992 Festival of American Folklife
Smithsonian Folklife Festival records: 1992 Festival of American Folklife / Series 2: The Changing Soundscape in Indian Country / 2.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5b0d99d94-e4bf-42aa-85b0-0774562070ca
EDAN-URL:
ead_component:sova-cfch-sff-1992-ref867

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