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Sketches for "Vivo in Typo" Poster with Punctuation Marks

Designer:
Philippe Apeloig, French, born 1962  Search this
Medium:
Pen and black ink on white paper
Dimensions:
30.1 × 22.6 cm (11 7/8 × 8 7/8 in.)
Type:
graphic design
Drawing
Object Name:
Drawing
Designed in:
Paris, France
Date:
2008
Credit Line:
Gift of Philippe Apeloig
Accession Number:
2014-34-5
Restrictions & Rights:
Usage conditions apply
Copyright Notice:
© Philippe Apeloig
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq41d4ac64b-6306-4732-98a0-729b1af56438
EDAN-URL:
edanmdm:chndm_2014-34-5

Layout Sketch for "Vivo in Typo" Poster

Designer:
Philippe Apeloig, French, born 1962  Search this
Medium:
Pen and black ink on white paper
Dimensions:
30.1 × 22.6 cm (11 7/8 × 8 7/8 in.)
Type:
graphic design
Drawing
Object Name:
Drawing
Designed in:
Paris, France
Date:
2008
Credit Line:
Gift of Philippe Apeloig
Accession Number:
2014-34-6
Restrictions & Rights:
Usage conditions apply
Copyright Notice:
© Philippe Apeloig
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq4c516b73f-7e4b-41d1-9950-f7e3cce49c5e
EDAN-URL:
edanmdm:chndm_2014-34-6

Four Shaded Sketches for "Vivo in Typo" Poster

Designer:
Philippe Apeloig, French, born 1962  Search this
Medium:
Pen and black ink, graphite on white paper
Dimensions:
30.1 × 22.6 cm (11 7/8 × 8 7/8 in.)
Type:
graphic design
Drawing
Object Name:
Drawing
Designed in:
Paris, France
Date:
2008
Credit Line:
Gift of Philippe Apeloig
Accession Number:
2014-34-7
Restrictions & Rights:
Usage conditions apply
Copyright Notice:
© Philippe Apeloig
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq4b31e56ce-a287-4a39-9ed5-b20213d68ecd
EDAN-URL:
edanmdm:chndm_2014-34-7

Layout Sketch for "Vivo in Typo" Poster with Text Block Upper Right

Designer:
Philippe Apeloig, French, born 1962  Search this
Medium:
Pen and black ink on white paper
Dimensions:
42.1 × 29.7 cm (16 9/16 × 11 11/16 in.)
Type:
graphic design
Drawing
Object Name:
Drawing
Designed in:
Paris, France
Date:
2008
Credit Line:
Gift of Philippe Apeloig
Accession Number:
2014-34-8
Restrictions & Rights:
Usage conditions apply
Copyright Notice:
© Philippe Apeloig
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq4da49b76a-ced0-4487-9f24-2d1f128f4fab
EDAN-URL:
edanmdm:chndm_2014-34-8

Layout Sketch for "Vivo in Typo" Poster without Text

Designer:
Philippe Apeloig, French, born 1962  Search this
Medium:
Pen and black ink on white paper
Dimensions:
42.1 × 29.7 cm (16 9/16 × 11 11/16 in.)
Type:
graphic design
Drawing
Object Name:
Drawing
Designed in:
Paris, France
Date:
2008
Credit Line:
Gift of Philippe Apeloig
Accession Number:
2014-34-9
Restrictions & Rights:
Usage conditions apply
Copyright Notice:
© Philippe Apeloig
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq408950e75-2c9a-4831-a034-4e67b7bf1749
EDAN-URL:
edanmdm:chndm_2014-34-9

Octobre fait danser la saison, Octobre en Normandie (October Makes the Season Dance, October in Normandy)

Designer:
Philippe Apeloig, French, born 1962  Search this
Medium:
Screenprint on paper
Dimensions:
175 × 118.5 cm (5 ft. 8 7/8 in. × 46 5/8 in.)
Type:
graphic design
Poster
Object Name:
Poster
Designed in:
Paris, France
Date:
1995
Credit Line:
Gift of Philippe Apeloig in honor of Gail Davidson
Accession Number:
2015-34-1
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq4ca11fa51-afe3-4ff4-8ea2-5670bf10ce3f
EDAN-URL:
edanmdm:chndm_2015-34-1

An American in Paris, Théâtre du Châtelet

Designer:
Philippe Apeloig, French, born 1962  Search this
Medium:
Screenprint on paper
Dimensions:
149.9 × 100.3 cm (59 in. × 39 1/2 in.)
Type:
graphic design
Poster
Object Name:
Poster
Designed in:
Paris, France
Date:
2014
Credit Line:
Gift of Philippe Apeloig in honor of Gail Davidson
Accession Number:
2015-34-2
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq462e8c575-fcda-479a-ade2-b15791758608
EDAN-URL:
edanmdm:chndm_2015-34-2

Chicago, Naissance d’une métropole [Birth of a metropolis] 1872–1922

Designer:
Philippe Apeloig, French, born 1962  Search this
Printer:
Jacques London/Bedos  Search this
Publisher:
Musée D'Orsay, Paris, France  Search this
Medium:
Screenprint on paper
Dimensions:
H x W: 150 x 100 cm (59 1/16 x 39 3/8 in.)
Type:
figures
Poster
Object Name:
Poster
Designed in:
Paris, France
Date:
1987
Credit Line:
Museum purchase from General Acquisitions Endowment Fund
Accession Number:
2015-6-1
Restrictions & Rights:
Usage conditions apply
Copyright Notice:
© Philippe Apeloig
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq44c78dfb2-8d23-436f-b642-eb7eb5450b90
EDAN-URL:
edanmdm:chndm_2015-6-1

Woman Free Yourself

Designer:
Faith Ringgold, American, 1930 – 2024  Search this
Medium:
Offset lithograph on paper
Dimensions:
H x W: 61.1 × 46.2 cm (24 1/16 × 18 3/16 in.)
Type:
graphic design
Poster
Object Name:
Poster
Designed in:
New York, New York, United States
Date:
1971
Credit Line:
Museum purchase through the American Women's History Initiative Acquisitions Pool, administered by the Smithsonian American Women's History Initiative, and from the General Acquisitions Endowment Fund
Accession Number:
2022-20-1
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq404b67187-a9c7-4fb1-85d2-99cb253f9521
EDAN-URL:
edanmdm:chndm_2022-20-1

People's Flag Show

Designer:
Faith Ringgold, American, 1930 – 2024  Search this
Medium:
Offset lithograph on paper
Dimensions:
H x W: 45.7 × 61 cm (18 × 24 in.)
Type:
graphic design
Poster
Object Name:
Poster
Designed in:
New York, New York, United States
Date:
1970
Credit Line:
Museum purchase through the American Women's History Initiative Acquisitions Pool, administered by the Smithsonian American Women's History Initiative, and from the General Acquisitions Endowment Fund
Accession Number:
2022-20-2
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq4abbef66a-305e-404c-8a3e-73837dd813f2
EDAN-URL:
edanmdm:chndm_2022-20-2

United States of Attica

Designer:
Faith Ringgold, American, 1930 – 2024  Search this
Medium:
Offset lithograph on paper
Dimensions:
H x W: 55.2 × 69.9 cm (21 3/4 × 27 1/2 in.)
Type:
graphic design
Poster
Object Name:
Poster
Designed in:
New York, New York, United States
Date:
1972
Credit Line:
Museum purchase through the American Women's History Initiative Acquisitions Pool, administered by the Smithsonian American Women's History Initiative, and from the General Acquisitions Endowment Fund
Accession Number:
2022-20-3
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq41c426417-d5a6-4cb7-8cf4-72e439097892
EDAN-URL:
edanmdm:chndm_2022-20-3
Online Media:

Women Free Angela

Designer:
Faith Ringgold, American, 1930 – 2024  Search this
Medium:
Offset lithograph on paper
Dimensions:
H x W: 72.4 × 49.5 cm (28 1/2 × 19 1/2 in.)
Type:
graphic design
Poster
Object Name:
Poster
Designed in:
New York, New York, United States
Date:
1971
Credit Line:
Museum purchase through the American Women's History Initiative Acquisitions Pool, administered by the Smithsonian American Women's History Initiative, and from the General Acquisitions Endowment Fund
Accession Number:
2022-20-4
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq47111fe2c-fd8a-4981-bc7a-f015c302a9f0
EDAN-URL:
edanmdm:chndm_2022-20-4

"Vote Early Flatten the Mail Curve" handmade poster with cover

Medium:
drawing paper, Prismacolor colored pencils; micron archival ink.
Dimensions:
Height x Width: 23 1/2 × 18 in. (59.69 × 45.72 cm)
Type:
Covers & Associated Letters
Place:
Florida
Date:
September 2020
Topic:
Election Materials  Search this
Popular Culture  Search this
Contemporary (1990-present)  Search this
Credit line:
Gift of Jean Drury *Please note that the donor also created this artwork in case that needs to be reflected*
Object number:
2023.2006.1
See more items in:
National Postal Museum Collection
Data Source:
National Postal Museum
GUID:
http://n2t.net/ark:/65665/hm8f72076fd-8711-40b8-8f8c-0b5ce094361c
EDAN-URL:
edanmdm:npm_2023.2006.1

Poster of the character Old Bob playing a banjo with his mule Calamity Jane

Created by:
Unidentified  Search this
Medium:
ink on paper with linen backing
Dimensions:
H x W: 27 × 20 1/2 in. (68.6 × 52.1 cm)
Type:
posters
Place printed:
Saint Louis, Missouri, United States, North and Central America
Date:
ca. 1900
Topic:
African American  Search this
Caricature and cartoons  Search this
Instrumentalists (Musicians)  Search this
Minstrel (Music)  Search this
Minstrel shows  Search this
Stereotypes  Search this
Vaudeville  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture
Object number:
2014.63.86
Restrictions & Rights:
Public domain
Proper usage is the responsibility of the user.
See more items in:
National Museum of African American History and Culture Collection
Classification:
Memorabilia and Ephemera-Advertisements
Racist and Stereotypical Objects
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd54d067ff1-208d-464e-98a1-70f848c91906
EDAN-URL:
edanmdm:nmaahc_2014.63.86
Online Media:

Warrant to Execute Mary Stuart

Associated person:
Stuart, Mary  Search this
Elizabeth I Queen of England  Search this
Measurements:
overall: 15 in x 22 1/2 in; 38.1 cm x 57.15 cm
Object Name:
poster
Associated place:
United Kingdom: Scotland
Associated date:
1587
General subject association:
Death  Search this
England  Search this
ID Number:
ZZ.RSN83527Y04
See more items in:
Political and Military History: Political History, Womens History/Reform Movements Collection
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746b4-7f41-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_546990

Exhibition at Cooper Hewitt to Celebrate Recent Acquisitions to the Collection

Creator:
Cooper-Hewitt, National Design Museum  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Tue, 27 Feb 2024 18:27:42 +0000
Topic:
Design  Search this
See more posts:
Cooper Hewitt, Smithsonian Design Museum
Data Source:
Cooper-Hewitt, National Design Museum
EDAN-URL:
edanmdm:posts_c487ce327747e7697801e75b88783608

Superconducting Super Collider Collection

Creator:
National Museum of American History (U.S.). Division of Science, Medicine, and Society  Search this
Extent:
4 Cubic feet (8 boxes)
Type:
Collection descriptions
Archival materials
Bumper stickers
Videotapes
Photographs
Clippings
Handbills
Signs (declaratory or advertising artifacts)
Posters
Place:
Texas -- Environmental protection
Date:
1985-1992
bulk 1987-1989
Summary:
The collection was assembled by Museum curators and documents the efforts of persons in eight states to have the Superconducting Super Collider (SSC), a particle accelerator, built in their state. Also documents efforts in each state to oppose locating the SSC in their state. The collection contains correspondence, press kits, posters, signs, bumper stickers, leaflets, handbills, clippings, photographs, and a videotape.
Scope and Contents:
The collections contains materials documenting the efforts by persons in eight competing states to have the Superconducting Super Collider (SSC) built in their state, as well as efforts in each state to oppose locating the SSC within their state. The materials include correspondence, press kits, posters, signs, bumper stickers, leaflets, handbills, clippings, two photographs and one videotape.
Arrangement:
The collection is organized into nine series.

Series 1: Arizona (Ian MacPherson), 1988, undated

Subseries 1.1: Ian McPherson, 1988, undated

Series 2: Colorado (Uriel Nauenberg), 1987

Subseries 2.1: Uriel Nauenberg, 1987-1988

Series 3: Illinois, 1987-1991, undated

Subseries 3.1: Fermi National Laboratory Library/Paula Garrett, undated

Subseries 3.2: David L. Gross, 1988, undated

Subseries 3.3: Sharon Lough, 1988-1991

Subseries 3.4: Stan L. Yonkauski, undated

Series 4: Michigan, 1988-1989

Subseries 4.1: Larry Jones, 1988-1989

Series 5: New York, 1986-1990

Subseries 5.1: Gail Adair, 1987

Subseries 5.2: Mary Lou and Jim Alexander, 1986-1990

Subseries 5.3: Bill Herbert, 1987

Subseries 5.4: Doug McCuen, 1987-1988

Subseries 5.5: Brian L. Petty, 1987-1988

Series 6: North Carolina, 1987

Subseries 6.1: Bill Dunn, 1987

Series 7: Tennessee, 1987-1992

Subseries 7.1: Robert and Pat Sanders, 1987-1992

Subseries 7.2: J. Fred Weinhold, 1987

Series :, Texas, 1985-1990, undated

Subseries 8.1: Representative Joe Barton, undated

Subseries 8.2: Jean Caddel, 1986-1989

Subseries 8.3: Coby Chase, 1985-1989

Subseries 8.4: Red Oak Chamber of Commerce, 1990

Subseries 8.5: Waxahachie Chamber of Commerce, undated

Subseries 8.6: Mari Beth Williams, undated

Series 9: Miscellaneous, 1987-1988
Biographical / Historical:
The Superconducting Super Collider (SSC), if built, would have been the world's most expensive instrument for basic science. It would have allowed physicists to study the collisions of subatomic particles in conditions approximating those of the Big Bang, the beginning of the universe. The SSC design called for a 10-foot wide tunnel to be laid out in an oval pattern similar to a racetrack, approximately 53 miles in circumference and 14 miles in diameter. The tunnel, buried several hundred feet underground, would have contained nearly 10,000 superconducting magnets. Small clusters of buildings located above the tunnel were planned to house the SSC's offices, laboratories, and control facilities. All of these structures would have made the SSC the largest particle accelerator in the world and, at an estimated cost of between $4.4 and $11.8 billion, one of the largest public works projects ever undertaken in the United States.

Physicists planned to use the SSC's superconducting magnets to accelerate two streams of protons (particles with a positive electrical charge that forming part of the nucleus of an atom) to a velocity of 20 trillion electron-volts (TeV) in opposite directions within the tunnel's parallel beam tubes. They would then deflect the two streams into each other and study the particles that were created in the resulting high-speed collisions. From these events, physicists hoped to detect particles never seen before and learn more about the composition of matter.

In January 1987, President Reagan publicly declared his support for the proposed SSC, to be built under the authority of the Department of Energy (DOE). States were invited to submit site proposals for the project, and from the twenty-five states that responded, eight finalists were selected: Arizona, Colorado, Illinois, Michigan, New York, North Carolina, Tennessee, and Texas.

The huge scale of the SSC meant that it would have a significant environmental and cultural impact on the area selected. The SSC would, one source estimated, "require 16,000 acres of donated land, a flow of between 500 and 2,200 gallons of water a minute and up to 250-megawatts of power, as well as accessibility to a major airport, so the world's scientists can fly in and out."1

In many of the finalist states, opponents of the SSC organized and actively campaigned against the project. They raised issues such as the threat to uproot hundreds of people from their homes or create heavy tax and utility burdens. Opponents attended public hearings on SSC issues, distributed leaflets by mail and by hand, and conducted letter-writing campaigns to local politicians. In New York, Citizens Against the Collider Here (CATCH) was able to force the state to withdraw from the competition. Groups in other states learned from the New York group's experiences and used similar techniques in their own campaigns, sometimes adopting the name CATCH. As one CATCH activist recalled, "opponents were not against the SSC or basic sciences, however they did not believe that they should be forced out of their homes for the SSC."2

Supporters of the SSC, on the other hand, addressed the concerns of the citizens by writing editorials or distributing pamphlets responding to particular issues or questions. Prominent city officials and politicians traveled to the proposed sites to discuss the economic and scientific benefits of the SSC, and cities distributed bumper stickers supporting the project. Scientists rebuffed claims that the SSC would produce large amounts of deadly radioactivity and contaminate the entire area. Supporters promised that, "the SSC project would bring federal funding, international prestige, and jobs—starting with 4,500 construction jobs, and later 2,500 full-time research staff positions."3

In November 1988, the Department of Energy declared the winning site to be Ellis County, Texas, southwest of Dallas near the town of Waxahachie. Full-scale construction began three years later with the building of laboratory facilities for the design and manufacture of the SSC's superconducting magnets. Contractors began boring the main tunnel and several vertical access shafts in January 1993.

The anticipated tremendous costs that dogged the project eventually helped undermine it. In June 1992 and again in June 1993, the House voted to cancel funds for the SSC; both times, the Senate restored funding. However, in October 1993 the House rejected the Senate's second restoration, and President Clinton echoed Congress's decision to cancel further work on the SSC. The project received a small budget to support termination activities through 1996. Once the remaining projects were shut down and the scientists and staff dispersed, only several empty buildings in the rural Texas countryside, and fourteen miles of tunnel underneath it, remained of the once-ambitious facility.

At the National Museum of American History, planning for the Science in American Life exhibit—which would examine how science, technology, and American society have intersected over a hundred-year period—began in 1990, at the same time that preparations were being made in Texas to build the Super Collider. Early in the planning phases, Smithsonian curators decided to dedicate a section of the exhibit to the SSC. This section was intended to be a "work in progress" that would change over time as the collider was built, reflecting the current and ongoing debates over the massive machine.

The exhibition design called for using materials donated by both supporters and opponents of the SSC. Early in the exhibit's development the curators began contacting organizations and individuals who both supported and opposed the SSC, asking if they still had materials related to their efforts. Over a two-year period, the curators collected a wide range of items in more than twenty donations, ranging from bumper stickers, t-shirts and hats, to newspaper clippings, maps, and copies of state site proposals.

The design of the SSC portion of the Science in American Life exhibit became permanent with the closing of the SSC in late 1993. The SSC portion now focuses on the roles that special interest groups, protest, and grass-roots political campaigns play in large-scale scientific endeavors. Many of the donated items were included in the exhibit.

Notes

1 DeMott, John S. and J. Madeleine Nash, "Super Push for a Supercollider," Time, April 13, 1987, p. 19, Box 2, Folder 20.

2 "Alexander Narrative," a brief typescript history of the New York CATCH organization, Box 3, Folder 14.

3 Koszczuk, Jackie. "Anti-SSC Felling CATCH-es On Fast," Daily Star News (Fort Worth, Texas), September 17, 1988, p. 4, Box 2, Folder 5.
Related Materials:
When the Superconducting Super Collider entered its termination phase in 1993, the Records Management Department of the project began grouping the official records of the SSC into five "disposition packages." These packages were in various stages of being assembled, shipped, received, and processed for research use and were dispersed to: the Fort Worth Regional Federal Records Center; Fermi National Accelerator Laboratory ("Fermilab") Archives; Niels Bohr Library, Center for History of Physics, American Institute for Physics; Ronald Reagan Presidential Library; and Lawrence Berkeley National Laboratory Archives.
Provenance:
This collection was donated by individuals connected in various ways to the Superconducting Super Collider. The items were donated from personal collections, official files, and the project archives of several different institutions. The donors were Gail Adair, Mary Lou and Dr. Jim Alexander, Representative Joe Barton, Jean Caddel, Coby Chase, Bill Dunn, the Fermi National Laboratory Library, David L. Gross, Bill Herbert, Larry Jones, Sharon Lough, Uriel Nauenberg, Doug McCuen, Ian McPherson, Andrea Miller, Brian L. Petty, the Red Oak Chamber of Commerce, Pat and Dr. Robert Sanders, the Waxahachie Chamber of Commerce, J. Fred Weinhold, Mari Beth Williams, and Stan L. Yonkauski. A brief statement identifying donors and their connections to the Superconducting Super Collider accompanies each subseries in the container list.
Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Environmental impact analysis  Search this
Environmental protection -- Citizen participation  Search this
Superconducting Super Collider  Search this
NIMBY syndrome  Search this
Genre/Form:
Bumper stickers
Videotapes
Photographs -- 1980-2000
Clippings -- 20th century
Handbills
Signs (declaratory or advertising artifacts)
Posters -- 20th century
Citation:
Superconducting Super Collider Collection, 1985-1992, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.0538
See more items in:
Superconducting Super Collider Collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep886b5ecfc-c9b8-4e8c-8c4c-ee8e1622a6d9
EDAN-URL:
ead_collection:sova-nmah-ac-0538
Online Media:

Build High Speed Rail Not a Proton Superhighway (poster)

Collection Creator:
National Museum of American History (U.S.). Division of Science, Medicine, and Society  Search this
Container:
Map-folder 1
Type:
Archival materials
Date:
undated
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Superconducting Super Collider Collection, 1985-1992, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Superconducting Super Collider Collection
Superconducting Super Collider Collection / Series 8: Texas / 8.2: Jean Caddel
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8798a8887-ef66-4a98-b76c-35d0be81cd81
EDAN-URL:
ead_component:sova-nmah-ac-0538-ref225

Superconducting Super Collider Is a Big Lie (poster)

Collection Creator:
National Museum of American History (U.S.). Division of Science, Medicine, and Society  Search this
Container:
Map-folder 1
Type:
Archival materials
Date:
undated
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Superconducting Super Collider Collection, 1985-1992, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Superconducting Super Collider Collection
Superconducting Super Collider Collection / Series 8: Texas / 8.2: Jean Caddel
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep80f624845-0b05-4b12-8459-0c5dfb7933e6
EDAN-URL:
ead_component:sova-nmah-ac-0538-ref226

Stop the Superconducting Super Collider, Low Level Radiation Kills (poster)

Collection Creator:
National Museum of American History (U.S.). Division of Science, Medicine, and Society  Search this
Container:
Map-folder 1
Type:
Archival materials
Date:
undated
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Superconducting Super Collider Collection, 1985-1992, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Superconducting Super Collider Collection
Superconducting Super Collider Collection / Series 8: Texas / 8.2: Jean Caddel
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8f5decd91-7ec5-4503-8227-3910fd6c1493
EDAN-URL:
ead_component:sova-nmah-ac-0538-ref227

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