Constable, W. G. (William George), 1887-1976 Search this
Container:
Box 8, Folder 38
Type:
Archival materials
Date:
1945
Collection Restrictions:
Use of original papers requires an appointment. Glass plate negatives are housed separately and not served to researchers.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
W.G. Constable papers, 1905-1983, bulk 1920-1976. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Terra Foundation for American Art. Digitization of this collection was funded by the Samuel H. Kress Foundation. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.
"CHRISTIAN GULLAGER, PORTRAIT PAINTER TO FEDERAL AMERICA." Exhibition Dates: May 12 through September 5, 1976
Collection Creator::
National Portrait Gallery (Smithsonian Institution). Office of Exhibitions Search this
Type:
Archival materials
Note:
This exhibition illuminated the career of the Copenhagen native, Christian Gullager (1759-1826), who came to the United States in the mid-1780s, where he spent
the rest of his life, recording many leaders of the United States, wealthy and distinguished United States citizens --clergymen, lawyers, military men, doctors, judges, merchants
and statesmen. These exhibition records consist of photographs of thirty portraits shown in the exhibition. The portraits span Christian Gu!lager's career from 1782 to about
1808. There are also correspondence, memoranda, exhibition scripts, captioned labels, biographical profiles of the subjects painted by Christian Gullager, loan agreements
and news releases. Marvin Sadik was curator of this exhibition.
Collection Citation:
Smithsonian Institution Archives, Record Unit 361, National Portrait Gallery (Smithsonian Institution), Office of Exhibitions, Exhibition Records
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Linda Nochlin papers, circa 1876, 1937-2017. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing of this collection received Federal support from the Collections Care Initiative Fund, administered by the Smithsonian American Women's History Initiative and the National Collections Program.
"HENRY BENBRIDGE: AMERICAN PORTRAIT PAINTER." Exhibition Dates: April 2 through May 16, 1971
Collection Creator::
National Portrait Gallery (Smithsonian Institution). Office of Exhibitions Search this
Type:
Archival materials
Note:
This was the first major exhibition ever devoted to the portraits of Henry Benbridge (1743-1812), one of the comparatively little-known painters of the American
Revolutionary period, whose major activity was in Charleston, South Carolina. Included in this series are National Portrait Gallery correspondence, exhibition notes, scripts,
floor designs and plans, loan agreements and photographs of Henry Benbridge paintings. The exhibition was curated by Robert Stewart of the NPG staff.
Collection Citation:
Smithsonian Institution Archives, Record Unit 361, National Portrait Gallery (Smithsonian Institution), Office of Exhibitions, Exhibition Records
This collection is temporarily closed to researchers due to archival processing. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Writings by Patricia Hills: The donor has retained all intellectual rights, including copyright, that she may own.
Collection Citation:
Patricia Hills Papers, circa 1900-2022, bulk 1968-2009. Archives of American Art, Smithsonian Institution.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Lilly Martin Spencer papers, 1828-1966. Archives of American Art, Smithsonian Institution.
Sponsor:
The collection was digitized in 2022 with funding provided by the Lichtenstein Foundation and the Terra Foundation for American Art
Use of original papers requires an appointment and is limited to the Archives' research center in Washington, D.C.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Violet Oakley papers, 1941-1981. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Thomas Seir Cummings papers, circa 1824-1983, bulk circa 1824-1894. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art and The Walton Family Foundation
1440 early American portrait artists (1663-1860) : (preliminary volume) / compiled by the New Jersey Historical Records Survey Project, Division of Professional and Service Projects, Research and Records Section, Work Projects Administration ; sponsored by New Jersey State Planning Board
Author:
New Jersey Historical Records Survey Project Search this
Child, Sargent B (Sargent Burrage) 1900- Search this
1440 early American portrait artists, (1663-1860) : (preliminary volume) / compiled by the New Jersey Historical Records Survey Project, Division of Professional and Service Projects, Research and Records Section, Work Projects Administration ; sponsor...
Creator:
New Jersey Historical Records Survey Project Search this
Newark, N.J. : The Historical Records Survey, 1940.
General:
At head of title: American portrait inventory.
Original typewritten copy, heavily corrected and annotated.
Provenance:
Donated to the Archives by Louis Cohen of the Argosy Book Shop in May 1958. Mr. Cohen included a note: "This copy of '1440' came to Argosy Book Shop from the library of Harry M. Bland. The pencil handwriting on opp. p. 23 appears to be that of Theodore Bolton."
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Permission to publish, quote, or reproduce must be secured from the repository.
Collection Citation:
Charles Lang Freer Papers. FSA A.01. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of the estate of Charles Lang Freer.
6 artists paint a portrait, Alfred Chadbourn, George Passantino, Charles Reid, Ariane Beigneux, Robert Baxter, Ann Toulmin-Rothe / edited by Charles M. Daugherty