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Howard W. and Jean Lipman papers

Creator:
Lipman, Howard, 1905-1992  Search this
Names:
Calder, Alexander, 1898-1976  Search this
Gaylor, Wood, 1883-1957  Search this
Huge, Jurgan Frederick, 1809-1878  Search this
Lipman, Jean, 1909-1998  Search this
Porter, Rufus, 1792-1884  Search this
Smith, David, 1906-1965  Search this
Extent:
46.6 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1848, 1916-2000
Summary:
The Howard W. and Jean Lipman papers measure 46.6 linear feet and span the years 1916 to 2000, with one brochure maintained in a research file dating to 1848. The bulk dates for the collection are 1932 to 1992. The papers primarily concern the art collecting activities and interests of the Lipmans which included modern American sculpture, American folk art, and other contemporary American paintings. Found within the papers are correspondence files, notes and printed material that served as research and reference material, along with financial material. The collection also contains writings, notes, and editorial material used by Jean Lipman in her dual roles as an editor for Art in America magazine and as a respected art critic and author.
Scope and Content Note:
The Howard W. and Jean Lipman papers measure 46.6 linear feet and span the years 1916 to 2000. A copy of an 1848 brochure, retained by Jean Lipman in her research and writings files accounts for the early span date listed in the title of the collection. The bulk dates for the collection are 1932 to 1992. The records include correspondence, notes and printed material that served as research and reference material, along with some financial material that documents the art collecting activities and interests of the Lipmans. The collection also contains writing and editorial material used by Jean Lipman in her dual roles as an editor for Art in America magazine and as a respected author.

The Personal Files describe the social activities and associations of the Lipmans and include biographical information, personal and family correspondence, gift giving activities, the art career of Jean Lipman, and relationships maintained by the Lipmans with various art organizations.

The Howard and Jean Lipman Art Collection Files describe the art collecting activities and interests of the Lipmans throughout their lifetime. The General Files section consists of reference files on art organizations and galleries with whom the Lipmans maintained relationships. Also included are particular topics or exhibitions of interest to the Lipmans. The Sculptors and Painters of Interest section served as reference files about the activities of artists in whom the Lipmans were interested and whose works they owned, or considered owning. The Folk Art Collection section documents the collecting and purchasing activities of the Lipmans as they amassed and then subsequently sold their two significant folk art collections.

The Artists Files document the friendship and projects that developed between the Lipmans and three major American artists: Alexander Calder, Louise Nevelson, and David Smith. Of special interest to researchers will be some original Calder artwork mixed into the correspondence between the Lipmans and Calder, as well as drawings, sketches, prints, and posters found in the associated oversize folder. Also found in the Calder subseries are some proofs from Calder's Circus, edited by Jean Lipman.

The Research and Writing Files is divided into five sections dealing with research and writing projects undertaken by Jean Lipman. The first three sections deal with biographical projects that resulted in books or articles about three significant American primitive artists: Jurgan Frederick Huge, Rufus Porter, and Samuel Wood Gaylor. The fourth section deals with writing projects that resulted in the publication of several generalized books on the topic of American folk art. The final section consists of materials associated with the published articles and other authored works of Jean Lipman on a variety of American art topics.

The Art in America Editorial Files consists of editorial material maintained by Jean Lipman during her tenure (1941-1971) as editor of Art in America. The Financial Files reflect the early financial activities of the magazine during the brief period when the Lipmans owned it.

During the period that Jean Lipman served as editor, a variety of distinguished art historians, artists, architects, novelists, and poets contributed articles, columns, or artwork to the magazine. A sampling of correspondents that can be found in the general correspondence of this series include: Joseph Albers, Marcel DuChamp, John Dos Passos, Nelson Rockefeller, Charles Sheeler, and Andrew Wyeth. The General Correspondence Files also document the two subsequent changes of ownership and the growth of subscribers that occurred during the period of Lipman's editorship.

Editorial material related to individual magazine issues is found within this series, as well as information pertaining to the innovative advertising and special projects undertaken by the magazine as it sought to expand its readership and prestige. The Art in America series also chronicles the changes at the magazine that led to Lipman's resignation as editor in 1971.
Arrangement:
The collection is arranged as five series. Arrangement is generally alphabetical by subject heading or type of material. Items within folders are arranged chronologically by year.

Series 1: Personal Files (Boxes 1-3; 3 linear ft.)

Series 2: Howard and Jean Lipman Art Collection (Boxes 3-15; 12 linear ft.)

Series 3: Artists Files (Boxes 15-18, 46-47, OV 50-52; 3.6 linear ft.)

Series 4: Research and Writings Files (Boxes 18-28, 48; OV 50, 53; 10.3 linear ft.)

Series 5: -- Art in America -- Editorial Files (Boxes 28-45; 49, OV 50; 17.3 linear ft.)
Biographical Note:
Howard W. and Jean Lipman shared a lifetime sponsorship of art. The Lipmans' personal art collection, acquired throughout their marriage, was eventually divided into three separate parts: The Howard W. Lipman Foundation collection that was donated and merged into the modern sculpture holdings of the Whitney Museum of American Art; an American folk art collection that was later sold through two separate auctions in 1950 and 1981 and is now part of the holdings of the New York Historical Association and the Museum of American Folk Art; and a personal collection that was retained and displayed in the Lipmans' various residences in Connecticut, New York, and Arizona.

Married in 1933, the Lipmans began jointly collecting American folk art at a time when few art museums or institutions recognized the historical and artistic value of early primitive, self-taught artists. By the late 1940s, the Lipmans had amassed a large, significant collection that was highly regarded for its quality and scope.

During the early 1950s, the Lipmans also began actively collecting sculpture, focusing upon American contemporary sculptors. In the late 1950s they created the Howard W. Lipman Foundation, with an initial inventory of forty sculptures and three paintings by contemporary American artists. The purpose of the foundation was to acquire significant works by emerging American sculptors and to make them available through loans or donations to various art institutions.

In 1965 the Howard W. Lipman Foundation approached the Whitney Museum of American Art with a proposal to coordinate the foundation's efforts and goals with the museum's contemporary sculpture program. The foundation offered a majority of its growing collection of sculpture and acquisition funds towards the development of the evolving permanent collection of the Whitney Museum of American Art. Thereafter, the Howard W. Lipman Foundation served in an advisory role to the museum's acquisitions, and the foundation supplied the necessary funds to acquire works of sculpture desired by the Whitney for its permanent collection.

In addition to their folk art and foundation collections, the Lipmans also acquired important works by Alexander Calder, Louise Nevelson, and David Smith, through their lifelong association and friendship with these artists. Many of these pieces were retained in the Lipmans' personal collection throughout their lives.

Individually the Lipmans also expressed their interest in art through various means. Jean Lipman served as editor of Art in America magazine from 1940 to 1970, which provided her with continuous exposure to emerging artists and trends in American art. Jean Lipman's abiding interest in folk and contemporary art was also expressed through her voluminous writings. Throughout her life she wrote and edited highly acclaimed books and articles about major themes and artists in American art, and she was a recognized folk art authority and connoisseur. Some of her best known works include: The Flowering of American Folk Art; Rufus Porter, Yankee Wall Painter; and Calder's Universe.

Jean Lipman, born in 1909, was also an amateur artist in her later years, creating paintings and assemblages that often dealt with the theme of "art about art." She was represented by a gallery in New York City, as well as one in Arizona, and she had several solo exhibitions.

Howard W. Lipman, born in 1905, showed an early interest in art. By the mid 1920s he had gone to Paris to study painting, but Lipman found himself more attracted to sculpture and he began studying with a German wood carver. In the late 1930s, after returning to the New York City area, Lipman began stone carving with the Clay Club on Eighth Street, adjacent to the Whitney Museum of American Art. He was represented by a New York City gallery and participated in local exhibitions.

Deciding that his sculptural talent was not sufficient for professional pursuit, Lipman began his business career as a stockbroker in Neuberger and Berman, a prominent New York investment management firm that he helped to establish in 1939. Lipman subsequently channeled his artistic endeavors toward collecting and supporting the work of established and emerging American sculptors. He also served on the boards of both the Whitney Museum of American Art and the Archives of American Art.

Howard and Jean Lipman maintained long and close relationships with three prominent American artists: Alexander Calder, Louise Nevelson, and David Smith. Jean Lipman, in particular, was involved in promoting and documenting Calder and his works through numerous articles, books, and exhibitions that she helped produce as editor of the magazine Art in America and publications director for the Whitney Museum of American Art. Calder's Universe, which she edited to accompany a major Whitney Museum of American Art retrospective exhibition of his works in 1976, was considered by Calder to be his "official" biography. The book went to fourteen printings, one of the largest ever, in the history of art books.

The Lipmans were also great admirers of Louise Nevelson and her work. They purchased her artwork for their own collection, as well as donating pieces to various art museums and institutions. Jean Lipman wrote articles about Nevelson and edited the book, Nevelson's World.

David Smith and the Lipmans established a friendship in the late 1950s that lasted until Smith's untimely death in May 1965. The Lipmans purchased several Smith sculptures, which they placed on the grounds of their Wilton, Connecticut, home. They also purchased Smith works for donation to public institutions, such as the Lincoln Center for the Performing Arts.

The Lipmans retired to Carefree, Arizona, a private residential community renowned for its sensitivity to ecologically-based, architectural design. Howard Lipman died in 1992. Jean Lipman remained active in art and community affairs until her death in 1998.
Provenance:
The papers of Howard and Jean Lipman were initially donated to the Archives of American Art by Howard and Jean Lipman from 1965-1989. Subsequent additions to the original gift were made by Jean Lipman in 1998 and by Peter and Beverly Lipman in 2001. Several small portions of these early accessions were microfilmed.

An associated gift that was originally accessioned as the Art in America Magazine Records was made by Howard and Jean Lipman from 1970-1973. This group, which largely consisted of Jean Lipman's editorial files from her years as editor of the magazine, was subsequently merged with the Howard W. and Jean Lipman records in 2004.
Restrictions:
The collection is open for research. Use requires an appointment.
Rights:
The Howard W. and Jean Lipman papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art -- Collectors and collecting -- New York (State) -- New York  Search this
Art, Primitive  Search this
Art -- Collectors and collecting  Search this
Folk art -- United States  Search this
Sculptors  Search this
Sculpture, Modern -- 20th century -- United States  Search this
Citation:
Howard W. and Jean Lipman papers, 1848, 1916-2000. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.lipmhowa
See more items in:
Howard W. and Jean Lipman papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-lipmhowa
Additional Online Media:

Rufus Porter writings, 1825-1846

Creator:
Porter, Rufus, 1792-1884  Search this
Type:
Writings
Topic:
Scientists  Search this
Art and science  Search this
Art literature  Search this
Art  Search this
Record number:
(DSI-AAA_CollID)8185
(DSI-AAA_SIRISBib)210356
AAA_collcode_portrufu
Theme:
Ephemera, Miscellany, and General Art Related
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210356

Parlor frescoes at Prescott Tavern in East Jeffrey, N.H.

Photographer:
Porter, Rufus, 1792-1884  Search this
Type:
Photographs
Place:
East Jeffrey, N.H.
Date:
ca. 1824
Topic:
Folk art  Search this
Record number:
(DSI-AAA)10320
See more items in:
Howard W. and Jean Lipman papers, 1848, 1916-2000
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_10320

Aerial Navigation Company Stock Certificate [Rufus Porter]

Creator:
Porter, Rufus, 1792-1884  Search this
Names:
Aerial Navigation Co  Search this
Extent:
0.05 Cubic Feet ((1 folder))
Type:
Archival materials
Collection descriptions
Stock certificates
Date:
bulk 1852
Scope and Contents:
This collection consists of one 7.75 x 5 inch {dollar}5 stock certificate in Aerial Navigation Company, No. 779, dated 19 June 1852, to N. C. Brazeal. The certificate has been mounted.
Biographical / Historical:
Rufus Porter (1792-1884) was an artist, musician, teacher, inventor, and the founder of Scientific American magazine. In 1852 he tried to sell {dollar}5 shares of stock in Aerial Navigation Company to fund an "aeroport" or dirigible to carry passengers between New York and California. However, a tornado, vandalism by "rowdy visitors" at the unveiling, and the disintegration of the canvas caused by the varnish eroded his funds for that venture.
Provenance:
Julia Hobson Mills, Gift, 1939
Restrictions:
No restrictions on access.
Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests
Topic:
Aeronautics  Search this
Transcontinental flights -- United States  Search this
Genre/Form:
Stock certificates
Citation:
Aerial Navigation Company Stock Certificate [Rufus Porter], Accession XXXX-1028, National Air and Space Museum, Smithsonian Institution.
Identifier:
NASM.XXXX.1028
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_collection:sova-nasm-xxxx-1028

Rufus Porter Collection

Creator:
Porter, Rufus, 1792-1884  Search this
Names:
Aerial Locomotive (Airship)  Search this
Extent:
0.01 Cubic Feet (1 folder)
Type:
Archival materials
Collection descriptions
Publications
Booklets
Date:
1826
1849
Summary:
This donation consists of the two booklets written by Rufus Porte on aerial navigation.
Scope and Contents:
This donation consists of the following two booklets written by Rufus Porter: 1) 'Select Collection of Valuable and Curious Arts and Interesting Experiments which are well Explained, and Warranted genuine, and may be Performed Easily, Safely and At Little Expense,' Concord (New Hampshire), J.B. Moore Printers, 1826; and 2) Aerial navigation: The Practicability of Traveling Pleasantly and Safely from New York to California in Three Days, Fully Demonstrated: With a Full Description of a Perfect Aerial Locomotive, with Estimates of Capacity Speed and Cost of Construction,' New-York, Published by H. Smith, John Hall Printer, 222 Water Street, 1849.
Arrangement:
This collection is arranged at the item level. One of the two items has been digitized.
Biographical/Historical note:
Rufus Porter (1792-1889) was the inventor of an airship 'the Aerial Locomotive' in the early 19th century. The original design for the airship was produced in 1820. In 1850 Porter organized a stock company to obtain funds for experimental purposes that failed to receive sufficient funds. Porter also invented a revolver, a horse power wood sawing apparatus and other mechanical devices. He was publisher of 'The New York Mechanic' and one of the founders of 'Scientific American.'
Provenance:
Robert B. Stephens, Gift, 1991, NASM.1991.0033
Restrictions:
No restrictions on access
Rights:
• Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Topic:
Aeronautics  Search this
Aeronautics -- pre-1903  Search this
Navigation (Aeronautics)  Search this
Airships -- pre-1903  Search this
Airships  Search this
Genre/Form:
Publications
Booklets
Citation:
Rufus Porter Collection, NASM.1991.0033, National Air and Space Musuem, Smithsonian Institution.
Identifier:
NASM.1991.0033
See more items in:
Rufus Porter Collection
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_collection:sova-nasm-1991-0033
Additional Online Media:

Select Collection of Valuable and Curious Arts and Interesting Experiments which are well Explained, and Warranted genuine, and may be Performed Easily, Safely and At Little Expense

Collection Creator:
Porter, Rufus, 1792-1884  Search this
Type:
Archival materials
Date:
1826
Collection Restrictions:
No restrictions on access
Collection Rights:
• Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Rufus Porter Collection, NASM.1991.0033, National Air and Space Musuem, Smithsonian Institution.
See more items in:
Rufus Porter Collection
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_component:sova-nasm-1991-0033-ref505

Aerial navigation: The Practicability of Traveling Pleasantly and Safely from New York to California in Three Days, Fully Demonstrated: With a Full Description of a Perfect Aerial Locomotive, with Estimates of Capacity Speed and Cost of Construction

Collection Creator:
Porter, Rufus, 1792-1884  Search this
Type:
Archival materials
Date:
1849
Collection Restrictions:
No restrictions on access
Collection Rights:
• Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Rufus Porter Collection, NASM.1991.0033, National Air and Space Musuem, Smithsonian Institution.
See more items in:
Rufus Porter Collection
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_component:sova-nasm-1991-0033-ref506

Rufus Porter, Yankee wall painter / by Jean Lipman

Author:
Lipman, Jean 1909-  Search this
Subject:
Porter, Rufus 1792-1884  Search this
Physical description:
p. [131]-200 : ill., map ; 28 cm
Type:
Books
Date:
1950
Call number:
N40.1.P84 L7r 1950
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_469214

Aerial navigation : the practicability of traveling pleasantly and safely from New-York to California in three days / by Rufus Porter

Author:
Porter, Rufus 1792-1884  Search this
Physical description:
16 p. : ill. ; 22 cm
Type:
Books
Date:
1900
1849
[1900?]
Topic:
Airships  Search this
Navigation (Aeronautics)  Search this
Call number:
TL654.P67 A3 1849a
TL654.P67A3 1849a
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_261610

Rufus Porter rediscovered : artist, inventor, journalist, 1792-1884 / Jean Lipman ; foreword by Gerard Piel ; foreword to the 1980 edition by John I. H. Baur

Author:
Lipman, Jean 1909-  Search this
Subject:
Porter, Rufus 1792-1884  Search this
Physical description:
197 p. : ill. ; 29 cm
Type:
Biography
Place:
United States
Date:
1980
C1980
Topic:
Painters  Search this
Inventors  Search this
Journalists  Search this
Call number:
CT275.P6844 L56 1980X
CT275.P6844L56 1980X
N40.1.P84L7 1980
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_128599

Aerial navigation; The practicability of traveling pleasantly and safely from New York to California in three days, by Rufus Porter. With an introduction by Lieutenant-Commander H. V. Wiley. Illustrated with three colored lithographs issued as burlesques in 1849 by N. Currier and A. Donnelly

Author:
Porter, Rufus 1792-1884  Search this
Kennedy, Lawton 1900-1980  Search this
Physical description:
3 p. l., iii, 21, [1] p., 1 l. fold. col. front., illus. (1 col.) fold col. pl. 25 cm
Type:
Books
Date:
1935
Topic:
Airships  Search this
Call number:
TL654.P67 A3X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_180722

Rufus Porter and his aeroport / by Thomas B. Settle

Author:
Settle, Thomas B  Search this
Hudson River Museum  Search this
Subject:
Porter, Rufus 1792-1884  Search this
Physical description:
16 p. : ill. ; 28 cm
Type:
Books
Date:
1980
[1980]
Topic:
Airships  Search this
Call number:
TL654.P67 S49
TL654.P67S49
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_193862

Rufus Porter, Yankee pioneer [by] Jean Lipman. Foreword by Gerard Piel. Pref. by John I.H. Baur

Author:
Lipman, Jean 1909-  Search this
Subject:
Porter, Rufus 1792-1884  Search this
Physical description:
ix, 202 p. illus. (part col.), coat of arms, facsims., ports. 29 cm
Type:
Books
Date:
1968
[1968]
Call number:
ND237.P84 L7
N40.1.P84 L7
ND237.P84L7
N40.1.P84L7
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_22336

A Yankee inventor's flying ship; two pamphlets. Edited by Rhoda R. Gilman

Author:
Porter, Rufus 1792-1884  Search this
Physical description:
51 p. illus. (part col.), facsims., ports. 17 x 24 cm
Type:
Books
Date:
1969
Topic:
Airships  Search this
Call number:
TL654.P67 P847
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_3265

Folk art murals of the Rufus Porter school : New England landscapes, 1825-1845 / Linda Carter Lefko and Jane E. Radcliffe

Author:
Lefko, Linda Carter  Search this
Radcliffe, Jane E  Search this
Subject:
Porter, Rufus 1792-1884 Select collection of valuable and curious arts, and interesting experiments  Search this
Porter, Rufus 1792-1884 Influence  Search this
Physical description:
256 p. : ill. ; 32 cm
Type:
Books
Place:
New England
Date:
2011
C2011
19th century
Topic:
Mural painting and decoration, American  Search this
Landscape painting, American  Search this
Landscapes in art  Search this
Folk art--Themes, motives  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_986194

The President's House, (painting)

Painter:
Porter, Rufus 1792-1884  Search this
Medium:
Watercolor on plaster
Type:
Paintings
Owner/Location:
White House 1600 Pennsylvania Avenue, N.W Washington District of Columbia 20500 Accession Number: 992.1717.1
Date:
Ca. 1824
Topic:
Cityscape--District of Columbia--Washington  Search this
Architecture exterior--Civic--White House  Search this
Control number:
IAP 08930303
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_436183

Reuben Bacon (1788-1857), (painting)

Painter:
Porter, Rufus 1792-1884 (attributed to)  Search this
Subject:
Bacon, Reuben  Search this
Medium:
Watercolor on paper
Type:
Paintings
Date:
1830-1835
Topic:
Portrait male--Bust  Search this
Occupation--Political--Senator  Search this
Control number:
IAP 80046748
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_453558

Greenleaf - Plummer - Bartlett Family of Massachusetts, (painting)

Painter:
Porter, Rufus 1792-1884  Search this
Subject:
Greenleaf, William  Search this
Plummer, Hiram  Search this
Plummer, Hiram, Mrs. (Eliza Greenleaf)  Search this
Bartlett, Charles L  Search this
Bartlett, Charles L., Mrs. (Harriet Plummer)  Search this
Medium:
Watercolor on paper
Type:
Paintings
Owner/Location:
Anonymous Collection
Topic:
Portrait male--Profile  Search this
Portrait female--Profile  Search this
Control number:
IAP 9D640326
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_457547

Probably Phoebe Parkhurst Mann, (painting)

Painter:
Porter, Rufus 1792-1884 (attributed to)  Search this
Subject:
Mann, Solomon, Mrs. (Phoebe Parkhurst)  Search this
Medium:
Watercolor, pen and ink, ink wash, and graphite on paper
Type:
Paintings
Owner/Location:
Dartmouth College Hood Museum of Art Hanover New Hampshire 03755 Accession Number: 2009.73.1
Date:
Ca. 1822-1824
Topic:
Portrait female--Profile  Search this
Portrait female--Bust  Search this
Dress--Accessory--Hat  Search this
Control number:
IAP 30662037
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_458517

Probably Solomon Mann (1768/69-1825), (painting)

Painter:
Porter, Rufus 1792-1884 (attributed to)  Search this
Subject:
Mann, Solomon  Search this
Medium:
Watercolor, pen and ink, ink wash, and graphite on paper
Type:
Paintings
Owner/Location:
Dartmouth College Hood Museum of Art Hanover New Hampshire 03755 Accession Number: 2009.73.2
Date:
Ca. 1822-1824
Topic:
Portrait male--Profile  Search this
Portrait male--Bust  Search this
Control number:
IAP 30662038
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_458518

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