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Erwin Panofsky letter to Walter F. Friedlaender, New York, N.Y.

Creator:
Panofsky, Erwin, 1892-1968  Search this
Friedlaender, Walter F., 1873-1966  Search this
Type:
Correspondence
Date:
1949 Nov. 21
Topic:
Art historians  Search this
Record number:
(DSI-AAA)11894
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Erwin Panofsky papers, 1904-1990, bulk, 1920-1968
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_11894

Erwin Panofsky letter to G. J. Hoogewerff

Creator:
Panofsky, Erwin, 1892-1968  Search this
Hoogewerff, G. J., Professor  Search this
Type:
Correspondence
Date:
1955 May 23
Record number:
(DSI-AAA)17165
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Erwin Panofsky papers, 1904-1990, bulk, 1920-1968
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_17165
Additional Online Media:

G. J. Hoogewerff, Florence, Italy letter to Erwin Panofsky, Princeton, N.J.

Creator:
Hoogewerff, G. J., Professor  Search this
Panofsky, Erwin, 1892-1968  Search this
Type:
Correspondence
Date:
1955 Jul. 30
Record number:
(DSI-AAA)17166
See more items in:
Erwin Panofsky papers, 1904-1990, bulk, 1920-1968
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_17166

G. J. Hoogewerff, Florence, Italy letter to Erwin Panofsky

Creator:
Hoogewerff, G. J., Professor  Search this
Panofsky, Erwin, 1892-1968  Search this
Type:
Correspondence
Date:
1957 Sept. 5
Record number:
(DSI-AAA)17167
See more items in:
Erwin Panofsky papers, 1904-1990, bulk, 1920-1968
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_17167

G. J. Hoogewerff, Florence, Italy letter to Erwin Panofsky

Creator:
Panofsky, Erwin, 1892-1968  Search this
Hoogewerff, G. J., Professor  Search this
Type:
Correspondence
Date:
1957 Sept. 16
Record number:
(DSI-AAA)17168
See more items in:
Erwin Panofsky papers, 1904-1990, bulk, 1920-1968
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_17168

G. J. Hoogewerff, Florence, Italy letter to Erwin Panofsky

Creator:
Hoogewerff, G. J., Professor  Search this
Panofsky, Erwin, 1892-1968  Search this
Type:
Correspondence
Date:
1961
Record number:
(DSI-AAA)17169
See more items in:
Erwin Panofsky papers, 1904-1990, bulk, 1920-1968
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_17169
Additional Online Media:

Milton Wolf Brown papers

Creator:
Brown, Milton Wolf (Milton Wolf), 1911-1998  Search this
Names:
Archives of American Art  Search this
Armory Show 50th anniversary exhibition (1963 : New York, N.Y.)  Search this
Brooklyn College -- Faculty  Search this
Century Association (New York, N.Y.)  Search this
City University of New York -- Faculty  Search this
Whitney Museum of American Art  Search this
Brown, Blanche  Search this
Lawrence, Jacob, 1917-2000  Search this
Lozowick, Louis, 1892-1973  Search this
Lynes, Russell, 1910-1991  Search this
Meltzoff, Stanley  Search this
Panofsky, Erwin, 1892-1968  Search this
Prendergast, Charles, 1863-1948  Search this
Prendergast, Maurice Brazil, 1858-1924  Search this
Sachs, Paul J. (Paul Joseph), 1878-1965  Search this
Extent:
26 Linear feet
Type:
Archival materials
Collection descriptions
Travel diaries
Articles
Interviews
Essays
Drafts (documents)
Transcripts
Photographs
Notebooks
Lectures
Scripts (documents)
Date:
1908-1998
Summary:
The papers of art historian and educator Milton Wolf Brown date from 1908 to 1998 and measure 26.0 linear feet. The collection documents Brown's career through scattered biographical material, correspondence with friends, publishers, colleagues, artists, museums, and art organizations, travel journals, files for the Prendergast Catalogue Raisonne Project, exhibition, research, teaching, and organization files, printed material, and scattered photographs. A large portion of this collection consists of writings by Brown including notebooks, draft writings for books and other publications, lectures, and his writings as a student.
Scope and Content Note:
The papers of art historian and educator Milton Wolf Brown date from 1908 to 1998 and measure 25.8 linear feet. The collection documents Brown's career through scattered biographical material, correspondence with friends, publishers, colleagues, artists, museums, and art organizations, travel journals, files for the Prendergast Catalogue Raisonne Project, exhibition, research, teaching, and organization files, printed material, and scattered photographs. A large portion of this collection consists of writings by Brown including notebooks, draft writings for books and other publications, lectures, and his writings as a student.

Biographical material includes academic records, travel documents, financial documents, Brown's military records, and a transcript of a 1997 interview. Correspondence is with students, museums, universities, publishers, art organizations, and others. The bulk of these letters document Brown's professional activities, but also found are scattered letters from friends, artists, and colleagues such as Russell Lynes, Stanley Meltzoff, Louis Lozowick, Erwin Panofsky, and Paul Sachs.

This collection also contains 33 detailed travel journals written primarily by Milton Brown's wife, Blanche, documenting their travels in Europe, the United States, and other parts of the world. Within the writings series are notebooks from the period that Brown was a student and while traveling in Europe in 1959 and 1960; book project files, which include draft writings as well as related correspondence, research material, notes, photographs and other material. Files are found for American Art: Painting, Sculpture, Architecture, Decorative Arts, Photography (1979), American Painting, From the Armory Show to the Depression (1955), The Story of the Armory Show (1963, 1988 2nd ed.), and other books. Among the writings are files for lectures written by Brown; essays, articles, and scripts written for various publications; general research notes and student writings; and writings by others sent to Brown for review and feedback.

Brown maintained a set of files documenting his work on the Prendergast Catalogue Raisonne Project, which consist of correspondence, drafts, reports, and research materials, including notes on twenty meetings with Mrs. Prendergast. Exhibition files document Brown's work as curator on several major exhibitions, including a Jacob Lawrence exhibition at the Whitney Museum, and his contributions to others. Also found here are three interviews of Milton Brown and Marcel Duchamp concerning the 50th Anniversary of the Armory Show and anniversary exhibition. Research files include notes, research material, and printed material on various art-related subjects that were maintained by Milton and Blanche Brown for regular use for lectures, teaching, and writing projects. Brown's teaching files contain scattered lecture notes, syllabi, correspondence, faculty records, and other materials from his time at CUNY, Brooklyn College, and other visiting professorships. Organization Files contain correspondence, reports, planning documents, and event materials. These records document his membership or advisory role in various organizations such as the Archives of American Art and Century Association.

This collection also contains printed material, such as exhibition announcements, newsletters, brochures, journals, event programs, and magazine and newspapers clippings compiled by Brown. Scattered photographs include nine photographs of Milton Brown, a few photographs of friends, and photographs of artwork.
Arrangement:
The collection is arranged as 11 series:

Series 1: Biographical Material, circa 1932-1998 (Box 1; 0.3 linear feet)

Series 2: Correspondence, 1908, 1934-1998 (Boxes 1-3; 1.8 linear feet)

Series 3: Travel Journals, 1941-1996 (Boxes 3-4; 1.6 linear feet)

Series 4: Writings, circa 1929-1990s (Boxes 4-13, 25; 8.7 linear feet)

Series 5: Prendergast Catalogue Raisonne Project, circa 1952-1990 (Boxes 13-14, 25; 1.8 linear feet)

Series 6: Exhibition Files, 1962-circa 1997 (Boxes 14-16, 28; 2.0 linear feet)

Series 7: Research Files, circa 1930s-1986 (Boxes 16-19; 3.0 linear feet)

Series 8: Teaching Files, circa 1946-1993 (Boxes 19-21; 2.0 linear feet)

Series 9: Organization Files, 1959-1995 (Boxes 21-22; 1.3 linear feet)

Series 10: Printed Material, 1925-1990s (Boxes 22-24, 26, 27; 3.2 linear feet)

Series 11: Photographs, circa 1956-1990s (Boxes 25, 27; 0.2 linear feet)
Biographical Note:
Milton Wolf Brown (1911-1998) was an art historian and educator in New York City.

Known to his friends as "Mainey," Brown was born in Brooklyn, New York, in 1911. At a young age he intended to be a painter and studied with Louis Lozowick. However, instead of attending art school, he entered New York University to study education and eventually received his master's and doctorate in art history from the Institute of Fine Arts. While there he took courses with Walter Friedlander, Erwin Panofsky, and Mayer Schapiro. He also received fellowships to the Courtauld Institute of Art in 1934 and Brussels in 1937, and studied from 1938-1939 at the Fogg Art Museum at Harvard University. In 1938 he married fellow student Blanche Levine. After serving in World War II, he began teaching in the art department at Brooklyn College in 1946. There he developed a specialization in American art history and his doctoral dissertation, American Painting from the Armory Show to the Depression, was published in 1955. In 1963 he participated in the fiftieth anniversary exhibition of the 1913 Armory Show. The publication of his book Story of the Armory Show coincided with this event.

In 1971 Brown established the graduate program in Art History at the City University of New York, which became preeminent in the areas of modern art and American art history. During the 1980s he remained a resident professor at CUNY, though he retired in 1979, and he held visiting professorships at Hebrew University in Jerusalem and the Center for Advanced Study in the Visual Arts at the National Gallery of Art. From 1983 to 1987 he had a senior fellowship at Williams College for the Prendergast Catalogue Raisonne Project.

Over the course of his career Brown curated exhibitions, including an exhibition on the works of Jacob Lawrence and The Modern Spirit: American Painting and Photography, 1908-1935, and wrote for numerous publications. He also served as an active member of several professional societies. Brown was close friends with art scholars and artists, such as Jack Levine, Moses and Raphael Soyer, Ad Reinhardt, and Paul Strand. In 1991 he returned to painting landscape watercolors, and had the opportunity to exhibit his work before his death in 1998.
Related Material:
Also at the Archives of American Art is an oral history interview with Milton Wolf Brown, conducted in 1976 by Paul Cummings.
Provenance:
The Milton Wolf Brown papers were donated in 2000 and 2001 by Blanche R. Brown, Brown's widow. Three reel-to reel sound recordings were lent for duplication to cassette and transcript in 1986 by Milton Brown. A cassette copy of the Martha Deane interview was donated in 2006 by Milton Brown's estate, via Naomi Rosenblum. Additional material was donated in 2002 and 2004 by Naomi Rosenblum, executor for the estate of Blanche R. Brown, who died in 2002.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Milton Wolf Brown papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Curators -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Art, American History Sources  Search this
Art historians -- New York (State) -- New York  Search this
Genre/Form:
Travel diaries
Articles
Interviews
Essays
Drafts (documents)
Transcripts
Photographs
Notebooks
Lectures
Scripts (documents)
Citation:
Milton Wolf Brown papers, 1908-1998. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.browmilt
See more items in:
Milton Wolf Brown papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-browmilt

Erwin Panofsky papers

Creator:
Panofsky, Erwin, 1892-1968  Search this
Extent:
19.8 Cubic feet
Type:
Archival materials
Collection descriptions
Date:
1904-1990
bulk 1920-1968
Summary:
The papers of Erwin Panofsky measure 19.8 linear feet and are dated 1904-1990 (bulk dates 1920-1968). They consist of correspondence, writings, biographical material, and printed material documenting Panofsky's career as an art historian, teacher, and writer. The Panofsky papers are comprised mainly of correspondence with colleagues, scholars, students, art dealers, galleries and museums, libraries, colleges and universities, organizations, and periodicals.
Scope and Content Note:
The papers of Erwin Panofsky measure 19.8 linear feet and are dated 1904-1990 (bulk dates 1920-1968). They consist of correspondence, writings, biographical material, and printed material documenting Panofsky's career as an art historian, teacher, and writer.

The Panofsky papers are comprised mainly of correspondence with colleagues, scholars, students, art dealers, galleries and museums, libraries, colleges and universities, organizations, and periodicals. Among the correspondents are colleagues, scholars, students, art dealers, galleries and museums, libraries, colleges and universities, organizations, and periodicals. Correspondents include: Udo von Alvensleben, Walter William Spencer Cook, Paul Coremans, Walter Friedländer, William S. Heckscher, Ludwig H. Heydenreich, Horst Janson, Adolf Katzenellenbogen, Richard Krauatheimer, Edward E. Lowinsky, Millard Meiss, Gert van Osten, Richard Salomon, Craig Smyth, Wolfgang Stechow, Booth and Betty Tarkington, Egon Verheyen, and Wilhelm Vöge.

Writings by Panofsky include drafts, notes, and manuscripts of articles, book reviews, books, and lectures. Biographical material consists of awards and certificates, diplomas (including many honorary degrees), and membership certificates. Among the printed material are articles and clippings about or mentioning Panofsky, programs for graduation ceremonies at which Panofsky was awarded honorary degrees, reviews of Panofsky's books, obituaries, and memorial programs and tributes.
Arrangement:
The collection is arranged as 4 series:

Series 1: Correspondence, 1921-1978, undated (Boxes 1-16; 16 linear ft.; Reels 2108- 2128)

Series 2: Writings, 1915-1968, undated (Boxes 17-19; 2.3 linear ft.)

Series 3: Biographical Information, 1905-1967 (Boxes 19-21; 0.5 linear ft.)

Series 4: Printed Material, 1904-1990, undated (Box 19; 0.5 linear ft.)
Biographical Note:
Erwin Panofsky (1892-1968), a native of Hannover, Germany, grew up in Berlin where he received a classical education at the Joachimsthalsches Gymnasium. He then studied at the universities of Berlin, Munich and Freiburg/Breslau. After earning a Ph. D. in 1914 from the University of Freiburg, Panofsky spent three years on post-doctoral study in Berlin, and during this period, married fellow student and art historian Dorothea (Dora) Mosse.

Although primarily a scholar of Gothic and Renaissance art, Panofsky had wide interests. Erwin Panofsky was a highly respected and influential scholar who was a much loved, generous, and encouraging teacher of several generations of productive scholars. Many students became his life long friends, and quite a few of them considered Panofsky the greatest teacher they had ever encountered.

He taught at the University of Hamburg from 1920 to1933, and during this period began to develop iconographic approaches to interpreting art through analysis of its subject matter's symbols, themes, and history. His work in this area eventually had international influence in the development of art history as a discipline.

Beginning in 1931, Panofsky taught at New York University, spending alternate semesters at the University of Hamburg until the Nazis dismissed all Jewish officials. He and his family fled Germany and came to the United States in 1933. During the academic year 1934/35, Panofsky held concurrent appointments at both New York University and Princeton University. He joined the faculty of the newly formed Institute for Advanced Study, Princeton, New Jersey, in 1935, where he remained until his retirement in 1962. In addition, he continued to teach graduate seminars at New York University and Princeton Universtiy.

He was a prolific writer, and his many books and articles represent some of the 20th century's most important writings in the field of art history, particularly in the realm of iconography. Among his books are: "Idea": Ein Beitrag zur Begriffsgeschichte der älteren Kunstheorie (1924) [translated later as Idea, The History of a Concept], Studies in Iconology (1939), Codex Huygens and Leonardo da Vinci's Art Theory (1940), The Life and Art of Albrecht Dürer (1943), Abbot Suger on the Abbey Church of St. Denis and Its Art Treasures (1946), Gothic Architecture and Scholasticism (1951), Early Netherlandish Painting: Its Origins and Character (1953), Meaning and the Visual Arts (1950), Renaissance and Renascences in Western Art (1960), The Iconography of Correggio's Camera di San Paolo (1961), and Problems in Titian, Mostly Iconographic (1964).

Panofsky wrote on subjects other than art history. He was an authority on Mozart, and also wrote about the history of cinema. His 1934 article "On Movies" (originally published in Princeton University's Bulletin of the Department of Art and Archaeology), remains a highly regarded work on the subject.

The recipient of numerous honorary degrees, Panofsky most prized the first from the University of Utrecht, 1936, as it brought great satisfaction at a time when he was still coping with the trauma of expatriation. He was a member of the American Philosophical Society, the American Academy of Arts and Sciences, the British Academy, and several other foreign academies. In 1962, Panofsky received the Haskins Medal awarded by The Medieval Academy of America for a distinguished book in medieval history.

His wife Dora Mosse Panofsky died in 1965; in 1966, he married Gerda Soergel, also an art historian. Erwin Panofsky died in Princeton, New Jersey, March 14, 1968.
Related Material:
Among the Archives' holdings is a collection of letters from Erwin Panofsky to art historians Wolfgang Stechow (1930-1931) and Lili Fröhlich-Bum (1931), and to Brooklyn Museum art librarian William B. Walker (1960) which is available on 35-mm microfilm reel 5136, frames 812-824. The letters to Stechow were written as he was preparing a review of Panofsky's book, Hercules am Scheidewege und andere antike Bildstoffe inder neueren Kunst, and provide additional information not found in the book itself. The letter to Mr. Walke is in Englishe, and the remainder are in German. The originals are still in the possession of Irving Lavin, who found them in Stechow's copy of Hercules am Scsheidewege given him by Mrs. Stechow.
Provenance:
The Erwin Panofsky papers were donated by his widow, Dr. Gerda Soergel Panofsky, in 1979 and 1990.
Restrictions:
The collection is open for research. Patrons must use microfilm copy. Use of the unmicrofilmed portion requires an appointment and is limited to the Washington, D.C. research facility.
Rights:
The Erwin Panofsky papers are owned by the Archives of American Art, Smithsonian Institution. The donor, Gerda Panofsky, owns copyright, where applicable.
Topic:
Art historians -- New Jersey -- Princeton  Search this
Art -- Study and teaching  Search this
Citation:
Erwin Panofsky papers, 1904-1990 (bulk dates 1920-1968). Archives of American Art, Smithsonian Institution.
Identifier:
AAA.panoerwi
See more items in:
Erwin Panofsky papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-panoerwi
Additional Online Media:

Correspondence

Collection Creator:
Panofsky, Erwin, 1892-1968  Search this
Extent:
(Boxes 1-16; 16 linear ft. Reels 2108-2128)
Type:
Archival materials
Date:
1921-1978, undated
Scope and Contents note:
Erwin Panofsky's correspondence documents his research, writing, teaching, lecturing, and participation in professional organizations. It reflects his own academic interests and expertise - Medieval, Gothic, and Renaissance art, history, and iconography, and those of his many correspondents.

His most prolific correspondents include: Udo von Alvensleben, Walter William Spencer Cook, Paul Coremans, Walter Friedländer, William S. Heckscher, Ludwig H. Heydenreich, Horst W. Janson, Adolf Katzenellenbogen, Richard Krautheimer, Edward E. Lowinsky, Millard Meiss, Gert von der Osten, Richard Salomon, Craig Smyth, Wolfgang Stechow, Booth and Betty Tarkington, Egon Verheyen, and Wilhelm Vöge.

1.8: Miscellaneous, arranged by subject, includes: requests for reviews, contributions to encyclopedias and dictionaries, and requests to write books; acknowledgements and thank you letters, 70th birthday congratulations; U.S. government, embassies and consulates. 1.9: Unfilmed Correspondence, received many years after microfilming was completed, is arranged chronologically and overlaps the dates and categories of correspondents represented in the preceding subseries.
Arrangement note:
This series is arranged into 9 subseries. Subseries 1.2, 1.3 and 1.4 are arranged alphabetically by geographical location. Subseries 1.9 is in chronological order. All remaining subseries are arranged alphabetically.

1.1: Colleagues, Scholars, Students and Other Individuals, 1921-1978, undated (Reels 2108-2124)

1.2: Art Dealers, 1932-1967 (Reels 2124-2125)

1.3: Galleries and Museums, 1925-1968 (Reel 2125)

1.4: Libraries, 1941-1967 (Reels 2125-2126)

1.5: Colleges, Universities, and Institutes, 1936-1968, undated (Reels 2126-2127)

1.6: Organizations, Societies, and Congresses, 1937-1967 (Reel 2127)

1.7: Periodicals, 1937-1967 (Reel 2127)

1.8: Miscellaneous, 1940-1969 (Reels 2127-2128)

1.9: Unfilmed Correspondence, 1925-1967, undated (unfilmed)
Collection Restrictions:
The collection is open for research. Patrons must use microfilm copy. Use of the unmicrofilmed portion requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Erwin Panofsky papers are owned by the Archives of American Art, Smithsonian Institution. The donor, Gerda Panofsky, owns copyright, where applicable.
Collection Citation:
Erwin Panofsky papers, 1904-1990 (bulk dates 1920-1968). Archives of American Art, Smithsonian Institution.
Identifier:
AAA.panoerwi, Series 1
See more items in:
Erwin Panofsky papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-panoerwi-ref15

Colleagues, Scholars, Students and Other Individuals

Collection Creator:
Panofsky, Erwin, 1892-1968  Search this
Type:
Archival materials
Date:
1921-1978, undated
Collection Restrictions:
The collection is open for research. Patrons must use microfilm copy. Use of the unmicrofilmed portion requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Erwin Panofsky papers are owned by the Archives of American Art, Smithsonian Institution. The donor, Gerda Panofsky, owns copyright, where applicable.
Collection Citation:
Erwin Panofsky papers, 1904-1990 (bulk dates 1920-1968). Archives of American Art, Smithsonian Institution.
Identifier:
AAA.panoerwi, Subseries 1.1
See more items in:
Erwin Panofsky papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-panoerwi-ref16

Auerbach, Erich

Collection Creator:
Panofsky, Erwin, 1892-1968  Search this
Container:
Box 1, Folder 12
Type:
Archival materials
Date:
1949-1965
Collection Restrictions:
The collection is open for research. Patrons must use microfilm copy. Use of the unmicrofilmed portion requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Erwin Panofsky papers are owned by the Archives of American Art, Smithsonian Institution. The donor, Gerda Panofsky, owns copyright, where applicable.
Collection Citation:
Erwin Panofsky papers, 1904-1990 (bulk dates 1920-1968). Archives of American Art, Smithsonian Institution.
See more items in:
Erwin Panofsky papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-panoerwi-ref34

Kantorwicz, E. H.

Collection Creator:
Panofsky, Erwin, 1892-1968  Search this
Container:
Box 6, Folder 32
Type:
Archival materials
Date:
1951-1963, undated
Collection Restrictions:
The collection is open for research. Patrons must use microfilm copy. Use of the unmicrofilmed portion requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Erwin Panofsky papers are owned by the Archives of American Art, Smithsonian Institution. The donor, Gerda Panofsky, owns copyright, where applicable.
Collection Citation:
Erwin Panofsky papers, 1904-1990 (bulk dates 1920-1968). Archives of American Art, Smithsonian Institution.
See more items in:
Erwin Panofsky papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-panoerwi-ref350

Klein, Robert

Collection Creator:
Panofsky, Erwin, 1892-1968  Search this
Container:
Box 7, Folder 11
Type:
Archival materials
Date:
1957-1966
Collection Restrictions:
The collection is open for research. Patrons must use microfilm copy. Use of the unmicrofilmed portion requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Erwin Panofsky papers are owned by the Archives of American Art, Smithsonian Institution. The donor, Gerda Panofsky, owns copyright, where applicable.
Collection Citation:
Erwin Panofsky papers, 1904-1990 (bulk dates 1920-1968). Archives of American Art, Smithsonian Institution.
See more items in:
Erwin Panofsky papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-panoerwi-ref366

E. and A. Silberman Galleries

Collection Creator:
Panofsky, Erwin, 1892-1968  Search this
Container:
Box 13, Folder 33
Type:
Archival materials
Date:
1943-1949
Collection Restrictions:
The collection is open for research. Patrons must use microfilm copy. Use of the unmicrofilmed portion requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Erwin Panofsky papers are owned by the Archives of American Art, Smithsonian Institution. The donor, Gerda Panofsky, owns copyright, where applicable.
Collection Citation:
Erwin Panofsky papers, 1904-1990 (bulk dates 1920-1968). Archives of American Art, Smithsonian Institution.
See more items in:
Erwin Panofsky papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-panoerwi-ref693

Autographs of scientists, physicians, economists and other researchers, collected by Bern Dibner

Donor:
Dibner, Bern http://id.loc.gov/vocabulary/relators/col http://id.loc.gov/vocabulary/relators/fmo http://id.loc.gov/vocabulary/relators/dnr http://id.loc.gov/authorities/names/n80015691 http://viaf.org/viaf/29661946  Search this
Dibner, Bern http://id.loc.gov/vocabulary/relators/fmo http://id.loc.gov/vocabulary/relators/dnr DSI http://id.loc.gov/authorities/names/n80015691 http://viaf.org/viaf/29661946  Search this
Burndy Library http://id.loc.gov/vocabulary/relators/fmo http://id.loc.gov/vocabulary/relators/dnr DSI http://id.loc.gov/authorities/names/n83827146 http://viaf.org/viaf/149783636  Search this
Autographer:
Aikin, John 1747-1822 http://id.loc.gov/authorities/names/n50037346 http://viaf.org/viaf/59180443/ http://dbpedia.org/resource/John_Aikin  Search this
Alexander, James W. 1888-1971 http://id.loc.gov/authorities/names/n2011031065 http://viaf.org/viaf/95772831 http://dbpedia.org/resource/James_Waddell_Alexander_II  Search this
Baillie, Matthew 1761-1823 http://id.loc.gov/authorities/names/n84024588 http://viaf.org/viaf/47543063/ http://dbpedia.org/resource/Matthew_Baillie  Search this
Dalton, John 1766-1844 http://id.loc.gov/authorities/names/n50045107 http://viaf.org/viaf/56739674 http://dbpedia.org/resource/John_Dalton  Search this
Earle, Edward Mead 1894-1954 http://id.loc.gov/authorities/names/nr89012427 http://viaf.org/viaf/19982343  Search this
Goldman, Hetty 1881-1972 http://id.loc.gov/authorities/names/n87902408 http://viaf.org/viaf/42903595/  Search this
Herzfeld, Ernst 1879-1948 http://id.loc.gov/authorities/names/n85087752 http://viaf.org/viaf/59329325/  Search this
Lowe, E. A (Elias Avery) 1879-1969 http://id.loc.gov/authorities/names/n50079076 http://viaf.org/viaf/31991399/  Search this
Morse, Marston 1892-1977 http://id.loc.gov/authorities/names/n50006326 http://viaf.org/viaf/lccn/n50006326 http://dbpedia.org/resource/Marston_Morse  Search this
Panofsky, Erwin 1892-1968 http://id.loc.gov/authorities/names/n50050209 http://viaf.org/viaf/76321051/ http://dbpedia.org/resource/Erwin_Panofsky  Search this
Riefler, Winfield W. 1897-1974 http://id.loc.gov/authorities/names/no97066723 http://viaf.org/viaf/2076524/  Search this
Stewart, Walter W. 1885-1958 http://id.loc.gov/authorities/names/no2018162719 http://viaf.org/viaf/52887207/  Search this
Tierney, Matthew John Sir 1776-1845 http://id.loc.gov/authorities/names/nb2003076415 http://viaf.org/viaf/51201937/  Search this
Veblen, Oswald 1880-1960 http://id.loc.gov/authorities/names/n87811988 http://viaf.org/viaf/113145857816623020355 http://dbpedia.org/resource/Oswald_Veblen  Search this
Warren, Robert B. 1891-1950 http://viaf.org/viaf/3572/  Search this
Author:
Burndy Library Manuscripts Collection (Smithsonian Libraries) DSI  Search this
Associated name:
Institute for Advanced Study (Princeton, N.J.) http://id.loc.gov/authorities/names/n79046262 http://viaf.org/viaf/34567953/  Search this
Physical description:
2 sheets ; 26-28 cm
Type:
Manuscripts
Manuscripts (documents).)
Sources
Date:
17uu
17uu-195u
Topic:
Science--History  Search this
Technology--History  Search this
History  Search this
Science  Search this
Technology  Search this
Call number:
MSS 001874 A
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1099963

Erwin Panofsky papers, 1904-1990, bulk, 1920-1968

Creator:
Panofsky, Erwin, 1892-1968  Search this
Topic:
Art historians  Search this
Record number:
(DSI-AAA_CollID)8926
(DSI-AAA_SIRISBib)211112
AAA_collcode_panoerwi
Theme:
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211112
Additional Online Media:

Erwin Panofsky letters, 1930-1960

Creator:
Panofsky, Erwin, 1892-1968  Search this
Subject:
Fröhlich-Bum, L.  Search this
Walker, William Bond  Search this
Stechow, Wolfgang  Search this
Topic:
Art historians  Search this
Record number:
(DSI-AAA_CollID)6546
(DSI-AAA_SIRISBib)215821
AAA_collcode_panoerwl
Theme:
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215821

Walter Horn papers

Creator:
Horn, Walter William, 1908-1995  Search this
Names:
Allied Forces. Supreme Headquarters. Monuments, Fine Arts and Archives Section  Search this
University of California, Berkeley -- Faculty  Search this
Charles, Fred  Search this
Duft, Johannes, 1915-  Search this
Dupree, A. Hunter  Search this
Eggenbacher, Christopher  Search this
Harbison, Peter  Search this
Koehler, Wilhelm Reinhold Walter, 1884-1959  Search this
Kunzelman, Charles J.  Search this
Panofsky, Erwin, 1892-1968  Search this
Sennhauser, Hans Rudolf  Search this
Shapiro, Meyer  Search this
Smith, John T.  Search this
von Hummel, Edeltraut  Search this
von Hummel, Helmuth  Search this
Extent:
2.7 Linear Feet
Type:
Archival materials
Collection descriptions
Photographs
Date:
1908-1992
bulk 1943-1950
Summary:
The papers of art historian and World War II Monuments Man Walter W. Horn measure 2.7 linear feet and date from 1908 to 1992, with the bulk of material dating from 1943 to 1950. Walter Horn taught art history at the University of California, Berkeley from 1938 to his retirement in 1974. During World War II, Horn served as Head of the U. S. Army Intelligence Unit of the Monuments, Fine Arts, and Archives Section (MFAA.) The papers contain biographical materials; professional correspondence; records documenting his service in the MFAA; administrative files relating to his work at the University of California, Berkeley; and scattered photographs.
Scope and Contents:
The papers of art historian and World War II Monuments Man Walter W. Horn measure 2.7 linear feet and date from 1908 to 1992, with the bulk of material dating from 1943 to 1950. Walter Horn taught art history at the University of California, Berkeley from 1938 to his retirement in 1974. During World War II, Horn served as Head of the U. S. Army Intelligence Unit of the Monuments, Fine Arts, and Archives Section (MFAA.) The papers contain biographical materials; professional correspondence; records documenting his service in the MFAA; administrative files relating to his work at the University of California, Berkeley; and scattered photographs.

Biographical materials include certificates, transcripts, registration books, and diplomas, immigration papers and supporting documentation, birth certificate, passports, and Horn's application for U.S. citizenship. Also found here are papers relating to Horn's academic work, such as bibliographies, curriculum vitae and a few other miscellaneous materials.

The bulk of the papers consist of professional correspondence between Horn and his colleagues. Many of the letters relate to Horn's scholarly publications and projects, especially his seminal work The Plan of St. Gall: A Plan of the Architecture and Economy of, and Life in a Paradigmatic Carolingian Monastery (1979). Prominent correspondents include Meyer Schapiro, Wilhelm Koehler, Fred Charles, Christopher Eggenbacher, Johannes Duft, Hunter Dupree, Peter Harbison, H.R. Sennhauser, and John T. Smith.

Papers and records documenting Horn's World War II service in the the U. S. Army Monuments, Fine Arts & Archives Section have been arranged in one series. There are scattered letters, including ones from Erwin Panofsky, Charles J. Kunzelman, and Helmuth and Edeltraut von Hummel. There are also letters of inquiry about the recovery of the crown jewels of The Holy Roman Empire. Also found in this series are official Army documents, including a directory and inventory of recovered gold coins; receipts for transporting recovered artwork; art looting investigation, interrogation, and arrest reports; and reports on Horn's investigation and recovery of the crown jewels and the gold coin investigation. There is scattered printed material and photographs of the recovered gold coins and of Helmuth and Edeltraut von Hummel.

Horn's papers also contain a few administrative files from his tenure at the University of California, Berkeley, and one folder of color photographs of Horn's papers being prepared for shipment to the Archives of American Art.
Arrangement:
This collection is arranged as 5 series.

Series 1: Biographical Materials, 1908-1989 (0.3 linear feet; Box 1, 4)

Series 2: Correspondence, circa 1937, 1949-1992 (1.2 linear feet; Box 1-2, 4, OV 5)

Series 3: U.S. Army Monuments, Fine Arts & Archives Section Files, circa 1938-1989 (0.6 linear feet; Box 2-4, OV 5-6)

Series 4: University of California, Berkeley Administrative Files, 1938-1976 (0.1 linear feet; Box 3)

Series 5: Photographs, 1989 (1 folder; Box 3)
Biographical / Historical:
Walter William Horn (1908-1995) was a professor of art history at the University of California, Berkeley. During World War II, he served in the Army Intelligence Unit of the Monument, Fine Arts and Archives Section (MFAA.)

Walter Horn was born in Waldangelloch, Germany and graduated from the Gymnasium in Heidelberg in 1926. He studied at the Universities of Heidelberg, Berlin and Hamburg. In 1934 he received his Ph.D. in art history from the University of Hamburg, studying under Erwin Panofsky. His dissertation on the facade of the Church of St. Gilles was published in 1937. Horn fled Nazism in Germany and immigrated to the United States.

In 1938 Horn accepted a position at the University of California at Berkeley as a lecturer in art history, becoming the first state sponsored teacher of art history within California. He quickly became a professor and co-founded the university's Department of Art History.

Horn married twice. His first wife was Ann Binkley Rand. His second marriage was to Alberta West Parker, a physician. They had three children, Michael Peters, Peter Matthew, and Rebecca Ann.

In 1943, Horn became a naturalized American citizen and was soon inducted into the U.S. Army. He was assigned to the Detailed Interrogation Center, and by 1945 was serving as a lieutenant in the Third Army Intelligence Center. His German language skills were put to use interrogating prisoners of war and personnel of the Gestapo and S.S. Horn later continued his interrogation work in the Supreme Headquarters Allied Expeditionary Force (SHAEF). After the war, Horn was assigned to the Army Intelligence Unit of the Monuments, Fine Arts & Archives Section (MFAA) and became one of the Monuments Men responsible for tracking and recovering art works and other cultural heritage objects that had been systematically looted and hidden by the Nazis.

Horn led the team of Monuments Men who recovered the stolen Crown Jewels or Imperial Regalia of the Holy Roman Empire. The Crown Jewels, including a crown and sceptre, were discovered walled up in a passage in Nuremburg. Horn also recovered a collection of gold coins valued at $2,000,000 in 1946. He tracked the coins primarily through interrogations of Edeltraut von Hummel. Edeltraut's husband Helmuth von Hummel served as the chief secretary to Martin Bormann, leader of the Nazi Party Chancellery.

After the war, Horn resumed teaching at the University of California, Berkeley, where he served as Chairman of the Department of Art History until his retirement in 1974. He also helped establish the University Art Museum. In 1949, the school implemented a requirement that all employees must sign a loyalty oath to affirm their allegiance to the state constitution and disavow any intent to overthrow the government. There was substantial outcry among the university faculty and several professors who refused to sign were fired. Horn signed the loyalty oath under protest in 1950. He wrote a letter to the press explaining his decision and expressing his concerns.

In 1979, a decades long collaboration with distinguished architect Ernest Born resulted in The Plan of St. Gall, a three volume work on medieval architecture. The book was praised as a monumental undertaking by the scholarly community upon its publication.

Walter Horn died of pneumonia in 1995.
Provenance:
Walter Horn donated his papers to the Archives of American Art in 1989. Additional papers were donated by his wife Dr. Alberta Parker Horn in 1998 and 2002.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Walter Horn papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
World War, 1939-1945 -- Art and the war  Search this
Art thefts -- Germany -- History -- 20th century  Search this
World War, 1939-1945 -- Confiscations and contributions -- Germany  Search this
Crown jewels -- Holy Roman Empire  Search this
World War, 1939-1945 -- Destruction and pillage -- Europe  Search this
Art historians -- California -- Berkeley  Search this
Genre/Form:
Photographs
Citation:
Walter Horn papers, 1908-1993, bulk 1943-1950. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.hornwalt
See more items in:
Walter Horn papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-hornwalt
Additional Online Media:

Henry-Russell Hitchcock papers

Creator:
Hitchcock, Henry-Russell, 1903-1987  Search this
Names:
Abbott, Jere  Search this
Austin, Arthur Everett, 1900-1957  Search this
Barr, Alfred H., Jr., 1902-1981  Search this
Berenson, Bernard, 1865-1959  Search this
Berman, Eugene, 1899-1972  Search this
Berman, Leonid, 1896-1976  Search this
Doesburg, Theo van, 1883-1931  Search this
Erffa, Helmut von, 1900-1979  Search this
Feininger, Lyonel, 1871-1956  Search this
Francis, Henry Sayles, 1902-1994  Search this
Gill, Brendan, 1914-1997  Search this
Goldwater, Robert John, 1907-1973  Search this
Howe, George, 1886-1955  Search this
Johnson, Philip C.  Search this
Kaufmann, Edgar, 1910-  Search this
Kirstein, Lincoln, 1907-  Search this
McCormick, Thomas J.  Search this
Mumford, Lewis, 1895-1990  Search this
Oud, J. J. P. (Jacobus Johannes Pieter), 1890-1963  Search this
Panofsky, Erwin, 1892-1968  Search this
Pevsner, Nikolaus, 1902-1983  Search this
Porter, Kingsley  Search this
Sachs, Paul J. (Paul Joseph), 1878-1965  Search this
Schindler, R. M. (Rudolph M.), 1887-1953  Search this
Scully, Vincent Joseph, 1920-  Search this
Sizer, Theodore, 1892-1967  Search this
Smith, E. Baldwin (Earl Baldwin), 1888-1956  Search this
Smith, Peter van der Meulen  Search this
Soby, James Thrall, 1906-  Search this
Spark, Victor D. (Victor David), 1898-1991  Search this
Sterner, Harold  Search this
Summerson, John Newenham, Sir, 1904-  Search this
Thomson, Virgil, 1896-  Search this
Vanderbilt, Paul  Search this
Washburn, Gordon B. (Gordon Bailey), 1904-1983  Search this
Wittkower, Rudolf  Search this
Wright, Frank Lloyd, 1867-1959  Search this
Extent:
24.8 Linear Feet
Type:
Archival materials
Collection descriptions
Writings
Photographs
Date:
1919-1987
Summary:
The papers of architectural historian, author, critic, teacher, and museum director, Henry-Russell Hitchcock, date from 1919-1987 and measure 24.8 linear feet. Almost all of the collection is comprised of Hitchcock's correspondence files relating to academic research, teaching, curatorial interests, and professional associations. Letters are from prominent architectural historians, architects, artists, preservationists, museum directors and curators, and family and friends. Also found are two feet of writings by Hitchcock and others, scattered biographical information, printed material, and photographs of Hitchcock and architecture.
Scope and Content Note:
The papers of architectural historian, author, critic, teacher, and museum director, Henry-Russell Hitchcock, date from 1919-1987 and measure 24.8 linear feet. Almost all of the collection is comprised of Hitchcock's correspondence files relating to academic research, teaching, curatorial interests, and professional associations. Letters are from prominent architectural historians, architects, artists, preservationists, museum directors and curators, and family and friends. Also found are two feet of writings by Hitchcock and others, scattered biographical information, miscellaneous records, printed material, and photographs of Hitchcock and architecture.

Among the biographical documents are Hitchcock's birth certificate, passport, and wills. Awards, citations, honorary degrees and commendations are from the University of Pennsylvania, Wesleyan University, the Friends of Cast Iron Architecture, National Institute of Arts and Letters, and the Victorian Society in America.

Chronological name and subject files consist mostly of correspondence and printed material along with a small number of photographs. They include personal and professional correspondence and subject files relating to academic research, teaching, curatorial interests, and professional associations. The correspondence includes large numbers of letters from prominent architectural historians, architects, artists, preservationists, museum directors and curators. Also included are students, friends, relatives, publishers, and representatives of organizations and institutions. Among those of note are: Jere Abbott, Everett A. (Chick) Austin, Alfred H. Barr, Bernard Berenson, Eugene Berman, Leonid Berman, Lyonel Feininger, Henry (Harry) Sayles Francis, Brendan Gill, Robert Goldwater, George Howe, Philip C. Johnson, Edgar Kaufmann, Jr., Lincoln Kirstein, Thomas J. McCormick, Lewis Mumford, J.J.P. Oud, Erwin Panofsky, Nikolaus Pevsner, Kingsley Porter, Paul J. Sachs, R. M. Schindler, Vincent Scully, Jr., Theodore Sizer, E. Baldwin Smith, Peter van der Meulen Smith, James Soby, Victor Spark, Harold Sterner, John Summerson, Virgil Thomson, Paul Vanderbilt, Theo Van Doesburg, Helmut von Erffa, Gordon Washburn, Rudolf Wittkower, and Frank Lloyd Wright.

Writings by Hitchcock consist of manuscripts and drafts of numerous published and unpublished articles, book chapters, and his masters thesis. Other writings by Hitchcock include lecture notes and texts, book reviews, notes, outlines, photo lists, and a bibliography. Among the other authors represented in this series are John Coolidge and Sir Wilfred Green.

Miscellaneous records consist of the alien registration card of Hitchcock's friend Peter van der Meulen Smith, architectural drawings by Hitchcock, book contracts, and a small number of receipts and invoices.

Printed material consists of articles about, by, or mentioning Henry-Russell Hitchcock, along with advertisements for his books, and postcards of architectural subjects.

Photographs are of architecture, art work, events, people, places, and miscellaneous subjects; also included are color slides, negatives, and transparencies. Architectural subjects include the work of Frank Lloyd Wright and Gaudi, as well as interior and exterior views of buildings identified only by location. Photographs of people include Henry-Russell Hitchcock, Chick Austin and Ernestine Carter, Alexander Dorner, Tammy Grimes, Lincoln Kirstein, the Steinway family, and Edgar Tafel. Events recorded include the Society of Architectural Historians at the Newport Casino, Hitchcock receiving honorary degrees at the University of Glasgow and Wesleyan University, and a high tea sponsored by the Victorian Society in America. Family houses and views of Greece are among the photographs of places. Miscellaneous subjects include exhibition installations and family heirlooms.
Arrangement:
The collection is arranged as 6 series:

Series 1: Biographical Information, 1922-1984 (Box 1; 0.1 linear ft.)

Series 2: Chronological Name and Subject Files, 1919-1987 (Boxes 1-22; 21.9 linear ft.)

Series 3: Writings, 1922-circa 1978 (Boxes 23-24; 2.0 linear ft.)

Series 4: Miscellaneous Records, 1928-1977 (Box 25; 0.1 linear ft.)

Series 5: Printed Material, 1922-1984 (Boxes 25-26; 0.4 linear ft.)

Series 6: Photographs, circa 1926-1979 (Box 26; 0.3 linear ft.)
Biographical Note:
Henry-Russell Hitchcock, considered the "father" of modern architectural historiography, played a major role in bringing modern architecture to the United States. As an eminent professor for more than forty years, Hitchcock trained and influenced several generations of scholars and critics. He combined a love of architecture with criticism and scholarship to produce a large number of distinguished monographs and articles on a broad range of styles and periods.

Born in Boston in 1903, Henry-Russell Hitchcock was the son of Mayflower descendants. At Harvard University, he studied medieval history with A. Kingsly Porter as his mentor and completed the undergraduate curriculum in three years. Hitchcock spent his senior year studying architecture, graduated in 1924, and stayed to study for a master's degree, which was awarded in 1927. During his years at Harvard, he wrote for Hound and Horn and knew Alfred Barr, T. S. Eliot, Philip Johnson, Lincoln Kirstein, Virgil Thomson, and others who became leaders in the modernist movement.

Henry-Russell Hitchcock's teaching career began when he was appointed an assistant professor at Vassar College for the academic year 1927-28. In 1929, he joined the faculty of Wesleyan University, where he remained for two decades before moving to Smith College in 1949. During his tenures at Wesleyan and Smith, his services as a visiting lecturer were employed on many occasions by Cambridge University, Connecticut College, Harvard University, the Institute of Fine Arts, Massachusetts Institute of Technology, and Yale University. Upon retiring from Smith College in 1968, Hitchcock moved to New York City and taught briefly at Columbia University, the Institute of Fine Arts, and the University of Massachusetts, at Amherst.

Best known as a proponent of modernism, Hitchcock wrote more than two dozen books about a wide range of styles and periods, and most are considered standard works on their subjects. His first, Modern Architecture: Romanticism and Reintegration, appeared in 1929 and was the first book on the subject to be published in English; his final book, German Renaissance Architecture, was published in 1981.

Henry-Russell Hitchcock served as director of the Smith College Museum between 1949 and 1955. In addition, he was curator of several exhibitions, the first and most important of which was Modern Architecture: International Exhibition, organized in collaboration with Philip C. Johnson and held at the Museum of Modern Art. Their book, The International Style: Architecture Since 1922, was published in 1932 in conjunction with the exhibition.

During World War II, Hitchcock's civilian service included working as director of the U. S. Navy's Photographic Library and writing Pratt and Whitney aircraft engine manuals.

Henry-Russell Hitchcock was an active member of many professional associations. He served as president of the Society of Architectural Historians from 1952 to 1954. In addition, he was a founding member of The Victorian Society in Great Britain, and between 1969 and 1974 was president of its sister organization, The Victorian Society in America.

During his long and illustrious career, Henry-Russell Hitchcock won many awards and honors. Awards for Early Victorian Architecture in Britain and Architecture: Nineteenth and Twentieth Centuries were conferred by the Society of Architectural Historians (1955) and College Art Association (1960), respectively. Hitchcock received the Royal Society of Arts Medal for Best Lecture (1956) and its Benjamin Franklin Medal (1970), in addition to the American Institute of Architects' Architectural Critics' Medal (1970). Other awards include: National Institute of Arts and Letters Award (1956), American Council of Learned Societies Prize for Distinguished Accomplishment in Humanistic Scholarship (1961), Friends of Cast-Iron Architecture Certificate of Commendation (1978), the American Institute of Architects Award of Merit (1978), and Municipal Art Society Certificate of Merit (1978).

He received honorary degrees from Glasgow University and the University of Pennsylvania in 1973, and in 1979 from Wesleyan University. In Search of Modern Architecture: A Tribute to Henry-Russell Hitchcock, edited by Helen Searing, was published by The Architectural History Foundation in 1982.

Due to declining health, Henry-Russell Hitchcock lectured rarely and wrote little in the three years preceding his death from cancer. He died in New York City, February 19, 1987.
Related Material:
The Archives of American Art also holds Henry-Russell Hitchcock letters to Dorothy Stroud and John N. Summerson, 1946-1949. Additional Henry-Russell Hitchcock papers (circa 8 linear feet) are in the Special Collections division of Wesleyan University Library.
Provenance:
Mosette Broderick, assistant to Hitchcock and his literary executor, donated the papers to the Archives of American Art in 1988.
Restrictions:
The collection is open for research. Use requires an appointment.
Rights:
The Henry-Russell Hitchcock papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Museum directors -- New York (State) -- New York  Search this
Authors -- New York (State) -- New York  Search this
Architectural historians -- New York (State) -- New York  Search this
Genre/Form:
Writings
Photographs
Citation:
Henry-Russell Hitchcock papers, 1919-1987. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.hitchenp
See more items in:
Henry-Russell Hitchcock papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-hitchenp
Additional Online Media:

Millard Meiss Papers

Creator:
Meiss, Millard, 1904-1975  Search this
Names:
American Committee for the Restoration of Italian Monuments  Search this
College Art Association (U.S.)  Search this
Committee to Rescue Italian Art  Search this
Institute for Advanced Study (Princeton, N.J.)  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Princeton University  Search this
Gombrich, E. H. (Ernst Hans), 1909-2001  Search this
Lavin, Irving, 1927-  Search this
Nordenfalk, Carl Adam Johan, 1907-  Search this
Panofsky, Dora Mosse  Search this
Panofsky, Erwin, 1892-1968  Search this
Extent:
11.4 Linear Feet
Type:
Archival materials
Collection descriptions
Date:
circa 1918-circa 1977
bulk 1950-1975
Summary:
The papers of art historian, writer, and educator Millard Meiss measure 11.4 linear feet and date from circa 1918 to circa 1977, with the bulk of the material dating from 1950 to 1975. The papers are comprised of biographical material, correspondence, writing projects and lectures, and professional files that document his post World War II work as chairman of the American Committee for the Restoration of Italian Monuments, among other work.
Scope and Contents:
The papers of art historian, writer, and educator Millard Meiss measure 11.4 linear feet and date from circa 1918 to circa 1977, with the bulk of the material dating from 1950 to 1975. The papers are comprised of biographical material, correspondence, writing projects and lectures, and professional files that document his post World War II work as chairman of the American Committee for the Restoration of Italian Monuments, among other work.

Biographical material includes various awards and honorary degrees received; a bibliography of published and unpublished books, articles, essays, and editing projects by Meiss; memorial materials and obituaries for Meiss as well as for Dora and Erwin Panofsky (to whom he was close); and resumes and education materials among other files.

Correspondence is predominantly professional in nature and is with colleagues, peers, museums, and institutions. Some correspondents include Ernst Gombrich, Irving Lavin, Carl Nordenfalk, and Erwin Panofsky, among many others.

Writing project and lecture files document Meiss's work on numerous published and unpublished articles and book projects, and lectures. Books include The Boucicaut Hours, De Artibud Opscula XL: Essays on Erwin Panofsky, French Painting in the Time of Jean de Berry, and Painting in Florence and Siena, among many other works. Files contain manuscripts, notes, book proposals, reviews, correspondence, and clippings.

Professional files document the many committees, institutions, and organizations in which Meiss was involved, including the American Committee for the Restoration of Italian Monuments, Committee to Rescue Italian Art, and International Committee of the History of Art. Also included are general files on The Art Bulletin, College Art Association, Institute for Advanced Study, Metropolitan Museum of Art, and Princeton University, among others.
Arrangement:
This collection is arranged as 4 series:

Series 1: Biographical Material, circa 1918-circa 1977 (0.3 linear feet; Box 1)

Series 2: Correspondence, circa 1936-circa 1977 (4.3 linear feet; Boxes 1-5)

Series 3: Writings Projects and Lectures, circa 1934-circa 1975 (2.4 linear feet; Boxes 5-8)

Series 4: Professional Files, circa 1933-circa 1975 (4.4 linear feet; Boxes 8-12)
Biographical / Historical:
Millard Meiss (1904-1975) was an art historian and educator whose expertise was medieval and Renaissance art. He taught at Columbia University and Princeton, and was a curator at the Fogg Museum for four years. Following World War II, Meiss served as chairman of the American Committee for the Restoration of Italian Monuments until 1951.

Millard Meiss received a B. A. from Princeton University in 1926, and a Ph. D. from New York University in 1933. He was a professor of fine arts and archaeology at Columbia University from 1934-1953. In 1954, Meiss accepted the position of professor of fine arts and curator of paintings at the Fogg Art Museum at Harvard University. In 1958, he returned to Princeton, New Jersey to become professor of art history at the Institute for Advanced Study, where he remained for the rest of his career.

While at Columbia University, Meiss acted as editor-in-chief of The Art Bulletin, and also stayed on the editorial board for the next thirty-three years until his death in 1975. Throughout his career, Meiss edited several leading art journals, and wrote numerous articles and books on medieval and Renaissance painting, including Painting in Florence and Siena after the Black Death (1951), and his multi-volume French Painting in the Time of Jean de Berry (1967-1974), as well as many others.

In addition to serving as chairman of the American Committee for the Restoration of Italian Monuments after World War II, Meiss organized the Committee to Rescue Italian Art in 1966 after the flood of the Arno River in Italy. He worked to help organize the first meeting in the United States of the International Congress of the History of Art and served as president and vice-president. He was actively involved in the College Art Association of America.

Meiss was a member of many arts and scholarly organizations in Europe and the United States including the Accademia delle Arti del Disegno, Accademia Senese degli Intronati, Accademia Clementina, Accademia Toscana Colombaria, Accademia Nazionale dei Lincei, American Philosophical Society, British Academy, and the Société des Antiquaires de France. In addition, he was a Fellow of the Mediaeval Academy of America and the American Academy of Arts and Sciences, as well as an honorary trustee of the Metropolitan Museum of Art.

Meiss was also the recipient of many awards, including the Wanamaker English Prize, 1925; Haskins Medal from the Mediaeval Academy of America, 1953; Lewis Prize from the American Philosophical Society, 1967; Morey Award from the College Art Association of America, 1969, and posthumously in 1976; and the Art Dealers Association of America Award, 1974.
Provenance:
The Millard Meiss papers were donated to the archives in 1976 and 1986 by Meiss's widow Margaret L. Meiss.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Millard Meiss papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Educators -- New Jersey  Search this
Authors -- New Jersey  Search this
Topic:
Painting -- Italy  Search this
Painting -- France  Search this
Art historians -- New Jersey -- Princeton  Search this
Citation:
Millard Meiss papers, circa 1918-circa 1977, bulk 1950-1975. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.meismill
See more items in:
Millard Meiss Papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-meismill

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