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Museum of Fine Arts, Boston sound recordings, 1983 May 18-1984 Feb. 8

Creator:
Museum of Fine Arts, Boston  Search this
Subject:
Fink, Alan  Search this
Cooper, Paula  Search this
Goodyear, Frank H.  Search this
Katz, Alex  Search this
Broderson, Morris Gaylord  Search this
Stebbins, Theodore E.  Search this
Dove, Arthur Garfield  Search this
Burback, William J.  Search this
Ackley, Clifford S.  Search this
Driscoll, John Paul  Search this
Glimcher, Arne  Search this
Sheeler, Charles  Search this
Nochlin, Linda  Search this
Downes, Rodney Harry Rackstraw  Search this
Dine, Jim  Search this
Moffett, Kenworth W.  Search this
Type:
Sound recordings
Topic:
Art dealers  Search this
Modernism (Art)  Search this
Art, American  Search this
Record number:
(DSI-AAA_CollID)10123
(DSI-AAA_SIRISBib)213029
AAA_collcode_musefabs
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_213029

Oral history interview with Moira Roth, 2011 April 22-24

Interviewee:
Roth, Moira, 1933-  Search this
Interviewer:
Heinemann, Sue  Search this
Subject:
Antin, Eleanor  Search this
Jacob, Mary Jane  Search this
Gerowitz, Judy  Search this
Chadwick, Whitney  Search this
Baca, Judith Francisca  Search this
Nochlin, Linda  Search this
Kaprow, Allan  Search this
Kozloff, Joyce  Search this
Stevens, May  Search this
Machida, Margo  Search this
Selz, Peter Howard  Search this
Bernardi, Claudia  Search this
Lippard, Lucy R.  Search this
Ringgold, Faith  Search this
Schapiro, Miriam  Search this
Duchamp, Marcel  Search this
Lacy, Suzanne  Search this
Women's Caucus for Art  Search this
University of California, Berkeley  Search this
University of Vienna  Search this
London School of Economics and Political Science  Search this
Elizabeth Murray Oral History of Women in the Visual Arts Project  Search this
Type:
Interviews
Sound recordings
Topic:
Asian American women  Search this
Britain, Battle of, Great Britain, 1940  Search this
Art historians  Search this
Experimental theater  Search this
Sociology  Search this
Cornwall (England : County)  Search this
Art  Search this
World War, 1939-1945  Search this
Europe  Search this
Feminism  Search this
N?  Search this
Authors  Search this
Record number:
(DSI-AAA_CollID)15938
(DSI-AAA_SIRISBib)300234
AAA_collcode_roth11
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_300234

Shirley Jaffe papers, circa 1950-2011

Creator:
Jaffe, Shirley, 1923-2016  Search this
Subject:
Francis, Sam  Search this
Smith, Kimber  Search this
Held, Al  Search this
Jenkins, Paul  Search this
Nochlin, Linda  Search this
Ford, Hermine  Search this
Stone, Sylvia  Search this
Mitchell, Joan  Search this
Sugarman, George  Search this
Kushner, Robert  Search this
Rivers, Larry  Search this
Type:
Interviews
Sketches
Video recordings
Diaries
Sketchbooks
Photographs
Topic:
Painters  Search this
Women artists  Search this
Expatriate artists  Search this
Record number:
(DSI-AAA_CollID)16207
(DSI-AAA_SIRISBib)368197
AAA_collcode_jaffshir
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_368197
Additional Online Media:

Portrait of Linda Nochlin

Artist:
Philip Pearlstein, born 24 May 1924  Search this
Sitter:
Linda Nochlin, 1931 - 2017  Search this
Medium:
Oil on canvas
Dimensions:
91.4 × 101.6cm (36 × 40")
Type:
Painting
Date:
2010
Topic:
Home Furnishings\Furniture\Seating\Chair  Search this
Printed Material\Book  Search this
Linda Nochlin: Female  Search this
Linda Nochlin: Society and Social Change\Reformer\Feminist  Search this
Linda Nochlin: Visual Arts\Art Historian  Search this
Portrait  Search this
Credit Line:
Owner: Private Collection
Object number:
PC991873
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
EDAN-URL:
edanmdm:npg_PC991873

Portrait of Mr. and Mrs. Pommer

Title:
Portrait of Linda Nochlin and Richard Pommer
Artist:
Philip Pearlstein, born 24 May 1924  Search this
Sitter:
Linda Nochlin, 1931 - 2017  Search this
Richard Pommer  Search this
Medium:
Oil on canvas
Dimensions:
Image: 182.9 x 152.4cm (72 x 60")
Type:
Painting
Date:
1968
Topic:
Home Furnishings\Furniture\Seating\Chair\Armchair  Search this
Home Furnishings\Furniture\Seating\Stool  Search this
Linda Nochlin: Female  Search this
Linda Nochlin: Society and Social Change\Reformer\Feminist  Search this
Linda Nochlin: Visual Arts\Art Historian  Search this
Portrait  Search this
Credit Line:
Owner: Private collection
Object number:
EXH.FF.19
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
EDAN-URL:
edanmdm:npg_EXH.FF.19

Linda Nochlin and Daisy

Artist:
Alice Neel, 28 Jan 1900 - 13 Oct 1984  Search this
Sitter:
Linda Nochlin, 1931 - 2017  Search this
Daisy Nochlin  Search this
Medium:
Oil on canvas
Dimensions:
55 7/8 x 44 in. (141.9 x 111.8 cm)
Type:
Painting
Date:
1973
Topic:
Interior  Search this
Costume\Footwear\Shoes  Search this
Home Furnishings\Furniture\Carpet  Search this
Costume\Hair Accessory  Search this
Home Furnishings\Furniture\Seating\Couch  Search this
Linda Nochlin: Female  Search this
Linda Nochlin: Society and Social Change\Reformer\Feminist  Search this
Linda Nochlin: Visual Arts\Art Historian  Search this
Daisy Nochlin: Female  Search this
Portrait  Search this
Credit Line:
Owner: Museum of Fine Arts, Boston
Website: https://www.mfa.org/collections/search
Object number:
1983.496 MFAB
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
EDAN-URL:
edanmdm:npg_1983.496_MFAB

Nochlin, Linda

Collection Creator:
Kozloff, Max  Search this
Container:
Box 1, Folder 41
Type:
Archival materials
Date:
1973 April 23
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Max Kozloff papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Max Kozloff papers, circa 1950-2015. Archives of American Art, Smithsonian Institution.
See more items in:
Max Kozloff papers
Max Kozloff papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-kozlmax-ref63

Max Kozloff papers

Creator:
Kozloff, Max  Search this
Names:
Antin, David  Search this
Ashton, Dore  Search this
Johns, Jasper, 1930-  Search this
Kaprow, Allan  Search this
Leider, Philip, 1929-  Search this
Motherwell, Robert  Search this
Nochlin, Linda  Search this
Schapiro, Miriam, 1923-2015  Search this
Sontag, Susan, 1933-2004  Search this
Extent:
1.4 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Date:
circa 1950-2015
Summary:
The papers of art critic and photographer Max Kozloff measure 1.4 linear feet and date from circa 1950-2015. The collection provides a glimpse into the work life of a prolific twentieth century American art critic through biographical material, correspondence with artists and critics, interviews, many unpublished writings, and printed material.
Scope and Contents:
The papers of art critic and photographer Max Kozloff measure 1.4 linear feet and date from circa 1950-2015. The collection provides a glimpse into the work life of a prolific twentieth century American art critic through biographical material, correspondence with artists and critics, interviews, many unpublished writings, and printed material.

Notable correspondents include David Antin, Allan Kaprow, Phil Leider, Dore Ashton, Jasper Johns, Robert Motherwell, Susan Sontag, Linda Nochlin, Miriam Schapiro, and others.
Arrangement:
The collection is arranged as five series

Series 1: Biographical Material, circa 1950-1970 (2 folders; Box 1)

Series 2: Correspondence, 1961-2014 (0.6 linear feet; Box 1)

Series 3: Interviews, 1993-2014 (4 folders; Box 1)

Series 4: Writings, circa 1950s-2015 (0.6 linear feet; Box 1-2)

Series 5: Printed Material, 1965-2015 (8 folders; Box 2)
Biographical / Historical:
Max Kozloff (1933- ) is an art critic and photographer in New York City. He received his BA in Art History from the University of Chicago in 1953 and studied at the Institute of Fine Arts, New York University, from 1959-1963. Kozloff wrote the art column for The Nation from 1961-1968, was associate and contributing editor to Artforum from 1963-1974 and executive editor from 1974-1976. Kozloff has published numerous essays and books, among them, Renderings (1969), Jasper Johns (1972), The Privileged Eye (1987), New York: Capital of Photography (2002), and The Theatre of the Face (2007). As a photographer, he has held exhibitions both in New York and internationally. Kozloff is the recipient of various awards and prizes including two NEA grants and a Guggenheim fellowship.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Max Kozloff conducted by Annette Leddy in 2014.
Provenance:
Max Kozloff donated his papers to the Archives of American Art in 2016.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Max Kozloff papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art critics -- New York (State) -- New York  Search this
Art criticism -- New York (State) -- New York  Search this
Photographers -- New York (State) -- New York  Search this
Genre/Form:
Interviews
Citation:
Max Kozloff papers, circa 1950-2015. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kozlmax
See more items in:
Max Kozloff papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-kozlmax

Max Kozloff papers, circa 1950-2015

Creator:
Kozloff, Max, 1933-  Search this
Subject:
Ashton, Dore  Search this
Nochlin, Linda  Search this
Sontag, Susan  Search this
Motherwell, Robert Burns  Search this
Schapiro, Miriam  Search this
Kaprow, Allan  Search this
Leider, Philip  Search this
Johns, Jasper  Search this
Antin, David  Search this
Type:
Interviews
Topic:
Art critics  Search this
Art criticism  Search this
Photographers  Search this
Record number:
(DSI-AAA_CollID)16326
(DSI-AAA_SIRISBib)379669
AAA_collcode_kozlmax
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_379669
Additional Online Media:

Linda Nochlin papers, circa 1876, 1937-2017

Creator:
Nochlin, Linda, 1931-2017  Search this
Subject:
Lajer-Burcharth, Ewa  Search this
Zuka  Search this
Pearlstein, Philip  Search this
Courbet, Gustave  Search this
Mitchell, Joan  Search this
Type:
Video recordings
Interviews
Sketchbooks
Diaries
Sound recording
Topic:
Art historians  Search this
Educators  Search this
Women art historians  Search this
Feminists  Search this
Realism (artistic form of expression)  Search this
Women artists  Search this
Record number:
(DSI-AAA_CollID)17580
(DSI-AAA_SIRISBib)395108
AAA_collcode_nochlind
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_395108
Additional Online Media:

Oral history interview with Joan Mitchell, 1986 Apr. 16

Interviewee:
Mitchell, Joan, 1925-1992  Search this
Interviewer:
Nochlin, Linda, 1931-2017  Search this
Type:
Sound recordings
Interviews
Topic:
Women artists  Search this
Painters  Search this
Record number:
(DSI-AAA_CollID)12183
(DSI-AAA_SIRISBib)212145
AAA_collcode_mitche86
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212145
Additional Online Media:

Oral history interview with Linda Nochlin, 2010 Jun. 9-30

Interviewee:
Nochlin, Linda, 1931-2017  Search this
Interviewer:
McElhinney, James, 1952-  Search this
Subject:
Jones, Wendell  Search this
Warburg, Aby  Search this
Schapiro, Meyer  Search this
Renoir, Auguste  Search this
Millet, Jean Fran­cois  Search this
Courbet, Gustave  Search this
Panofsky, Erwin  Search this
Lehmann, Karl  Search this
Columbia University  Search this
New York University.Institute of Fine Arts  Search this
Vassar College  Search this
Elizabeth Murray Oral History of Women in the Visual Arts Project  Search this
Type:
Sound recordings
Interviews
Topic:
Feminism  Search this
College teachers  Search this
Art historians  Search this
Research  Search this
Record number:
(DSI-AAA_CollID)15844
(DSI-AAA_SIRISBib)292564
AAA_collcode_nochli10
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_292564
Additional Online Media:

Linda Nochlin papers

Creator:
Nochlin, Linda  Search this
Names:
Courbet, Gustave, 1819-1877  Search this
Lajer-Burcharth, Ewa  Search this
Mitchell, Joan, 1926-1992  Search this
Pearlstein, Philip, 1924-  Search this
Zuka  Search this
Extent:
31.2 Linear feet
3.9 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Interviews
Sketchbooks
Sound recordings
Video recordings
Diaries
Date:
circa 1876
1937-2017
Summary:
The papers of feminist art historian and educator Linda Nochlin measure 31.2 linear feet and 3.9 gigabytes and date from circa 1876, 1937 to 2017. The collection is comprised of biographical materials; date books and notebooks; correspondence; writing project files that include material on Gustave Courbet and realism, bathers and the body, essays and lectures on 19th century art among other topics, artists, and smaller writing projects; professional files containing material on conferences and fellowships; teaching files detailing courses taught by Nochlin at New York University Institute of Fine Arts and other institutions; printed materials; artwork; and photographic materials that document Nochlin and her relationships with family, colleagues and friends, and artists.
Scope and Contents:
The papers of feminist art historian and educator Linda Nochlin measure 31.2 linear feet and 3.9 gigabytes and date from circa 1876, 1937 to 2017. The collection is comprised of biographical materials; date books and notebooks; correspondence; writing project files that include material on Gustave Courbet and realism, bathers and the body, essays and lectures on 19th century art among other topics, artists, and smaller writing projects; professional files containing material on conferences and fellowships; teaching files detailing courses taught by Nochlin at New York University Institute of Fine Arts and other institutions; printed materials; artwork; and photographic materials that document Nochlin and her relationships with family, colleagues and friends, and artists.

Biographical materials include two address books; awards and prizes; certificates and diplomas; childhood writings and notes, assignments, and school newsletters; course work at Vassar College and NYU's Institute of Fine Arts; honors; and one sound recording and three transcripts of Nochlin interviews with Alain Veinstein, Dan Karlholm, Jon Weiner, and Moira Roth.

Over 150 date books and notebooks spanning nearly 60 years contain appointments, reminders, travel plans, thoughts on art, journal entries, daily activities, to-do lists, contact information, fiction writing, and other small notations. Correspondence is with family; close colleagues and artists Ewa Lajer-Burcharth, Zuka Mitelberg, Joan Mitchell, and Philip Pearlstein; and professional contacts regarding speaking engagements, publishing projects, exhibitions, artists' work, conferences, and events.

The bulk of the collection documents Nochlin's prolific writing career that includes her lifelong research and work on Gustave Courbet, realism, bathers and the body, as well as numerous essays and lectures, research and writings on artists, and various other writing projects.

Files for professional activities contain material for conferences and symposiums that include 11 sound and video recordings, grants, fellowships, and travel arrangements and expenses. Teaching files consist of documentation for courses taught by Nochlin at New York University Institute of Fine Arts, Vassar College, Yale University, and other academic institutions.

Publications and other printed materials include annotated books, booklets, clippings, exhibition catalogs, journals and magazines, newsletters, offprints, five video recordings of broadcasts and documentary material, flyers, invitations, posters, and postcards. Artwork includes sketches in ink, charcoal, paint, and pencil created during Nochlin's childhood into her early 20s, along with artwork by children, and one video art recording by Zoulikha Bouabdellah.

Photographs and negatives are of Nochlin with artists Nancy Graves, Sebastian Horsley, and Shirley Jaffe; childhood classmates; friends and colleagues; students; and travels to Europe. Also included are photographs of works of art, personal photographs of family members, and portraits and snapshots of Nochlin.
Arrangement:
The collection is arranged as nine series.

Series 1: Biographical Materials, circa 1940-2012 (1.0 linear feet; Box 1, OV 35 / 0.003 GB; ER01-ER03)

Series 2: Datebooks and Notebooks, 1959-2017 (2.5 linear feet; Boxes 2-5, OV 35 / 0.001 GB; ER004)

Series 3: Correspondence, 1946-2014 (2.0 linear feet; Boxes 5-7, OV 35 / 0.158 GB; ER005-ER011)

Series 4: Writing Project Files, circa 1876, 1953-2016 (17.0 linear feet; Boxes 7-21, 30-31, 33-34, OVs 36-37 / 3.72 GB; ER012-ER102)

Series 5: Professional Files, 1957-2012 (1.0 linear feet; Boxes 22-23 / 0.001 GB; ER103)

Series 6: Teaching Files, 1953-2012 (2.5 linear feet; Boxes 23-25, OV 36 / 0.016 GB; ER104-ER119)

Series 7: Printed Materials, 1939-2017 (3.0 linear feet; Boxes 26-28, 32, 34, OVs 39-40)

Series 8: Artwork, circa 1940-2004 (1.0 linear feet; Boxes 28, 34, OV 38)

Series 9: Photographic Materials, circa 1935-circa 2010 (1.0 linear feet; Boxes 28-29, 34)
Biographical / Historical:
Linda Nochlin (1931-2017) was a feminist art historian and professor at New York University Institute of Fine Arts in New York, New York. She is widely known for her essay first published in 1971, "Why Have There Been No Great Women Artists?," that explored the institutional systems in place for analyzing art history and their impacts on women artists. In 1976, Nochlin co-curated Women Artists: 1550-1950 alongside Ann Sutherland Harris at the Los Angeles County Museum of Art, and in 2007 she co-curated with Maura Reilly the Global Feminisms Exhibition at the Brooklyn Museum. Both exhibitions are considered landmark exhibitions of women artists.

Nochlin was born in Brooklyn, New York. She attended the Brooklyn Ethical Culture School and Midwood High School before enrolling in Vassar College where she majored in philosophy with minors in Greek and art history. After graduating in 1951, she went on to earn a master's degree in English from Columbia University in 1952. In 1963, she earned her PhD in art history from the Institute of Fine Arts. Nochlin's PhD dissertation, "Gustave Courbet: A Study of Style and Society," marked the beginning of her lifelong study of the 19th-Century French artist Gustave Courbet.

Nochlin taught at Yale University, the Graduate Center at the City University of New York, and Vassar College. She was also a visiting professor at Columbia University, Hunter College, Stanford University, Williams College, and Yale University, and later became the Lila Acheson Wallace Professor Emerita of Modern Art at the Institute of Fine Arts.

Nochlin authored numerous art history books including Realism (1971), The Politics of Vision: Essays on Nineteenth-Century Art and Society (1989), Representing Women (1999), The Body in Pieces: The Fragment as a Metaphor of Modernity (1994), Bathers, Bodies, Beauty: The Visceral Eye (2006), Courbet (2007), and Misère: The Visual Representation of Misery in the 19th Century (2018).
Related Materials:
Also found at the Archives of American Art is an oral history interview of Linda Nochlin conducted on June 9-30, 2010 by James McElhinney, for the Archives of American Art's Oral History of Women in the Visual Arts project at Nochlin's home in New York, N.Y.
Provenance:
The collection was donated in 2018 by Daisy Pommer, Linda Nochlin's daughter.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art historians -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Topic:
Feminists  Search this
Women art historians  Search this
Realism (artistic form of expression)  Search this
Women artists  Search this
Genre/Form:
Interviews
Sketchbooks
Sound recordings
Video recordings
Diaries
Citation:
Linda Nochlin papers, circa 1876, 1937-2017. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.nochlind
See more items in:
Linda Nochlin papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-nochlind

Bryn Mawr College

Collection Creator:
Nochlin, Linda  Search this
Extent:
0.001 Gigabytes (1 computer file)
Container:
Folder ER005
Type:
Archival materials
Computer Disks
Gigabytes
Date:
2001
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Linda Nochlin papers, circa 1876, 1937-2017. Archives of American Art, Smithsonian Institution.
See more items in:
Linda Nochlin papers
Linda Nochlin papers / Series 3: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-nochlind-ref1052

Emails

Collection Creator:
Nochlin, Linda  Search this
Extent:
0.152 Gigabytes (738 computer files)
Container:
Folder ER006
Type:
Archival materials
Gigabytes
Date:
circa 2000-circa 2015
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Linda Nochlin papers, circa 1876, 1937-2017. Archives of American Art, Smithsonian Institution.
See more items in:
Linda Nochlin papers
Linda Nochlin papers / Series 3: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-nochlind-ref1053

Cézanne's Bathers Research

Collection Creator:
Nochlin, Linda  Search this
Extent:
0.001 Gigabytes (2 computer files)
Container:
Folder ER023
Type:
Archival materials
Computer Disks
Gigabytes
Date:
1992
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Linda Nochlin papers, circa 1876, 1937-2017. Archives of American Art, Smithsonian Institution.
See more items in:
Linda Nochlin papers
Linda Nochlin papers / Series 4: Writing Project Files / 4.2: Files on Bathers and the Body
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-nochlind-ref1070

"Monet's Hôtel des Roches Noires: Anxiety and Perspective at the Seashore," Notes and Drafts

Collection Creator:
Nochlin, Linda  Search this
Extent:
0.001 Gigabytes (9 computer files)
Container:
Folder ER027
Type:
Archival materials
Computer Disks
Gigabytes
Date:
1991-2004
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Linda Nochlin papers, circa 1876, 1937-2017. Archives of American Art, Smithsonian Institution.
See more items in:
Linda Nochlin papers
Linda Nochlin papers / Series 4: Writing Project Files / 4.2: Files on Bathers and the Body
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-nochlind-ref1074

"Nude but Not Naughty: Victorian Artists Confront the Body," Draft

Collection Creator:
Nochlin, Linda  Search this
Extent:
0.001 Gigabytes (1 computer file)
Container:
Folder ER028
Type:
Archival materials
Computer Disks
Gigabytes
Date:
2002
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Linda Nochlin papers, circa 1876, 1937-2017. Archives of American Art, Smithsonian Institution.
See more items in:
Linda Nochlin papers
Linda Nochlin papers / Series 4: Writing Project Files / 4.2: Files on Bathers and the Body
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-nochlind-ref1075

"Pioneering Modern Painting: Cézanne and Pissaro and the Representation of Women" at MOMA, Digital Audio Recording

Collection Creator:
Nochlin, Linda  Search this
Extent:
0.614 Gigabytes (2 computer files)
Container:
Folder ER029
Type:
Archival materials
Computer Disks
Gigabytes
Date:
2005
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Linda Nochlin papers, circa 1876, 1937-2017. Archives of American Art, Smithsonian Institution.
See more items in:
Linda Nochlin papers
Linda Nochlin papers / Series 4: Writing Project Files / 4.2: Files on Bathers and the Body
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-nochlind-ref1076

"Real Beauty: The Body in Realism," Outline Fragments

Collection Creator:
Nochlin, Linda  Search this
Extent:
0.001 Gigabytes (2 computer files)
Container:
Folder ER030
Type:
Archival materials
Computer Disks
Gigabytes
Date:
2004
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Linda Nochlin papers, circa 1876, 1937-2017. Archives of American Art, Smithsonian Institution.
See more items in:
Linda Nochlin papers
Linda Nochlin papers / Series 4: Writing Project Files / 4.2: Files on Bathers and the Body
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-nochlind-ref1077

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