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Alphaeus P. Cole papers

Creator:
Cole, Alphaeus Philemon, 1876-1988  Search this
Names:
National Academy of Design (U.S.)  Search this
Angel, John, 1881-1960  Search this
Benjamin-Constant, 1845-1902  Search this
Borglum, Solon Hannibal, 1868-1922  Search this
Bransom, Paul, 1885-  Search this
Buffalo Bill, 1846-1917  Search this
Cole, Timothy, 1852-1931  Search this
Coolidge, Calvin, 1872-1933  Search this
Crane, Bruce, 1857-1937  Search this
Curran, Charles C. (Charles Courtney), 1861-1942  Search this
Drake, Alexander, 1843-1916  Search this
Ertz, Edward Frederick, 1862-1954  Search this
Higgins, Eugene, 1874-1958  Search this
Laurens, Jean-Paul, 1838-1921  Search this
Low, Will Hicok, 1853-1932  Search this
Murphy, Hermann Dudley, 1867-1945  Search this
Pennell, Joseph, 1857-1926  Search this
Rio, Anita, 1873?-1971  Search this
Ryder, Chauncey F., 1868-1949  Search this
Steichen, Edward, 1879-1973  Search this
Strode, Hudson, 1892-1976  Search this
Tolman, Ruel P. (Ruel Pardee), 1878-1954  Search this
Young, Mahonri Sharp, 1911-1996  Search this
Extent:
4.5 Linear feet ((on 12 microfilm reels))
Type:
Collection descriptions
Archival materials
Drawings
Date:
1885-1988
Scope and Contents:
Biographical material; diaries; correspondence, financial material; notes; writings; art work; printed material; and photographs
REEL D30 (fr. 420, 521, 542): Three letters from Bruce Crane, 1930, mentioning his election to the Allied Artists of America, from Will Hicok Low, 1930, concerning Cole's election into an art organization, and from Chauncey Foster Ryder, 1921, saying "You may count on me."
REEL 420 (fr. 453-652): Letters written by Timothy Cole, 1885-1928, primarily to Alphaeus and to painter Edward Ertz of Sussex, England, discussing engraving, work for the CENTURY, World War I, and personal matters; a letter to Alphaeus from sculptor John Angel, 1946, discussing Alphaeus' portrait of him; a poem and notes for a speech by Timothy Cole; writings by Alphaeus describing his engraving techniques and his recollections of his father; printed material, including a program for a dinner honoring collector Alexander Wilson Drake, 1913, an address by Timothy to the National Arts Club, 1916, 11 exhibition catalogs for Timothy, 1927-1931, and for Alphaeus, 1922-1952, a catalog from the Grand Central School of Art, and a few clippings; and 2 photos of Alphaeus, ca. 1912 and 1970.
REEL 3481 (fr.467-700): 64 letters, 1910-1927, and 2 sonnets from his father Timothy Cole and a letter to his future daughter-in-law regarding her upcoming marriage to Alphaeus; a letter to Timothy Cole from Calvin Coolidge thanking him for an engraved bookplate; 12 letters to Cole, 1931-1964, from Maurice Bloch, Paul Bransom, A. B. Butts, Will H. Low, Hermann Dudley Murphy, Hudson Strode, R. P. Tolman, and Mahonri Young; a typescript of an article by Cole on Charles C. Curran; 2 photographs of Cole at work, and a photograph of 26 members of the National Academy of Design, ca. 1925, including 19 autographs on the mat; and miscellaneous printed material and writings.
REELS 4783-4791: Biographical accounts and documents; 70 diaries, 1889-1982, containing accounts of Cole's daily activities and 7 photographs; correspondence, 1891-1988, including letters from his father, Timothy Cole, and other family members, 2 notes from Jean Paul Laurens and Benjamin Constant, comments by Cole about his colleagues in 1901-1902, Solon Borglum, Joseph Pennell, Edward Steichen, and a Mr. Yeats, and a description of Buffalo Bill's Wild West Show, 1902; receipts for art expenses and doctor bills; 4 income tax returns, 1936-1980; an address book, ca. 1933; 6 notebooks on the German language, travels in Orvieto, religious symbols in art, and art history, 1889-1898;
writings by Cole and others, including poems to Eugene and Anita Higgins; prints and drawings by Cole, 1899-1958, including a self-portrait and a portrait drawing of Jean Paul Laurens; 2 prints by John W. Evans, 1935, and Keith Shaw Williams; 26 prints of religious paintings by Italian masters; printed material, including clippings, exhibition catalogs for others, reproductions of art work, material concerning Anita Rio, a postcard album, 1901-1934, and picture postcards, and miscellany; and photographs of Cole, Anita Rio, family, friends, models, residence, travels, art work by Cole and others, and gallery installations.
Biographical / Historical:
Painter, portrait painter; New York, N.Y. Born in New Jersey, Cole was the son of wood engraver Timothy Cole. After studying under Isaac Craig in Italy, he began studies at the Academie Julian in 1892, under Jean Paul Laurens and Benjamin Constant. His painting of Dante was exhibited in the Paris Salon of 1900. He moved to England and married sculptress Margaret Ward Walmsley in 1903. They moved to the United States in 1911, where Cole joined the Salmagundi Club, 1918, and served as president of the New York Water Color Club from 1931 to 1941. He taught at Cooper Union, 1924-1931, and was elected a National Academician in 1941. A widower in 1962, Cole married Anita Rio, the widow of painter Eugene Higgins.
Provenance:
Material on reel D30 donated 1955-1962 by Charles E. Feinberg, an active donor and friend of the Archives of American Art. Material on reels 420, 3481, and 4783-4791 donated 1965-1989 by Alphaeus Cole, in part through his nephew Orlando, and by his estate.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters -- New York (State) -- New York  Search this
Portrait painters -- New York (State) -- New York  Search this
Genre/Form:
Drawings
Identifier:
AAA.colealph
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw994f82a50-b5be-4b80-97c1-2a0ad5336a9d
EDAN-URL:
ead_collection:sova-aaa-colealph

Ernest Blumenschein papers

Creator:
Blumenschein, Ernest Leonard, 1874-1960  Search this
Names:
Committee on Public Information  Search this
National Academy of Design (U.S.)  Search this
Salmagundi Club  Search this
Taos Society of Artists  Search this
Blumenschein, Helen G. (Helen Greene)  Search this
Blumenschein, Mary Greene  Search this
Gilbert, Cass, 1859-1934  Search this
Glackens, William J., 1870-1938  Search this
Kuhn, Walt, 1877-1949  Search this
Meem, John Gaw, 1894-1983  Search this
Sharp, Joseph Henry, 1859-1953  Search this
Tarkington, Booth, 1869-1946  Search this
Ufer, Walter, 1876-1936  Search this
Extent:
2.1 Linear feet
Type:
Collection descriptions
Archival materials
Writings
Photographs
Date:
1873-1964
Summary:
The papers of southwest painter and illustrator Ernest Blumenschein measure 2.1 linear feet and date from 1873-1964. The collection documents Blumenschein's artistic career, his relationship with his wife and daughter, his love of the American southwest, and his involvement in the art community of Taos, New Mexico. Found are biographical materials, personal and professional correspondence, scattered personal business records, writings, a large amount of juvenilia artwork, and photographs of artwork.
Scope and Content Note:
The papers of southwest painter and illustrator Ernest Blumenschein measure 2.1 linear feet and date from 1873-1964. The collection documents Blumenschein's artistic career, his relationship with his wife and daughter, his love of the American southwest, and his involvement in the art community of Taos, New Mexico. Found are biographical materials, personal and professional correspondence, scattered personal business records, writings, a large amount of juvenilia artwork, and photographs of artwork.

Biographical materials include biographical sketches, school notebooks and curriculum vita, family genealogical materials and other family records, certificates, diplomas, and materials commemorating Blumenschein's election to the National Academy of Design. Also found are scattered ephemera items, such as membership cards, tickets, and travel materials.

Correspondence consists primarily of letters between Blumenschein, his wife Mary, and his daughter Helen. These discuss Blumeschein's career, domestic life, financial matters, Helen's schooling, and travel. Blumenschein's activities during World War I are documented by correspondence with the Committee of Public Information, the Salmagundi Club, and with Aide de Camps of army bases. There are a few letters from other artists and writers including William Glackens, Walt Kuhn, Ward Lockwood, Booth Tarkington, and a long letter from Cass Gilbert.

Scattered personal business records consist of a guest list, a list of Blumenschein works in a private collection, a jury duty certificate, and a car payment record.

Writings include personal, critical, and creative writings. There are writings by Blumenschein about the founding of the Taos Society of Artists and the artistic community of Taos and his memoirs about his first trip to Taos. Additional writings include a satirical discussion of modern art, and essays about artists John Gaw Meem, Joseph Henry Sharp, and Walter Ufer, and discussions of select paintings. Blumenschein also wrote of his travels in Paris, Switzerland, and Pittsburgh, as well as about French churches and cemeteries. Creative writings explore the landscape, life and culture of the American southwest.

Artwork consists primarily of fourteen folders of Blumenschein's illustrations for "Tomfoolery," a handwritten and hand drawn magazine that Blumenschein contributed to in high school. His illustrations for "Tomfoolery" include portraits, caricatures, and sequential art. Also found is one folder of small sketches.

Printed materials about Blumenschein include clippings, exhibition announcements, and exhibition catalogs. There are also brochures related to the Taos Art Colony and a 1902 menu for a Salmagundi Club program/dinner Also found here is a 1915 signed menu from a National Academy of Design event signed by Gifford Beal, George Bellows, and Eugene Spiecher among others.

Photographs include two portraits of Blumenschein and a group portrait of National Academy of Design members that includes Blumenschein. There are also photographs of Blumeschein's artwork and installation views of Blumenschein exhibitions.

Some images and language in these manuscripts may be offensive to viewers. It is presented as it exists in the original documents for the benefit of research. This material in no way reflects the views of the Archives of American Art or the Smithsonian Institution.
Arrangement:
The collection is arranged into 7 series:

Missing Title

Series 1: Biographical Materials, 1873-1971 (Boxes 1, OV1; 17 folders)

Series 2: Correspondence, 1891-1970 (Box 1; 0.5 linear feet)

Series 3: Personal Business Records, 1918-1950s (Box 1; 4 folders)

Series 4: Writings, 1880s-1959 (Box 1-2; 0.5 linear feet)

Series 5: Artwork, 1888-1925 (Box 2; 0.25 linear feet)

Series 6: Printed Materials, 1891-1964 (Box 2, OV1; 0.5 linear feet)

Series 7: Photographs, 1880s-1955 (Box 2, OV1; 0.25 linear feet)
Biographical Note:
Ernest Blumenschein was born on May 26th, 1874 in Pittsburgh, Pennsylvania. He moved to Dayton, Ohio at the age of four, the same year his mother died. His father was a professional musician and composer, who chiefly made his living as a conductor of large choruses. During high school he contributed illustrations to "Tomfoolery," a handwritten and hand drawn weekly humor magazine. Besides his artistic talents, Ernest Blumenschein was a skilled violin player, and was awarded a scholarship to the Cincinnati College of Music. In 1892, Blumenschein auditioned for the New York National Conservatory, and was chosen by Anton Dvorak for the role of first violin. With the income from playing violin, Blumenschein attended classes at the Art Students League.

In 1892, Ernest Blumenschein first traveled to Paris to study at the Académie Julian. While in Paris, he met Joseph Henry Sharp who inspired Blumenschein with his stories and sketches of the American southwest, particularly the Taos area. He returned to American in 1896, rented a studio with another Académie Julian student Bert Phillips, and began a successful career as a commercial illustrator working for magazines such as Century, Harper's, Scribner's, and McClure's.

Blumenschein first visited Taos in the fall of 1898 while traveling en route to Mexico on a sketching trip with Phillips. A wheel on the wagon carrying their belongings broke and they took it to the nearest blacksmith in the area, which was in Taos. Upon arriving at Taos, Blumenschein was struck by the "the superb beauty and serenity" of the landscape and was "stirred deeply." The town made a strong impact on both Blumenschein and Phillips, but while Phillips decided to stay, Blumenschein returned to New York for a short while and continued working as an illustrator. The following year Blumenschein decided to concentrate on painting, and re-enrolled at the Académie Julian while supporting himself with his commercial work. In 1903, he met Mary Greene, an American painter living in Paris and they married in 1905, and began sharing a Paris studio. Their daughter and only child, Helen, was born in November of 1909.

While Ernest Blumenschein continued to study in Paris, he also kept working as an illustrator, supporting himself easily. His illustration work was much in demand by American magazines and book publishers. Blumenschein was commissioned to illustrate Jack London's first book, Love of Life, in 1904. He also worked with other famous writers such as Stephen Crane, Willa Cather, and Joseph Conrad.

Upon returning to New York after the birth of their daughter, Ernest and Mary taught at the Pratt Institute. Ernest spent every summer in Taos. In 1919, the family moved permanently to Taos, with Helen returning to New York for school. It was during this time that Blumenschein co-founded the Taos Society of Artists and became part of the Taos art colony. For four decades, Blumenschein created paintings of the landscape, local inhabitants, the Taos Pueblo culture, and city skylines. He won numerous awards for his work and exhibited widely. His work was responsible for changing perceptions about the native culture and peoples of the area - the Navajo and Pueblo Indians. Blumenschein also indulged his love of the outdoors and sports. He avidly camped, played tennis, and was part of the Taos amateur baseball team. His artistic output in the 1950s was hampered by his declining health, and the death of Mary in 1958. Blumenschein died in June of 1960, and his ashes are repositioned at the Taos Pueblo Reservation.
Related Material:
Found in the Archives of American Art is a small collection of "Ernest Blumenschein letters and transcripts", available on microfilm reel 3281, and consisting of eleven letters between Blumenschein and Thomas Gilcrease, a letter between Helen Blumenschein and Gilcrease, and the transcript of a 1958 radio interview with Blumenschein.

Additionally, the Fray Angélico Chávez History Library in Santa Fe, New Mexico holds papers related to Ernest Blumenschein, Mary Greene Blumenschein, and Helen Greene Blumenschein.
Provenance:
The collection was donated to the Archives of American Art by Helen Greene Blumenschein, Ernest Blumenschein's daughter, in 1971.
Restrictions:
Use of the original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New Mexico -- Taos  Search this
Topic:
Illustrators -- New Mexico -- Taos  Search this
Taos School of Art  Search this
Works of art  Search this
Painting -- New Mexico -- Taos  Search this
World War, 1914-1918  Search this
Genre/Form:
Writings
Photographs
Citation:
Ernest Blumenschein papers, 1873-1964. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.blumerne
See more items in:
Ernest Blumenschein papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9be57a409-a4fd-450c-a1e2-bfe0a6b923aa
EDAN-URL:
ead_collection:sova-aaa-blumerne
Online Media:

National Academy Association

Collection Creator:
National Academy of Design (U.S.)  Search this
Extent:
0.4 Linear feet (Box 39)
Type:
Archival materials
Date:
1911-1959
Scope and Contents:
The National Academy Association files contain a constitution, plan, and agreement, as well as correspondence, meeting minutes, and reports for the National Academy Association, incorporated in 1912, with the aim to erect a building shared by several New York art societies. At the time of incorporation, the Association consisted of members from the National Academy of Design, American Water Color Society, American Institute of Architects, Architectural League of New York, New York Water Color Club, National Sculpture Society, Municipal Art Society, Society of Beaux-Arts Architects, Mural Painters, Society of Illustrators, and a number of city representatives and citizens. Their shared goals were to develop and encourage the study of fine arts, aid artists and associations of artists, disseminate knowledge of and stimulate interest in fine arts, provide space for classes, exhibitions, lectures, and accommodations. The final goal, the erection of an Arts Center, never came to fruition. In 1958, refunds were issued by the Association's board of trustees to each of the organizations who contributed money at the 1912 incorporation.
Collection Restrictions:
This bulk of this collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
National Academy of Design records, 1817-2012. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.natiacad, Series 10
See more items in:
National Academy of Design records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94937d3b1-58da-4496-9e14-85a2c3b43755
EDAN-URL:
ead_component:sova-aaa-natiacad-ref10

Contemporary Prints and Watercolors

Collection Creator:
National Academy of Design (U.S.)  Search this
Container:
Box 30, Folder 22
Type:
Archival materials
Date:
1955-1956
Collection Restrictions:
This bulk of this collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
National Academy of Design records, 1817-2012. Archives of American Art, Smithsonian Institution.
See more items in:
National Academy of Design records
National Academy of Design records / Series 7: Exhibitions / 7.3: Special Exhibitions
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9aa4729be-0678-4b38-8341-1e56dcfe9be9
EDAN-URL:
ead_component:sova-aaa-natiacad-ref1000

Henry W. Ranger Centennial Exhibition (1958)

Collection Creator:
National Academy of Design (U.S.)  Search this
Container:
Box 30, Folder 23
Type:
Archival materials
Date:
1956-1959
Collection Restrictions:
This bulk of this collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
National Academy of Design records, 1817-2012. Archives of American Art, Smithsonian Institution.
See more items in:
National Academy of Design records
National Academy of Design records / Series 7: Exhibitions / 7.3: Special Exhibitions
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f9ce1bfe-a317-432c-9e88-f89b1418a80b
EDAN-URL:
ead_component:sova-aaa-natiacad-ref1001

New York Etching Club

Collection Creator:
National Academy of Design (U.S.)  Search this
Container:
Box 59, Folder 1
Type:
Archival materials
Date:
1891-1893
Collection Restrictions:
This bulk of this collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
National Academy of Design records, 1817-2012. Archives of American Art, Smithsonian Institution.
See more items in:
National Academy of Design records
National Academy of Design records / Series 15: Other Organizations
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99ab0e9f3-253a-47ea-8b79-3cc927c3c225
EDAN-URL:
ead_component:sova-aaa-natiacad-ref1002

New York Gallery of Fine Arts

Collection Creator:
National Academy of Design (U.S.)  Search this
Container:
Box 59, Folder 2
Type:
Archival materials
Date:
1844-1850
1982
Collection Restrictions:
This bulk of this collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
National Academy of Design records, 1817-2012. Archives of American Art, Smithsonian Institution.
See more items in:
National Academy of Design records
National Academy of Design records / Series 15: Other Organizations
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw986202f71-9abb-4280-91d5-426cca367534
EDAN-URL:
ead_component:sova-aaa-natiacad-ref1003

Pennsylvania Academy of Fine Arts

Collection Creator:
National Academy of Design (U.S.)  Search this
Container:
Box 59, Folder 4
Type:
Archival materials
Date:
1905
1982
Collection Restrictions:
This bulk of this collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
National Academy of Design records, 1817-2012. Archives of American Art, Smithsonian Institution.
See more items in:
National Academy of Design records
National Academy of Design records / Series 15: Other Organizations
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94c8d71bd-6351-4d8b-8ece-d7df47495454
EDAN-URL:
ead_component:sova-aaa-natiacad-ref1004

Salmagundi Club

Collection Creator:
National Academy of Design (U.S.)  Search this
Container:
Box 59, Folder 5-7
Type:
Archival materials
Date:
1904-1944
1962
circa 1990
Collection Restrictions:
This bulk of this collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
National Academy of Design records, 1817-2012. Archives of American Art, Smithsonian Institution.
See more items in:
National Academy of Design records
National Academy of Design records / Series 15: Other Organizations
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e6c0f6c5-57f6-4b51-b0fe-fd72c5075148
EDAN-URL:
ead_component:sova-aaa-natiacad-ref1005

Sketch Club

Collection Creator:
National Academy of Design (U.S.)  Search this
Container:
Box 59, Folder 8
Type:
Archival materials
Date:
1828
1983
1997
Collection Restrictions:
This bulk of this collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
National Academy of Design records, 1817-2012. Archives of American Art, Smithsonian Institution.
See more items in:
National Academy of Design records
National Academy of Design records / Series 15: Other Organizations
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90a30b7b3-fe26-40b3-a2eb-df1c22b0f4c7
EDAN-URL:
ead_component:sova-aaa-natiacad-ref1006

Society of American Etchers

Collection Creator:
National Academy of Design (U.S.)  Search this
Container:
Box 59, Folder 9
Type:
Archival materials
Date:
1943-1948
Collection Restrictions:
This bulk of this collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
National Academy of Design records, 1817-2012. Archives of American Art, Smithsonian Institution.
See more items in:
National Academy of Design records
National Academy of Design records / Series 15: Other Organizations
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d7010b9e-84b1-417c-8428-9206882ade01
EDAN-URL:
ead_component:sova-aaa-natiacad-ref1007

V-W, General

Collection Creator:
National Academy of Design (U.S.)  Search this
Container:
Box 59, Folder 10
Type:
Archival materials
Date:
1847
1955
Collection Restrictions:
This bulk of this collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
National Academy of Design records, 1817-2012. Archives of American Art, Smithsonian Institution.
See more items in:
National Academy of Design records
National Academy of Design records / Series 15: Other Organizations
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9801da708-c911-43f5-ba5c-5021b321354e
EDAN-URL:
ead_component:sova-aaa-natiacad-ref1008

Interview with Will Barnet

Collection Creator:
National Academy of Design (U.S.)  Search this
Container:
Box 59, Folder 11
Type:
Archival materials
Date:
2002-2003
Collection Restrictions:
This bulk of this collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
National Academy of Design records, 1817-2012. Archives of American Art, Smithsonian Institution.
See more items in:
National Academy of Design records
National Academy of Design records / Series 16: Oral History Transcripts
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e0c4e4e7-291e-4714-9301-1c04262ac6db
EDAN-URL:
ead_component:sova-aaa-natiacad-ref1009

Interview with Hyman Bloom

Collection Creator:
National Academy of Design (U.S.)  Search this
Container:
Box 59, Folder 12
Type:
Archival materials
Date:
2003
Collection Restrictions:
This bulk of this collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
National Academy of Design records, 1817-2012. Archives of American Art, Smithsonian Institution.
See more items in:
National Academy of Design records
National Academy of Design records / Series 16: Oral History Transcripts
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9258bf91e-e249-4ad5-b0c0-3f615c011569
EDAN-URL:
ead_component:sova-aaa-natiacad-ref1010

Interview with Richard Haas

Collection Creator:
National Academy of Design (U.S.)  Search this
Container:
Box 59, Folder 13-14
Type:
Archival materials
Date:
2003-2004
Collection Restrictions:
This bulk of this collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
National Academy of Design records, 1817-2012. Archives of American Art, Smithsonian Institution.
See more items in:
National Academy of Design records
National Academy of Design records / Series 16: Oral History Transcripts
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e562ec5b-b0c3-489f-86d8-60fdb8420991
EDAN-URL:
ead_component:sova-aaa-natiacad-ref1011

Interview with Ellen Lanyon

Collection Creator:
National Academy of Design (U.S.)  Search this
Container:
Box 59, Folder 15
Type:
Archival materials
Date:
2003
Collection Restrictions:
This bulk of this collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
National Academy of Design records, 1817-2012. Archives of American Art, Smithsonian Institution.
See more items in:
National Academy of Design records
National Academy of Design records / Series 16: Oral History Transcripts
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e111306c-1345-47fc-a31a-a74e81581728
EDAN-URL:
ead_component:sova-aaa-natiacad-ref1012

Interview with Jules Olitski

Collection Creator:
National Academy of Design (U.S.)  Search this
Container:
Box 59, Folder 16
Type:
Archival materials
Date:
2002
Collection Restrictions:
This bulk of this collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
National Academy of Design records, 1817-2012. Archives of American Art, Smithsonian Institution.
See more items in:
National Academy of Design records
National Academy of Design records / Series 16: Oral History Transcripts
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw95c9fc9d6-9a65-48f5-b350-3f6973a545d3
EDAN-URL:
ead_component:sova-aaa-natiacad-ref1013

Interview with Bernard Olshan

Collection Creator:
National Academy of Design (U.S.)  Search this
Container:
Box 59, Folder 17
Type:
Archival materials
Date:
2006
Collection Restrictions:
This bulk of this collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
National Academy of Design records, 1817-2012. Archives of American Art, Smithsonian Institution.
See more items in:
National Academy of Design records
National Academy of Design records / Series 16: Oral History Transcripts
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a5f6ac0d-f81e-450b-817e-eda80d89db37
EDAN-URL:
ead_component:sova-aaa-natiacad-ref1014

Interview with Paul Resika

Collection Creator:
National Academy of Design (U.S.)  Search this
Container:
Box 59, Folder 18-19
Type:
Archival materials
Date:
2004
Collection Restrictions:
This bulk of this collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
National Academy of Design records, 1817-2012. Archives of American Art, Smithsonian Institution.
See more items in:
National Academy of Design records
National Academy of Design records / Series 16: Oral History Transcripts
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ed4a94ae-9fa7-4b71-bc4e-aa444dfe30b7
EDAN-URL:
ead_component:sova-aaa-natiacad-ref1015

Interview with Dorothea Rockburne

Collection Creator:
National Academy of Design (U.S.)  Search this
Container:
Box 59, Folder 20
Type:
Archival materials
Date:
2007
Collection Restrictions:
This bulk of this collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
National Academy of Design records, 1817-2012. Archives of American Art, Smithsonian Institution.
See more items in:
National Academy of Design records
National Academy of Design records / Series 16: Oral History Transcripts
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9fc78fe38-db64-40d0-a070-8faead2167d9
EDAN-URL:
ead_component:sova-aaa-natiacad-ref1016

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