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#APeoplesJourney - A Nation's Story

Creator:
National Museum of African American History and Culture  Search this
Type:
Youtube videos
Uploaded:
2017-09-28T13:00:21.000Z
Topic:
African Americans  Search this
Youtube Category:
Education  Search this
See more by:
WatchNMAAHC
YouTube Channel:
WatchNMAAHC
Data Source:
National Museum of African American History and Culture
EDAN-URL:
edanmdm:yt_wUuSYpW4ZIo

Ezra Pound

Artist:
Alvin Langdon Coburn, 11 Jun 1882 - 23 Nov 1966  Search this
Sitter:
Ezra Loomis Pound, 30 Oct 1885 - 1 Nov 1972  Search this
Medium:
Vortograph
Dimensions:
21 x 15.9cm (8 1/4 x 6 1/4")
Type:
Photograph
Date:
1916
Topic:
Ezra Loomis Pound: Male  Search this
Ezra Loomis Pound: Literature\Writer\Poet  Search this
Ezra Loomis Pound: Communications\Translator  Search this
Ezra Loomis Pound: Literature\Writer\Letter writer  Search this
Ezra Loomis Pound: Literature\Editor\Book  Search this
Portrait  Search this
Credit Line:
Owner: International Center of Photography
Object number:
NY990201
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
EDAN-URL:
edanmdm:npg_NY990201

Cornell Capa

Artist:
Miriam Troop, 27 Apr 1917 - 19 Nov 2016  Search this
Sitter:
Cornell Capa, 10 Apr 1918 - 23 May 2008  Search this
Medium:
Graphite, colored pencil, crayon and charcoal on paper
Dimensions:
Sheet: 34.5 x 35cm (13 9/16 x 13 3/4")
Type:
Drawing
Date:
1999
Topic:
Costume\Dress Accessory\Eyeglasses  Search this
Artwork  Search this
Interior\Office  Search this
Cornell Capa: Male  Search this
Cornell Capa: Visual Arts\Artist\Photographer  Search this
Cornell Capa: Communications\Journalist\Editor  Search this
Cornell Capa: Visual Arts\Founder  Search this
Cornell Capa: Visual Arts\Administrator\Art Museum\Director  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; gift of John G. Morris
Object number:
S/NPG.2001.98
See more items in:
National Portrait Gallery Collection
Exhibition:
20th Century Americans: 1960-2000
On View:
NPG, South Gallery 342
Data Source:
National Portrait Gallery
EDAN-URL:
edanmdm:npg_S_NPG.2001.98

Ernest Hemingway, Sun Valley, Idaho

Artist:
Robert Capa, 22 Oct 1913 - 25 May 1954  Search this
Sitter:
Ernest Miller Hemingway, 21 Jul 1899 - 2 Jul 1961  Search this
Medium:
Gelatin silver print
Dimensions:
Image/Sheet: 34.2 x 23.1cm (13 7/16 x 9 1/8")
Mat: 55.9 x 40.6cm (22 x 16")
Type:
Photograph
Date:
1940
Topic:
Weapon\Gun\Rifle  Search this
Ernest Miller Hemingway: Male  Search this
Ernest Miller Hemingway: Communications\Journalist\Reporter\Newspaper  Search this
Ernest Miller Hemingway: Literature\Writer\Novelist  Search this
Ernest Miller Hemingway: Sports and Recreation\Outdoorsman  Search this
Ernest Miller Hemingway: Communications\Journalist\Correspondent  Search this
Ernest Miller Hemingway: Nobel Prize  Search this
Ernest Miller Hemingway: Pulitzer Prize  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution
Object number:
NPG.85.88
Restrictions & Rights:
© Robert Capa / International Center of Photography / Magnum Photos
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
EDAN-URL:
edanmdm:npg_NPG.85.88

Andrew Jackson

Attribution:
Daniel Adams, 1810 - 1885  Search this
Sitter:
Andrew Jackson, 15 Mar 1767 - 8 Jun 1845  Search this
Medium:
Daguerreotype photograph
Dimensions:
8.3cm x 7cm (3 1/4" x 2 3/4"), Accurate
Type:
Photograph
Date:
c. 1845
Topic:
None  Search this
Andrew Jackson: Male  Search this
Andrew Jackson: Law and Law Enforcement\Lawyer  Search this
Andrew Jackson: Military\Army\Officer\General  Search this
Andrew Jackson: Politics and Government\US Senator\Tennessee  Search this
Andrew Jackson: Politics and Government\President of US  Search this
Andrew Jackson: Politics and Government\US Congressman\Tennessee  Search this
Andrew Jackson: Law and Law Enforcement\Judge\Justice\State Supreme Court Justice\Tennessee  Search this
Andrew Jackson: Politics and Government\Governor\Florida  Search this
Andrew Jackson: Congressional Gold Medal  Search this
Portrait  Search this
Credit Line:
Owner: International Center of Photography
Object number:
NY900303
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
EDAN-URL:
edanmdm:npg_NY900303

Martin Luther King, Jr., wife Coretta Scott King, and their daughter Yolanda

Artist:
Dan Weiner, 1919 - 1959  Search this
Sitter:
Martin Luther King, Jr., 15 Jan 1929 - 4 Apr 1968  Search this
Coretta Scott King, 27 Apr 1927 - 30 Jan 2006  Search this
Yolanda Denise King, 17 Nov 1955 - 15 May 2007  Search this
Medium:
Gelatin silver print
Dimensions:
Image/Sheet: 27.7 x 35.5cm (10 7/8 x 14")
Mat: 55.9 x 71.1cm (22 x 28")
Type:
Photograph
Place:
United States\Alabama\Montgomery\Montgomery
Date:
1956
Topic:
Costume\Jewelry\Earring  Search this
Costume\Jewelry\Necklace\Pearl  Search this
Costume\Headgear\Hat\Bonnet  Search this
Costume\Headgear\Veil  Search this
Costume\Dress Accessory\Flower\Corsage  Search this
Exterior\Cityscape  Search this
Costume\Dress Accessory\Feather  Search this
Coretta Scott King: Female  Search this
Coretta Scott King: Society and Social Change\Reformer\Activist\Civil rights activist  Search this
Coretta Scott King: Congressional Gold Medal  Search this
Yolanda Denise King: Female  Search this
Yolanda Denise King: Literature\Writer  Search this
Yolanda Denise King: Performing Arts\Performer\Actor  Search this
Yolanda Denise King: Society and Social Change\Reformer\Activist\Civil rights activist  Search this
Yolanda Denise King: Literature\Writer\Playwright  Search this
Martin Luther King, Jr.: Male  Search this
Martin Luther King, Jr.: Society and Social Change\Reformer\Activist\Civil rights activist\Civil rights leader  Search this
Martin Luther King, Jr.: Religion and Spirituality\Clergy\Minister  Search this
Martin Luther King, Jr.: Nobel Prize  Search this
Martin Luther King, Jr.: Presidential Medal of Freedom  Search this
Martin Luther King, Jr.: Congressional Gold Medal  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution © Sandra Weiner
Object number:
NPG.94.253
Restrictions & Rights:
© International Center of Photography, New York
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
EDAN-URL:
edanmdm:npg_NPG.94.253

International Center of Photography

Collection Creator:
Liberman, Alexander, 1912-1999  Search this
Container:
Box 3, Folder 25
Type:
Archival materials
Date:
1987-1990
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. research center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Alexander S. Liberman papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Alexander Liberman Papers, circa 1912-2003. Archives of American Art, Smithsonian Institution.
See more items in:
Alexander Liberman papers
Alexander Liberman papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-libealex-ref132

Award, International Center of Photography Fifth Annual Awards, Lifetime Achievement Award

Collection Creator:
Liberman, Alexander, 1912-1999  Search this
Container:
Box 1, Folder 6
Type:
Archival materials
Date:
1989
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. research center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Alexander S. Liberman papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Alexander Liberman Papers, circa 1912-2003. Archives of American Art, Smithsonian Institution.
See more items in:
Alexander Liberman papers
Alexander Liberman papers / Series 1: Biographical Materials
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-libealex-ref9

Eisenstaedt: Germany

Designer:
William Wondriska, American, b. 1931  Search this
Medium:
Offset lithograph on paper
Type:
graphic design
Poster
Object Name:
Poster
Made in:
USA
Date:
1981
Credit Line:
Gift of Various Donors
Accession Number:
1981-29-242
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_1981-29-242

Toba Tucker photographs

Creator:
Tucker, Toba  Search this
Extent:
23 Photographic prints (Cibachrome)
Culture:
Santa Clara Pueblo  Search this
Diné (Navajo)  Search this
Acoma Pueblo  Search this
Type:
Collection descriptions
Archival materials
Photographic prints
Cibachrome (tm)
Photographs
Place:
New Mexico
Arizona
Date:
1981, 1995-1997
Summary:
This collection contains 23 prints that were shot by photographer Toba Tucker of Diné (Navajo) portraits and landscapes from 1981 and Pueblo portraits from 1995-1997.
Scope and Contents:
This collection contains 23 prints by photographer, Toba Tucker. Of these prints, 21 were taken during the summer of 1981 in the Joint Use Area (Jeddito Island, White Cone, and Teesto) on the Navajo Reservation. These photographs were made with a 6x6-cm (2 ¼-sq.) SLR, 120-mm lens, and Koda-color II color-print film, and were taken in the local Chapter Houses using only natural lighting. Tucker primarily works in black-and-white but chose to process and print these photographs in color resulting in her first experiences with colored work.

Of these prints, two portraits were taken from 1995 to 1997 during a two-and-a-half-year project funded by the Horace W. Goldsmith Foundation which allowed Tucker to photograph traditional and contemporary Pueblo artists in New Mexico and Arizona. During this project Tucker explored the relationships between traditional, centuries-old techniques and the emerging vision of contemporary artists. This project led to the 1998 publication of Pueblo Artists: Portraits by the Museum of the New Mexico Press.
Arrangement note:
Prints: organized in boxes; arranged by print number.
Biographical/Historical note:
Toba Pato Tucker is a self-taught American professional photographer from New York City. Tucker started working in photography in the 1970s through teachings from photographers, Harold Feinstein and Toby Old. With their assistance she became proficient in developing negatives and printing in black and white prints. In 1980, she received a fellowship from the National Endowment for the Arts (NEA) which allowed her to live on the Navajo reservation and work with the Navajo-Hopi Land Dispute Commission of the Navajo Nation. This began her quest of photographing Native Americans. In addition to the grant from the NEA, she has been awarded many other grants, is published in several magazines and publications, has works in various museum collections, and has taught at New York's International Center of Photography. Tucker currently resides in Santa Fe, New Mexico.
Provenance:
P28392-P28393- Gift of Robert Menschel, 2000; P28414- Gift of Dr. Roland Force, 1986; P28394-P28414- Gift of Toba Tucker, 1983.
Restrictions:
Access is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment.
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Genre/Form:
Photographic prints
Cibachrome (TM)
Photographs
Citation:
Identification of specific item; Date (if known); Toba Tucker Photographs, Collection NMAI.AC.030; National Museum of the American Indian Archive Center, Smithsonian Institution.
Identifier:
NMAI.AC.030
See more items in:
Toba Tucker photographs
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_collection:sova-nmai-ac-030
Additional Online Media:

Artist Respond: A Symposium - Morning Session

Creator:
Smithsonian American Art Museum  Search this
Type:
Youtube videos
Uploaded:
2019-03-15T16:52:30.000Z
Topic:
Art, American  Search this
Youtube Category:
Education  Search this
See more by:
americanartmuseum
YouTube Channel:
americanartmuseum
Data Source:
Smithsonian American Art Museum
EDAN-URL:
edanmdm:yt_Q9oXpk1MkNM

Oral history interview with Bill Jacobson, 2017 March 25 and 26

Interviewee:
Jacobson, Bill, 1955-  Search this
Interviewer:
Fialho, Alex, 1989-  Search this
Subject:
Visual Arts and the AIDS Epidemic: An Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Photographers  Search this
Record number:
(DSI-AAA_CollID)17455
(DSI-AAA_SIRISBib)387721
AAA_collcode_jacobs17
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_387721
Additional Online Media:

A durable memento : portraits by Augustus Washington, African American daguerreotypist / Ann M. Shumard

Title:
Portraits by Augustus Washington, African American daguerreotypist
Author:
Shumard, Ann M  Search this
Washington, Augustus 1820 or 1821-1875  Search this
Connecticut Historical Society  Search this
International Center of Photography  Search this
National Portrait Gallery (Smithsonian Institution)  Search this
Subject:
Washington, Augustus 1820 or 1821-1875  Search this
Physical description:
24 p. : ill. (chiefly col.) ; 28 cm
Type:
Exhibitions
Place:
Liberia
Date:
1999
C1999
1846-1944
Topic:
Portrait photography  Search this
Daguerreotype  Search this
African Americans--Colonization  Search this
History  Search this
Call number:
TR647 .S58 1999
TR647.W307 S5 1999
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_588635

Harlem on My Mind exhibition records

Creator:
Schoener, Allon  Search this
Names:
Metropolitan Museum of Art (New York, N.Y.)  Search this
Rangel, Charles B.  Search this
Van Ellison, Candace  Search this
Extent:
3 Linear feet
0.371 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Awards
Photographs
Sound recordings
Scrapbooks
Notes
Date:
1966-2007
Summary:
The Harlem on My Mind exhibition records measure 3.0 linear feet and 0.371 GB and date from 1966-2007. The records contain exhibition and book files, correspondence, research material, printed and digital material and photographs from the Metropolitan Museum of Art exhibition. Also included is material documenting additional exhibitions, conferences and events relating to the original exhibition.
Scope and Content Note:
The "Harlem on My Mind" exhibition records measure 3.0 linear feet and 0.371 GB and date from 1966-2007. The records contain exhibition and book files, correspondence, research material, printed and digital material and photographs from the Metropolitan Museum of Art exhibition. Also included is material documenting additional exhibitions, conferences and events relating to the original exhibition.

Correspondence, 1967-2007, concerns all aspects of production and coordination of the Metropolitan Museum of Art exhibition, the public's response to the controversial Candice Van Ellison catalog introduction, letters of support, the 10th Anniversary celebration, and a letter from U.S. Representative Charles B. Rangel.

Exhibition files for the original "Harlem on My Mind" exhibition at the Metropolitan Museum of Art, 1968-1969, include awards, budgets, construction and installation notes, floor plans, an installation log, invoices, notes, photographs, public relations, schedules, research, statistics, printed material and audio relating to the exhibition.

"Harlem on My Mind" exhibition re-creation files from 1978-2007 contain correspondence, project outline, and exhibition files including Harlem: USA/International Traveling Exhibition and Cultural Festival, 1985-1987; Columbia University Exhibition, 2006-2007; and I. P. Stanback Museum Exhibition, 2006-2007.

Harlem on My Mind book files, 1967-2007, consist of correspondence, invoices, outline, permissions, royalty statements, notes and writings.

Conferences and events, 1978-2007, include: "Harlem: The Last Ten Years," International Center of Photography, 1978-1979; Post Modernism Conference, Brooklyn Academy of Music; "Global Cities," 1985-1992, Schomburg Conference, 1993-1999; "A Walk Through Harlem," Schomburg Center, 1999; "The (Un)making of the Black Cultural Mecca," the New School, 2003; "Harlem Displaced" and "Harlem in Our Eyes," Steven L. Newman Real Estate Institute, 1999-2006; and "Harlem Then and Now," Schomburg Center, 2007.

Printed material, 1968-2007, includes newspaper and magazine clippings, three editions of Harlem on My Mind: Cultural Capital of Black America 1900-1968 (1979, 1995 and 2007), and the book jacket for the 1968 edition.
Arrangement:
Most material is arranged chornologically unless noted otherwise in the series description.

The Harlem on My Mind exhibition records are organized into 6 series.

Series 1: Correspondence, 1967-2007 (Box 1; 0.4 linear feet)

Series 2: Exhibition Files, -- Harlem on My Mind -- , Metropolitan Museum of Art, 1967-1969 (Box 1; 0.9 linear feet, ER01; 0.371 GB)

Series 3: -- Harlem on My Mind -- Re-creation, 1978-2007 (Box 1-2; 0.3 linear feet)

Series 4: -- Harlem on My Mind -- Book, 1967-2007 (Box 2; 0.3 linear feet)

Series 5: Conferences and Events, 1978-2007 (Box 2-3; 0.8 linear feet)

Series 6: Printed Material, 1968-2007 (Box 3; 0.3 linear feet)
Biographical Note:
Allon Schoener (b.1926) is a writer, cultural historian, consultant, and organizer of exhibitions that focus on topics such as African Americans, Italian Americans, Jewish Americans, and the history of the Lower East Side. His best known exhibition was the highly controversial show "Harlem on My Mind: Cultural Capital of Black America." A graduate of Yale University, he currently lives in Los Angeles.

"Harlem on My Mind: Cultural Capital of Black America 1900-1968" was a 1969 exhibition at the Metropolitan Museum of Art organized by Allon Schoener. The exhibition documented life in Harlem through the use of photographs, film and audio recordings. It was created under the directorship of Thomas Hoving and contributed to the exhibition model commonly known as the "blockbuster" show.

At the time, the exhibition was much reviled, having received harsh criticism from critics, politicians, and the public alike. The initial spark was an essay in the accompanying book by 17-year-old Harlem high school student Candice Van Ellison. The essay contained prejudicial remarks about members of the Jewish, Irish and Puerto Rican communities. The book was quickly removed from the Museum and pulled from bookshelves by the publisher.

Additional criticism focused on several key issues, including the exhibition's multimedia platform; the lack of paintings and sculptures, particularly by African-American artists; and a thematic presentation that used documentary techniques that focused on sociological and cultural issues. Such criticism was compounded by the Harlem Cultural Council's withdrawal of support.

Schoener wrote that the objective of the exhibition was to "demonstrate that the black community in Harlem is a major cultural environment with enormous strength and potential? that this community has made major contributions to the mainstream of American culture in music, theater and literature." The exhibition documented Harlem from its beginnings in the early 20th century as a prosperous white neighborhood, through the influx of southern African-Americans, up to the civil rights movements of the late 1960s.

After the original exhibition ended, Schoener spent the next several decades working intermittently on re-creations of the exhibition, some of which failed to see fruition. Others succeeded, culminating as shows at Columbia University and the I. P. Stanback Museum. Schoener participated in numerous panel discussions, events and conferences, including the Schomburg Center and Brooklyn Academy of Music (BAM).

His book, Harlem on My Mind: Cultural Capital of Black America, was reissued after a prolonged struggle to obtain the rights from its original publisher. Editions were published in 1979, 1995 and 2007, with forewords by Henry Louis Gates, Jr. and U.S. Congressman Charles B. Rangel.
Provenance:
The papers were donated to the Archives of American Art in 2009 by Allon Schoener.
Restrictions:
Use of original material requires an appointment.
Rights:
The Harlem on My Mind exhibition records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Genre/Form:
Awards
Photographs
Sound recordings
Scrapbooks
Notes
Citation:
Harlem on My Mind exhibition records, 1966-2007. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.schoallo
See more items in:
Harlem on My Mind exhibition records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-schoallo

Harlem: The Last Ten Years, International Center of Photography

Collection Creator:
Schoener, Allon  Search this
Container:
Box 2, Folder 25
Type:
Archival materials
Date:
1978-1979
Collection Restrictions:
Use of original material requires an appointment.
Collection Rights:
The Harlem on My Mind exhibition records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Harlem on My Mind exhibition records, 1966-2007. Archives of American Art, Smithsonian Institution.
See more items in:
Harlem on My Mind exhibition records
Harlem on My Mind exhibition records / Series 5: Conferences and Events
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-schoallo-ref93

International Center of Photography

Collection Creator:
Leo Castelli Gallery  Search this
Container:
Box 157, Folder 94
Type:
Archival materials
Date:
1977-1979
Collection Restrictions:
Use of original records requires an appointment.
Collection Rights:
The Leo Castelli Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Leo Castelli Gallery records, circa 1880-2000, bulk 1957-1999. Archives of American Art, Smithsonian Institution.
See more items in:
Leo Castelli Gallery records
Leo Castelli Gallery records / Series 7: Castelli Graphics / 7.1: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-leocast-ref13392

"New Woman" at International Center of Photography Panel

Collection Creator:
Nochlin, Linda  Search this
Container:
Box 16, Folder 37
Type:
Archival materials
Date:
2007
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Linda Nochlin papers, circa 1876, 1937-2017. Archives of American Art, Smithsonian Institution.
See more items in:
Linda Nochlin papers
Linda Nochlin papers / Series 4: Writing Project Files / 4.4: Lectures
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-nochlind-ref550

Cocaine true, cocaine blue / photographs and text by Eugene Richards ; additional reporting by Edward Barnes ; afterword by Stephen W. Nicholas ; poem by Danny J

Author:
Richards, Eugene  Search this
Barnes, Edward  Search this
International Center of Photography  Search this
Subject:
Richards, Eugene  Search this
Physical description:
157, [3] p. : ill. ; 32 cm
Type:
Exhibitions
Place:
New York Metropolitan Area
Pennsylvania
Philadelphia
United States
Date:
1994
C1994
Topic:
Cocaine habit  Search this
Drug abuse--Social aspects  Search this
Documentary photography  Search this
Call number:
TR647.R514 R5 1994
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_477231

Folder 5 Berenice Abbott: The 20's and 30's (published by NMAA for a traveling exhibition organized jointly with the International Center of Photography and shown there before coming to NMAA, 1982)

Collection Creator::
National Museum of American Art and Portrait Gallery. Library  Search this
Container:
Box 5 of 21
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Record Unit 333, National Museum of American Art and Portrait Gallery. Library, Exhibition Records
See more items in:
Exhibition Records
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru0333-refidd1e789

America and the tintype / Steven Kasher ; with essays by Geoffrey Batchen and Karen Halttunen

Author:
Kasher, Steven  Search this
Batchen, Geoffrey  Search this
Halttunen, Karen 1951-  Search this
International Center of Photography  Search this
Physical description:
267 pages : chiefly illustrations (some color), portraits ; 26 cm
Type:
Exhibitions
Exhibition catalogs
History
Place:
United States
Date:
2008
©2008
Topic:
Tintype--History  Search this
Portrait photography--History  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1104586

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