The James Britton papers are owned by the Archives of American Art, Smithsonian Institution. The collection is subject to all copyright laws. Copyright ownership remains with Barbara Britton and Ursula Britton, who have granted the Archives permission to digitize the collection and post on the Archives website.
James Britton papers, circa 1905-1984, bulk circa 1905-1935. Archives of American Art, Smithsonian Institution.
Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art
Woodbury, Charles H. (Charles Herbert), 1864-1940 Search this
0.8 Linear feet
The papers of Boston area portrait painter Rose Lamb date from circa 1870 to 1961, with the bulk of the material dating from circa 1870 to 1900, and measure 0.8 linear feet. The collection contains a diploma; letters from artists, writers, historians, and others, including nine letters from former teacher and friend William Morris Hunt; photographs of unidentified people and artwork by Lamb; and original artwork, including a sketchbook, charcoal drawings, watercolors, and two oil paintings.
Scope and Content Note:
The papers of Boston area portrait painter and drawing instructor Rose Lamb date from circa 1870 to 1961, with the bulk of the material dating from circa 1870 to 1900, and measure 0.8 linear feet. The collection contains a diploma; letters from artists, writers, historians, and others, including nine letters from former teacher and friend William Morris Hunt; photographs of unidentified people and artwork by Lamb; and original artwork, including a sketchbook from circa 1870, charcoal drawings, two watercolors, and two oil paintings. Artwork depicts landscapes, children, and other figure studies.
Correspondence within the the collection includes 19 letters from artists, such as Albert Sterner, Ross Turner, Howard Pyle, and Charles H. Woodbury; writers Anne Thackeray Ritchie, Margaret Deland, and Alfred Noyes; and historians John Fiske and Albert Bushnell Hart. Also found are nine letters from former teacher and friend William Morris Hunt. Eight of his letters describe in detail his work on the painting of murals in the Capitol building in Albany, New York, and one letter discusses his painting of portraits in North Easton, Massachusetts. Also among the correspondence are four letters to Aimée Lamb, Rose's niece.
The collection is arranged into 4 series:
Series 1: Diploma, 1881 (Box 1, OV 3; 1 folder)
Series 2: Correspondence, 1878-1914, 1952-1961 (Box 1; 5 folders)
Series 3: Photographs, circa late 1800s (Boxes 1-2; 0.2 linear feet)
Series 4: Artwork, circa 1870-late 1800s (Box 1-2, OV 3; 0.3 linear feet)
Rose Lamb (1843-1927) was a portrait painter and drawing instructor of Boston, Massachusetts. Lamb was born in Boston to a prominent family and was a student of William Morris Hunt and Helen Knowlton during the 1870s. Though she did not exhibit often during her lifetime, she was a successful portraitist specializing in portraits of children. Lamb was an active member of Boston society, befriending many artists, writers, and other cultural figures, and her portraits were in great demand among prominent Boston families. She traveled to Europe in 1881, 1890, and 1914, perhaps taking art classes while there in 1881. In 1884, and possibly later, she assisted George Bartlett as a drawing instructor at the South Boston School of Art. In 1900 she suffered a severe illness and stopped painting. For the remainder of her life she instead pursued travel and social activities. Rose Lamb died in 1927.
Also available at the Archives of American Art are the Aimée Lamb (niece of Rose Lamb) papers, 1888-1991. Original letters to Rose Lamb from Mary Cassatt and Childe Hassam are available at the Museum of Fine Arts, Boston.
This collection was donated by Aimée and Rosamond Lamb, nieces of Rose Lamb in installments, primarily from 1980 to 1985. They donated the nine letters to Lamb from William Morris Hunt in 1976.
Use of the original papers requires an appointment.
The Rose Lamb papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Portrait painters -- Massachusetts -- Boston Search this