Folders 2-9 VII Sao Paulo Biennial. 63-213. 1962-64. Sep. 28- Dec. 22, 1963. Three U.S. exhibits: sculptures, "Ten American Sculptors," and paintings chosen by the Walker Art Center, Minneapolis, MN; contemporary prints sent by the Print Council of Ame...
Container:
Box 79 of 287
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Record Unit 321, National Museum of American Art, Office of Program Support, Records
Judicious and select essayes and observations / by that renowned and learned knight, Sir Walter Raleigh ; upon the first invention of shipping, the misery of invasive warre, the Navy Royall and sea-service ; with his Apologie for his voyage to Guiana
Raleigh, Walter Sir 1552?-1618 Apologie for his voyage to Guiana Search this
Raleigh, Walter Sir 1552?-1618 Discourse of the invention of ships, anchors, compasse, &c Search this
Raleigh, Walter Sir 1552?-1618 Discourse of the originall and fundamentall cause of naturall, customary, arbitrary, voluntary, and necesary warre Search this
Raleigh, Walter Sir 1552?-1618 Excellent observations and notes concerning the Royall Navy and sea-service Search this
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
New York Airways Collection, Acc. NASM.1992.0052, National Air and Space Museum, Smithsonian Institution.
Selected art related documents from the Ferdinand Julius Dreer Collection
Collector:
Dreer, Ferdinand J. (Ferdinand Julius), 1812-1902 Search this
Extent:
3 Reels (ca. 300 items (on 3 partial microfilm reels))
Type:
Collection descriptions
Archival materials
Reels
Date:
[ca. 1770-1910]
Scope and Contents:
Primarily letters from the Dreer collection's autograph sections for painters and engravers (ca. 150 letters of 129 artists), and architects and sculptors (ca. 45 letters of 36 artists). Ca. 50 letters selected from other autograph categories are also included, among them soldiers of the Revolution, American lawyers, inventors, scientists, American prose writers, American poets, British prose writers, philanthropists, and famous merchants. Twenty-six of the letters are to F.J. Dreer; other frequent recipients include Robert Gilmor, J.A. McAllister, Arthur Stedman, and Edmund C. Stedman.
Artists in the painters and engravers section include: Edwin Austin Abbey, Washington Allston, Alexander Anderson, Henry Bacon, William Holbrook Beard, Albert Bierstadt, William Birch, Edwin Blashfield, George Boughton, Frederic Bridgeman, George Loring Brown, John G. Brown, George Catlin, James Champney, John Gadsby Chapman, John Cheney, George Chinnary, Frederic Edwin Church, Lewis Peter Clover, Thomas Cole, Clarence C. Cook, John Singleton Copley, Joseph S. Cowell Jr., Palmer Cox, Jasper Cropsey, Thomas S. Cummings, Moseley Isaac Danford, Felix O.C. Darley, Homer C. Davenport, H. P. Delafield, Joseph Delaplaine, Thomas Doughty, William Dunlap, Asher Durand, Jacob Eichholtz, Stephen J. Ferris, Robert Field, Jno. P. Frankenstein, Charles Fraser, Moritz Furst, Charles Dana Gibson, William H. Gibson, R. Swain Gifford,
Sanford Robinson Gifford, Herbert Gilchrist, Eliza Greatorex, Valentine Green, Anne Hall, James Hamilton, Chester Harding, George P.A. Healy, James Herring, Thomas Hovenden, William Humphreys, D. Hunt, Henry Inman, James ? Jarvis, John Wesley Jarvis, Nathaniel Jocelynn, E. Johnson, Matthew Harris Jouett, John F. Kensett, Charles B. King, Daniel Ridgeway Knight, John Lewis Krimmel, John LaFarge, James Reid Lambdin, William S. Leney, Charles R. Leslie, Emanuel Leutze, William J. Linton, James Barton Longacre, Will Hicok Low, Sidney S. Lyon, Jervis McEntee, Alfred Jacob Miller, Francis Davis Millet, Edward Moran, Samuel F.B. Morse, John L. Morton, Wm. S. Mouet, John Neagle, Alfred Newsam, Gilbert S. Newton, Samuel S. Osgood, William Page, George Parker, Charles Willson Peale, Rembrandt Peale,
Rubens Peale, Titian Ramsey Peale, George D. M Peixotto, John Rito Penniman, Edward Peticolas, Robert Edge Pine, Howard Potter, William H. Powell, Howard Pyle, Thomas Buchannan Read, Hugh Reinagle, Frederick DeBourg Richards, Thomas Addison Richards, William T. Richards, Alexander Robertson, Thomas P. Rossiter, Peter Rothermel, John Sartain, Stephen A. Schoff, Walter Shirlaw, E. Simmons, James Smillie, John Smibert, Russell Smith, William Sonntag, D. Strotter, Jane Stuart, Thomas Sully, Philip Tilyard, Benjamin Trott, John Trumbull, John Vanderlyn, C. E. Wagstaff, S.L. Walso, Wm. G. Wall, Robert Weir, Thomas B. Welsh, Adolph Wertmuller, and Benjamin West.
Letters in the architects and sculptors section are by Charles Akers, Frederic A. Bartholdi, E. Bartholomew, Gutzon Borglum, Solon Borglum, H. Brown, ? Casusui, ? Cerruchi, Alban J. Conant, T. Crawford, Elliot Daingerfield, Alexander Jackson Davis, Edwin Willard Deming, Daniel Chester French, Horatio Greenough, John Haviland, Harriet Hosmer, Robert Ball Hughes, Benjamin Latrobe, Larkin Mead, Wm. R. O'Donovan, Erastus Palmer, Luigi Persico, Ferdinand Pettrich, Hiram Powers, John Rogers, Randolph Rogers, William Rush, Augustus St. Gaudens, William W. Story, Wm. Strickland, John Struthers, Wm. Thornton, John Quincy Adams Ward, John Ferguson Weir, and Benjamin West.
Other sections include one or more letters from Trumbull, Gilbert Stuart, Charles Willson Peale, John J. Audubon, Victor Audubon, Benjamin West and Thomas Sully.
Provenance:
Lent for microfilming 1955 by the Historical Society of Pennsylvania.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commercial use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
