1.8 Linear feet ((partially microfilmed on 6 reels))
Type:
Collection descriptions
Archival materials
Sketchbooks
Date:
1903-1970
Scope and Contents:
Correspondence; scrapbooks; photographs and photo albums; art works; sketchbooks; catalogs; and clippings.
REELS 162-163: 181 letters received and 32 letters sent; a copy of a speech, 1939, by Elbert Thomas on the Jefferson Memorial; watercolors; catalogs; and clippings.
REEL 2025: Three pencil drawings and 25 watercolors of Civil Defense classes, Haverstraw, New York, 1942.
REEL 2329: Two scrapbooks, 1955-1963, containing illustrated postcards and letters with illustrated envelopes which Peirce sent to his son Jonathan, while Jonathan was in school, a photo and a clipping; illustrated postcards and letters with illustrated envelopes from Peirce to Jonathan; a photo album, 1915-1917, of Peirce and others in the American Ambulance Corps in Paris; and a 1958 photo of Peirce and a 1959 photo of Peirce with Ernest Hemingway.
REEL 3025: Five sketchbooks, ca. 1929-1940, containing ca. 500 watercolor, pen and ink, pencil, and charcoal sketches of his children, Mike, Bill, and Anna, his wife, Alzira, scenes at Castine, Maine, friends, and other subjects.and 4 photograph albums, 1903-1956, containing snapshots of Peirce, his family, friends Ernest Hemingway, Max Eastman, Rockwell Kent, and others, taken mainly in France, Castine and Searsport, Maine, Key West, Florida and Provincetown, Massachusetts.
REEL 3470: A self-portrait sketch, ca. 1950.
UNMICROFILMED: Six sketchbooks, ca. 1920-1944, containing pencil sketches and notes.
REEL 1817 AND SCANNED: Five photographs of Waldo Peirce, previously microfilmed under Photos of Artists II, and subsequently scanned and returned to the Peirce papers.
Biographical / Historical:
Painter, watercolorist; Searsport, Maine.
Provenance:
Material on reels 162-163 and 1817 lent for microfilming 1972-1973 by Ellen Peirce, Peirce's fourth wife and widow. She donated material on reel 2025 and sketchbooks on reel 3025, 1980-1983. Material on reel 2329 lent for microfilming 1981 by Jonathan W. Peirce, son of Ellen & Waldo Peirce; photographs on reel 3025 and unmicrofimed sketchbooks deposited 1978 by Michael Peirce, son of Alzira & Waldo Peirce; sketch on reel 3470 donated 1977 by John L. Jones.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Letters, writings, business records, printed matter, photographs and art works.
Included are: biographical information; ca. 50 letters received, and copies of letters sent, including a 4 p. letter from Ezra Pound in which he writes about the work and temperment of Constantin Brancusi and Fernand Leger, and recommends that Olds talk to Ernest Hemingway about Joan Miro. Pound also writes about the work of European old master painters and the art museums of Italy, France and England; typescripts of an undated manuscript, "What is a Silk Screen Print," and of a lecture, "Mass Production of Prints"; ca. 200 clippings; 47 exhibition catalogs and announcements including several for exhibitions of color silk screen prints; photographs, including 14 of Olds and her family, 2 of Olds by Berenice Abbott, and one of Olds and her teacher George Luks, and 62 of her art work; priced lists of work sold; printed miscellany, mostly concerning her work as a writer and illustrator of children's books; 110 drawings and paintings; and 46 prints. Ca. 100 slides of her work were not microfilmed.
Biographical / Historical:
Painter, printmaker and illustrator; New York City and Sarasota, Florida. Died 1991.
Provenance:
All material donated to Archives by Elizabeth Olds, January 6, 1978. 46 prints were transferred by the Archives to the National Museum of American Art January 1984.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
The collection is open for research. Only reference copies of audiovisual materials may be used.
Collection Rights:
Reproduction restricted due to copyright or trademark. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Floyd Levin Jazz Reference Collection, 1880-2010, Archives Center, National Museum of American History
Sponsor:
Processing and encoding funded by a grant from the Council on Library and Information Resources.
