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G. Alan Chidsey papers, 1920-1979

Creator:
Chidsey, G. Alan  Search this
Subject:
Jackson, Martha Kellogg  Search this
McCausland, Elizabeth  Search this
Hartley, Marsden  Search this
Stieglitz, Alfred  Search this
Topic:
Lawyers  Search this
Painting, Modern  Search this
Book dealers  Search this
Record number:
(DSI-AAA_CollID)7407
(DSI-AAA_SIRISBib)209564
AAA_collcode_chidg
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209564

Erle Loran papers, 1912-1999

Creator:
Loran, Erle, 1905-1999  Search this
Subject:
Levinson, Harry  Search this
Still, Clyfford E.  Search this
Hatfield, Dalzell  Search this
Dasburg, Andrew Michael  Search this
Schaefer, Bertha  Search this
Hartley, Marsden  Search this
Hofmann, Hans  Search this
Greenberg, Clement  Search this
Haley, John Charles  Search this
Wilke, Ulfert  Search this
Cézanne, Paul  Search this
Sabean, Samuel  Search this
Bearden, Romare  Search this
San Francisco Art Institute  Search this
Fine Arts Museums of San Francisco  Search this
Friends of Ethnic Art  Search this
University of California, Berkeley  Search this
Topic:
Art  Search this
Painters  Search this
Art teachers  Search this
Painting, Modern  Search this
Art, Abstract  Search this
Art, Modern  Search this
Record number:
(DSI-AAA_CollID)9167
(DSI-AAA_SIRISBib)211362
AAA_collcode_loraerle
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211362
Additional Online Media:

Max Weber papers, 1902-2008

Creator:
Weber, Max, 1881-1961  Search this
Subject:
Hartley, Marsden  Search this
Kroll, Leon  Search this
Davies, Arthur B. (Arthur Bowen)  Search this
Newman, Barnett  Search this
Gropper, William  Search this
Biddle, George  Search this
Gross, Chaim  Search this
Soyer, Raphael  Search this
Zorach, William  Search this
Kent, Rockwell  Search this
Forum Gallery (New York, N.Y.)  Search this
American Artists' Congress.  Search this
Topic:
Painters  Search this
Motion pictures (visual works)  Search this
Sound recordings  Search this
Photographs  Search this
Art, American  Search this
Painting, American  Search this
Sculptors  Search this
Artists' studios  Search this
Record number:
(DSI-AAA_CollID)9331
(DSI-AAA_SIRISBib)211527
AAA_collcode_webemax
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211527
Additional Online Media:

Marsden Hartley papers, 1900-1967

Creator:
Hartley, Marsden, 1877-1943  Search this
Topic:
Painting, Modern  Search this
Painters  Search this
Record number:
(DSI-AAA_CollID)10070
(DSI-AAA_SIRISBib)212932
AAA_collcode_hartmarp
Theme:
Diaries
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212932

Oral history interview with Norma G. Berger regarding Marsden Hartley, 1973 June 28

Interviewee:
Berger, Norma G.  Search this
Interviewer:
Brown, Robert F.  Search this
Subject:
Hartley, Marsden  Search this
Topic:
Interviews  Search this
Sound recordings  Search this
Painting, Modern  Search this
Record number:
(DSI-AAA_CollID)12829
(DSI-AAA_SIRISBib)212531
AAA_collcode_berger73
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212531

Bernard Karfiol papers, 1904-1958

Creator:
Karfiol, Bernard, 1886-1952  Search this
Subject:
Stieglitz, Alfred  Search this
Field, Hamilton Easter  Search this
Hartley, Marsden  Search this
Topic:
Painters  Search this
Painting, Modern  Search this
Record number:
(DSI-AAA_CollID)9116
(DSI-AAA_SIRISBib)211310
AAA_collcode_karfbern
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211310

Marsden Hartley letter collection, circa 1930-1941

Creator:
Hartley, Marsden, 1877-1943  Search this
Subject:
Newman, Roy  Search this
Rice, Matilda  Search this
Topic:
Painters  Search this
Painting, American  Search this
Record number:
(DSI-AAA_CollID)10270
(DSI-AAA_SIRISBib)213419
AAA_collcode_hartmars
Theme:
American Art and Artists in a Global Context
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_213419

Max Weber papers

Creator:
Weber, Max, 1881-1961  Search this
Names:
American Artists' Congress  Search this
Forum Gallery (New York, N.Y.)  Search this
Biddle, George, 1885-1973  Search this
Davies, Arthur B. (Arthur Bowen), 1862-1928  Search this
Gropper, William, 1897-1977  Search this
Gross, Chaim, 1904-1991  Search this
Hartley, Marsden, 1877-1943  Search this
Kent, Rockwell, 1882-1971  Search this
Kroll, Leon, 1884-1974  Search this
Newman, Barnett, 1905-1970  Search this
Soyer, Raphael, 1899-1987  Search this
Zorach, William, 1887-1966  Search this
Extent:
11.8 Linear feet
Type:
Archival materials
Collection descriptions
Photographs
Sound recordings
Motion pictures (visual works)
Date:
1902-2008
Summary:
The papers of New York painter and sculptor Max Weber measure 11.8 linear feet and date from 1902-2008. The collection documents Weber's career as an artist through scattered biographical material; correspondence with artists, curators, universities, arts organizations, and others; exhibition and gallery files; personal business records; writings by Weber and others; exhibition catalogs, news clippings, and other printed material; photographs of Weber, exhibitions, and works of art; audio recordings and motion picture films. Also included are records maintained by Joy Weber on the exhibition and sale of Weber's work after his death.
Scope and Content Note:
The papers of New York painter and sculptor Max Weber measure 11.8 linear feet and date from 1902-2008. The collection documents Weber's career as an artist through scattered biographical material; correspondence with artists, curators, universities, arts organizations, and others; exhibition and gallery files; personal business records; writings by Weber and others; exhibition catalogs, news clippings, and other printed material; photographs of Weber, exhibitions, and works of art; audio recordings and motion picture films. Also included are records maintained by Joy Weber on the exhibition and sale of Weber's work after his death.

Biographical material includes biographical summaries, obituaries, award certificates, and a small amount of family memorabilia. Weber's personal and professional correspondence includes discussions of exhibitions, sales, and donations of his work, as well was requests to teach, write, or lecture. Also found is correspondence with arts organizations, clubs, and committees in which he participated. A small amount of family correspondence is also included. Artists that Weber corresponded with include George Biddle, Arthur Davies, William Gropper, Chaim Gross, Marsden Hartley, Rockwell Kent, Leon Kroll, Barnett Newman, Raphael Soyer, and William Zorach, among many others. Weber also corresponded with many art historians and critics, gallery owners, and art patrons. Joy Weber's correspondence primarily concerns the exhibition, loan, sale, and authentication of her father's artwork.

Exhibition files document various solo and group exhibitions of Weber's work. Five reels of motion picture film include footage of an exhibition at the Forum Gallery in 1975. Gallery files include correspondence, inventories, sales and loan records, gallery publications, and other documentation. Most files for exhibitions and galleries were created by Joy Weber after Max Weber's death in 1961. Personal business records include documents on sales, loans, and gifts of Max Weber's artwork; scattered financial documents; and mortgage and property records. Also found are files regarding his participation in the American Artists' Congress and art juries. Weber's writings primarily concern art theory, impressions of other artists, and social and political issues. Additionally there are notes, drafts speeches, and writings by others about Weber.

Printed material is extensive and includes exhibition publications, press releases, and two published booklets written by Weber: "Art Consciousness" and "Things." Also found are news clippings, brochures, newsletters, and publications produced by art organizations, schools, and museums. Photographs include portraits and snapshots of Weber, depicting him working in his studio, participating in art juries, at art openings, and with his family. Photographs also depict installation views of exhibitions and numerous photographs of Weber's artwork. Audiovisual materials include one sound recording of a National Gallery program on Max Weber and five reels of motion picture film that include home movies and footage of an exhibition at the Forum Gallery in 1975.
Arrangement:
The collection is arranged as 9 series:

Series 1: Biographical Material, 1905-1995 (Box 1; 10 folders)

Series 2: Correspondence, 1902-2007 (Box 1-5; 4.2 linear feet)

Series 3: Exhibition Files, 1919-2003 (Box 5-6; 0.7 linear feet)

Series 4: Gallery Files, 1926-2005 (Box 6-7; 0.9 linear feet)

Series 5: Personal Business Records, 1906-2006 (Box 7; 0.8 linear feet)

Series 6: Writings, circa 1910s-1999 (Box 7-8; 0.6 linear feet)

Series 7: Printed Material, 1909-2008 (Box 8-10, 12; 2.6 linear feet)

Series 8: Photographs, 1930s-circa 2000 (Box 10-11; 1.1 linear feet)

Series 9: Audiovisual Material, 1954-2000 (Box 11, FC 13-17; 0.7 linear feet)
Biographical Note:
Max Weber (1881-1961) was a painter and sculptor in New York City.

Weber was born in Bialystok, Russia. When he was ten years old his family moved to Brooklyn, New York. From 1898 to 1900 he attended Pratt Institute and studied theory and practice of design under Arthur Wesley Dow. After graduating he briefly taught drawing in Lynchburg, Virginia, and Duluth, Minnesota. In 1905 he moved to Paris to attend the Académie Julian, studying under Jean-Paul Laurens, and later attended classes at the Académie Colarossi and Académie de la Grande Chaumiere. In 1907 he attended Henri Matisse's studio class. The influence of Matisse and friend Henri Rousseau transformed Weber's painting style to include elements of cubism and fauvism.

Weber returned to New York in 1909, and over the next few years he frequently exhibited at Alfred Stieglitz's gallery 291. Initially his work was panned by American critics for being too modern. Despite criticism, Weber exhibited his work extensively in the 1910s and also began creating abstract sculptures. In 1914 he helped his friend Clarence H. White open the White School of Photography and taught art history there for four years. Also in 1914 his Cubist Poems were published in London. His second book of poetry Primitives was published in 1926.

In 1916 Weber married Frances Abrams. He began to explore narrative subjects in his paintings and in 1918 began carving woodblock prints. He also taught at the Art Students League for the 1919-1921 and 1926-1927 sessions. By the early 1920s he was recognized as an important American artist, serving as a leader in art organizations such as the Society of Independent Artists. In 1930 Weber became the first American modernist to have a retrospective exhibition at the Museum of Modern Art.

In the 1930s Weber became more active in political and socialist causes, participating in many organizations throughout the Depression and World War II. In 1937 he became the National Chairman of the American Artists' Congress. By the 1940s, his work was widely known and influenced a new generation of American painters. He continued to exhibit extensively, received many awards, such as the Temple Gold Medal at the Pennsylvania Academy of Fine Arts, and often served on art juries. In 1955 he was elected to the National Institute of Arts and Letters and received an honorary doctorate from Brandeis University. He died in Great Neck, New York, in 1961.
Related Material:
Also found at the Archives of American Art is an Allen L. Wetmore letter from Max Weber, April 15, 1946.
Separated Material:
Material lent for microfilming in 1959 and 1969 which was not included in the 2011 donation is available on microfilm reels NY59-6 to NY59-10, N69-82 to N69-88, and N69-112.
Provenance:
Material was lent for microfilming in 1959 by Max Weber and in 1969 by Mrs. Max Weber and daughter, Joy Weber. The bulk of the microfilmed material and additional papers were donated in 2011 by Joy Weber.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Max Weber papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art, American  Search this
Sculptors -- New York (State) -- New York  Search this
Artists' studios -- Photographs  Search this
Painters -- New York (State) -- New York  Search this
Painting, American  Search this
Genre/Form:
Photographs
Sound recordings
Motion pictures (visual works)
Citation:
Max Weber papers, 1902-2008. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.webemax
See more items in:
Max Weber papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-webemax
Additional Online Media:

Erle Loran papers

Creator:
Loran, Erle, 1905-1999  Search this
Names:
Fine Arts Museums of San Francisco  Search this
Friends of Ethnic Art  Search this
San Francisco Art Institute  Search this
University of California, Berkeley -- Faculty  Search this
Bearden, Romare, 1911-1988  Search this
Cézanne, Paul, 1839-1906  Search this
Dasburg, Andrew, 1887-1979  Search this
Greenberg, Clement, 1909-1994  Search this
Haley, John, 1905-1991  Search this
Hartley, Marsden, 1877-1943  Search this
Hatfield, Dalzell, 1893-1963  Search this
Hofmann, Hans, 1880-1966  Search this
Levinson, Harry  Search this
Sabean, Samuel  Search this
Schaefer, Bertha, 1895-1971  Search this
Still, Clyfford, 1904-  Search this
Wilke, Ulfert, 1907-1987  Search this
Extent:
12.6 Linear feet
Type:
Archival materials
Collection descriptions
Watercolors
Sketches
Photographs
Writings
Date:
1912-1999
Summary:
The papers of California painter, writer, and teacher Erle Loran measure 12.6 linear feet and date from 1912 to 1991. Found are biographical materials; two linear feet of personal and professional correspondence; personal business records; writings which include extensive drafts and notes for Loran's book Cezanne's Composition; over 400 items of artwork that include watercolors, drawings, charcoal, and pastel studies; printed materials; photographs of Loran, family, and friends, and artwork; and one audio recording of a lecture by Loran on Cezanne.
Scope and Content Note:
The papers of California painter and teacher Erle Loran measure 12.6 linear feet and date from 1912 to 1991. Found are biographical materials; two linear feet of personal and professional correspondence; personal business records; writings which include extensive drafts and notes for Loran's book Cezanne's Composition; over 400 items of artwork that include watercolors, drawings, charcoal, and pastel studies; printed materials; photographs of Loran, family, and friends, and artwork; and one audio recording of a lecture by Loran on Cezanne.

Biographical materials include biographical sketches, curriculum vita, a will, notes and a notebook, and an appointment book for 1987. Also found is an anniversary invitation, a certificate from the University of California, and the Pepsi-Cola award for 1948.

Two linear feet of correspondence is with artists, critics, galleries, and universities. Correspondents inlcude Romare Bearden, Andrew Dasburg, Clement Greenberg, John Haley, Dalzell Hatfield, Hans Hofmann, Harry Levinson (president of Permanent Pigments), Sam Sabean, Bertha Schaefer, Clyfford Still, and Ulfert Wilke. There is also correspondence with the University of California.

Personal business records include exhibition files, price and consignment lists, teaching materials, University of California Press records, and records relating to the publication of his book on Cézanne. Some of these records also document Loran's involvement with the Fine Arts Museum, Friends of Ethnic Arts, and the San Francisco Art Institute. In addition, there are records related to Loran's role in a donation of forty-five paintings by Hans Hofmann to the University Art Center. Also found are materials related to Loran's activities as an art collector including sales receipts, auction catalogs, and photographs of artwork owned by Loran.

Writings by Loran include a complete manuscript version of Cézanne's Composition along with additional notes and drafts, and numerous other short essays on Cézanne's life and art. Loran's other writings include essays about Hans Hofmann, Marsden Hartley, symbology in abstract art, and contemporary art.

Loran's career as an artist is extensively documented by four linear feet of original artwork, mostly preliminary sketches. The work demonstrates a variety of techniques including watercolor, pastel, pencil, pen, gouache, and oil sketches. Content includes landscapes, portraits, fantasy scenes, urban scenes, and rural scenes.

Printed materials include extensive newsclippings from seven decades, exhibition announcements, and exhibition catalogs. Photographs are of Loran, his second wife Clyta, the Loran family, friends and colleagues, artwork, and source materials. Also found within the papers is an audio recording on cassette of a lecture by Loran on Cézanne.
Arrangement:
The collection is arranged into 8 series:

Series 1: Biographical Materials, 1930s-1990s (Box 1; 0.25 linear feet)

Series 2: Correspondence, 1912-1992 (Boxes 1-3; 2.0 linear feet)

Series 3: Personal Business Records, 1930s-1992 (Box 3; 0.25 linear feet)

Series 4: Writings, 1921-1999 (Boxes 3-4; 1.25 linear feet)

Series 5: Artwork, 1920s-1980s (Boxes 4-8, 13-14; 4.3 linear feet)

Series 6: Printed Material, 1925-1999 (Boxes 8-10, 14; 2.3 linear feet)

Series 7: Photographs, 1910s-1990s (Boxes 10-12, 14; 2.5 linear feet)

Series 8: Audio Recording, 1982 (Box 12; 1 folder)
Biographical Note:
California painter, writer, and teacher Erle Loran was born on October 2, 1905 in Minneapolis, Minnesota. He attended the Minneapolis School of Art and graduated in 1926. That same year, Loran won the Paris Prize from the Chaloner Foundation which enabled him to study in France for the next three years. Here, he immersed himself into the world of Paul Cezanne. He lived for two years in Cézanne's studio, meeting many who knew Cezanne, including painter Emile Bernard, and art dealer Ambroise Vollard. This experience was critical to the development of Loran's artistic vision and his later writings and lectures about Cézanne.

In 1929, Loran returned to the United States, and published the article "Cézanne's Country" in The Arts in 1930. He then spent the early 1930s in Minnesota, after returning to Minneapolis to be treated for tuberculosis. There, Loran began to paint in a regionalist style, producing landscapes and scenes of life in rural Minnesota. In 1931, Loran was given his first one-man show at the Kraushaar Gallery in New York. During the depression, Loran began teaching art and was given painting commissions as part of the federal arts programs of the WPA.

Loran moved to California in 1937 and accepted a position as professor in the art department at the University of California, Berkeley. There he taught until retiring in 1973, serving as the department's chair in the 1950s. He established a program to invite east coast artists to teach at the university, and participants included Conrad Marca-Relli and Milton Resnick. Loran's students included Jay DeFeo, Richard Diebenkorn, and Sam Francis. In 1941 Loran began to write the synthesis of his research and interpretations about Cézanne's work, culminating in his pioneering book Cézanne's Composition published in 1943 by the University of California Press.

During this period Loran associated himself with modernist Hans Hofmann. Loran's early paintings were lyrical abstractions in primary colors; however, his style constantly changed with the times. Watercolor was Loran's medium of choice because it lent itself to his often-remote plein air locations, such as the ghost towns of California and Nevada. With John Haley and Worth Ryder he formed the "Berkeley Group," whose paintings consisted of scenes of the California and southwestern landscape painted in flat, open areas of color. During the war, painting in the open became increasingly difficult and Loran transitioned from plein-air painting to studio work. Shortly thereafter he began to focus his painting on abstraction.

Loran's artwork during the 1950s consisted primarily of abstractions based on natural forms like crystal and driftwood. In 1955, he spent six weeks studying with Hans Hofmann, whom he later called, along with Cézanne, a second "great father figure." In 1960, he was instrumental in securing a gift of forty-five paintings by Hans Hofmann for Berkeley's University Art Center. In the late 1960s, his work became a fusing of Op, Pop, and Hard Edge. From this he moved to figurative painting and later to geometric designs and symbols.

Loran continued to paint throughout the rest of his life in a variety of styles, including nudes, abstractions, and landscapes. Besides being an artist and a teacher, Loran was also a lifelong collector of ethnic art who specialized in African, Asian, Native American, and pre-Columbian tribal art. Many works from his collection are presently housed at the de Young Museum in San Francisco. Loran died in 1999 in Berkeley, at the age of 93.
Related Material:
Found in the Archives of American Art is an oral history interview with Erle Loran conducted by Herschel Chipp, June 18, 1981, and a 1981 interview with Erle and Clyta Loran in the Fine Arts Museums of San Francisco Interviews With Artists collection. Also found is a letter from Loran to Richard Wattenmaker, 1975.
Separated Material:
The Archives of American Art also holds material lent for microfilming (reel 906) including photographs of artwork by Erle Loran and two clippings of reproductions of Loran's artwork. Lent materials were returned to the lender and are not described in the collection container inventory.
Provenance:
Erle Loran lent the Archives of American Art materials for microfilming and donated papers in 1975. In 1999 Mrs. Ruth Schora-Loran, Loran's widow, donated additional material, including artworks.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Erle Loran papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art, Abstract  Search this
Art teachers -- California -- Berkeley  Search this
Art -- Collectors and collecting -- California -- San Francisco Bay Area  Search this
Painters -- California -- Berkeley  Search this
Painting, Modern -- 20th century -- California -- Berkeley  Search this
Art, Modern -- 20th century  Search this
Genre/Form:
Watercolors
Sketches
Photographs
Writings
Citation:
Erle Loran Papers, 1912-1999. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.loraerle
See more items in:
Erle Loran papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-loraerle
Additional Online Media:

Beyond the Frame: Using Art as a Basis for Interdisciplinary Learning

Publisher:
Smithsonian Center for Learning and Digital Access  Search this
Language:
English
Object type:
Lesson Plan
Date created:
2002-01-01 00:00:00
Topic:
American History  Search this
Visual Arts  Search this
Arts  Search this
Helen Lundeberg  Search this
Surrealism  Search this
Portrait  Search this
Edward Hopper  Search this
Mood  Search this
Roy Lichtenstein  Search this
Abstract  Search this
Pop  Search this
Benday dots  Search this
Marshall Rumbaugh  Search this
Rosa Parks  Search this
Sculpture  Search this
Boycott  Search this
William Henry Cotton  Search this
Caricature  Search this
Frances Perkins  Search this
Marsden Hartley  Search this
Bronze  Search this
Chinese  Search this
Inscription  Search this
Typical age range 8-10  Search this
Typical age range 10-12  Search this
Typical age range 12-14  Search this
Typical age range 14-16  Search this
Typical age range 16-18  Search this
Educational alignment:
CCSS.ELA-Literacy.RL.K.3
CCSS.ELA-Literacy.RI.K.1
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CCSS.ELA-Literacy.RL.7.3
CCSS.ELA-Literacy.RL.7.9
CCSS.ELA-Literacy.RI.7.1
CCSS.ELA-Literacy.RI.7.2
CCSS.ELA-Literacy.RI.7.3
CCSS.ELA-Literacy.RI.7.4
CCSS.ELA-Literacy.W.7.2b
CCSS.ELA-Literacy.W.7.7
CCSS.ELA-Literacy.W.7.8
CCSS.ELA-Literacy.W.7.9a
CCSS.ELA-Literacy.SL.7.4
CCSS.ELA-Literacy.L.7.4a
CCSS.ELA-Literacy.L.7.4d
CCSS.ELA-Literacy.L.7.6
CCSS.ELA-Literacy.RL.8.2
CCSS.ELA-Literacy.RI.8.1
CCSS.ELA-Literacy.RI.8.2
CCSS.ELA-Literacy.RI.8.4
CCSS.ELA-Literacy.RI.8.8
CCSS.ELA-Literacy.W.8.2b
CCSS.ELA-Literacy.W.8.7
CCSS.ELA-Literacy.W.8.8
CCSS.ELA-Literacy.SL.8.4
CCSS.ELA-Literacy.L.8.4a
CCSS.ELA-Literacy.L.8.4d
CCSS.ELA-Literacy.L.8.6
CCSS.ELA-Literacy.RL.9-10.5
CCSS.ELA-Literacy.RI.9-10.1
CCSS.ELA-Literacy.RI.9-10.2
CCSS.ELA-Literacy.RI.9-10.4
CCSS.ELA-Literacy.RI.9-10.5
CCSS.ELA-Literacy.RI.9-10.8
CCSS.ELA-Literacy.W.9-10.2b
CCSS.ELA-Literacy.W.9-10.7
CCSS.ELA-Literacy.SL.9-10.4
CCSS.ELA-Literacy.L.9-10.4a
CCSS.ELA-Literacy.L.9-10.4d
CCSS.ELA-Literacy.L.9-10.6
CCSS.ELA-Literacy.RL.11-12.3
CCSS.ELA-Literacy.RI.11-12.1
CCSS.ELA-Literacy.RI.11-12.2
CCSS.ELA-Literacy.RI.11-12.4
CCSS.ELA-Literacy.RI.11-12.7
CCSS.ELA-Literacy.W.11-12.7
CCSS.ELA-Literacy.SL.11-12.4
CCSS.ELA-Literacy.L.11-12.4a
CCSS.ELA-Literacy.L.11-12.4d
CCSS.ELA-Literacy.L.11-12.6
Data source:
SI Center for Learning and Digital Access
EDAN-URL:
edanmdm:SCLDA_1202

Painting Berlin stories : Marsden Hartley, Oscar Bluemner, and the first American avant-garde in expressionist Berlin / Patricia McDonnell

Author:
McDonnell, Patricia 1956-  Search this
Subject:
Hartley, Marsden 1877-1943  Search this
Bluemner, Oscar 1867-1938  Search this
Physical description:
xi, 190 p. : ill. ; 24 cm
Type:
Books
Place:
Germany
Berlin
United States
Date:
2003
C2003
20th century
Topic:
Painting, American--German influences  Search this
Painting, American  Search this
Expressionism (Art)  Search this
Expatriate painters  Search this
Painters  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_727278

American artists in expressionist Berlin : ideological crosscurrents in the early modernism of America and Germany, 1905-1915 / Patricia Joan McDonnell

Author:
McDonnell, Patricia 1956-  Search this
Subject:
Hartley, Marsden 1877-1943  Search this
Bluemner, Oscar 1867-1938  Search this
Physical description:
2 v. (xi, 371 leaves) : ill. (some col. ; 28 cm
Type:
Books
Place:
Germany
Berlin
United States
Date:
1991
20th century
Topic:
Painting, American--German influences  Search this
Painting, American  Search this
Expressionism (Art)  Search this
Expressionism (Art)--Influence  Search this
Expatriate artists  Search this
Artists  Search this
Call number:
ND212 .M13 1991a
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_454594

In the American grain : Arthur Dove, Marsden Hartley, John Marin, Georgia O'Keeffe, and Alfred Stieglitz : the Stieglitz Circle at the Phillips Collection / Elizabeth Hutton Turner

Author:
Phillips Collection  Search this
Turner, Elizabeth Hutton 1952-  Search this
Subject:
Stieglitz, Alfred 1864-1946 Art patronage  Search this
Dove, Arthur Garfield 1880-1946  Search this
Hartley, Marsden 1877-1943  Search this
Marin, John 1870-1953  Search this
O'Keeffe, Georgia 1887-1986  Search this
Phillips Collection  Search this
Physical description:
192 p. : ill. (some col.) ; 31 cm
Type:
Exhibitions
Place:
Washington (D.C.)
Date:
1995
20th century
Topic:
Stieglitz Circle (Group of artists)  Search this
Painting, American  Search this
Painting  Search this
Call number:
ND212.5.S75 P55 1995X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_483389

American modernist painters in France : the decade before World War I / by Suzette Louise Flood

Author:
Flood, Suzette Louise  Search this
Subject:
Bruce, Patrick Henry 1881-1936  Search this
Weber, Max 1881-1961  Search this
Russell, Morgan 1886-1953  Search this
Hartley, Marsden 1877-1943  Search this
Physical description:
vii, 113 leaves : ill. ; 28 cm
Type:
Books
Place:
United States
Date:
1988
1987
20th century
Topic:
Art, American--French influences  Search this
Painting, American--French influences  Search this
Modernism (Art)--French influences  Search this
Painters  Search this
Call number:
ND212.5.M63 F63 1987a
ND212.5.M63F63 1987a
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_343869

The Gloucester years : [exhibition] February 6 thru March 4, 1982, Grace Borgenicht Gallery

Author:
Grace Borgenicht Gallery  Search this
Subject:
Avery, Milton 1885-1965  Search this
Davis, Stuart 1892-1964  Search this
Hartley, Marsden 1877-1943  Search this
Hopper, Edward 1882-1967  Search this
Sloan, John 1871-1951  Search this
Physical description:
23 p. : ill. (some col.) ; 27 cm
Type:
Exhibitions
Place:
Massachusetts
Gloucester
Gloucester (Mass.)
Date:
1982
C1982
20th century
Topic:
Painting, American  Search this
Painting--Exhibitions  Search this
In art  Search this
Call number:
ND235.G5 G56
ND235.G5G56
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_163804

Lyonel Feininger, with essays by Alois J. Schardt and Alfred H. Barr, jr., and excerpts from the artist's letters. Edited by Dorothy C. Miller. Marsden Hartley, with statements by the artist; foreword by Monroe Wheeler

Author:
Museum of Modern Art (New York, N.Y.)  Search this
Schardt, Alois J. - (Alois Jakob) 1889-1955  Search this
Barr, Alfred H. Jr. 1902-1981  Search this
Miller, Dorothy Canning 1904-2003  Search this
Subject:
Feininger, Lyonel 1871-1956  Search this
Hartley, Marsden 1877-1943  Search this
Physical description:
96 p. illus. (incl. ports.) 2 col. pl. 26 cm
Type:
Exhibitions
Date:
1944
[1944]
Topic:
Painting, American  Search this
Call number:
N40.1.F29 N5
N40.1.F29 N5
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_51637

Marsden Hartley : die deutschen Bilder 1913-1915 / für die Nationalgalerie - Staatliche Museen zu Berlin herausgegeben von Dieter Scholz ; mit Beiträgen von Ilene Susan Fort [and seven others]

Title:
Deutschen Bilder 1913-1915
Artist:
Hartley, Marsden 1877-1943  Search this
Author:
Hartley, Marsden 1877-1943 Paintings Selections  Search this
Editor:
Scholz, Dieter 1960--  Search this
Contributor:
Fort, Ilene Susan  Search this
Issuing body:
Staatliche Museen zu Berlin (Germany)  Search this
Host institution:
Neue Nationalgalerie (Germany)  Search this
Los Angeles County Museum of Art  Search this
Subject:
Hartley, Marsden 1877-1943  Search this
Physical description:
207 pages : illustrations (some color), map, portraits, plans ; 28 cm
Type:
Exhibitions
Exhibition catalogs
Date:
2014
20th century
Topic:
Painting, American  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1033744

Marsden Hartley : the German paintings 1913-1915 / for the Nationalgalerie--Staatliche Museen zu Berlin edited by Dieter Scholz ; with contributions by Ilene Susan Fort [and seven others]

Editor:
Scholz, Dieter 1960-  Search this
Writer of supplementary textual content:
Fort, Ilene Susan  Search this
Artist:
Hartley, Marsden 1877-1943  Search this
Host institution:
Neue Nationalgalerie (Germany)  Search this
Los Angeles County Museum of Art  Search this
Subject:
Hartley, Marsden 1877-1943  Search this
Physical description:
207 pages : illustrations (some color), map, plans, portraits ; 28 cm
Type:
Exhibitions
Place:
Germany
Berlin
Date:
2014
20th century
Topic:
Painting, American  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1037042

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