Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.
Do not use original materials when available on reference video or audio tapes.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution
Red Army nurse's song = Pesniiai voennoi. sestry Kr[asnoi.] Armii -- Red Army nurses arrive at the front = Voennye sestry Kr[asnoi.] Armii pribyli na front -- Youth = Molodezhnaiiai -- Enthusiasm march = Marsh e.ntuziastov -- Song of the fatherland = Pesniiai o Rodine -- Forward to victory = Vpered k pobede! -- Arise, people of Russia = Vstavai., podymai.siiai russkii. narod! -- March partisans (guerrillas) = Partizanskii. marsh.
Local Numbers:
FW-ASCH-78-0401
Stinson.215
Publication, Distribution, Etc. (Imprint):
Stinson 1944
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Includes zines from the 1990s collected by Eve Novak, a member of the Ocho y Media collective
arranged in chronological order. Zines include Kablooie! volume one (May 1993), an absurdist punk
feminist zine based in Merion Station, Pennsylvania, with poetry, prose, and collaged art works;
Deep Flooding number one (1994), based in Southeastern, Pennsylvania, which mostly contains
comics and collaged art works; two copies of Ocho y Media volume one (1995), which contain
feminist writing and information on activism; red and blue versions of Wanna Communicate? Spring
Chicken number five (1995), which includes work from feminist activist art collective Guerrilla Girls and information on unionizing; Vocabulary (1998), which can also be found in Neubacher's series; Bedtime Stories for Trivial Teens number five, based in Portland, Oregon (although the student who ran it, Andrea Lambert, lived in San Diego part time; Lambert is pictured in a number of photographs in Quiñones's scrapbooks), is a collection of short stories; Femme Flicke number two, a well-known zine with feminist film critique and recommendations based in Allston, Massachusetts; looking straight down, based in St. Louis, Missouri, a zine with interviews, short stories, and collaged art circa 1992-1994; No Doi number seven (circa 1994), based in Lincoln Nebraska, with queer and feminist writing, particularly relation to the Christian Bible; and Sweetness and Light, a Queer Story about Unrequited Love, which is mostly a handwritten love story.
Also contains a 1997 Slingshot organizer calendar, an organizing group that sells calendars with
important dates in leftist history, and Codex Muertorum, a folded pamphlet invitation to a Dia de los Muertos event in San Diego.
It offers an array of lesser-known zines from the mid to late 1990s that particularly focus on
intersectional activist efforts, like the United States labor movement.
Biographical / Historical:
It is assumed that Novak was a member of the Ocho y Media Collective but at present little information could be found on the donor of these materials.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Ocho y Media Collection, Archives Center, National Museum of American History
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Lucy R. Lippard papers, 1930s-2007, bulk 1960s-1990s. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Terra Foundation for American Art