The collection has been digitized and is available online via AAA's website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Sanford Robinson Gifford papers, 1840s-1900, circa 1960s-1970s. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art
The collection has been digitized and is available online via AAA's website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Sanford Robinson Gifford papers, 1840s-1900, circa 1960s-1970s. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art
The collection has been digitized and is available online via AAA's website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Sanford Robinson Gifford papers, 1840s-1900, circa 1960s-1970s. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art
The collection has been digitized and is available online via AAA's website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Sanford Robinson Gifford papers, 1840s-1900, circa 1960s-1970s. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art
The collection has been digitized and is available online via AAA's website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Sanford Robinson Gifford papers, 1840s-1900, circa 1960s-1970s. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art
The collection has been digitized and is available online via AAA's website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Sanford Robinson Gifford papers, 1840s-1900, circa 1960s-1970s. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art
The collection has been digitized and is available online via AAA's website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Sanford Robinson Gifford papers, 1840s-1900, circa 1960s-1970s. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art
The collection has been digitized and is available online via AAA's website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Sanford Robinson Gifford papers, 1840s-1900, circa 1960s-1970s. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art
Oversized material housed in OV 4; Partially scanned
Collection Restrictions:
The collection has been digitized and is available online via AAA's website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Sanford Robinson Gifford papers, 1840s-1900, circa 1960s-1970s. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art
Contains copy prints; Oversized material housed in OV 4
Collection Restrictions:
The collection has been digitized and is available online via AAA's website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Sanford Robinson Gifford papers, 1840s-1900, circa 1960s-1970s. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art
The collection has been digitized and is available online via AAA's website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Sanford Robinson Gifford papers, 1840s-1900, circa 1960s-1970s. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art
The collection has been digitized and is available online via AAA's website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Sanford Robinson Gifford papers, 1840s-1900, circa 1960s-1970s. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art
The collection has been digitized and is available online via AAA's website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Sanford Robinson Gifford papers, 1840s-1900, circa 1960s-1970s. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art
The collection has been digitized and is available online via AAA's website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Sanford Robinson Gifford papers, 1840s-1900, circa 1960s-1970s. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art
Use of original papers requires and appointment and is limited to the Archives' Washington, D.C., Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jervis McEntee papers, 1796, 1848-1905. Archives of American Art, Smithsonian Institution.
This series forms the core of the collection and comprises files relating to more than three hundred artists whose work the gallery represented or handled at some point. The main types of material that can be found here include correspondence with artists and clients interested in borrowing, consigning, or purchasing their work; printed material documenting exhibitions of individual artists at the Robert Schoelkopf Gallery and related events; general reference material about gallery artists; photographic images of works of art dealt with by the gallery; and photographs of artists. Items of particular interest are noted in parentheses after the folder title.
Individual artists are represented by groups of material ranging from a single file to several linear feet of files, depending on the gallery's level of involvement with their work. Groups of files of particular interest are described in greater detail below. A list of all known group and one-person exhibitions held at the gallery is provided as an appendix and can be used to identify the dates of exhibitions for specific artists.
Relations with many of the gallery's contemporary artists are particularly well documented in this series. The gallery's interest in figurative painting that incorporated elements of allegory, myth, fantasy, and dreams is evinced in files relating to artists such as Milet Andrejevic, Bruno Civitico, Martha Mayer Erlebacher, and David Ligare. Gabriel Laderman, another artist who worked extensively with allegorical themes, is also well represented in this series, and of particular interest are his letters describing his experiences living and working in Malaysia. Correspondence files relating to the painter Caren Canier contain personal letters from the artist that detail her attitude to her work and her relationships with her husband, artist Langdon Quin, and their two children. Paul Wiesenfeld, a realist painter who specialized in portraits and finely detailed interiors, also wrote to the gallery from Germany disclosing aspects of his personal life that affected his work. Correspondence with sculptor Isabel McIlvain contains detailed explanations by the artist of her attitudes to her work and her sculpting methods. McIlvain's files also chronicle her commission to produce a sculpture of John F. Kennedy that was unveiled in Boston in 1990.
Files relating to William Bailey record many aspects of his relationship with the Schoelkopfs. Correspondence files primarily comprise letters to and from clients interested in Bailey's work but are interspersed with correspondence with Bailey and his wife that often details personal aspects of their lives as well as providing insight into Bailey's artistic development and his experiences living in Italy, where he and his family resided much of the time. Consignments and sales of Bailey's work are well documented here, as is the gallery's role in the compilation and publication of three books about the artist. An extensive collection of news clippings records various stages of his career and the growth of his commercial success.
Two substantial groups of files document the gallery's representation of painter Louisa Matthiasdottir and her husband, Leland Bell. Correspondence with Bell includes mention of his time spent in Europe and his teaching experiences, and reveals his sardonic wit.
Several files of correspondence with Miyako Ito offer rich insight into a short period during the artist's life. The bulk of the material comprises letters written by Ito to Robert Schoelkopf in 1960 and 1961, occasionally on a daily basis and often of a very poetic and deeply reflective and emotional nature.
Folders relating to Joseph Cornell contain some correspondence with the artist that offers insight into his personality. They also record Schoelkopf's bid, albeit in vain, to represent the artist's estate following his death in 1972 and the gallery's commitment to Cornell through continued consignment of his work.
Files concerning Manierre Dawson document the gallery's representation of the artist's estate and arrangements for the first one-person exhibition of his paintings in New York only a few months before his death in the summer of 1969. The files include correspondence with Dawson in which he discusses preparations for the exhibition, supplies information concerning dates and locations of his paintings, and expresses concerns about his illness. Letters from Dawson's wife, Lillian, written immediately after his death, can also be found here as well as several marked-up copies of the catalog for the 1969 exhibition that includes an introduction written by the artist. The Dawson files document the activities of the partnership formed by Frank J. McKeown, Jr., Dr. Lewis Obi, and Lefferts L. Mabie, Jr., to purchase paintings from the Dawson estate and provide details of how the partnership worked with Schoelkopf as the sole gallery agency for Dawson's paintings. The files also record the distribution of loans and gifts from the partnership to various art institutions.
More than two feet of records offer detailed coverage of Robert Schoelkopf's interest in Gaston Lachaise and his involvement in the administration of the Lachaise Foundation. Correspondence files chronicle relations among Schoelkopf, John B. Pierce, Jr. (trustee of the foundation), and Felix Landau and record decisions taken regarding publications about the artist, policies for casting and limiting editions of his sculpture, and strategies for promoting Lachaise through exhibitions. The traveling exhibition that opened in September 1967 and was still circulating in 1991 is well documented here, as are other practical concerns such as maintaining accounting and storage records of the artist's work.
Files relating to Ethel Myers include correspondence with the artist's daughter, Virginia Downes, and document Schoelkopf's handling of Myers's estate and his involvement in exhibitions to promote her work. The files include one undated letter and one copy of a letter from Myers to Downes, dated 1941, and a copy of a letter from Henry McBride to Myers from 1913. Copies of autobiographical notes written by Myers about her childhood, artists she knew, her marriage to Jerome Myers, and the outbreak of war in Europe can also be found here.
Several files document the appointment and activities of Robert Schoelkopf and Felix Landau as exclusive agents for the sale of works of art from the estate of Elie Nadelman.
A substantial group of files relating to Joseph Stella chronicle Schoelkopf's involvement with Michael and Sergio Stella, trustees of Joseph Stella's estate, and his representation of the estate from 1963 until 1971, when he withdrew from the position following a dispute over commissions. The gallery continued to consign work from the Stella estate until 1991, and these files contain details of those consignments and reflect Schoelkopf's lifelong commitment to promoting Stella's work.
Files relating to John Henry Bradley Storrs document Schoelkopf's relationship with the artist's daughter, Monique Storrs Booz, who designated Schoelkopf as the new agent for works of art from her father's estate when her contract with the Downtown Gallery was terminated in 1969. Schoelkopf continued to represent Storrs's work when Monique Storrs Booz died in 1985, leaving the estate in the hands of two of the artist's grandchildren. Details of the gallery's relationship with Noel Frackman, who conducted important research on Storrs, can also be found here. Of additional interest are two sets of photographs attributed to John Storrs: a group of eleven platinum prints (apparently there were originally thirteen), primarily portraits of children, and a group of twenty-seven silver gelatin prints of rural and coastal scenes.
Correspondence relating to Julia Margaret Cameron contains several items of interest including a letter from Cameron dated August 10, 1873, to a Mrs. Way concerning photographs of Way's daughter, and an article on Cameron by Charles Harvard with notes containing biographical details about the photographer.
Within its artist files the gallery retained a group of files marked "Miscellaneous." These files contain small amounts of material, often only one or two pieces, relating to various artists for whom an individual file was not maintained or who were unidentified. These records are placed at the end of the alphabetical files and contain primarily copy prints, transparencies, and slide transparencies. Material is arranged alphabetically by name of artist, with records relating to unidentified artists placed at the beginning. To retain the alphabetical arrangement various media formats are filed together and dated material is interfiled with undated material, which forms the bulk of the contents.
Generally, arrangement of photographs in this series follows the system outlined under Organization and Arrangement, with some notable exceptions. Photographs of works of art by Gaston Lachaise and Elie Nadelman were originally arranged in a numbering system that is fairly consistent, and this basic original order has been retained. Also, for large groups of photographs of works of art, such as those by Gaston Lachaise, Joseph Stella, and John Henry Bradley Storrs, the gallery filed photographs by media in which the work of art was created; such delineations are reflected in the final arrangement.
The gallery maintained a collection of negatives, primarily of works of art by artists found in Series 1: Artist Files, in addition to other artists not represented there. There is also a small number of negatives of installation shots. The negatives are arranged alphabetically by artist name, with unknown artists at the beginning, and are stored, for preservation reasons, in containers separate from other records in the series. Negative numbers found on the original sleeves have been transcribed onto the paper enclosures now housing the negatives, so that they may be matched to prints in Series 1: Artist Files, in cases where prints exist. An appendix provides an alphabetical list of artists whose work is represented in the negative collection. In some cases, names of artists are incomplete because of insufficient information on the original negative sleeves.
See Appendix A for a list of artists represented in the negatives of works of art found in Series 1.
Appendix A: Artists Represented in Negatives of Works of Art:
The collection is open for research. Use requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Robert Schoelkopf Gallery records, 1851-1991, bulk 1962-1991. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Getty Foundation.
The collection is open for research. Use requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Robert Schoelkopf Gallery records, 1851-1991, bulk 1962-1991. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Getty Foundation.
3 Microfilm reels (800 items on 3 microfilm reels)
Type:
Collection descriptions
Archival materials
Microfilm reels
Date:
1857-1902
Scope and Contents:
The microfilmed Samuel Putnam Avery papers contain correspondence, including letters, calling cards, and sketches from American and European artists, among them Albert F. Bellows, Eugene Benson, Edwin H. Blashfield, Rosa Bonheur, Adolph W. Bouguereau, Samuel Colman, Clarence Cook, Jasper F. Cropsey, F. O. C. Darley, Charles F. Daubigny, John Durand, Sanford R. Gifford, E. D. E. Greene, Augustus Hoppin, Victor Hugo, John La Farge, Jules Lefebvre, Jervis McEntee, Charles H. Moore, William S. Mount, Thomas A. Richards, Launt Thompson, Henry T. Tuckerman, and James McNeill Whistler; five diaries (1871-1882) detailing annual buying trips to Europe; catalogs; clippings; and miscellaneous publications pertaining to the Avery Art Gallery.
The travel diaries were written exclusively during the summers of 1871-1882 while in Europe (circa780 pages). Avery visited England, France, Germany, Denmark, the Netherlands, Belgium, Austria, and Italy, visiting galleries and studios, and attending sales in the major cities. In his entries, Avery lists the works that he sees and art he purchases, detailing prices, sizes, and frame requirements. Avery spent most of his time visiting dealers, making shipping arrangements, and commissioning work from a variety of artists. He visited auction houses such as Christie's in London, and "bric a brac shops" where he purchased paintings, as well as furniture, tapestries, and jewelry. He mentions several dealers throughout Europe, especially the P.L. Everard Company and Mr. Boughton in London, and Mr. Van Hinsberg in Belgium. His social engagements included gallery exhibitions, concerts, trips to the opera, and dinners. He describes the French city of Écouen and the Italian countryside vividly. Avery also records his meeting with the Spanish artist Cutazzi, and describes in detail the finery of the Makart studio in Vienna. Throughout the diaries, he corresponds and meets with Mr. Everard, Mr. Boughton, James McNeill Whistler, Vincent Van Gogh, and people he refers to only as Sam and Mary. Avery writes often of his occasional traveling companion, Mr. Lucas. Beginning in 1873, he mentions his wife, letters to her, and gifts that he buys her. At the end of the diary, he lists his accounts during these years.
Biographical / Historical:
Samuel Putnam Avery (1822-1904) was a wood engraver, art dealer, and collector in New York, New York. He was a founder and trustee of the Metropolitan Museum of Art. Avery took annual trips to Europe in the 1870s during which he commissioned art for clients. Avery also founded the Avery Architectural Library at Columbia University and donated his collection of etchings and lithographs to the New York Public Library.
Related Materials:
The New York Public Library Manuscripts and Archives Division holds the Samuel Putnam Avery papers, 1822-1904. The New York Historical Society holds the Samuel Putnam Avery letters to William D. Murphy, 1902-1903. The Metropolitan Museum of Art Thomas J. Watson Library holds the Samuel Putnam Avery Papers, ca. 1850-1905.
Provenance:
Lent for microfilming 1964 by the Metropolitan Museum of Art.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Art dealers -- New York (State) -- New York Search this
Engravers -- New York (State) -- New York Search this
There are forty-five volumes of daily diaries in which Smillie describes his paintings, drawings and prints, and references over 200 artists with whom he was acquainted. Loose items originally filed within the diaries include letters, notes, sketches, a silhouette, calling cards, receipts, printed material, and a photo of Smillie, among many other items.
See Appendix for a list of artists mentioned in the diaries from Series 1.3.
Arrangement note:
This subseries is arranged in chronological order with materials tucked into diaries at the end of the subseries and arranged by type. The loose items had been removed from the diaries at an earlier time, most likely upon microfilming, and it is not clear in which diary they were originally filed.
Appendix: Artists Mentioned in James David Smillie's Diaries, 1865-1880:
Abbey, Edwin A.: 1877 May 11, Dec 18; 1878 Jan 10, Jan 11, Jan 22, Jan 25, Jan 28, Mar 9, Mar 11, Apr 30
Anderson, A.: 1873 Feb 8
Augero, Francesco: 1867 Apr 23; 1868 Feb 10, Feb 1, Jun 5, Oct 30, Nov 17, Nov 19, Dec 4, Dec 17; 1869 Jul 10; 1870 Mar 22, Apr 9, Jun 9; 1871 Oct 3; 1872 Nov 5; 1873 Jan 8, Feb 8, Apr 18, May 13, May 23, Jun 20, Dec 19; 1875 Jun 18, Dec 6; 1876 Jan 2
Baldwin, A. H.: 1875 Mar 5; 1877 Feb 27, Mar 1, Mar 5, Mar 6, May 2; 1878 Jan 24; 1880 Apr 12
Bascom, Marie Louise (Mrs. James R. Brevoort): 1868 Dec 19; 1871 May 9, May 26; 1872 Feb 28, May 1, Nov 4, Nov 11, Nov 15, Nov 20
Beard, William H.: 1871 Nov 2, Nov 23; 1872 Jan 27, May 9; 1873 Feb 1; 1877 Jan 21; 1880 Mar 18
Beers, Julie: 1868 Jun 16, Nov 7, Nov 11; 1870 Mar 12, Mar 31; 1871 Dec 9; 1872 Oct 30; 1873 Mar 10; 1875 Dec 28; 1876 Feb 25
Bellows, Albert Fitch: 1867 Feb 6; 1868 Jan 18, Apr 16; 1871 Jan 10, Jan 16, Mar 15, Nov 23; 1872 Jan 26, Feb 1, May 7; 1873 Feb 4, Feb 13, Mar 5, May 27, Nov 27; 1874 Jan 27, Feb 5, Feb 11, Feb 25; 1875 Jan 28, Feb 3, Feb 4, Feb 6, Feb 8, Feb 17, Nov 5, Nov, 12; 1876 Jan 14, Jan 17, Mar 20, May 16, Nov 9, Nov 20, Dec 14, Dec 18, Dec 19, Dec 22; 1877 Feb 15, Mar 16, Apr 30, May 9, Oct 23, Nov 9, Nov 21, Dec 14; 1878 Feb 4, May 19, Dec 22; 1879 Jan 12, Feb 20, Mar 16, May 13, Nov 14; 1880 Jan 3, May 10, Nov 3, Nov 16
Bierstadt, Albert: 1866 May 10
Blackman, Walter: 1868 Aug 22, Aug 24, Sep 13; 1870 Oct 22; 1871 Oct 3, Oct 31
Blauvelt, Miss H. J.: 1872 Jan 22; 1876 Jan 25, May 19; 1877 Feb 22
Blodgett, William: 1871 Jan 20, Jan 26
Bradford, William: 1872 Feb 22
Brevoort, James Renwick: 1865 Apr 24; 1866 Jan 5, Jan 6, Mar 19; 1867 Jan 4, Apr 23, Oct 25, Nov 20; 1868 Feb 14, Feb 19, Feb 26, Mar 18, Apr 18, May 4, Jun 1; 1869 Oct 11, Oct 30; 1870 Oct 20, Nov 1, Dec 10, Dec 17, Dec 23, Dec 24, Dec 31; 1871 Jan 7, Feb 4, Feb 11, Feb 18, Feb 22, Feb 25, Mar 22, Apr 15, Oct 3; 1872 Feb 1, Apr 24; 1873 Feb 5, Apr 8, Apr 9; 1878 Dec 18
Bricher, Alfred Thompson: 1873 Dec 27; 1875 Nov 12, Dec 2, Dec 10; 1875 Mar 20, Nov 3, Nov 30, Dec 14; 1876 Mar 1, Dec 14
Brown, John George: 1867 Feb 19; 1870 Apr 29, Dec 2; 1872 Mar 25, Nov 20; 1873 Nov 8; 1874 Jan 8, Apr 4, May 5, Jun 24, Dec 7; 1875 May 22, Nov 2, Nov 3, Nov 30, Dec 14; 1876 Feb 25, Mar 1, Nov 20, Dec 18; 1877 Feb 5, Feb 15, Feb 20, Mar 16, Mar 20, Mar 27; 1878 Mar 6, Dec 7, Dec 20; 1880 Jan 31, Mar 26, Jun 5; 1880 Dec 23
Brown, Walter: 1869, Jan 27, Dec 8; 1870 Mar 10, Mar 12; 1872 Dec 10, Dec 12; 1873 Jan 21, Feb 5; 1874 Jan 3, Jan 18, Jan 20, Feb 5, Apr 3, May 12, May 14, May 15, Jun 11, Dec 5, Dec 10; 1875 Mar 24; 1878 Mar 19
Burling, Frederick Gilbert: 1867 Feb 6, Mar 6, Jun 4, Oct 24, Nov 11, Nov 25, Dec 19; 1868 Jan 31, Apr 16, May 7, Sep 14, Oct 31, Nov 2, Nov 12; 1869 Jan 11, Jan 16, Nov 12, Dec 16, Dec 16; 1870 Jan 4, Jan 10, Feb 16, May 3, Jun 6, Jun 24, Nov 1, Nov 18; 1871 Jan 31, Feb 4, Oct 3; 1873 Feb 1, Apr 22; 1874 Jan 6, Jan 17, Feb 4, Feb 9, May 20, Jun 3; 1875 Feb 8;
Butler, H.: 1872 Apr 4
Calvery, Charles: 1870 Dec 13; 1873 Feb 25, May 26; 1874 Jun 9; 1876 Jan 28, May 12, Dec 30; 1878 May 6, Oct 10; 1879 Mar 12, Apr 7
Carpenter, Francis Bicknell: 1872 Apr 10; 1873 (no date)
Casilear, John W.: 1872 Jan 27, 1875 May 22
Champney, Benjamin: 1867 Aug 1, Sep 24
Campney, [no first name]: 1879 Jan 16; 1880 Feb 4
Chase, William Merritt: 1880 Sep 11
Church, Frederick Edwin: 1877 Apr 22
Church, Frederick S.: 1879 Dec 1; 1880 Apr 14
Church, [no first name]: 1869 Dec 31; 1878 Jan 24, Jan 29
Colman, Samuel Jr.: 1867 Jan 5, Mar 6, Jun 4, Jun 27, Nov 5, Nov 25, Dec 2, Dec 18, Dec 26; 1868 Feb 2, Feb 25, Apr 16, Jun 3, Jun 9, Jul 22, Aug 8, Aug 12, Aug 13, Aug 15, Aug 26, Aug 29, Aug 30, Aug 31, Sep 1, Sep 6, Sep 7, Sep 8, Sep 10, Sep 16, Sep 23, Sep 25, Nov 2, Nov 10, Nov 12, Nov 21, Dec 10, Dec 15; 1869 Jan 17, Jan 18, Jan 21, Feb 23, Mar 8, Mar 9, May 4, May 8, Jun 2, Jul 9, Jul 16, Jul 17, Aug 16, Aug 18, Aug 19, Aug 21, Aug 23, Aug 24, Aug 25, Aug 28, Aug 30, Sep 4, Sep 12, Sep 13, Sep 15, Sep 16, Sep 17, Sep 19, Sep 22, Sep 28, Sep 30, Oct 28, Nov 13, Nov 16; 1870 Jan 29, Apr 30, Jun 13, Jun 15, Jun 27, Jun 29, Jul 5, Aug 14, Nov 1, Dec 13; 1871 Jan 7, Jan 24, Jun 15, Jun 16, Oct 3, Nov 14, Nov 15, Dec 1; 1872 Jan 12, Jan 26, Jan 27, Jan 30, Feb 2, Feb 19, Feb 28, Mar 28, Apr 4, Apr 11, Apr 12, Apr 13, May 6, May 17, Jun 6, Nov 25, Dec 9; 1873 Jan 15, Mar 30, Jun 12; 1874 Apr 25, May 31, Dec 3; 1875 Jun 13, Aug 12, Sep 3, Sep 14, Oct 22, Oct 26, Oct 27, Nov 2, Nov 8, Nov 22, Dec 14; 1876 Jan 11, Jan 12, Jan 29, Feb 5, Feb 15, Feb 27, Mar 3, Apr 19, Apr 20, Apr 23, May 12, May 15, May 20, Jun 18, Nov 4, Nov 10, Nov 12, Nov 14, Nov 21, Dec 10, Dec 18, Dec 22; 1877 Mar 16, Mar 28, Apr 10, May 9, Jun 20, Oct 9, Oct 24, Oct 26, Nov 2, Nov 18, Nov 21, Nov 28, Nov 29, Dec 5; 1878 Jan 3, Jan 9, Feb 6, Feb 13, Feb 14, Mar 8, Mar 12, Mar 17, Mar 20, Mar 21, Mar 25, Apr 6, Apr 8, Apr 10, Apr 16, Apr 19, Apr 27, May 4, May 23, May 27, May 30, Jun 1, Jun 5, Jun 6, Aug 9, Aug 11, Aug 12, Aug 26, Aug 29, Aug 30, Oct 10, Nov 16, Nov 22; 1879 Jan 12, Mar 4, Mar 12, Mar 23, Mar 28, May 5, May 16, May 21, Jun 10, Jun 12, Oct 12, Oct 13, Nov 18, Nov 27, Dec 8, Dec 16, Dec 21; 1880 Jan 4, Jan 9, Feb 13, Feb 25, Mar 26, Apr 12, Apr 21, Apr 30, May 18, Oct 21, Oct 26, Nov 3, Nov 6, Nov 7, Nov 28, Dec 6, Dec 27
Colyer, Vincent: 1874 Feb 25, Feb 28
Covell, Margaret: 1874 Apr 11, Jun 24
Craig, William B.: 1867 Dec 16; 1871 Nov 16; 1873 Feb 11
Cranch, Christopher Pearce: 1867 Dec 12; 1868 May 7, Nov 22; 1869 Oct 29, Dec 7, Dec 10; 1870 Jan 18, Jan 19; 1872 Feb 20; 1879 Aug 5
Cropsey, Jasper Francis: 1867 Dec 16; 1869 Nov 2; 1871 Feb 4; 1878 Mar 20
Culver, "Of Chicago": 1871 Jan 13, Jan 19, Mar 6; 1871 May 9; 1874 Mar 5, Dec 16; 1875 Mar 20; 1876 Dec 30
Culverhouse, Johann Mongles: 1870 Dec 27; 1875 Apr 29
Dana, William Parsons Winchester: 1868 Jan 24; 1870 Apr 29
Dolph, John Henry: 1876 Jan 14; 1877 Mar 14
Darley, Felix O. C.: 1869 Jan 20, Jul 3; 1873 Feb 11, Dec 1; 1874 Jan 22, Jan 26, Mar 7, Mar 29, Apr 3; 1877 Mar 13
De Forest, Lockwood: 1872 Apr 8
De Haas, Mauritz or Maurice Frederick: 1867 Dec 3; 1870 Feb 1, Apr 29; 1872 Sep 11; 1874 Apr 14; 1876 Feb 25
Delnoce, Lewis (Luigi): 1879 Jun 6; 1880 Aug 16
Dodge, W. E.: 1868 Mar 14; 1969 Nov 27
Dunn, Alexander Gordon: 1871 Feb 4
Durand, Asher Benjamin: 1866 Feb 22; 1867 Nov 4; 1868 Sep 8, Sep 10, Sep 13, Sep 15; 1870 Aug 18, Aug 21, Sep 11, Sep 16, Sep 24, Sep 26; 1872 Feb 12; 1880 Nov 5
Durfee, Rose: 1876 Dec 30; 1877 Jan 21, Mar 1, Mar 14, Apr 22, Apr 30, Jun 1, Nov 1, Nov 7; 1878 Mar 13, Apr 17, Nov 27; 1880 May 11
Eaton, Joseph Oriel: 1867 Feb 21; 1869 Feb 27, Mar 11, Mar 15, Nov 15; 1870 Feb 26, Apr 29; 1871 Dec 30; 1873 Feb 3, Dec 4; 1874 Jan 17, Dec 16; 1875 Feb 8
Eaton, Wyatt; 1878 Jun 1
Ehninger, John Whetton: 1866 Jul 1, Jul 3, Jul 16, Aug 10, Aug 14; 1867 Feb 19; 1869 Jan 20; 1880 Jan 12, Apr, 16 Apr 19, Jul 14, Jul 16, Jul 17, Jul 20, Jul 21-30, Aug 2
Fairman, James: 1866 May 16; 1867 Oct 24, Oct 26, Oct 28; 1868 Mar 6; 1870 Mar 20, Dec 13
Falconer, John M.: 1870 Apr 29; 1873 Feb 1; 1874 Jan 9, Jan 12, Jan 22, Mar 7, Apr 19, Dec 10; 1875 Jan 5; 1878 Jan 25; 1879 Jun 18, Jun 19, Nov 22, Dec 16
Farrer, Henry: 1867 Mar 6, Dec 17; 1869 Jan 20; 1871 Apr 27; 1873 Feb 3, Mar 12; 1877 Jan 8, Feb 5, Dec 10; 1880 Jun 1, Nov 3, Nov 12, Nov 16
Fenn, Harry: 1867 Mar 6; 1869 Apr 1; 1870 Jan 28; 1872 Jul 20; 1873 Mar 10, Nov 27, Dec 26; 1874 Jan 14, Dec 3; 1875 Jul 15
Ferguson, Henry A.: 1868 Aug 24, Sep 13; 1869 Oct 14; 1870 Mar 11, Mar 26, May 3, Jul 21, Sep 24; 1871 Jan 11, May 2, Sep 3; 1872 Jun 5, Aug 17; 1873 Mar 20, Aug 2, Oct 31, Nov 6, Nov 22, Dec 8, Dec 10, Dec 17, Dec 23; 1874 Jan 6, Jan 8, Jan 12, Jan 13, Jan 15, Feb 2, Feb 10, Feb 28, Mar 7, Mar 24, Jun 3, Jun 6, Jun 11, Oct 7, Oct 31, Nov 14, Dec 18; 1875 Apr 19, May 21, Jun 27, Sep 14; 1876 Jun 10; 1877 May 3; 1878 Jan 6, Jun 29, Oct 4, Dec 18; 1879 Dec 12
Fiske, Charles Albert: 1869 Nov 25; 1870 Feb 28
Forbes, Edwin: 1867 Nov 20; 1869 Mar 1
Fraser, "Of Toronto": 1869 Jun 2
Fraser, James: 1872 Apr 13
Fraser, John: 1870 Dec 2
Fredericks, Alfred: 1868 Nov 2; 1873 Dec 9
Freeborn, Miss: 1875 Feb 2
Gay, Edward: 1869 Dec 10
Gifford, [no first name]: 1867 Dec 17; 1869 Jan 20, Mar 11, Nov 22; 1874 Jun 11; 1875 May 22
Gifford, Robert Swain: 1867 Mar 26, Nov 11; 1868 Mar 23, Dec 1; 1869 Apr 15, Oct 14, Nov 13; 1870 Jan 17, Jan 20, jan 22, Feb 26, Apr 29, May 9, May 28, Jul 8; 1871 Feb 15, Apr 4, May 9, Dec 30; 1872 Feb 27, Dec 10; 1873 Jan 1, Jan 9, Feb 19, Mar 29, May 5, Dec 27; 1874 Jan 17, Jan 30, Mar 2, Mar 5, Mar 23, Apr 30; 1875 Nov 29; 1876 Jan 11, Jan 14, Feb 11, Mar 20, Dec 7, Dec 14, Dec 19; 1877 May 2, May 9, Dec 10, Dec 11; 1878 Jan 25, Feb 15, Feb 23, Mar 9, Mar 11, Mar 20, Apr 18, Mar 10, May 18; 1879 Jan 26, Mar 21, Mar 29; 1880 Feb 25, Mar 26, Apr 14, May 10, May 19, Dec 27, Dec 29, Dec 31
Gifford, Sanford Robinson: 1867 Feb 19, Mar 6, Dec 4; 1869 Dec 18; 1870 May 28; 1873 Jan 4, Dec 4; 1877 Feb 21; 1878 May 25; 1879 Feb 7, Mar 23, Apr 20, Dec 11; 1880 Apr 8
Gilbert, Miss: 1873 Jan 25, Dec 18; 1874 Apr 16, Jun 24, Dec 22; 1875 Jan 22, Feb 25, Mar 1; 1876 Jan 24, Apr 4, Apr 12, Apr 13, Apr 17, Nov 13; 1877 Mar 1
Gilbert, G. A.: 1874 Jan 30
Greatorex, Eliza Pratt: 1872 Oct 30; 1873 mar 15, Apr 8; 1874 Apr 13, Jun 12, Jun 24
Greatorex, Kathleen Honora: 1866 Mar 3; 1873 Mar 6, Mar 28; 1874 Jun 8, Jun 10, Jun 12, Jun 13
Greene, Edward D. E.: 1871 Dec 18; 1872 Jan 27, May 9, May 25, Jul 14; 1873 Mar 8, Nov 17; 1874 Feb 9, Feb 23, Mar 3
Grey, Henry Peters (?): 1871 Nov 23
Griswold, Casimir Clayton: 1867 Feb 19; 1870 Jun 7
Guy, Seymour Joseph: 1868 Jan 31; 1869 Apr 8; 1872 Jan 27
Hall, George Henry: 1871 Oct 28, Nov 2; 1873 Nov 8; 1875 Apr 9; 1877 Jan 7
Hart, James M.: 1865 Mar 19, May 10, Jun 20; 1866 Jun 13; 1867 Jan 4, Feb 21, Apr 23, Aug 31, Oct 24, Nov 21; 1868 Jan 2, Apr 16, Jun 23, Nov 7; 1869 Aug 14, Aug 15, Sep 24, Oct 14, Oct 26; 1870 Mar 28, Sep 4, Oct 20, Dec 13; 1871 Feb 23, Jun 26, Oct 3, Nov 9; 1872 Feb 24, Nov 12, Dec 19; 1873 Aug 2, Nov 17; 1874 Mar 7, Nov 19; 1875 Apr 5, May 16, Oct 27; 1876 May 17, Dec 16; 1878 Jun 1
Hart, Maria Theresa Gorsuch: 1866 Jan 2; 1867 Apr 22, Oct 24; 1870 Aug 2; 1874 Jan 8; 1875 Mar 23
Hart, William: 1867 Feb 19, Oct 28, Nov 1, Nov 23; 1868 Jan 31, Feb 25, Nov 2, Nov 12, Dec 21; 1869 Nov 15; 1870 Jan 31, Feb 1, Apr 29, Jun 7, Nov 10, Dec 13; 1871 Jan 31, Feb 3, Mar 14, APr 4, Apr 25, May 1, May 9, May 12, May 15, Nov 2; 1872 Feb 1, Feb 6, Nov 9, Nov 12, Nov 25, Dec 10; 1873 Jan 9, Feb 5, Mar 29, Nov 3; 1874 Apr 30; 1875 Mar 20, Apr 3; 1876 Feb 11
Hayes [Hays], William Jacob: 1869 Mar 31, Dec 18
Heade, Martin Johnson: 1869 Sep 13; 1870 Apr 29, Jun 9, Dec 30
Hennessy, William John: 1870 APr 29
Henry Edward Lamson: 1880 Dec 20
Hepburn, William: 1875 Jan 28
Hetzel, George: 1878 May 28
Hicks, Thomas: 1876 May 1
Hill, John William: 1876 Apr 11
Hodgkins: 1868 Sep 14
Holbertson, Wakeman H.: 1873 Feb 1
Homer, Winslow: 1875 Feb 6; 1878 Mar 15
Howland, Alfred C.: 1872 Jul 10; 1873 May 1
Hubbard, Richard William: 1867 Feb 19; 1875 Feb 8, Apr 9, May 22
Huntington, Daniel P.: 1868 Apr 1; 1869 Jan 29, May 10; 1872 Mar 14; 1876 Feb 16, may 1; 1877 Fan 9; 1878 Mar 4
Innes, George: 1868 May 1, May 4; 1879 Mar 14
Jefferson, Joseph: 1870 Nov 4, Nov 9
Johns, "Of Pittsburgh": 1871 Jan 15
Johnson, David: 1874 Mar 23; 1875 Feb 4
Johnson, Eastman: 1868 Apr 1; 1869 Jan 29, Apr 4; 1878 Aug 4, Aug 24, Aug 25, Aug 27, Aug 26; 1879 Feb 7; 1880 Jul 21
Johnson, Samuel Frost: 1870 Jun 1; 1871 Jan 4; 1873 Jan 8, Apr 8; 1876 Dec 14
King, [no first name]: 1871 Jul 29, Aug 9; 1873 Jan 3
Kensett, John Frederick: 1866 Feb 21; 1868 Jan 29; 1870 Nov 10; 1872 Apr 23; 1873 Mar 13
Kittell, Nicholas Biddle: 1870 Feb 8, Apr 9; 1874 Jun 22
Knowlton, Miss: 1879 Aug 13
Knudsen: 1870 Mar 10
Kuntze, Edward J.: 1868 May 8, Jun 9; 1869 Apr 15, Oct 19; 1870 Mar 10, Apr 10
La Farge, John: 1869 Nov 22, Nov 25; 1870 Apr 29
Lambdin, George C.: 1868 Jan 31, Aug 13, Aug 15
Lang, Louis: 1871 Nov 16
Lawrie, Alexander: 1869 Nov 15; 1873 Oct 2; 1874 Mar 24
Leutze, Emanuel Gottlieb: 1866 Feb 21
Linton, William James: 1870 Apr 29; 1873 Nov 3; 1874 Jan 13
Loop Henry Augustus: 1865 Nov 29, Nov 30, Dec 25; 1866 Feb 7; 1869 Jan 3, Oct 14
McEntee, Jervis: 1868 Jan 18; 1869 Dec 18; 1876 May 1, Jun 23; 1878 Apr 25
Magrath, William: 1870 Aug 8, Dec 19; 1871 Jan 16; 1874 Jun 6; 1875 Feb 1, Nov 6; 1876 Dec 21, Dec 22, Dec 26; 1877 Mar 28; 1878 Jan 24, Jan 29, Mar 20
Martin, Charles: 1870 May 18
Martin, Homer Dodge: 1870 Jun 17
Miller, Charles Henry: 1874 Mar 2; 1877 Dec 5; 1878 Apr 8
Moore, Charles Herbert: 1868 Mar 11
Moran, Edward: 1873 Apr 25, Nov 1; 1876 Mar 14; 1880 Mar 18
Moran, Thomas: 1873 Dec 7; 1874 May 21; 1876 Apr 6
Morse, Samuel F. B.: 1869 Mar 13; 1870 Apr 21
Mulvaney, John: 875 Jul 15, Sep 3
Nast, Thomas: 1873 Feb 9, Feb 17
Nehlig, Victor: 1870 Apr 29, Dec 27; 1871 Jan 19
Newman, Henry Roderick: 1870 Feb 17; 1873 Jan 9
Nicoll, James Craig: 1867 Oct 6; 1869 Dec 20; 1870 Feb 1, Apr 6, May 3, May 7, Dec 30; 1871 Jan 9, Jan 14, Mar 20, Oct 21; 1872 Feb 26, Dec 1, Dec 11; 1873 Jan 6, Jan 15, Feb 3, Oct 31, Nov 1, Nov 4, Nov 28, Dec 1, Dec 2, Dec 4, Dec 9, Dec 23, Dec 29; 1874 Jan 17, Jan 21, Jan 30, Feb 2, Feb 3, Feb 4, Feb 5, Feb 12, Feb 13, Apr 28, May 14, May 16, May 19, May 26, Jun 24, Oct 3, Oct 25, Nov 27, Dec 3, Dec 8; 1875 Jan 6, Jan 27, Feb 3, Feb 8, Feb 17, Mar 3, Mar 15, Mar 19, Mar 22, Apr 5, Apr 9, Apr 28, Apr 29, May 5, May 14, Jun 18, Jul 3, Nov 2, Nov 3, Nov 26, Nov 26, Nov 30, Dec 1, Dec 14, Dec 17, Dec 20, Dec 21; 1876 Jan 21, Feb 14, Mar 1, Mar 14, Mar 20, Mar 29, Apr 3, Apr 7, Apr 8, Sep 3, Nov 20, Dec 16, Dec 18, Dec 22, Dec 28; 1877 Jan 2, Jan 11, Feb 6, Feb 15, Feb 19, Feb 27, Mar 1, Mar 6, Mar 9, May 10, Jun 20, Nov 14, Nov 15, Nov 24, Dec 14, Dec 18; 1878 Jan 26, Feb 13, Mar 6, Mar 12, Mar 20, Apr 4, May 9, May 17, May 17, Jul 1, Jul 2, Nov 20, Dec 11, Dec 28; 1879 Mar 1, Mar 10, Jul 19, Nov 13, Dec 16; 1880 Mar 8, Apr 12, Apr 30
Norton, Henry: 1874 Jan 10
Ogilvie, Clinton: 1868 Apr 13, Apr 30, Jul 13; 1869 Dec 22; 1871 Jan 7; 1872 Apr 1; 1873 Mar 4; 1877 Jan 2; 1879 Apr 21
Ordway, Albert T.: 1868 Jan 18
Page, William: 1871 Nov 9, Nov 23, Dec 12; 1872 May 9, Nov 22; 1875 Feb 3
Parton, Ernest: 1871 Jan 31; 1872 Feb 5; 1874 Jan 31; 1880 Dec 20
Perry, Enoch Wood: 1868 Jan 31; 1869 Nov 10; 1870 Dec 13; 1871 Nov 23, Nov 27, Dec 5; 1872 Jan 27, Feb 5, May 9, Nov 20; 1874 Feb 6, Jun 24; 1875 Feb 6, Apr 9; 1877 Feb 9, May 2
Porter: 1871 Sep 1
Reed, T. F.: 1868 Mar 30, Apr 18, Jun 12; 1869 Feb 21
Reinhart, Charles: 1877 Dec 18; 1878 Feb 22, Mar 4, Apr 8
Reinhart, Benjamin OR William: 1870 Apr 13; 1871 Nov 14
Richards, Thomas Addison: 1868 Apr 1, Apr 17, Jun 2, Jul 3, Nov 12; 1871 Nov 20; 1872 Mar 11, Nov 25, Dec 10; 1873 Feb 20, Dec 5, Dec 9; 1874 Jan 6, Jan 12, Apr 6, Apr 21; 1875 Dec 14
Richards, William Trost: 1869 Mar 13; Apr 14, May 4m Nov 23, Nov 24, Dec 7; 1870 May 5; 1871 Jan 17, Mar 20; 1872 Feb 8, Dec 1; 1873 Jan 29, Mar 20, Jun 3, Jun 5, Jun 6; 1874 Apr 8; 1875 Jan 3, Feb 24, Feb 25, Mar 29, May 31, Nov 23; 1876 Jan 10, Apr 21, May 4, Oct 22, Oct 26, Oct 27; 1877 Jul 26; Dec 19; 1878 Mar 4
Richards, [no first name]: 1871; 1874; 1875 Jan 28
Richardson, Cora: 1873 Dec 12, Dec 13, Dec 22
Rimmer, William: 1870 Dec 6, Dec 13, Dec 21; 1872 Jan 4, Feb 1, Feb 8, Feb 15, Feb 22, Mar 29
Ritchie, Alexander Hay: 1868 Apr 17, May 12, May 20, May 23, May 25, May 26, May 28, Jun 15, Jun 22, Jun 24, Jun 25, Jun 26, Jun 27, Jun 30, Jul 1, Jul 2, Jul 3, Jul 10
Robbins, Horace Wolcott: 1869 Mar 11, Nov 22, Dec 15; 1870 Dec 12; 1873; 1874 Apr 18, Dec 16; 1875 Nov 26, Nov 30; 1876 Jan 14, Jan 17, Mar 1, Mar 12, Mar 16, Nov 20, Dec 18; 1877 Apr 18, Apr 22, Jul 26, Jul 27, Nov 8; 1878 Jan 10, Jan 18, Feb 23, Feb 24, Mar 9, Mar 20, May 1; 1879 Dec 11, Dec 12; 1880 Feb 28
Rogers, John: 1870 Nov 4; 1871 Feb 5, Mar 10, Apr 14, Dec 8; 1872 May 6; 1873 Dec 29; 1875 Mar 26, Apr 4, Nov 25, Dec 8, Dec 19; 1876; 1877 Apr 1
Rondel, Louis: 1870 Mar 3, Mar 30, Dec 12
Rondell, Frederick: 1867 Nov 28; 1869 May 29
Rood, Prof.: 1869 Feb 7; 1871 Feb 10
Ryder, Albert Pinkham: 1872 Jan 12, Feb 22, Mar 14, Mar 18, Mar 28
Satterlee, Walter: 1873 Apr 19, Nov 3; 1874 Dec 9, Dec 16; 1876 Jan 14, Mar 7; 1877 Nov 8; 1878 Feb 23
Scott, Julian: 1867 Feb 19; 1870 Apr 29
Shattuck, Aaron Draper: 1867 Feb 19, Nov 23; 1871 Nov 16, Nov 23; 1872 Feb 22
Shirlaw, Walter: 1870 Feb 17; 1878 Mar 11, Apr 8; 1880 Mar 4
Shortleffe, Roswell Morse: 1869 Aug 23, Aug 27, Aug 30; 1870 Aug 13, Aug 23, Aug 31, Sep 20-22; 1872 Feb 28, Mar 8; 1873 Mar 18; 1874 Mar 23, Dec 6; 1875 Jan 25l 1877 Jan 7, Mar 20, Mar 28, Jun 23, Nov 25; 1878 Jun 4, Dec 20; 1879 Feb 19, Apr 8, May 23, Nov 18; 1880 Apr 14
Silva, Francis A.: 1874 Jan 13, Feb 2, Jun 1, Jun 16, Jun 17; 1875 Jan 25, Jan 26, Jan 27, Feb 1, Dec 17; 1876 Feb 7, Feb 28, Mar 14, Dec 22, Dec 26; 1877 Mar 30; 1878 Mar 5, Mar 20
Slade, Helen (?): 1870 Mar 10
Smith, Francis Hopkinson: 1873 Jan 28, Jan 29; 1874 Feb 22, Dec 6, Dec 10; 1875 Jan 14, Jan 27, Feb 3, Mar 4, Mar 5, Mar 7, Mar 15-20, Mar 20, Mar 24, Apr 1, May 3, May 13, Nov 3, Nov 7, NOv 16, Nov 26, Dec 1, Dec 17, Dec 20; 1876 Jan 12, Jan 17, Jan 26, Feb 8, Feb 11, Mar 1, Mar 26, Jul 4, Dec 23; 1877 Jan 7, Jan 16, Feb 8, Feb 9, Feb 16, Mar 16, Mar 18; 1878 Jan 16, Feb 13, Mar 12, Mar 14, Mar 18, Mar 20, Apr 30, Dec 20; 1880 Jan 21, Oct 8
Smith, Thomas Lochlan: 1871 Jan 7; 1877 Nov 29
Symington: 1877 Feb 9; 1878 Mar 20
Tait, Arthur F.: 1868 Jan 17, Dec 7; 1869 Nov 15; 1870 Feb 5
Thayer, "Prof": 1879 Aug 26
Thompson, Launt: 1873 Feb 19
Thompson, [no first name]: 1873; 1875 Mar 20; 1876 Mar 7; 1877 Nov 8; 1878 Feb 19
Thurston, Frank: 1872 Apr 9
Tiffany, Louis Comfort: 1867 Jun 27, Sep 5, Nov 29; 1868 Aug 12, Aug 15, Aug 31, Sep 1, Sep 1, Sep 6, Sep 10, Nov 7, Dec 16; 1869 Mar 29, Apr 6, Apr 12, APr 26, Aug 16, Aug 18, Aug 21, Aug 23, Aug 24, Aug 26, Oct 26, Oct 27, Nov 15, Nov 22; 1870 Jan 22, Mar 10, May 9, Jun 6, Jun 30, Jul 2-5, Jul 15; 1871 Feb 11, Feb 15, Mar 13, Apr 22, Nov 23, Dec 30; 1872 Jan 8, Jan 10, Jan 17, Feb 2, Feb 16, Mar 11, Mar 14, Apr 8, May 17, Nov 12, Nov 14, Nov 25, Dec 9, Dec 19, Dec 11; 1873 Jan 1, Jan 9, Jan 17, Jan 28, Feb 1, Feb 3, Feb 7, Feb 8, Mar 10, Mar 29, Nov 3, Dec 4, Dec 9, Dec 27; 1874 Jan 15, Jan 17, Jan 20, Feb 2, Feb 3, Feb 4, Feb 11, Mar 2, Apr 14, May 5; 1875 May 18, May 21, Nov 4, Nov 7, NOv 8, Dec 16, Dec 21; 1876 Jan 29, Nov 14, Dec 22; 1877 Mar 8, May 7, Jun 4, Jun 13, Oct 26, Nov 8, Nov 21; 1878 Jan 18, Feb 25, Mar 2, Mar 5, Mar 8, Mar 20, Apr 6, Nov 18; 1879 Jan 16, Feb 7, Mar 3, Apr 22, Dec 8; 1880 Jan 3, Mar 8, Apr 12, May 8, Nov 10
Townley: 1871 Jan 16, Apr 18
Troll, Mrs.: 1870 Aug 8; 1874 Dec 16
Vaini, Pietro: 1874 Jan 7, Apr 15, Jun 17
Van Elten, Kruseman: 1867 Feb 6, Oct 6
Vedder, Elihu: 1869 Jan 27, Mar 17
Verplanck, Delancy: 1869 Jan 25, Jan 26, Nov 10; 1872 Feb 21, Jun 24, Jul 9, Jul 10; 1873 Dec 29; 1874 Feb 25
Waller: 1880 Feb 25, Feb 27, Mar 26
Walters, Josephine: 1871 Mar 6, Dec 30
Ward, Charles Caleb: 1871 Feb 4
Ward, E. M.: 1877 Jan 19, Apr 2
Ward, J. Q. A.: 1866 Dec 3; 1867 Feb 6, Feb 19; 1868 Jul 24; 1869 Jan 29, Jan 30, Feb 8; 1870 May 9; 1871 Jan 4, Nov 2, Nov 23; 1873 Nov 25, Dec 8; 1874 Jan 22, Mar 2, Mar 28; 1876 Feb 16; 1877 Nov 27; 1879 May 6
Warren, Andrew W.: 1870 May 4, May 30, Jun 7
Weir, John F.: 1878 May 1
Weir, J. Alden: 1880 Mar 3
Wenzler, Henry Anton: 1868 Mar 6, Apr 13; 1870 Nov 5, Nov 14; 1871 Jan 19, Apr 4, Apr 10
West: Feb 6
White, Edwin: 1868 Apr 1
Whittredge, Thomas Worthington: 1865 Mar 28; 1868 Mar 14m Apr 1; 1869 Jan 29, Dec 18; 1871 Jun 2-9; 1874 Jan 8, Jan 22, Jun 24; 1875 Sep 17, Sep 29, Nov 12, Nov 30; 1876 Apr 14, Apr 24, Apr 25, Apr 26, Apr 27, May 3, May 5, May 8; 1880 Apr 8
Williams, Isaac (?): 1869 May 5; 1876 Apr 27, May 3
Willis, William H.: 1869 Jan 14
Wilmarth, Lemuel Everett: 1874 Dec 4; 1877 Nov 22; 1878 Jan 14, Mar 4
Wood, George Bacon: 1868 Aug 1; 1869 Aug 14, Oct 15; 1873 Apr 23
Wood, Thomas Hosmer: 1870 Mar 4, Mar 18; 1871 Jan 19
Wood, Thomas Waterman: 1869 Jan 17, Feb 2; 1870; 1872; 1873 Mar 29; 1874 May 12; 1876 Mar 1; 1877 Feb 3, Feb 5, May 2, Jun 1, Jun 4, Jun 6; 1878 Jan 2, Jan 7, Jan 14, Jan 21, Jan 29, Feb 19, Mar 4, Mar 9, Mar 20, May 15, May 17, May 18, May 29; 1879 Feb 10, Mar 1, Jun 14, Jun 19; 1880 Jan 25, Jan 31, Dec 29
Woodward, Laura (?): 1872 Jan 22; 1873 May 20, Dec 2, Dec 13, Dec 18; 1874 Mar 7, Mar 16, Apr 11, Apr 17, May 20, MAy 25, Jun 11, Jun 17, Jun 24, Nov 13, Nov 16, Dec 22; 1875 Jan 12, Jan 21, Jan 22, Feb 3, Feb 25, Mar 1, Apr 12, Dec 3, Dec 24; 1876 Jan 9, Jan 25, May 17, May 19; 1877 Nov 8; 1879 Aug 28
Woolsey, E. J.: 1868 Apr 1
Wyatt, Alexander Helwig: 1869 Jan 9, Jan 17, Feb 3, Nov 15; 1870 Feb 4, Apr 26, May 28, Aug 8, Sep 18, Sep 20-22; 1872 MAr 8, Dec 10; 1873 Feb 5, Dec 27; 1874 Apr 30; 1877 Nov 1; 1878 Aug 17, Aug 25, Nov 22, Dec 22; 1879 Jan 26, Feb 25, Mar 12, Nov 12
Yale, Leroy Milton: 1869 Jan 13; 1870 Oct 29, Nov 29, Nov 30, Dec 13; 1871 May 15, Nov 1; 1875 Feb 26, Feb 27, Mar 8, Mar 9, Apr 12, Mar 30, May 2, May 11, Jun 27, Oct 23, Oct 29; 1878 Jan 11, Mar 11, Mar 13; 1879 May 31, Jun 3
Young, James Harvey: 1868 Apr 8
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Collection Citation:
James D. Smillie and Smillie family papers, 1853-1957. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art
36 photographs of works of art collected by Esther Haines Dunn including 32 of paintings by Thomas Cole, 1 of THE FALL by John Frederick Kensett, and 3 of paintings by Sanford Robinson Gifford.
Biographical / Historical:
Collector.
Provenance:
The donor, Joan Wright, is Dunn's neice. It is not known why Dunn collected these photographs.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
