Sam Hinton--Intro--Fa la, fa ley; Tony Saletan--Ram-fa-da--Hokey pokey; Bess Hawes--Girl named Sue--There is an Island out on the sea--I have a doggie; Tony Saletan--Hush the waves are rolling in; Irene Kossoy and Tony Saletan--Tee-hee lend me your pigeon
Track Information:
101 Intro / Sam Hinton. Guitar.
102 Fa La, Fa Ley / Sam Hinton. Guitar.
108 I'm Just a Damn Yankee / Sam Hinton. Guitar.
103 Discussion / Tony Saletan. Guitar.
103 Ram Fa-Da / Tony Saletan. Guitar.
104 Hokey Pokey / Tony Saletan. Guitar.
105 Discussion / Bess Lomax Hawes. Guitar.
105 A Girl Named Sue / Bess Lomax Hawes. Guitar.
106 There's an Island Out in the Sea / Bess Lomax Hawes. Guitar.
107 I Have a Doggie / Bess Lomax Hawes. Guitar.
110 Hush the Waves are Rolling In / Tony Saletan. Guitar.
111 Tee-Tee Lend Me Your Pigeon / Tony Saletan, Irene Kossoy. Guitar.
Local Numbers:
FW-ASCH-10RR-3109
Date/Time and Place of an Event Note:
Recorded in: Newport (R.I.), United States, Rhode Island, July 28, 1963.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Kossoy and Saletan--Tee he lend me your pigeon; Bess Hawes--Ehen first I came to this land; Sam Hinton--I had a bird; Jean Ritchie--Marching across the green grass; Tony Saletan--Pies in the parley hi-ho; Bess Hawes--Tongue twisting song
Track Information:
105 Pies 'n the Parley Hi-Ho: Street Cries from Jamaica / Tony Saletan. Guitar.
106 Tongue Twisting Song / Bess Lomax Hawes. Guitar.
101 Tee-Tee Lend Me Your Pigeon / Tony Saletan, Irene Kossoy. Guitar.
101 Discussion / Bess Lomax Hawes. Guitar.
102 When First I Came to This Land / Bess Lomax Hawes. Guitar.
103 I Had a Bird / Sam Hinton. Guitar.
104 Marching Across the Green Grass / Jean Ritchie. Appalachian dulcimer.
Local Numbers:
FW-ASCH-10RR-3110
Date/Time and Place of an Event Note:
Recorded in: Newport (R.I.), United States, Rhode Island, July 28, 1963.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Kiva song--Sioux Indian song--Sioux War Dance--You girls go down stream two by two
Track Information:
101 Narration.
102 Kiva Song.
103 Sioux Indian Song.
104 Sioux War Dance.
105 Sioux War Dance.
107 You Girls Go Down Stream Two by Two.
Local Numbers:
FW-ASCH-10RR-3111
Date/Time and Place of an Event Note:
Recorded in: Newport (R.I.), United States, Rhode Island, July 28, 1963.
General:
COPY;REEL 1/3;LABELLED REEL 2;INDIAN WORKSHOP;STEREO;PRODUCTION NOTES IN BOX ON VANGUARD FORM;
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Navajo dances--I've got a pretty girl--Round dance
Track Information:
105 Round Dance.
101 Navajo Social Dance Song / Irma.
102 Navajo Skip Dance / Irma.
103 Navajo Skip Dance / Irma.
104 I've Got a Pretty Gal / David Park McAllester.
Local Numbers:
FW-ASCH-10RR-3113
Date/Time and Place of an Event Note:
Recorded in: Newport (R.I.), United States, Rhode Island, July 28, 1963.
General:
COPY;REEL 3/3;LABELLED REEL 4;INDIAN WORKSHOP;STEREO;PRODUCTION NOTES IN BOX ON VANGUARD FORM;
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Paul Caldwell--Old black Joe--Square dance medley--Swanee River--Polka; Sam Hinton--Starvin' to death on my government claim--Bowery grenadiers--Downfall of Paris--Frere Jacques--Double whistle (frag)
Track Information:
101 Old Black Joe / Paul Caldwell. Guitar.
102 Square Dance Medley / Paul Caldwell. Guitar.
103 Swanee River Medley / Paul Caldwell. Guitar.
104 Polka / Paul Caldwell. Guitar.
108 Starvin' to Death on My Government Claim / Sam Hinton. Guitar.
109 Bowery Grenadiers / Sam Hinton. Guitar.
110 The Downfall of Paris / Sam Hinton. Guitar.
111 Frere Jacques / Sam Hinton. Guitar.
112 Double Whistle (Frag.) / Sam Hinton. Guitar.
Local Numbers:
FW-ASCH-10RR-3114
Date/Time and Place of an Event Note:
Recorded in: Newport (R.I.), United States, Rhode Island, July 28, 1963.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Jean Ritchie--Barbara Allen--Sam Hinton-Our good man---Bess Hawes--Once I knew an old lady (Eggs and marrowbones)
Track Information:
101 Barbara Allen (Child No. 84) / Jean Ritchie. Appalachian dulcimer.
102 Our Good Man / Sam Hinton. Guitar.
103 Once I Knew an Old Lady (Eggs and Marrowbone) / Bess Lomax Hawes. Guitar.
Local Numbers:
FW-ASCH-10RR-3115
Date/Time and Place of an Event Note:
Recorded in: Newport (R.I.), United States, Rhode Island, July 27, 1963.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Paul Clayton--Two sisters; Dock Boggs- Rowan County crew
Track Information:
101 Two Sisters / Paul Clayton. Guitar.
102 Rowan County Crew / Dock Boggs. Banjo.
Local Numbers:
FW-ASCH-10RR-3116
Date/Time and Place of an Event Note:
Recorded in: Newport (R.I.), United States, Rhode Island, July 27, 1963.
General:
COPY;REEL 2/3;STEREO;PRODUCTION NOTES IN BOX ON VANGUARD FORM;
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Recorded in: Newport (R.I.), Rhode Island, United States, July 27, 1963.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
101 What Did You Do with the Baby-O / Jean Ritchie. Appalachian dulcimer.
102 Turkey in the Straw / Sam Hinton. Guitar.
103 No More Booze / Ed McCurdy. Guitar.
104 John Henry / Pete Seeger. Banjo.
105 What Are You Roving Here For? / Jean Ritchie. Appalachian dulcimer.
106 If I Had a Hammer (Hammer Song) / Sam Hinton. Guitar.
107 Peter Gray (Blow Ye Winds of Morning) / Ed McCurdy. Guitar.
108 There Once Was a Man / Pete Seeger. Banjo.
109 There Once Was an Old Woman / Jean Ritchie. Appalachian dulcimer.
Local Numbers:
FW-ASCH-10RR-3266
Date/Time and Place of an Event Note:
Recorded in: Newport (R.I.), Rhode Island, United States.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Flinthill special (Earl Scruggs) --What're we going to do with the baby-oh ; Pretty Saro ; Shady grove (Jean Ritchie) -- Paper of pins (Jean Ritchie & Oscar Brand) --The hangman, or The maid freed from the gallows (John Jacob Niles) -- Lady Gay (Frank Hamilton) --Old raccoon (Frank Warner) -- Earl's breakdown (Earl Scruggs) --Which side are you on? (Oscar Brand) --Un Domingo ; Jalisco (Cynthia Gooding) -- The bold fisherman ; When cockle shells turn silver bells ; Frankie and Johnny ; Twinkle twinkle little star (Ed McCurdy) --Cumberland Gap (Earl Scruggs).
Local Numbers:
FW-ASCH-LP-0570
Vanguard.9064
Publication, Distribution, Etc. (Imprint):
Vanguard 1959
Date/Time and Place of an Event Note:
1959.
General:
Folk songs; various performers. Program notes by Studs Terkel on container. Performer(s): Various performers. Production notes: Recorded on location at the Newport Folk Festival, July 11-12, 1959.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Joshua fought the battle of Jericho ; Cotton fields at home ; Great historical bum ; I've been driving on Bald Moutain ; Water boy (Odetta) --Virgin Mary had one son ; We are crossing the Jordan River (Joan Baez and Bob Gibson) -- Beware, o take care ; When first into this country I came ; Hopalong Peter (The New Lost City Ramblers) --Little Maggie ; Dink's blues (Barbara Dane) --My baby done changed the lock on the door ; Pick a bale of cotton (Sonny Terry and Brownie McGhee).
Local Numbers:
FW-ASCH-LP-0571
Vanguard.9063
Publication, Distribution, Etc. (Imprint):
Vanguard 1959
Date/Time and Place of an Event Note:
1959.
General:
Folk music performed by various artists. Program notes by Studs Terkel on container. Production notes: Recorded in Newport, R.I. on July 11-12, 1959.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
The bells of Rhymney ; One grain of sand ; Abiyoyo / Pete Seeger --Hey Daroma ; There's a hole in the bucket ; Que bonita bandeira / Martha Schlamme --Lonesome traveller ; Every night when the sun goes in ; Times are getting hard ; Sinner man / Leon Bibb --Cobbler's song / Tom Makem -- Mountain dew / Pat Clancy --Careless love / Pete Seeger
Local Numbers:
FW-ASCH-LP-0572
Vanguard.9062
Publication, Distribution, Etc. (Imprint):
Vanguard 1959
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
East Virginia blues --In the evening (Pete Seeger) --Hieland Laddie (Pete Seeger; Oscar Brand) --Hobo blues = Dusty road --Mandie --Tupelo = Backwater blues (John Lee Hooker with Bill Lee, bass) --A si mon moine voulait danser (Alan Mills with Jean Carignan, fiddle) --Le reel du peudu (Jean Carignan) --I know an old lady (Alan Mills) --La bastringue (Alan Mills with Jean Carignan) --Briau Boru (Tom Makem) --Johnny, I hardly knew ye --The whistling gipsy (Tom Makem with Pete Seeger, banjo and Eric Weissberg, guitar) --Old Joe Clark (Jimmy Driftwood) --The unfortunate man (Jimmy Driftwood) --Roll in my sweet baby's arms -- The man of constant sorrow --Foggy Mountain top (The New Lost City Ramblers).
Local Numbers:
FW-ASCH-LP-0573
Vanguard.9083
Publication, Distribution, Etc. (Imprint):
Vanguard 1960
General:
Folk music performed by various artists. Program notes by Stacey Williams on container. Production notes: Recorded on location June 24-26, 1960.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
This little light of mine --Wayfaring stranger (Bob Gibson) -- You can tell the world --Well, well, well (Bob Gibson and Bob Camp) --Railroad Bill --The cat came back (Cisco Houston) -- Hush, little baby --The lavender cowboy --Blood on the saddle (Ed McCurdy) --Handsome Molly --Willie Moore (Peggy Seeger) --Lang a-growing (Ewan MacColl) --The ballad of Springhill (Peggy Seeger and Ewan MacColl) -- Salty dog blues --Before I met you --Cabin on the hill -- Jimmy Brown (Lester Flatt and Earl Scruggs).
Local Numbers:
FW-ASCH-LP-0574
Vanguard.9084
Publication, Distribution, Etc. (Imprint):
Vanguard 1960
General:
Folk songs and bluegrass music; various artists. Production notes: Recorded on location June 24-26, 1960.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Majorca: Folk festival in Palma: Entrance music --Ay si ay no --Bolero de las empanadas --Jota --Copeo matancer --La balanquera --El cossier --Jota --Ibiza: Ibiza dance --A canta meu axinat --Sonadas del credo y del ultimo evangelio -- Caramiles --Ses al lotes --Sa despasto --Majorca: Sa ximbomba (1st & 2nd versions) --Cantes de Labra -- Cancion de pasqua --Canciones de Cuna --Sa nin.eta te soneta --Ses nin.etas cuant des petetas --Ses corregudus -- Cancion de segar --Cante de trillar --Jota Sebastinana -- Bolero d sh.ort den boita --Olive gathering songs --San Antonio.
Local Numbers:
FW-ASCH-LP-0673
Westminster.12002
Publication, Distribution, Etc. (Imprint):
Westminster 1969
General:
Sung and played by native musicians. Descriptive notes by Lomax on container.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Henry Cowell; Thor Johnson; Wilmington College (Wilmington, Ohio). Folk Festival.; All Ohio High School Folk Chorus.; All Ohio High School Orchestra. Program notes by the composer on slipcase.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Croatia: Drmeš ; Lepo peva ; Zeleni Đuro ; Ajd'idemo, Jagodo ; Sadila sem rogožek ; Rozgalic ; Krčki tanac ; Balun uz mih ; Ja posijem lane ; Ladarice ; Zasp'o Janko pod jablanom ; Dances from Baranja -- Slovenia: Kresnice ; Zeleni Jurij ; Metliški most ; Tkalečka ; Šoštarska ; Šamarjanka ; Po zelenoj trati ; Marko skače -- Bosnia + Herzegovina: Sastali se Čapak i Fatari ; Alija se do jezera krade ; Oj curice, janje moje ; Svirka uz diple ; Svatovska pjesma ; Žetelačka pjesma ; Sito ; Gajde ; Đudur popa ; Kolenike vreteno ; Žuta žaba ; Svirka na dvojnicama ; Kaharli sam, večerala nisam ; Bibera ; Oslobodjenje Šipova -- Montenegro: Dečja igra ; Igranje u dvoje ; Svadbene pesme ; Duet na kavalima ; O sebe ; Kanja ; Igra s puškom ; Knjigu piše Beže Ljubovića -- Macedonia: Kalajdžiskoto ; Malino mome ; Samo da ti vidam ; Kolo ; Mori, na daleko ; Dva kola ; Pečalbarska pesma ; Vlaškoto ; Oj ovčar'če, mlad čobane ; Stara krstačka ; Turska igra ; Pastirske melodije ; Nevestinska ; Kopacka igra ; Krali Marko -- Serbia: Trojanac, kosmajčica ; Zvoni zvonce ; Hajde Dano, da igramo ; Čiča Glišino ; Katanka ; Lazaričke obredne pesme ; Frula duet ; Kraljičke obredne ; Ide Stojan od oranje ; Sobinka ; Vranjanka ; Stari čoček ; Koledarske obredne pesme ; Numera ; Dva kola.
Track Information:
101 Drmes (Shaking Dance).
102 Lepo Peva (She Sings Beautifully).
103 Ajd'Idemo, Jagodo (Come And Let's Go, Jagodo).
104 Sadila Se Rogozek ( I Have Sown a Tender Rose).
105 Rozgalice.
106 Krcki Tanac.
107 Ja Obucem Lane (I am Dressed in Linen).
108 Zasp'o Janko Pod Jabalanom (Janko Slumbered 'neath the Poplar).
109 Dances from Baranja.
110 Kresnice.
111 Zeleni Jurij (Green George).
112 Metliski Most.
113 Sastali Se Capak I Fatari.
114 Svatovska Pesma (Wedding Song).
115 Zetelacka Pesma (Harvest Song).
116 Sitato (That Sieve).
117 Svirka Na Dvoinicama (Shepherd's Double Flute) / Lazar Radák.
118 Kaharli Sam, Vecerala Nisam (I am Distraught, I have not Supped) / Naza Muhovic.
119 Bibera (The Pepper Song).
120 Oslobodenje Sipova (The Liberation of Sipova) / Lazar Radák.
121 Decja Inga (Children's Dance).
122 Igranje U Dvoje (Dance in Pairs).
123 Svadbene Pesme (Wedding Song).
201 Kalajdziskoto (The Tinsmith's Dance).
202 Malino Mome (Malina Mine) / Mara Groseva.
203 Samo Da Ti Vidam (Were I But to See You) / Mara Groseva.
204 Kolo.
205 Mori Na Daleko (Far Away).
206 Dva Kola (Two Kolas).
207 Pecalbarska Pesma (Song of Migrating Workers).
208 Valaskoto.
209 Oj Ovcar'ce Mlad Cobane (O Young Shepherd).
210 Stara Krstacka (Old Cross dance).
211 Turska Igra (Turkish Dance).
212 Pastirske Melodije (Pastoral Melodies).
213 Nevestinska (Bridal Song).
214 Trojanac, Kosmajcica.
215 Zvoni Znonce ( A Little Bell Rings).
216 Hajde Dano Da Igramo (Come, Dana, Let Us Dance).
"Peter Kennedy took these recordings at the folk festival prepared by the Yugoslav Council for Science and Culture for the 1951 meeting of the International Folk Music Council in Opatija."--Program notes. Table of contents keyed to map on album cover. Program notes and texts with English translations bound in album.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.