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Duveneck, Frank

Collection Creator:
Ankrum Gallery  Search this
Container:
Box 8, Folder 42
Type:
Archival materials
Date:
1979-1989
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Ankrum Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Ankrum Gallery records, circa 1900-circa 1990s, bulk 1960-1990. Archives of American Art, Smithsonian Institution.
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Ankrum Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-ankrgall-ref199

Duveneck, Frank - Untitled Work

Collection Creator:
Horowitz, Raymond J., 1916-2005  Search this
Container:
Box 1, Folder 25
Type:
Archival materials
Date:
1980
Collection Restrictions:
Use of original material requires an appointment.
Collection Rights:
The Raymond and Margaret Horowitz papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Raymond and Margaret Horowitz papers, 1903-2007, bulk 1960-2007. Archives of American Art, Smithsonian Institution.
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Raymond and Margaret Horowitz papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-hororaym-ref45

Duveneck, Frank: William Adams

Collection Researcher:
Brandon Fortune  Search this
Container:
Drawer 1, Folder 54
Type:
Archival materials
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Brandon B. Fortune research material is owned by the Catalog of American Portraits, National Portrait Gallery, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Brandon B. Fortune research material on the 1893 World's Columbian Exposition, 1977-1993, bulk 1987-1991. Catalog of American Portraits, National Portrait Gallery, Smithsonian Institution.
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Brandon B. Fortune research material on the 1893 World's Columbian Exposition
Archival Repository:
National Portrait Gallery
EDAN-URL:
ead_component:sova-npg-cap-00004-ref56

Duveneck, Frank, 1848-1919

Collection Creator:
Library of Congress  Search this
Extent:
1 item
Container:
Box 17
Type:
Archival materials
Collection Restrictions:
Researchers may use prints on file in the Photograph Archives, Smithsonian American Art Museum. Advance appointments are required.
Collection Rights:
Copyright restrictions may apply.
Collection Citation:
Library of Congress Copyright Deposit Collection, Photograph Archives, Smithsonian American Art Museum.
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Library of Congress Copyright Deposit Collection of photomechanical prints of American art works
Archival Repository:
Smithsonian American Art Museum, Research and Scholars Center
EDAN-URL:
ead_component:sova-saam-photo-loc-ref946

Duveneck, Frank, 1848-1919

Collection Creator:
Metropolitan Museum of Art (New York, N.Y.)  Search this
Extent:
2 photographs
Container:
Box 14
Type:
Archival materials
Photos
photographs
Collection Restrictions:
Open to researchers by appointment. Contact Photograph Archives, Smithsonian American Art Museum by email: sapa@si.edu.
Collection Rights:
The photographs are owned by the Smithsonian American Art Museum and requests for permission to reproduce photographs from the collection must be submitted in writing to the Photograph Archives. Certain works of art, as well as the photographs of those works of art, may be protected by copyright, trademark, privacy or publicity rights, or other interests not owned by the Smithsonian American Art Museum. It is the applicant's responsibility to ascertain whether any such rights exist, and to obtain any other permission necessary to reproduce and publish the image.
Collection Citation:
Metropolitan Museum of Art Study Collection of American Sculpture Photographs, Photograph Archives, Smithsonian American Art Museum.
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Metropolitan Museum of Art study collection of American sculpture photographs
Archival Repository:
Smithsonian American Art Museum, Research and Scholars Center
EDAN-URL:
ead_component:sova-saam-photo-met-ref348

Duveneck, Frank, Portrait of Emil Carlsen (1884)

Collection Creator:
Fraad, Rita  Search this
Container:
Box 1, Folder 55
Type:
Archival materials
Date:
1959-1964, 1985-1988, undated
Collection Restrictions:
The collection is open for research.
Collection Rights:
The Rita and Daniel Fraad papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Rita and Daniel Fraad papers, 1926-1997. Archives of American Art, Smithsonian Institution.
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Rita and Daniel Fraad papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-fraarita-ref72

Volume XXV (See Addendum List of Names and Subjects for Content Information)

Collection Creator:
Britton, James, 1878-1936  Search this
Container:
Box 1, Folder 18
Type:
Archival materials
Date:
1918 June-September
Scope and Contents note:
(Apel, Marie: 52; Atwood, William E.: 50, 53, 56, 62-69, 67-70, 88, 90; Baker, Bryant: 51, 56, 62, 83, 88, 92; Bayley, Frank [Copley Gallery]: 70, 101-102; Bellows, George: 84; Bernstein, Teresa: 38, 50-55, 69, 80, 90-105; Boucher, Dr.: 3, 103-106; Brush, Franklin: 56, 63, 97, 105-7, 137; Coburn, F. W.: 62, 67, 92; Copley, John: 29, 50, 61-2, 65, 70, 73, 77-8, 86, 102-3, 108, 113-117; Downes, W. H: 28; DuBois, Guy Pene: 85, 91; Duveneck, Frank: 53, 86; Hassam, Childe: 97; Haydn, Josef; Nuni [sic], Ann: 88, 91, 110, 124, 137-8; Sargent, John Singer: 38, 52, 72; Sloan, John: 40, 52, 54, 68-9, 85, 93-4; Twachtman, John: 89; Valencampf, John: 51, 56, 67, 70, 91, 109, 119; Vose, Robert: 5-. 62, 118)
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The James Britton papers are owned by the Archives of American Art, Smithsonian Institution. The collection is subject to all copyright laws. Copyright ownership remains with Barbara Britton and Ursula Britton, who have granted the Archives permission to digitize the collection and post on the Archives website.
Collection Citation:
James Britton papers, circa 1905-1984, bulk circa 1905-1935. Archives of American Art, Smithsonian Institution.
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James Britton papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-britjame-ref41

Volume XXIX (See Addendum List of Names and Subjects for Content Information)

Collection Creator:
Britton, James, 1878-1936  Search this
Container:
Box 1, Folder 22
Type:
Archival materials
Date:
1919 April-June
Scope and Contents note:
(Apel, Marie: 40, 70; Bayley, Frank: 4-5, 59; Daniel, Charles: 39, 42; Dickinson, S.E.: 36, 40, 64, 70-1; DuBois, Guy Pene: 72; Duveneck, Frank: 57; Flagg, Charles Noel: 41, 54; Griffin, Walter: 58; Hassam, Childe: 55; Higgins, Eugene: 3-5, 12; Kent, Rockwell: 33, 43; Knoedlers: 115; Lawson, Ernest: 35-6, 56; Macbeth, Robert: 8-9; Marin, John: 39; Price, F. Newlin: 42, 72; Ray, Man: 57; Twachtman, John: 13, 16, 56-7, 61; Yeates, John B.: 65-6)
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The James Britton papers are owned by the Archives of American Art, Smithsonian Institution. The collection is subject to all copyright laws. Copyright ownership remains with Barbara Britton and Ursula Britton, who have granted the Archives permission to digitize the collection and post on the Archives website.
Collection Citation:
James Britton papers, circa 1905-1984, bulk circa 1905-1935. Archives of American Art, Smithsonian Institution.
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James Britton papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-britjame-ref49

Volume XXXI (See Addendum List of Names and Subjects for Content Information)

Collection Creator:
Britton, James, 1878-1936  Search this
Container:
Box 1, Folder 24
Type:
Archival materials
Date:
1919 August-December
Scope and Contents note:
(Ainslie, George: 66, 94; Aitken, Robert J.: 38-40, 44, 46; Bellows, George: 52, 73; DuBois, Guy Pene: 62; Duveneck, Frank: 67; Flanagan, John: 38-9, 61-2; Groll, Albert: 61-2, 79; Hafner, Charles: 38, 80; Innes, George: 66; Kronberg, Louis: 3-4, 83; Milch Galleries: 3; Pennell, Joseph: 44; Prendergast, Maurice: 53; Reynolds, Sir Joshua: 15-6; Roosevelt, Theodore: 104; Twachtman, John: 39, 45, 48-9, 67; Walcott, Albert: 12, 15, 51, 79, 83; Weir, J. Alden: 62, 83, 87-9; Zorach, William: 86)
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The James Britton papers are owned by the Archives of American Art, Smithsonian Institution. The collection is subject to all copyright laws. Copyright ownership remains with Barbara Britton and Ursula Britton, who have granted the Archives permission to digitize the collection and post on the Archives website.
Collection Citation:
James Britton papers, circa 1905-1984, bulk circa 1905-1935. Archives of American Art, Smithsonian Institution.
See more items in:
James Britton papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-britjame-ref53

Frank Duveneck and Elizabeth Boott Duveneck papers

Creator:
Duveneck, Frank, 1848-1919  Search this
Names:
Couper, William, 1853-1942  Search this
Duveneck, Elizabeth Boott, 1846-1888  Search this
Duveneck, Josephine W. (Josephine Whitney), 1891-1978  Search this
French, Daniel Chester, 1850-1931  Search this
Wessel, Bessie Hoover, 1889-1973  Search this
Extent:
1.2 Linear feet
Type:
Archival materials
Collection descriptions
Scrapbooks
Sketches
Sketchbooks
Photographs
Date:
1851-1972
bulk 1851-1919
Summary:
The papers of painter and teacher Frank Duveneck and his wife and painter Elizabeth Boott Duveneck measure 1.2 linear feet and date from 1851-1972, bulk 1851-1919. Aspects of the lives and work of the artists are documented in correspondence, creative writings, research notes, scrapbooks, newspaper clippings, magazine articles, ephemera, sketches and sketchbooks, and vintage photographs.
Scope and Content Note:
The papers of painter and teacher Frank Duveneck and his wife, painter Elizabeth Boott Duveneck measure 1.2 linear feet and date from 1851-1972, bulk 1851-1919. Aspects of the lives and work of the artists are documented in correspondence, creative writings, research notes, scrapbooks, newspaper clippings, magazine articles, ephemera, sketches and sketchbooks, and vintage photographs.

The limited amount of correspondence in this collection includes separate letters from Frank Duveneck and Elizabeth Duveneck, primarily to family members, which describe studies and travel abroad, works in progress, exhibitions, and after their marriage, reports on family life. Frank Duveneck's correspondence also includes a letter from sculptor William Couper concerning the marble for a memorial to Elizabeth Boott Duveneck. There is also a folder of letters to and from Mr. and Mrs. Francis B. Duvencek, the son and daughter-in-law of the artist couple, that include reminiscences about Frank Duveneck from former student Bessie Wessel and a letter to Francis Duveneck from Daniel Chester French requesting permission to make a bronze from the plaster cast of the Duveneck's effigy of Elizabeth at the Metropolitan Museum of Art.

Writings include Elizabeth Boott Duveneck's diary, a typescript of a speech attributed to Frank Duveneck, and research notes compiled by daughter-in-law Josephine Duveneck in preparation for her biography of her father-in-law.

Printed materials consist primarily of newspaper clippings and magazine articles on Frank Duveneck, but also include his Munich Royal Academy card and copy certificate from the Ministry of Florence, Italy. Newspaper clippings may also be found in the Scrapbook series, including Elizabeth Boott Duveneck's scrapbook of exhibition reviews of her paintings, and two folders of clippings pertaining to Frank Duveneck compiled by Josephine Duveneck. Frank Duveneck's scrapbook contains printed illustrations compiled by the artist while he was studying art in Munich.

Sketchbooks and sketches consist of four sketchbooks by Elizabeth Boott Duvenck and three by Frank Duveneck that document their growth as artists as they span several decades (particularly in the case of Elizabeth) of their respective careers. There are also two folders of loose, mostly early, portrait sketches by Elizabeth Boott Duveneck.

Vintage photographs depict Frank Duveneck alone, with family and friends, Elizabeth Boott Duveneck, Francis Boott with his daughter, John Twachtman, art classes including one of Wilhelm von Diez's classes in Munich, and a group photograph of the jury of the 1915 Panama-Pacific exposition. There is only one photograph that includes both Frank and Elizabeth Duveneck together along with her father Francis Boott and nurse Ann Shenston.
Arrangement:
The collection is arranged into 6 series:

Series 1: Correspondence, 1856-1971 (Box 1; 4 folders)

Series 2: Writings and Notes, circa 1873-1970 (Box 1; 4 folders)

Series 3: Printed Material, 1871-1972 (Box 1; 6 folders)

Series 4: Scrapbooks, 1871-1962 (Box 1; 4 folders)

Series 5: Sketchbooks and Sketches, circa 1857-1886 (Box 1; 0.3 linear feet)

Series 6: Photographs, circa 1851-1970 (Boxes 1-2; 0.4 linear feet)
Biographical Note:
Painter, etcher, and one of the most influential American art instructors of the nineteenth century, Frank Duveneck was born Frank Decker to German immigrants Bernard and Katherine Decker on October 9, 1848 in Covington, Kentucky. He acquired the name Duveneck from his stepfather after his father's death and mother's remarriage. Family and friends recognized his artistic talents early on and he was apprenticed to local German artisans who decorated churches through most of the 1860s. In 1870 he traveled to Munich to study at the prestigious Konigliche Akademie (Royal Academy), where he was quickly promoted to life classes and the painting class of Wilhelm von Diez. He quickly earned a reputation as the leading American artist in the Academy. Duveneck was only 24 in 1872 when painted one of his most well-known paintings, Whistling Boy.

Due to dwindling funds and a cholera epidemic in Europe, Duveneck returned to the United States in 1873 and began teaching at the Ohio Mechanics Institute in Cincinnati the following year, where John H. Twachtman was among his students. An 1875 exhibition of his paintings at the Boston Art Club met with critical and public acclaim. He also attracted the attention of William Morris Hunt, novelist Henry James, and his future wife, Elizabeth Boott, who was one among those who deeply admired his work, although the pair were not to meet for another three years. After his return to Munich later that year, he became part of a tightly knit group of other American artists including Frank Currier, William Merritt Chase, and Walter Shirlaw. All four artists exhibited their work in the United States in such venues as the National Academy of Design's annual exhibition of 1877, and the first exhibition of the Society of American Artists in 1878, which may have contributed to the increased popularity of the Royal Academy in Munich as a destination for young American artists. As enrollment rose, classes became overcrowded and Duveneck began teaching in Munich. A group of younger students, including John Alexander, and John H. Twachtman, who had followed the artist from Cincinnati to Munich, became known as the "Duveneck Boys." He also had acquired a private female student, Elizabeth Boott, who had traveled to Munich to study with him.

The painter Elizabeth Boott, known primarily as "Lizzie," was born in Cambridge, Massachusetts on April 13, 1846 and was raised by her widowed father, the prominent Bostonian Francis Boott. The pair moved to Florence, Italy, when Lizzie was just a year old, after the death of her mother and brother from tuberculosis. Similar to Duveneck, Lizzie Boott's talent for drawing was recognized and encouraged at an early age. Early drawings preserved by her father consist of portraits of their well-known Anglo-American friends including Robert Browning, Nathanial Hawthorne, and Henry Higginson, founder of the Boston Symphony Orchestra. The Bootts briefly returned to Boston in 1865, at which time Lizzie met the novelist Henry James, who became a close life-long friend of both her and her father. Through James, she learned of the artist William Morris Hunt, and entered his class in Boston for women artists. She established close friendships with several of the women whom she met through Hunt's class, and they traveled together through Italy and Spain, took classes with the French artist Thomas Couture, and studied at the Académie Julian in Paris. They also made up the group of female students that formed a class of women artists taught by Duveneck, whom Lizzie had persuaded to teach in Florence in 1879. Duveneck, along with a band of "Duveneck Boys" embarked upon a two year stay in Florence and Venice.

During this period in Italy, Duveneck experimented with with hard ground etchings, creating Venetian scenes similar to those produced by James McNeil Whistler. His painting changed as he focused more on landscapes executed in a ligher, more highly keyed palette, perhaps influenced by Lizzie Boott, who painted vibrant watercolor Italian landscapes during this period and with whom he began an extended courtship in 1880. Although Francis Boott admired Duveneck's work and had acquired one his portraits during the artist's successful 1875 exhibition at the Boston Arts Club, neither he nor family friends approved of the bohemian artist as a husband for his accomplished patrician daughter. However the pair eventually married in March 1886, and had a son, Francis Boott Duveneck that December. Tragically, Lizzie Boott died of pneumonia on March 22, 1888. Although he was not a sculptor, one of Duvenecks' most admired works is the effigy that he created with the help of sculptor Clement J. Barnhorn, for his wife's tomb in Florence, casts of which may be viewed at the Museum of Fine Arts and the Metropolitan Museum of Art.

After his wife's death Duveneck returned to America, spending most of his time in his Cincinnati studio and teaching painting classes at the Cincinnati Art Museum. At the 1915 Panama-Pacific International Exposition, two galleries at the San Francisco Palace of Fine Arts, were allotted to Duveneck for a retrospective of his work. The jury awarded him a gold medal of honor to commemorate his contributions to American Art. Frank Duveneck died in Cincinnati on January 3, 1919.
Separated Material:
The Archives of American Art also holds microfilm of material lent for microfilming. Reel 792 includes a group of eighty-four pencil sketches and caricatures of his students by Frank Duveneck and four black and white photographic reproductions of works of art. Reel 1097 contains correspondence, 1845-1919, of Duveneck and his wife, Elizabeth Boott Duveneck. Included are two letters from Duveneck to Theodore Wores and seven letters from Julius Rolshoven. Other correspondents include John W. Beatty, William Couper, Daniel Chester French, Mrs. Walter Shirlaw, and Thad Welch. Many of the letters from Elizabeth Boott were written from Europe, including 11 to William Morris Hunt's painting class (1876-1880), and a lengthy account of her travels written to her father (1881). Reel 1151 contains exhibition catalogs that were donated to the Archives of American Art with the Frank Duveneck and Elizabeth Boott Duveneck papers. While this material was transferred to the Smithsonian American Art Museum and National Gallery Library in 1976, all other materials were returned to the lenders and are not described in the collection container inventory.
Provenance:
The papers of Frank Duveneck and Elizabeth Boott Duveneck were donated by Mr. and Mrs. Francis B. Duveneck, the son and daughter-in-law of Frank and Elizabeth Duveneck in 1974 with additional material lent for microfilming. In 1974, the Cincinnati Historical Society donated photocopies of original letters that were microfilmed and discarded. A portrait photograph of Frank Duveneck was donated in 1985 by Freda Schutze.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Frank Duveneck and Elizabeth Boott Duveneck papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art teachers -- Ohio -- Cincinnati  Search this
Painters -- United States  Search this
Munich school of painting -- Influence  Search this
Painting, American  Search this
Painters -- Germany  Search this
Painting, Modern -- 19th century -- United States  Search this
Art teachers -- Germany  Search this
Genre/Form:
Scrapbooks
Sketches
Sketchbooks
Photographs
Citation:
Frank Duveneck and Elizabeth Boott Duveneck papers, 1851-1972. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.duvefran
See more items in:
Frank Duveneck and Elizabeth Boott Duveneck papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-duvefran
Additional Online Media:

A Spaniard, (painting)

Painter:
Duveneck, Frank 1848-1919  Search this
Subject:
Unidentified  Search this
Medium:
Oil
Type:
Paintings
Topic:
Portrait male--Profile  Search this
Portrait male--Bust  Search this
Control number:
IAP 62442126
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_112410

Man's Back, (painting)

Painter:
Duveneck, Frank 1848-1919  Search this
Medium:
Oil
Type:
Paintings
Owner/Location:
Detroit Institute of Arts 5200 Woodward Avenue Detroit Michigan 48202 Accession Number: F67.54
Topic:
Figure male  Search this
Control number:
IAP 24150741
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_284926

The Birch Tree, (painting)

Painter:
Duveneck, Frank 1848-1919  Search this
Medium:
Oil
Type:
Paintings
Owner/Location:
Montgomery Museum of Fine Arts One Museum Drive, P. O. Box 230819 Montgomery Alabama 36123 Accession Number: 1936.34
Topic:
Landscape--Tree--Birch Tree  Search this
Control number:
IAP 00250029
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_32047

Head of a Man, (painting)

Painter:
Duveneck, Frank 1848-1919  Search this
Subject:
Unidentified  Search this
Medium:
Oil on canvas
Type:
Paintings
Owner/Location:
Cincinnati Art Museum Eden Park Cincinnati Ohio 45202-1596 Accession Number: 1964.167
Topic:
Portrait male--Head  Search this
Control number:
IAP 40800297
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_51840

Nude Standing, (painting)

Painter:
Duveneck, Frank 1848-1919  Search this
Medium:
Oil on canvas
Type:
Paintings
Owner/Location:
Cincinnati Art Museum Eden Park Cincinnati Ohio 45202-1596 Accession Number: 1915.156
Date:
Ca. 1892
Topic:
Figure--Nude  Search this
Control number:
IAP 40800301
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_51844

Monk Reading, (painting)

Painter:
Duveneck, Frank 1848-1919  Search this
Medium:
Oil
Type:
Paintings
Topic:
Recreation--Leisure--Reading  Search this
Figure male  Search this
Control number:
IAP 50910017
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_61913

The Monk Reading, (painting)

Painter:
Duveneck, Frank 1848-1919 (attributed to)  Search this
Type:
Paintings
Owner/Location:
Sotheby Parke Bernet Los Angeles California
Topic:
Recreation--Leisure--Reading  Search this
Recreation--Church  Search this
Control number:
IAP 61517438
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_99404

Gloucester, (painting)

Painter:
Duveneck, Frank 1848-1919  Search this
Type:
Paintings
Owner/Location:
Cincinnati Art Museum Eden Park Cincinnati Ohio 45202-1596
Topic:
Cityscape--Massachusetts--Gloucester  Search this
Landscape--Coast  Search this
Control number:
IAP 40800110
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_51654

Christ Figure, Crucifixion, Sketch, (painting)

Painter:
Duveneck, Frank 1848-1919  Search this
Medium:
Oil on canvas
Type:
Paintings
Owner/Location:
Cincinnati Art Museum Eden Park Cincinnati Ohio 45202-1596 Accession Number: 1915.162
Topic:
Religion--New Testament--Christ  Search this
Religion--New Testament--Crucifixion  Search this
Study  Search this
Control number:
IAP 40800307
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_51850

Lower Church of St. Francis of Assisi, (painting)

Painter:
Duveneck, Frank 1848-1919  Search this
Medium:
Oil on canvas
Type:
Paintings
Owner/Location:
Cincinnati Art Museum Eden Park Cincinnati Ohio 45202-1596 Accession Number: 1915.68
Date:
1905
Topic:
Architecture exterior--Religious--Church  Search this
Control number:
IAP 40800403
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_51877

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