Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Paredon Records audiorecordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Paredon Records audiorecordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Paredon Records audiorecordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Paredon Records audiorecordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Paredon Records audiorecordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Paredon Records audiorecordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Paredon Records audiorecordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Paredon Records audiorecordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Paredon Records audiorecordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Paredon Records audiorecordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Paredon Records audiorecordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Paredon Records audiorecordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Content (continued from previous tape):
Fannie Lou Hamer continues
"I'm On My Way" with Barbara Dane.
Barbara Dane leads
"Let's Get Together"
"It Isn't Nice"
Speaker
Announcement about Freedom School
"We Shall Overcome"
Collection Restrictions:
Collection is open for research. Reference copies must be used. Tapes noted in the container list have digital reference copies in the Smithsonian Institution Digital Asset Management System (DAMS).
Collection Rights:
Collection items available for reproduction, but copyright status unknown. Contact Archives Center staff for additional information. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Moses Moon Civil Rights Movement Audio Collection, 1963-1964, Archives Center, National Museum of American History, Smithsonian Institution.
Sponsor:
Partial funding for preservation and duplication of the original audio tapes provided by a National Museum of American History Collections Committee Jackson Fund Preservation Grant.
Joshua fought the battle of Jericho ; Cotton fields at home ; Great historical bum ; I've been driving on Bald Moutain ; Water boy (Odetta) -- Virgin Mary had one son ; We are crossing the Jordan River (Joan Baez and Bob Gibson) -- Beware, o take care ; When first into this country I came ; Hopalong Peter (The New Lost City Ramblers) -- Little Maggie ; Dink's blues (Barbara Dane) -- My baby done changed the lock on the door ; Pick a bale of cotton (Sonny Terry and Brownie McGhee).
Track Information:
101 Joshua Fit the Battle of Jericho / Odetta.
102 Cotton Fields / Odetta.
103 The Great Historical Bum / Odetta.
104 I've Been Driving on Bald Mountain / Odetta.
104 Water Boy / Odetta.
105 Virgin Mary Had One Son / Bob Gibson, Joan Baez. Guitar.
106 We are Crossing the Jordan River / Bob Gibson, Joan Baez. Guitar.
201 Beware, O Take Care / New Lost City Ramblers, Mike Seeger, Tom Paley. Guitar,Banjo,Fiddle.
202 When First Into This Country I Came / New Lost City Ramblers, Mike Seeger. Autoharp.
203 Hopalong Peter / New Lost City Ramblers, Mike Seeger, John Cohen. Guitar,Banjo,Fiddle.
204 Little Maggie / Barbara Dane. Guitar.
205 Dink's Blues (Dink's Song) / Barbara Dane. Guitar.
206 My Baby Done Changed the Lock on the Door / Sonny Terry, Brownie McGhee. Guitar,Harmonica.
207 Pick a Bale of Cotton / Sonny Terry, Brownie McGhee. Guitar,Harmonica.
Local Numbers:
RA-RAMS-LP-0166
Vanguard.2054
Publication, Distribution, Etc. (Imprint):
New York Vanguard 1959
Date/Time and Place of an Event Note:
Recorded in Newport, R.I. on July 11-12, 1959.
General:
Program notes by Studs Terkel on container.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
I'm going back, baby (back behind the sun) (5:28) -- I know you've got another man (3:38) -- Sometimes I believe she loves me (4:51) -- Baby, shake that thing (1:51) -- It's a lonesome old town (4:54) -- Don't push me (til you find out what I want) (3:49) -- Let me be your rag doll (3:15) -- Mother earth (5:36) -- Mama told Papa (3:01) -- Careless love (4:21) -- Love with a feeling (3:03) -- Betty and Dupree (5:34) -- Don't you push me down (1:57) -- Bury me in my overalls (1:51) -- Deportees (5:51) -- Hold on (keep your eyes on the prize) (3:15) -- Jesus won't you come by here (2:08).
Track Information:
101 I'm Going Back Baby (Back Behind the Sun) / Barbara Dane, Lightnin' Hopkins. Guitar.
102 I Know You Got a Good Man / Barbara Dane, Lightnin' Hopkins. Guitar.
103 Sometimes I Believe She Loves Me / Barbara Dane, Lightnin' Hopkins. Guitar.
104 Baby, Shake that Thing / Barbara Dane, Lightnin' Hopkins. Guitar.
105 It's a Lonesome Old Town / Barbara Dane, Lightnin' Hopkins. Guitar.
106 Don't You Push Me / Barbara Dane, Lightnin' Hopkins. Guitar.
107 Let Me Be Your Rag Doll / Barbara Dane, Lightnin' Hopkins. Guitar.
108 Mother Earth / Barbara Dane, Lightnin' Hopkins. Guitar.
109 Mama Told Papa / Barbara Dane, Lightnin' Hopkins. Guitar.
110 Careless Love / Barbara Dane, Lightnin' Hopkins. Guitar.
111 Love With a Feeling / Barbara Dane, Lightnin' Hopkins. Guitar.
112 Betty and Dupre / Barbara Dane, Lightnin' Hopkins. Guitar.
113 Don't You Push Me Down / Barbara Dane, Lightnin' Hopkins. Guitar.
114 Bury Me in My Overalls / Barbara Dane, Lightnin' Hopkins. Guitar.
115 Deportees (Plane Wreck at Los Gatos) / Barbara Dane, Lightnin' Hopkins. Guitar.
116 Hold On / Barbara Dane, Lightnin' Hopkins. Guitar.
117 Jesus Won't You Come By Here / Barbara Dane, Lightnin' Hopkins. Guitar.
Local Numbers:
FP-ARH-CD-0040-7
Arhoolie.451
Publication, Distribution, Etc. (Imprint):
El Cerrito, Calif. Arhoolie 1996
Date/Time and Place of an Event Note:
Recorded at the Cabale in Berkeley, Calif., June 18, 1964; except 17th work, recorded at Sierra Sound Labs in Berkeley on Nov. 26, 1961.
General:
Barbara Dane, guitar & vocals ; Lightning Hopkins, guitar & vocals (1-9th works), piano & vocal (17th work) ; Ray Skjelbred, piano (10th-14th, 16th works, added 1996).
Produced by Chris Strachwitz & Barbara Dane.
Program notes by Barbara Dane laid in container.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
See about my brother John Henry / Sam Hopkins -- Hot blooded woman blues / John Henry Hopkins -- Black Hannah / Sam Hopkins -- I walked from Dallas / Joel Hopkins -- Going back to Baden-Baden / Sam Hopkins -- Sometimes she loves me ; You got another man / Hopkins-Dane -- I'm going back, baby ; Mother Earth / Dane-Hopkins -- Jesus, won't you come by here / arr. by Hopkins.
Local Numbers:
FP-ARH-LP-1022
Arhoolie.1022
Publication, Distribution, Etc. (Imprint):
El Cerrito, CA Arhoolie 1966
General:
Program notes by Chris A. Strachwitz on container.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Royalty statements, 1965-1984; invoices, 1964-1967; sales records, 1964-1965; biographical information, 2001; transcript of interview with representative of South Vietnamese Mission to Cuba, 1966-1967
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
