Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Paredon Records audiorecordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Paredon Records audiorecordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Paredon Records audiorecordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Paredon Records audiorecordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Paredon Records audiorecordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Paredon Records audiorecordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Paredon Records audiorecordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Series contains album cover mechanicals (paste-ups) for Paredon releases.
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Paredon Records audiorecordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Paredon Records audiorecordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
101. Abrele Aso a Mi Fusil Open the Way to My Gun / Suni Paz: guitar, vocals. Suni Paz. 00:01:45
102. Prisioneros Somos We are all Prisoners / Suni Paz: charango, guitar, vocals; Ramíro Fernández: bombo. Suni Paz. Bailecito. 00:01:45
103. Quiero Decirte We Want to Tell You Something / Suni Paz: guitar, vocals; Ramíro Fernández: bongó. Suni Paz, Juana Díaz, and other Puerto Rican sisters. Guajira. 00:04:04
104. Cueca del Auto Song About the Car / Suni Paz: guitar, vocals; Ramíro Fernández: bombo, tambourine. Suni Paz. Cueca. 00:01:25
201. A Mi Guerrero To My Warrior / Suni Paz: guitar, vocals. Suni Paz. Canción. 00:03:00
202. Corrido de Aztlan The Aztlan Corrido / Suni Paz: guitar, vocals. words and music by Daniel Valdez, Teatro Campesino. 00:02:47
203. Canto a Culebra Song to Culebra / Suni Paz: guitar, vocals; Ramíro Fernández: bongó. Suni Paz. 00:03:10
204. Indio y Negro Black and Indian / Suni Paz: vocals; Ramíro Fernández: bongó. Suni Paz. 00:01:28
205. La Bamba Chicana / Suni Paz: charango, guitar, vocals; Ramíro Fernández: guiro. Teatro de Fantasia, Oakland, CA. 00:03:06
206. Canto y Amenecer Song and the Dawn / Suni Paz: guitar, vocals. Suni Paz. 00:02:25
207. Hasta la Victoria Siempre / Suni Paz: guitar, vocals; Ramíro Fernández: bombo. Suni Paz. 00:02:30
Local Numbers:
Paredon.1016
Publication, Distribution, Etc. (Imprint):
Brooklyn, N.Y. : Paredon Records 1973
Creation/Production Credits:
Album cover design by Collective Graphics Workshop.
Date/Time and Place of an Event Note:
Recorded Oct. 1, 1972 in New York City.
General:
Program notes by Betita Martinez and words of songs, with English translations (16 p ill..) inserted in container.
Restrictions:
Access by appointment.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
101. I Hate the Capitalist System / Sarah Ogan Gunning. 00:03:10.
102. Lonesome Jailhouse Blues / Olen Montgomery. 00:0405.
103. Detroit Medley / 00:02:25.
104. Deportees (Plane Wreck at Los Gatos) / Woody Guthrie. 00:05:30.
105. Goodbye to Cold Winter / 00:00:50.
106. A Single Girl / 00:02:30.
107. Ludlow Massacre / Woody Guthrie. 00:03:50.
108. I Don't Want Your Millions, Mister / Jim Garland. 00:03:25.
201. Things are Slow / Robbie Merkin: piano; Andy Pitt: guitar; John Miller: bass; Dave Ellman: drums. Barbara Dane and J.B. Hutto. 00:04:00.
202. Song of My Hands / Bernie Asbel. 00:05:45.
203. Bitter Rain / Nick Cahn: electric guitar. Malvina Reynolds. 00:03:25.
204. Song of the Coats / Xuan Hong Vietnam. 00:02:50.
205. The Kent State Massacre / Jack Warshaw and Barbara Dane. 00:03:35.
206. Working Class Woman / Peter Boyd, Jane Felczer, Barbara Dane. 00:06:30.
Local Numbers:
Paredon.1014
Publication, Distribution, Etc. (Imprint):
Brooklyn, N.Y. : Paredon Records, 1973.
Creation/Production Credits:
Album cover design by Ronald Clyne.
Participant or Performer Note:
Barbara Dane, vocals and guitar; Andy Pitt, guitar; Pablo Menéndez, harmonica.
General:
Program notes by Barbara Dane and Irwin Silber, inlcuding song lyrics, (16 p. : ill.) inserted in container.
Restrictions:
Access by appointment.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Folk music -- United States -- 1970-1980. Search this
Protest songs -- United States -- 1970-1980. Search this
Political ballads and songs -- United States Search this
Genre/Form:
Phonograph records
Collection Citation:
Paredon Records audiorecordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
101. Chile: The Seige of Santa Maria de Iquique / Quilapayún, Hector Duvauchelle. Spanish. Chile.
201. Chile: The Seige of Santa Maria de Iquique / Quilapayún, Hector Duvauchelle. Spanish. Chile.
Local Numbers:
FLP.41142
Publication, Distribution, Etc. (Imprint):
Brooklyn, N.Y. : Paredon Records, 1970
Participant or Performer Note:
"A people's cantata of the Chilean nitrate miners" ; performed by the group Quilapayún ; narrated by Hector Duvauchelle.
General:
Words by the composer; performed in Spanish.
Recorded July 26, 1970 in Santiago, Chile.
Program notes and text, with English translation (8 p. : ill.) inserted in container.
Restrictions:
Access by appointment.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Latin America -- Politics and government -- 1948-1980
Date:
1973
Track Information:
101. Que tengo yo que hablarte, comandante? / sung by Pablo Milanés with guitar (1:58).
102. Revolucionarios no son gente normal (Revolucionaries [sic] are not normal people (1:15).
103. In commemoration of Camilo (7:00).
104. Algunos momentos que son cosas de loco (Some moments are completely mad) (1:50).
105. Diciembre 3 y 4 (2:33).
106. Puerto Rico es un caso distincto . . . (Puerto [sic] is a different case) (2:33).
107. Speech at the United Nations, Dec. 1, 1964.
201. Tribute to Antonio Mace, Dec. 7, 1962 (19:30).
202. Farewell letter to Fidel, April 1965 / read to the Cuban people by Fidel Castro (5:15).
203. Fusil contra fusil / sung by Silvio Rodríguez with guitar (2:48).
Local Numbers:
Paredon.1017
Other Title:
Title from cover: Che Guevara speaks = Habla el Che Guevara.
Publication, Distribution, Etc. (Imprint):
Brooklyn, N.Y. : Paredon Records, 1973.
Participant or Performer Note:
Speeches by Che Guevara, and a small group of Cuban construction workers ; Fidel Castro reads Che's farewell letter to Cuba ; songs by Pablo Milanes, Noel Nicola, and Silvio Rodriquez ; music backgrounds performed by Miguel Poventud and Jose Gloro.
Date/Time and Place of an Event Note:
Spoken material from original recordings made during the actual events; issued in celebration of Che Guevara's 45th birthday, June 14, 1973.
General:
Program and biographical notes, in part by Alfred Lopez, in English and texts in English with Spanish translations (12 p. : ill.) inserted in container.
Cover design by Ronald Clyne.
Cover photograph by Arbolito.
"Issued in celebration of his 45th Birthday, June 14, 1973." -- text from cover.
Restrictions:
Access by appointment.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Album cover design by Ronald Clyne. Cover photograph by Karen Engstrom and Roy Harvey.
Other Title:
Victory is certain.
A vitória é certa.
General:
Title on slipcase: A vitoria é certa.
Recording location: Angola
"Songs of the liberation army of MPLA. Recorded in the liberated zones by members of the Liberation Support Movement."
Words of the songs, with English translations and notes (16 p., illus.) inserted in container.
Restrictions:
Access by appointment.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Political ballads and songs -- Angola. Search this
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Paredon Records audiorecordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
101. Still Ain't Satisfied / Red Star Singers, Bonnie Lockhart, Gary Lapow.
102. Sunshine Silver Mine / Red Star Singers, Bonnie Lockhart, Gary Lapow.
103. I Won't Go / Red Star Singers, Bonnie Lockhart, Gary Lapow.
104. Can't Be Free Till Everybody Else Is / Red Star Singers, Bonnie Lockhart, Gary Lapow.
105. Vietnam Will Win! / Red Star Singers, Bonnie Lockhart, Gary Lapow.
201. Belly of the Monster / Red Star Singers, Bonnie Lockhart, Gary Lapow.
202. A Women's Health Song / Red Star Singers, Bonnie Lockhart, Gary Lapow.
203. Pig Nixon / Red Star Singers, Bonnie Lockhart, Gary Lapow.
204. The Force of Life / Red Star Singers, Bonnie Lockhart, Gary Lapow.
Local Numbers:
Paredon.1023
Publication, Distribution, Etc. (Imprint):
Brooklyn, N.Y., Paredon Records 1974
Creation/Production Credits:
Cover art and design by Jane Norling.
Restrictions:
Access by appointment.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
101.00:01:27 We Will Liberate the South! / Vietnamese. Vietnam. Huynh Minh Sieng.
102. Song of the Liberation Soldiers / Vietnamese. Vietnam. Long Hung. 00:02:02
103. To You Who Volunteer in the Army / Vietnamese. Vietnam. Nguyen Tho. 00:02:12
104. My Native Land' Quang Binh / Vietnamese. Vietnam. Hoang Van. 00:05:15
105. The Boatwoman's Song / Vietnamese. Vietnam. Pham Minh Tuan. 00:02:51
106. The Handkerchief / Vietnamese. Vietnam. Xuan Hong. 00:02:38
107. The Unconquerable Van Troi / Vietnamese. Vietnam. Nguyen Tho. 00:03:28
201. The March of the Liberation Army / Vietnamese. Vietnam. Luu Nguyen and Long Hung. 00:03:38
202. Glory to the Heroic Bi Nang Tac / Vietnamese. Vietnam. Nguyen Tun Thi. 00:02:42
203. Song of the Coats / Vietnamese. Vietnam. Xuan Hong. 00:02:00
204. Heroic Province of Thanh Hoa / Vietnamese. Vietnam. Hoang Dam. 00:03:15
205. We Love Our Army Brothers / Vietnamese. Vietnam. Van Thin. 00:03:15
206. Spring Comes to the Liberated Area / Vietnamese. Vietnam. Xuan Hong. 00:02:00
207. We Will Liberate the South / Vietnamese. Vietnam. Huynh Minh Sieng. 00:02:45
Local Numbers:
Paredon.1009
Publication, Distribution, Etc. (Imprint):
Brooklyn, N.Y. : Paredon Records, 1971
Creation/Production Credits:
Album cover design by Ronald Clyne.
General:
"Recorded in Vietnam."
Booklet with English translation of lyrics (8 p. : ill.) inserted in container.
Restrictions:
Access by appointment.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
"The founder of the Black Panther Party speaks of struggle, revolution, philosophy, prison, racism, and death. Interviewed July 4th, 1970 by Mark Lane in the California State Prison at San Luis Obispo."
Restrictions:
Access by appointment. Cover photograph by Barbara Rothkrug.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Oral history -- United States -- 20th century. Search this
101. The Voice of Fidel Castro / Fidel Castro. Spanish. Cuba. 00:00:13
102. Varadero. Now It's Time for You and Me / Carlos Puebla. Spanish. Cuba. Carlos Puebla. 00:02:55
103. Diez Seran. We'll Get the Ten Million Tons / Carlos Puebla. Spanish. Cuba. Carlos Puebla. 00:02:50
104. David y Goliath. David and Goliath (The Vietnamese are Small) / Carlos Puebla. Spanish. Cuba. Carlos Puebla. 00:02:48
105. La OEA, Me Causa Risa. The OAS Makes Me Laugh / Carlos Puebla. Spanish. Cuba. Carlos Puebla. 00:03:38
106. Hasta Siempre, Comandante. Song for Che Guevara / Carlos Puebla. Spanish. Cuba. Carlos Puebla. 00:03:50
107. La Muerte en el Ring. Death in the Ring / Nicomedes Santa Cruz. Spanish. Peru. Nicomedes Santa Cruz. 00:03:15
108. Coplas del Pajarito. The Little Bird's Complaint / Rolando Alarcón. Spanish. Chile. Rolando Alarcón. 00:02:54
109. Me Gustan los Estudiantes. I Love the Students / Angel Parra. Spanish. Chile. Violeta Parra. 00:02:37
110. Porque los Pobres no Tienen. Because the Poor Have Nothing / Isabel Parra. Spanish. Chile. Violeta Parra. 00:02:36
201. Canción De Mi America. Song of My America / Daniel Viglietti. Spanish. Uruguay. Daniel Viglietti. 00:01:58
202. Compadre Miguel. My Pal Miguel. Alfredo Zitarrosa. Spanish. Uruguay. Yamandú Palacios. 00:03:17
203. El Pobre y el Rico. The Poor and the Rich. Los Olimareños. Spanish. Uruguay. Carlos Porrini (words), Los Olimareños (music). 00:02:04
204. La Juventud. Youth / Carlos Molina. Spanish. Uruguay. Carlos Molina. 00:02:47
205. Decimas de Revolucion. Verses of Revolution / Quintin Cabrera. Spanish. Uruguay. Quintin Cabrera. 00:02:15
206. Coplera del Viento. Song of the Wind / Oscar Matus. Spanish. Argentina. Oscar Matus. 00:02:25
207. El Mensu. The Maté Harvester / Ramon Ayala. Spanish. Argentina. Ramon Ayala. 00:02:42
208. Y Hay Que Andar. We Have to Go On / Pablo Milanés. Spanish. Cuba. Pablo Milanés. 00:01:32
209. Por la Vida. On the Side of Life / Noel Nicola. Spanish. Cuba. Quintin Cabrera. 00:01:20
210. Johnny, No Sabe Porque. Johnny, Don't You Know Why? / Noel Nicola. Spanish. Cuba. Noel Nicola. 00:01:38
211. Bajo el Arco del Sol. Under the Arc of the Sun / Silvio Rodríguez. Spanish. Cuba. Silvio Rodríguez. 00:02:50
212. La Era Esta Pariendo un Corazon. The Time is Giving Birth to Heart / Silvio Rodríguez. Spanish. Cuba. Silvio Rodríguez. 00:02:48
Local Numbers:
Paredon.1001
Publication, Distribution, Etc. (Imprint):
Brooklyn, N.Y. : Paredon Records, 1970
Creation/Production Credits:
Album cover design by Ronald Clyne. Original drawing by Servando Cabrera Moreno.
General:
Record includes performances by Silvio Rodriguez, Pablo Milanes, Violetta Parra.
"Recorded in Cuba at the Varadero seashore, on the Isle of Youth, and at Radio Havana" in July 1967.
Booklet containing program notes and words of the songs with English translations (16 p. : ill.), inserted in container.
Restrictions:
Access by appointment.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
101. Second Declaration of Havana Speech, 2/4/62 / Fidel Castro. Spanish. Cuba.
102. Second Declaration of Havana Speech, 2/4/62 / Fidel Castro. Spanish. Cuba.
201. Second Declaration of Havana Speech, 2/4/62 / Fidel Castro. Spanish. Cuba.
202. Second Declaration of Havana Speech, 2/4/62 / Fidel Castro. Spanish. Cuba.
301. Second Declaration of Havana Speech, 2/4/62 / Fidel Castro. Spanish. Cuba.
302. Second Declaration of Havana Speech, 2/4/62 / Fidel Castro. Spanish. Cuba.
Local Numbers:
Paredon.1013
Publication, Distribution, Etc. (Imprint):
New York, Paredon 1973
General:
Recording location: Cuba
Restrictions:
Restrictions on access.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.