Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Madagascar. Oay Lalay e ; chant malgache (girl's chorus, African-type harp acc.) -- Ireland. Medley of reels [on] Drowsy Maggie, Scottish Mary, Flogging reel (Patrick J. Toohey, Uileann pipes) -- Georgia, Caucasian. Greek Orthodox Church choir -- Greece. Shepherd clarinet-like pipes, kanun acc. -- Japan. Gagaku: Imperial sho koto chant (male singers accompanied by the koto and sho) -- Nigeria, Yoruba tribe. Choral "singing" conversation, with signal drums -- India. Sanai gath, raga kaphi, classical (sanai, tabla, and baya drums, drone) Bombay orchestra (including esrai and jalatarang) -- France, Pyrenees. Dance tune (musette, with accordion acc.)
Local Numbers:
FW-ASCH-7RR-0985
General:
CDR copy
Folkways 4504-1
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Sung in Ukranian. Notes: Program notes by Henry Cowell in English ([4] p. : ill.) inserted in container. Performer(s): Native performers. Production notes: Recorded in the Ukraine.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
CDR copy David Sackson, violin; Dwight Peltzer, piano.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Slip-jig: promenade, side-step --Slip-jig: Humors of Derrachrisoyne --Single jigs: Ask me, Father ; Carry me down to Carlow --Double jig: Mug of brown ale --Double jig: Fair-haired boy --Sligo-reel: The mountain road --County-Cork reel: Fermony lasses --The flogging reel --Reels: Humors of Lissadel ; Doctor Gilbert --Hornpipe --Hornpipe: Chief O'Neill's favourite --Irish set dance: Rodney's glory -- Irish traditional air: Little red lark.
Local Numbers:
FW-ASCH-LP-0346
Le Chant du Monde.51812
Publication, Distribution, Etc. (Imprint):
Paris, France Chant du Monde
General:
Originally issued in 1956. Program notes by H. Cowell and E. Brown and instructions for the dances (6 p. ill.) inserted in container. Performer(s): Michael Gorman, fiddle; Willy Clancy, uileann pipes.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
An interview of John Cage conducted 1974 May 2, by Paul Cummings, for the Archives of American Art.
Cage speaks of his education; studying art and architecture in Europe; his paintings; his music teachers including Richard Buhlig, Henry Cowell, and Adolph Weiss; his lectures on modern art and music; his first wife, Xenia; teaching at the Cornish School, the Chicago Institute of Design, and Black Mountain College; taking chess lessons from Marcel Duchamp; Oriental philosophy; and "Silence," "Empty Words," and other compositions. He recalls Josef Albers, Bonnie Bird, Merce Cuningham, Jasper Johns, Robert Rauschenberg, Mark Tobey, Alan Watts, and others.
Biographical / Historical:
John Cage (1912-1992) was a composer and printmaker from New York, New York.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 39 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Composers -- New York (State) -- New York -- Interviews Search this
Topic:
Printmakers -- New York (State) -- New York -- Interviews Search this
Genre/Form:
Sound recordings
Interviews
Sponsor:
Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service.
This small collection of the papers of sculptor Marion Walton measures 0.8 linear feet and dates from 1915-1976. Fifteen folders of letters written to Marion and her mother Blanche Wetherill Walton include many from artists and photographers, writers, musicians and composers, and political figures. Also found are printed materials, photographs, and a file concerning a reception for author Jonathan Daniels.
Scope and Content Note:
The collection measures 0.8 linear feet, dates from 1915-1976, and documents the career of sculptor Marion Walton. Found within the papers are letters, printed material, photographs, and a file concerning a reception for author Jonathan Daniels.
Letters include those received by Walton and her mother, music patron Blanche Wetherill Walton, from many notable correspondents, including artist Charles Green Shaw, historian and suffragist Mary Beard, and novelist Vera Brittain. There are scattered letters from artists Béla Kádár, Rockwell Kent, Fred Dana Marsh, Georgia O'Keeffe, John Singer Sargent, Theo Stamos, and Abbott Handerson Thayer, composers Henry Cowell and Carl Ruggles, musician Pete Seeger, lecturer Ruth Gage-Colby, photographer Roy E. Stryker, political figures James Forrestal, Eleanor Roosevelt, and Shirley Williams, and writers Carl Carmer and Margaret Storm Jameson.
Printed material primarily consists of clippings and exhibition catalogs, and photographs are of Walton, her family, colleagues, and artwork. Of special interest is an early photograph of Alberto Giacometti with Rodin's model Carmen, and a photograph of Pablo Picasso autographed on the reverse.
Arrangement:
The collection is arranged into 4 series. All series are arranged chronologically.
Missing Title
Series 1: Letters, 1922-1976 (Box 1; 15 folders)
Series 2: File Concerning a Reception for Jonathan Daniels, 1946 (Box 1; 14 folders)
Series 3: Printed Material, 1924-1976 (Boxes 1-2; 17 folders)
Series 4: Photographs, 1915-1972 (Box 2; 18 folders)
Biographical Note:
Marion Walton was born in 1905 in New Rochelle, New York, the daughter of Ernest Forster Walton and music patron Blanche Wetherill Walton. During the 1920s, she studied at the Art Students League and, from approximately 1922 to 1924, at the Académie de la Grande Chaumière in Paris under sculptor Antoine Bourdelle. One of her classmates was Alberto Giacometti.
In 1933, Walton had a solo exhibition at the Weyhe Gallery and later participated in numerous group exhibitions primarily in New York City and in Paris, France. Her work is represented in private collections in the United States and abroad, and in the museum of the University of Nebraska.
Walton taught students in her studio in New York City and at Sarah Lawrence College. She was also a member of Artists Equity and a charter member of the Sculptors Guild.
Walton was married to James Putnam, assistant to the President of the publishing house, MacMillan Company.
Marion Walton died in 1996.
Provenance:
The Marion Walton papers were donated in 1976 by Marion Walton.
Restrictions:
The collection is open for research. Use requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Joseph Schillinger (1895-1943), composer and musical theorist, worked extensively with the Rhythmicon. The Rhythmicon, constructed in 1931, is the earliest electronic rhythm machine. The collection consists of recordings of the Rhythmicon.
Scope and Contents:
This collection consists of nine transcription recordings of the Rhythmicon on 78 rpm phonographic records made by Joseph Schillinger in 1940 and 1941; two 1/4 inch master reel to reel tapes of disc recordings created by Radio Smithsonian in fall, 1985; and one research cassette tape of disc recordings created by Radio Smithsonian in fall, 1985.
A digital reference copy is available in the Smithsonian Institutions Digital Asset Management System (DAMS).
Arrangement:
The collection is organized into two series.
Series 1: Original Discs, 1940-1941
Series 2: Miscellaneous, 1940-1941, 1985
Biographical / Historical:
Joseph Schillinger (1895-1943), composer and musical theorist, worked extensively with the Rhythmicon. The Rhythmicon, developed in 1931 by Leon Theremin at the request of composer Henry Cowell, is the earliest electronic rhythm machine.
Schillinger was born on August 31, 1895, in Kharkov, Ukraine. After beginning a successful musical career in the Soviet Union, he immigrated to the United States in 1928 and settled in New York City. He taught at New York University, the Teachers College of Columbia University and the New School for Social Research. A trained mathematician, Schillinger developed his own system of composition based on mathematics.
Related Materials:
Materials at Other Organizations
The New York Public Library for the Performing Arts New York, New York
Joseph Schillinger Papers, 1918-2000
The Joseph Schillinger Papers contain the composer/theorist's writings, composition lesson texts, student notebooks, scores, charts, personal papers, clippings and promotional material.
New York Public Library, Rodgers and Hammerstein Archives of Recorded Sound
Joseph Schillinger Collection of Sound Recordings, *L(Special) 89-16
Berkley School of Music Archives, Boston, Massachusetts
Provenance:
The collection was donated to the National Museum of American History by Mrs. Joseph Schillinger (Frances) and transferred to the Archives Center from the Division of Musical Instruments (Division of Culture and the Arts) in June 1985.
Restrictions:
Collection is open for research. Digital reference copies available in the Smithsonian Institution Digital Asset Management System (DAMS). See RTC0162-RT0001.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Henry Cowell. Wind quintet / Wallingford Riegger. The abongo / John J. Becker. Three songs / Ruth Crawford Seeger.
Local Numbers:
FP-RINZ-LP-0276
New World.285
Publication, Distribution, Etc. (Imprint):
New York New World 1978
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
The scattered papers of art and music patron and educator Olive Thompson Cowell measure 0.5 linear feet and date from circa 1940 to 1982. Found are biographical materials including sound recordings, a photo album and snapshots, and files on artists including Claire Falkenstein, Trude Guermonprez, and Frans and Marguerite Wildenhain.
Scope and Contents:
The scattered papers of art and music patron and academic Olive Thompson Cowell measure 0.5 linear feet and date from circa 1940 to 1982. Found are biographical materials including sound recordings, a photo album and snapshots, and files on artists including Claire Falkenstein, Trude Guermonprez, and Frans and Marguerite Wildenhain.
Arrangement:
The collection was processed, and a finding aid prepared by Jayna Josefson in 2022.
Biographical / Historical:
Olive Thompson Cowell (1887-1984) was an arts and music patron and educator in San Francisco, California. Cowell attended Barnard College and worked as an educator in California. Later she received an MA from the University of California, Berkeley. She founded the international relations department at San Francisco State University, where she taught until 1956. Married to Henry Clayton Blackwood Cowell, she was the stepmother to pianist Henry Cowell.
Provenance:
Donated 1994 and 1998 by Alan W. Ford, who inherited and resided in Cowell's home and received the papers from Cowell. He destroyed all other Cowell papers at her request. Ford subsequently resided in a house designed by architect Lilian Bridgman, and donated a group of Bridgman's papers as well; these are cataloged separately.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art patrons -- California -- San Francisco Search this
Educators -- California -- San Francisco Search this