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Oral history interview with Rudolph de Harak, 2000 April 27

Interviewee:
Harak, Rudolph de, 1924-2002  Search this
Interviewer:
Larsen, Susan C., 1946-  Search this
Subject:
Kepes, George  Search this
Burtin, Will  Search this
Weingart, Wolfgang  Search this
Tritel, Hal  Search this
Golden, William  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
World Trade Center  Search this
Cooper Union for the Advancement of Science and Art  Search this
McGraw-Hill Book Company  Search this
U.S. Atomic Energy Commission  Search this
Type:
Drawings
Sound recordings
Interviews
Topic:
Painters  Search this
Designers  Search this
Exhibitions  Search this
Graphic artists  Search this
Record number:
(DSI-AAA_CollID)12339
(DSI-AAA_SIRISBib)228107
AAA_collcode_harak00
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_228107

Oral history interview with Shirley Jaffe, 2010 Sept. 27-28

Interviewee:
Jaffe, Shirley, 1923-2016  Search this
Interviewer:
Berman, Avis, 1949-  Search this
Subject:
Dickinson, Edwin Walter  Search this
Biala, Janice  Search this
Delaney, Beauford  Search this
Goldberg, Michael  Search this
Riopelle, Jean Paul  Search this
Mitchell, Joan  Search this
Francis, Sam  Search this
Ford, Hermine  Search this
Phillips Collection  Search this
Brooklyn Museum  Search this
Cooper Union for the Advancement of Science and Art  Search this
Solomon R. Guggenheim Museum  Search this
Elizabeth Murray Oral History of Women in the Visual Arts Project  Search this
Type:
Sound recordings
Interviews
Topic:
Sculptors  Search this
Painters  Search this
Women artists  Search this
Painting  Search this
Record number:
(DSI-AAA_CollID)15873
(DSI-AAA_SIRISBib)295423
AAA_collcode_jaffe10
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_295423

Oral history interview with Sidney Gordin, 1965 Sept. 2

Interviewee:
Gordin, Sidney Alexander, 1918-1996  Search this
Interviewer:
Seckler, Dorothy Gees, 1910-1994  Search this
Subject:
Thomas, Byron  Search this
Harrison, Wallace  Search this
Jewell, Edward Alden  Search this
Hofmann, Hans  Search this
Kantor, Morris  Search this
Pollock, Jackson  Search this
Rosenborg, Ralph M.  Search this
Picasso, Pablo  Search this
Pratt Institute  Search this
Cooper Union for the Advancement of Science and Art  Search this
Type:
Sound recordings
Interviews
Topic:
Art teachers  Search this
Art, American  Search this
Sculptors  Search this
Record number:
(DSI-AAA_CollID)12268
(DSI-AAA_SIRISBib)214102
AAA_collcode_gordin65
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_214102
Online Media:

Oral history interview with Dore Ashton, 2010 November 21 - 2011 March 9

Interviewee:
Ashton, Dore, 1928-2017  Search this
Interviewer:
Sampson, George W., 1951-  Search this
Subject:
De Kooning, Willem  Search this
Motherwell, Robert Burns  Search this
Paz, Octavio  Search this
Kline, Franz  Search this
Yunkers, Adja  Search this
Guston, Philip  Search this
Rauschenberg, Robert  Search this
Selz, Peter Howard  Search this
Reynal, Jeanne  Search this
Devree, Howard  Search this
Klüver, Johan Wilhelm  Search this
Orlovsky, Peter  Search this
Rothko, Mark  Search this
Smith, David  Search this
Harvard University. Germanic Museum  Search this
Cooper Union for the Advancement of Science and Art  Search this
New School for Social Research (New York, N.Y.)  Search this
New York Times Company  Search this
Elizabeth Murray Oral History of Women in the Visual Arts Project  Search this
Type:
Sound recordings
Interviews
Topic:
Art historians  Search this
Japanese Americans  Search this
Artists  Search this
Authors  Search this
World War, 1939-1945  Search this
Record number:
(DSI-AAA_CollID)15918
(DSI-AAA_SIRISBib)297206
AAA_collcode_ashton10
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_297206

Emerson Crosby Kelly research material relating to J. Francis Murphy, 1761-1973

Creator:
Kelly, Emerson Crosby, 1899-1977  Search this
Subject:
Murphy, Adah Clifford  Search this
Sarony, Napoleon  Search this
Carlsen, Emil  Search this
Murphy, John Francis  Search this
Vandyk, C.  Search this
National Academy of Design (U.S.)  Search this
Salmagundi Club  Search this
Pestalozzi Foundation of America  Search this
Type:
Drawings
Sketchbooks
Topic:
Arkville (N.Y.)  Search this
Artists' studios  Search this
Women painters  Search this
Landscape painting, American  Search this
Art  Search this
Painters  Search this
Record number:
(DSI-AAA_CollID)7703
(DSI-AAA_SIRISBib)209867
AAA_collcode_kellemer
Theme:
Diaries
Sketches & Sketchbooks
The Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209867

Ellen Lanyon papers, circa 1880-2014, bulk 1926-2013

Creator:
Lanyon, Ellen, 1926-2013  Search this
Subject:
Grooms, Red  Search this
Stevens, May  Search this
Kozloff, Joyce  Search this
Petlin, Irving  Search this
Hunt, Richard  Search this
Nilsson, Gladys  Search this
Schapiro, Miriam  Search this
Thiel, Philip  Search this
Rockburne, Dorothea  Search this
Spector, Buzz  Search this
Stuart, Michelle  Search this
Lippard, Lucy R.  Search this
Chicago, Judy  Search this
Golub, Leon  Search this
Plunkett, Ed  Search this
Ox-Bow Summer School of Painting  Search this
Cooper Union for the Advancement of Science and Art  Search this
Landfall Press  Search this
Type:
Sound recordings
Scrapbooks
Interviews
Video recordings
Sketchbooks
Topic:
Women artists  Search this
Feminism and art  Search this
Feminism and the arts  Search this
Art  Search this
Painting, Modern  Search this
Record number:
(DSI-AAA_CollID)9118
(DSI-AAA_SIRISBib)211312
AAA_collcode_lanyelle
Theme:
Women
Lives of American Artists
Chicago's Art-Related Archival Materials: A Terra Foundation Resource
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211312
Online Media:

Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974

Creator:
Jacques Seligmann & Co.  Search this
Subject:
Waegen, Rolf Hans  Search this
Glaenzer, Eugene  Search this
de Hauke, César  Search this
Seligmann, Jacques  Search this
Seligmann, René  Search this
Parker, Theresa D.  Search this
Mackay, Clarence Hungerford  Search this
Liechtenstein, House of  Search this
Schiff, Mortimer L.  Search this
Haardt, Georges  Search this
La Fresnaye, Roger de  Search this
Seligman, Germain  Search this
Arenberg  Search this
Seligmann, Arnold  Search this
Trevor, Clyfford  Search this
MM. Jacques Seligmann & fils  Search this
Eugene Glaenzer & Co  Search this
Gersel  Search this
Germain Seligmann & Co  Search this
De Hauke & Co., Inc  Search this
Topic:
Art  Search this
World War, 1939-1945  Search this
Art, European  Search this
Decorative arts  Search this
Art treasures in war  Search this
Art, Renaissance  Search this
Record number:
(DSI-AAA_CollID)9936
(DSI-AAA_SIRISBib)212486
AAA_collcode_jacqself
Theme:
The Art Market
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212486
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974 digital asset number 1
Online Media:

Anthony Candido papers, 1954-2010

Creator:
Candido, Anthony, 1924-  Search this
Subject:
Cooper Union for the Advancement of Science and Art  Search this
Record number:
(DSI-AAA_CollID)7319
(DSI-AAA_SIRISBib)209472
AAA_collcode_candanth
Theme:
Audio - Visual
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209472

Audrey Flack papers, 1950-2009

Creator:
Flack, Audrey, 1931-  Search this
Subject:
Janson, Anthony F. (Anthony Frederick)  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Louis K. Meisel Gallery  Search this
Arizona State University  Search this
Atlantic Center for the Arts (New Smyrna Beach, Fla.)  Search this
Cooper Union for the Advancement of Science and Art  Search this
Guild Hall of East Hampton  Search this
Type:
Sound recordings
Scrapbooks
Video recordings
Topic:
Women sculptors  Search this
Women painters  Search this
Artists' studios  Search this
Art  Search this
Record number:
(DSI-AAA_CollID)15666
(DSI-AAA_SIRISBib)282435
AAA_collcode_flacaudr
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_282435
Online Media:

Charles Cajori papers, 1940-2015

Creator:
Cajori, Charles, 1921-2013  Search this
Subject:
Chaet, Bernard  Search this
Ippolito, Angelo  Search this
Adams, Pat  Search this
Simon, Sidney  Search this
Bell, Leland  Search this
Cézanne, Paul  Search this
Gray, Cleve  Search this
King, William Dickey  Search this
Cajori, Charles  Search this
Soutine, Chaim  Search this
Carles, Mercedes  Search this
Forge, Andrew  Search this
Finkelstein, Louis  Search this
Dodd, Lois  Search this
Pearlstein, Philip  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Whitney Museum of American Art  Search this
Colorado Springs Fine Arts Center  Search this
Roko Gallery (New York, N.Y.)  Search this
Tanager Gallery (New York, N.Y.)  Search this
Stable Gallery  Search this
Bertha Schaefer Gallery (New York, N.Y.)  Search this
Cooper Union for the Advancement of Science and Art  Search this
University of California, Berkeley  Search this
Watkins Art Gallery (American University)  Search this
David Findlay Galleries (New York, N.Y.)  Search this
Gallery Association of New York State  Search this
Lohin Geduld Gallery  Search this
New York Studio School of Drawing, Painting and Sculpture  Search this
American University (Washington, D.C.)  Search this
Type:
Sound recordings
Interviews
Video recordings
Record number:
(DSI-AAA_CollID)15960
(DSI-AAA_SIRISBib)302402
AAA_collcode_cajochar
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_302402
Online Media:

Dore Ashton papers, 1849, circa 1928-2014

Creator:
Ashton, Dore, 1928-2017  Search this
Subject:
Giacometti, Alberto  Search this
Tobey, Mark  Search this
Hellman, Lillian Florence  Search this
Guidieri, Remo  Search this
Congdon, Dennis  Search this
Hiss, Alger  Search this
Moy, Seong  Search this
Arnheim, Rudolf  Search this
Tinguely, Jean  Search this
Kaprow, Allan  Search this
Albee, Edward  Search this
Malamud, Bernard  Search this
Herbert, George  Search this
Motherwell, Robert Burns  Search this
Mumford, Lewis  Search this
Miró, Joan  Search this
Howes, Barbara  Search this
Vasilikos, Vasil?s  Search this
Berthot, Jake  Search this
Yunkers, Adja  Search this
Avedon, Richard  Search this
Adley, James  Search this
Borges, Jacopo Luis  Search this
Reuterswärd, Carl Fredrik  Search this
Albers, Josef  Search this
Driskell, David C.  Search this
Licht, Fred  Search this
Guston, Philip  Search this
Cornell, Joseph  Search this
Tworkov, Jack  Search this
Adams, Pat  Search this
Diebenkorn, Richard  Search this
Lindner, Richard  Search this
Steinberg, Hedda  Search this
Oldenberg, Kla'es  Search this
Cooper Union for the Advancement of Science and Art  Search this
New School for Social Research (New York, N.Y.)  Search this
Yale University  Search this
Type:
Sketchbooks
Topic:
Poetry  Search this
Art, Modern  Search this
Art criticism  Search this
Women art critics  Search this
Dadaism  Search this
Record number:
(DSI-AAA_CollID)5858
(DSI-AAA_SIRISBib)208698
AAA_collcode_ashtdore
Theme:
Women
Art Theory and Historiography
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208698
Online Media:

Gazette du bon ton : arts, modes & frivolités / Lucien Vogel, directeur ; red́acteur en chef, Marcel Astruc

Title:
Bon ton
Author:
Vogel, Lucien  Search this
Astruc, Marcel  Search this
Former owner:
Cooper Union for the Advancement of Science and Art Art School Library DSI  Search this
Physical description:
v. : ill. (chiefly col.) ; 24-27 cm
Type:
Periodicals
Place:
France
Date:
1912
1925
1912-1925
20th century
Topic:
Fashion--History  Search this
Costume--History  Search this
Call number:
GT500 .G384
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_593000

Peter Cooper and Family

Artist:
Unidentified Artist  Search this
Sitter:
Peter Cooper, 12 Feb 1791 - 4 Apr 1883  Search this
Sarah Bedell Cooper, 1793 - 1869  Search this
Sarah Amelia Cooper Hewitt, 1830 - 1912  Search this
Edward Cooper, 26 Oct 1824 - 25 Feb 1905  Search this
Medium:
Two-thirds plate daguerreotype
Dimensions:
Image: 12.6 x 9.4 cm (4 15/16 x 3 11/16")
Plate [sight]: 16.5 x 13.5 cm (6 1/2 x 5 5/16")
Case Open: 18 x 30.2 cm (7 1/16 x 11 7/8")
Type:
Photograph
Date:
c. 1850
Topic:
Costume\Jewelry\Brooch  Search this
Costume\Dress Accessory\Eyeglasses  Search this
Printed Material\Papers  Search this
Costume\Jewelry\Chain  Search this
Equipment\Drafting & Writing Implements\Writing implement\Pen  Search this
Costume\Headgear\Hat\Bonnet  Search this
Interior\Studio\Photography  Search this
Cased object  Search this
Sarah Bedell Cooper: Female  Search this
Sarah Bedell Cooper: Society and Social Change\Wife  Search this
Sarah Amelia Cooper Hewitt: Female  Search this
Sarah Amelia Cooper Hewitt: Society and Social Change\Wife  Search this
Peter Cooper: Male  Search this
Peter Cooper: Business and Finance\Businessperson  Search this
Peter Cooper: Education\Founder\School  Search this
Peter Cooper: Business and Finance\Businessperson\Industrialist\Manufacturer  Search this
Peter Cooper: Society and Social Change\Philanthropist  Search this
Peter Cooper: Science and Technology\Inventor  Search this
Peter Cooper: Business and Finance\Businessperson\Industrialist\Manufacturer\Iron  Search this
Edward Cooper: Male  Search this
Edward Cooper: Business and Finance\Businessperson  Search this
Edward Cooper: Politics and Government\Public Official\Mayor\New York, NY  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution
Object number:
NPG.96.86
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm4e0a22230-c2f0-4466-8dd4-39a67c59c4d6
EDAN-URL:
edanmdm:npg_NPG.96.86

Life Assurance and Savings Banks, by J. Howard Van Amringe

Series Creator:
Warshaw, Isadore, d. 1969  Search this
Container:
Box 20, Folder 9
Type:
Archival materials
Date:
1872
Scope and Contents:
Lecture delivered to The Cooper Union for the Advancement of Science and Art; Published by D. Van Nostrand, New York, New York
Series Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Warshaw Collection of Business Americana Subject Categories: Insurance, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Warshaw Collection of Business Americana Subject Categories: Insurance
Warshaw Collection of Business Americana Subject Categories: Insurance / 4: Related Publications / Abstracts, Addresses and Lectures
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0060-s01-01-insurance-ref1632

Diploma of Bessie Beebe of the Women's Art School of the Cooper Union

For:
Bessie Beebe  Search this
Institution:
Cooper Union Art School  Search this
Author:
Susan N. Carter  Search this
Mr. Abram S. Hewitt, American, 1822–1903  Search this
Medium:
Engraved in black ink on paper
Type:
CH History
Certificate
Object Name:
Certificate
Made in:
France and USA
Date:
1884
Credit Line:
Gift of Annie L. Green
Accession Number:
1957-22-1
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq428384d85-2570-4e40-baa4-49ff3c028d90
EDAN-URL:
edanmdm:chndm_1957-22-1

Dore Ashton papers

Creator:
Ashton, Dore  Search this
Names:
Cooper Union for the Advancement of Science and Art -- Faculty  Search this
New School for Social Research (New York, N.Y.) -- Faculty  Search this
Yale University -- Faculty  Search this
Adams, Pat, 1928-  Search this
Adley, James, 1931-  Search this
Albee, Edward, 1928-  Search this
Albers, Josef  Search this
Arnheim, Rudolf  Search this
Avedon, Richard  Search this
Berthot, Jake, 1939-  Search this
Borges, Jacopo Luis  Search this
Congdon, Dennis  Search this
Cornell, Joseph  Search this
Diebenkorn, Richard, 1922-1993  Search this
Driskell, David C.  Search this
Giacometti, Alberto, 1901-1966  Search this
Guidieri, Remo  Search this
Guston, Philip, 1913-1980  Search this
Hellman, Lillian, 1905-1984  Search this
Herbert, George  Search this
Hiss, Alger  Search this
Howes, Barbara  Search this
Kaprow, Allan  Search this
Licht, Fred, 1928-  Search this
Lindner, Richard, 1901-  Search this
Malamud, Bernard  Search this
Miró, Joan, 1893-  Search this
Motherwell, Robert  Search this
Moy, Seong  Search this
Mumford, Lewis, 1895-1990  Search this
Oldenburg, Claes, 1929-  Search this
Reuterswärd, Carl Fredrik, 1934-  Search this
Sterne, Hedda, 1910-  Search this
Tinguely, Jean, 1925-  Search this
Tobey, Mark  Search this
Tworkov, Jack  Search this
Vasilikos, Vasilēs, 1934-  Search this
Yunkers, Adja, 1900-1983  Search this
Extent:
35.6 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Diaries
Transcripts
Date:
circa 1928-2014
1849
1931 - 1983
bulk 1952-2014
Summary:
The papers of Dore Ashton measure 35.6 linear feet and date from circa 1928-2014, with one letter in the Joseph Cornell subject file dating from 1849. The records document Dore Ashton's career as an art critic, historian and educator, with particular depth for the period of 1952 through 1990. The collection contains a small amount of biographical material, as well as correspondence, writings, subject files, printed materials, artwork, and reference photographs of artworks. An addition to the Dore Ashton papers includes biographical material, correspondence, writings, writing project and subject files, teaching files, printed material, artwork and sketchbooks, and photographic material.
Scope and Contents:
The papers of Dore Ashton measure 35.6 linear feet and date from circa 1928-2014, with one letter in the Joseph Cornell subject file dating from 1849. The records document Dore Ashton's career as an art critic, historian and educator, with particular depth for the period of 1952 through 1990. The collection contains a small amount of biographical material, as well as correspondence, writings, subject files, printed materials, artwork, and reference photographs of artworks. An addition to the Dore Ashton papers includes biographical material, correspondence, writings, writing project and subject files, teaching files, printed material, artwork and sketchbooks, and photographic material.

The bulk of the collection consists of correspondence with many artists, writers and others, including Pat Adams, James Adley, Rudolf Arnheim, Jake Berthot, Dennis Congdon, George Herbert, Remo Guidieri, Barbara Howes, Fred Licht, Joan Punyet Miro, Carl Fredrik Reuterswärd, and Hedda Sterne, among others. Smaller amounts of letters are from Joseph Albers, Edward Albee, Richard Avedon, Richard Diebenkorn, David Driskell, Alberto Giacometti, Philip Guston, Lillian Hellman, Alger Hiss, Bernard Malamud, Joan Miro, Robert Motherwell, Lewis Mumford, Claes Oldenburg, and Vassilis Vassilikos.

Writings consist of transcripts of miscellaneous articles or those written for various publications. Research files include reference or research materials for books, exhibitions, individuals and various topics. Individuals and topics include Jacopo Luis Borges, Allan Kaprow, Richard Lindner, Seong Moy, Jean Tinguely, Mark Tobey, Jack Tworkov, Adja Yunkers; and Dadaism, poetry and symbolism.

The addition to the Dore Ashton papers (Series 8) includes biographical material, correspondence, writings, writing project and subject files, teaching files, printed material, artwork and sketchbooks, and photographic material. Writings make up a significant part of the addition and contain hundreds of manuscripts, as well as lectures, notes, sixty notebooks, ten diaries, and writings by others. Writing project and subject files comprise over half of the addition and encompass a large collection of alphabetical files pertaining to artists, actors, writers, thinkers, and collaborators; work projects including writings, exhibitions, panels, symposia, and lecture series; as well as various other subjects and topics. The addition also contains teaching files related to Ashton's positions at the Cooper Union, the New School for Social Research, and Yale University. The photographic material in this series is also abundant and contains hundreds of original photographs of Ashton throughout all stages of her life, many with friends and family.
Arrangement:
The collection is arranged as 8 series.

Series 1: Biographical Materials, 1962-1978

Series 2: Correspondence, 1945-2010, undated

Series 3: Writings, 1952-1976, undated

Series 4: Research files, 1849, 1950-1984, 2009, undated

Series 5: Printed Materials, 1931-1981, undated

Series 6: Artwork, 1949, 1952, 1983, undated

Series 7: Photographs of Artwork, circa 1950-2010

Series 8: Addition to the Dore Ashton Papers, circa 1928-2013
Biographical / Historical:
Dore Ashton (1928-) is an art critic, author, and educator living in New York City. She wrote, contributed , and edited more than 30 books. Ashton was born in Newark New Jersey in 1928 and received an MA from Harvard University in 1950. Her many books and articles focus on late 19th and 20th century art and artists. Ashton was associate editor at Art Digest from 1952-1954, and critic for Arts and Architecture at the New York Times, 1955-1960. Starting in 1962 she held several lecturing posts at various institutions including the School of Visual Arts, Cooper Union, and the New School for Social Research. She was awarded a Guggenheim fellowship in 1964 and a National Endowment for the Humanities grant in 1980. Among Ashton's books are Abstract Art Before Columbus, 1956; Poets and the Past, 1959; A Joseph Cornell Album, 1974; Yes, But…A Critical Study of Philip Guston, 1976, About Rothko, 1983; The New York School: a Cultural Reckoning, 1973; Noguchi East and West, 1992; and David Rankin: The New York Years, 2013. Dore Ashton was the first critic to develop a comprehensive and eye-witness account of the history of the Abstract Expressions.

Ashton married artist Adja Yunkers (1900-1983) in 1953, and they had two daughters Alexandra (known as Sasha) and Marina. In 1985 she married writer Matti Megged (1923-2003).
Related Materials:
Among the holdings of the Archives is an oral history interview with Dore Ashton conducted November 21, 2010 by George W. Sampson, for the Archives of American Art's Elizabeth Murray Oral History of Women in the Visual Arts Project.

Dore Ashton papers are also located at Emory University Manuscript, Archives, and Rare Book Library.
Provenance:
The Dore Ashton papers were donated to the Archives of American Art by Dore Ashton May 27, 1982, May 8, 1997, June 2, 2011, and March, 25, 2016.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Dore Ashton papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Women art critics  Search this
Historians  Search this
Educators  Search this
Topic:
Photographs  Search this
Dadaism  Search this
Art critics  Search this
Art criticism  Search this
Art, Modern -- 20th century  Search this
Artists -- United States  Search this
Art -- Study and teaching  Search this
Poetry  Search this
Genre/Form:
Sketchbooks
Diaries
Transcripts
Citation:
Dore Ashton papers, 1849, circa 1928-2014. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.ashtdore
See more items in:
Dore Ashton papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-ashtdore
Online Media:

Records, 1962-1988

Creator:
Cooper-Hewitt Museum Administrator  Search this
Subject:
Hathaway, Calvin S  Search this
Rohlfing, H. Christian  Search this
Dobkin, John H  Search this
Dunne, Linda  Search this
Foss, Barbara V  Search this
Scherer, Peter M  Search this
McKeever, Chauncie  Search this
O'Leary, Daniel  Search this
Miller House  Search this
Cooper-Hewitt Museum Museum Advisory Board  Search this
Cooper Union for the Advancement of Science and Art  Search this
Cooper Union Museum for the Arts of Decoration  Search this
Cooper-Hewitt Museum  Search this
Physical description:
17.58 cu. ft. (17 record storage boxes) (1 tall document box)
Type:
Architectural drawings
Collection descriptions
Color photographs
Black-and-white photographs
Black-and-white transparencies
Clippings
Manuscripts
Color transparencies
Date:
1962
1962-1988
Topic:
Art museums  Search this
Budget process  Search this
Museums--Collection management  Search this
Museums--Educational aspects  Search this
Exhibitions  Search this
Museums--Membership  Search this
Fund raising  Search this
Decorative arts  Search this
Museum finance  Search this
Museum exhibits  Search this
Local number:
SIA RU000545
Restrictions & Rights:
Boxes 6 and 8 contain materials restricted indefinitely; see finding aid; Contact reference staff for details
See more items in:
Subject Files 1962-1982 [Cooper-Hewitt, National Design Museum Office of the Deputy Director]
Budget Records 1981-1999 [Cooper-Hewitt, National Design Museum Office of the Deputy Director]
Program Files 1974-1983 [Cooper-Hewitt, National Design Museum Office of the Deputy Director]
Publicity Records 1971-1983 [Cooper-Hewitt, National Design Museum Office of the Deputy Director]
Board and Committee Files 1968-1974 [Cooper-Hewitt, National Design Museum Office of the Deputy Director]
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_217109

Jack Stewart papers

Creator:
Stewart, Jack, 1926-2005  Search this
Names:
New York City Transit Authority  Search this
World Trade Center (New York, N.Y.)  Search this
Yale University -- Students  Search this
Baxter, Violet  Search this
Egan, Charles, 1911-  Search this
Gold, Nancy  Search this
Goulet, Lorrie, 1925-  Search this
Kahn, Wolf, 1927-  Search this
Romano, Clare  Search this
Thomas, Steffen, 1906-  Search this
Toney, Anthony  Search this
Townsend, Rodman  Search this
Walker, Herbert Brooks, 1927-  Search this
Weiner, Sam  Search this
Extent:
9.9 Linear feet
7.31 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Sketches
Drawings
Sound recordings
Paintings
Photographs
Sketchbooks
Illustrated letters
Interviews
Transcripts
Color slides
Video recordings
Greeting cards
Designs
Date:
1926-2010
Summary:
The Jack Stewart papers are dated 1926-2010 and measure 9.9 linear feet and 7.31 GB. A significant portion of the collection concerns Stewart's dissertation, "Subway Graffiti: An Aesthetic Study of Graffiti on the Subway" (New York University, 1989), related research, writings, and exhibitions on the subject. Biographical materials, correspondence, writings, printed and digital material, artwork, sketchbooks, and photographic materials document his career as a painter, muralist, designer, educator and administrator.
Scope and Content Note:
The Jack Stewart papers are dated 1926-2010 and measure 9.9 linear feet and 7.31 GB. A significant portion of the collection concerns Stewart's dissertation, "Subway Graffiti: An Aesthetic Study of Graffiti on the Subway" (New York University, 1989), related research, writings, and exhibitions on the subject. Biographical materials, correspondence, writings, printed and digital material, artwork, sketchbooks, and photographic materials document his career as a painter, muralist, designer, educator and administrator.

Biographical materials include a "Video Archive" in digital format, consisting mainly of Jack Stewart being interviewed on several occasions by Nancy Gold for her television show, "What It Takes." In addition to discussions about Stewart's career, the shows include examples of his paintings and murals along with views of him at work.

Correspondence mostly documents Stewart's artistic career and work as an educator and administrator; there is some personal correspondence, as well. Of particular note are letters to Rodman Townsend who commissioned a mural about the human brain; they discuss the details of the project and its evolution, brain research, and subsequent exhibitions of related paintings. Illustrated letters and greeting cards with original artwork are from Violet Baxter, Lorrie Goulet, Wolf Kahn, Clare Romano, Anthony Toney, and Sam Weiner. Herbert Brooks Walker sent several pieces of mail art and, while in Italy, collected graffiti information for Stewart. Letters Stewart wrote to his mother span decades; the best represented periods are the years he served in the U.S. Army and studied at Yale University.

Writings and notes consist of Stewart's dissertation ("Subway Graffiti: An Aesthetic Study of Graffiti on the Subway"), miscellaneous writings and notes, and art and architecture notebooks. Dissertation documentation includes the manuscript, drafts, and related records. Among the miscellaneous writings and notes - published and unpublished - are shorter pieces, articles, student papers, and teaching notes. Of particular interest are notes/instructions for a performance piece titled "Endless Subway," "Memories of Steffan Thomas" and "My Recollection of Charles Egan." Also found are minutes of Cooper Union adjunct faculty meetings (1965-1966), and reports written when provost of the Rhode Island School of Design. Art and architecture notebooks (5 volumes) were compiled while at Yale University.

Research files on graffiti contain many sound recordings and some transcripts of interviews with graffiti writers, voluminous lists of graffiti writers' names/tags, correspondence, notes, photographs, and a wide variety of printed material. Some of the material is in digital format. Stewart began collecting these materials as his interest in graffiti developed. They were used for his dissertation and material continued to be added after the dissertation was completed.

Printed material mentioning Stewart or containing reproductions of his work includes exhibition catalogs, posters, and newsletters.

Artwork by Jack Stewart consists of drawings, paintings, and one etching; also found are designs and plans for tables, murals, and other projects. Drawings include figure studies, heads, and landscapes; most are in pencil and some in ink. The small number of paintings are oil on canvas (removed from stretchers), and gouache on paper and board. Sketchbooks (44 volumes) contain mostly pencil drawings and sketches, and a few studies for paintings and murals. Two volumes include writings about travels and events; of particular interest are "Notes on Kline's funeral May 1962," "Visit to Roman Bronze Art Foundry," and "Notes on My Development."

Photographic materials consist mainly photographs, but also include digital images and 35-mm color slides. Images of Stewart include views of him with paintings and working in his studio. Identified individuals with whom he appears are: Regina Stewart (wife), Brandon Stewart (son), Lil Stewart (mother), Ninalee Craig, Irving Sandler, and students in Urbino, Italy. Photographs of artwork document murals such as Raw Material (composed of shirt labels), and Versailles Hotel in Miami Beach; among the paintings documented are State of the Union, Icons of Western Art and Revelation XVI-16 (both with keys to individuals portrayed). Exhibition openings and installations are shown in photographs, color slides, and video recordings. Also found are photographs of the World Trade Center site taken by Stewart in December 2001.
Arrangement:
The collection is arranged as 9 series:

Series 1: Biographical Materials, 1926-circa 2009 (Boxes 1,11; 0.6 linear foot, ER01-ER02, 3.92 GB)

Series 2: Correspondence, 1944-2009 (Boxes 1-2; 0.7 linear foot)

Series 3: Writings and Notes, circa 1947-2003 (Boxes 2-5; 3.1 linear foot)

Series 4: Research Files on Graffiti, 1972-2010 (Boxes 5-7,11; 2.8 linear foot, ER03-ER05, 3.18 GB)

Series 5: Printed Material, circa 1945-2002 (Boxes 8, 11, OV 13; 0.7 linear foot)

Series 6: Scrapbooks, circa 1990-2003 (Box 8; 0.2 linear foot)

Series 7: Artwork, 1946-2000 (Boxes 8, 11, OV 12; 0.3 linear foot)

Series 8: Sketchbooks, 1951-2004 (Boxes 8-9; 1.3 linear foot)

Series 9: Photographic Materials, circa 1950s-2010 (Boxes 10-11; 0.4 linear foot, ER06-ER07, 0.208 GB)
Biographical Note:
Jack Stewart (1926-2005) was a painter, muralist, designer, educator and administrator in New York City. After developing an interest in graffiti in the 1970s, Stewart eventually wrote a dissertation on the subject, "Subway Graffiti: An Aesthetic Study of Graffiti on the Subway" (New York University, 1989) and was recognized as an expert on mass transit art.

Jack Stewart began studying art at the High Museum School in his hometown of Atlanta when he was 10 years old. At age 14, he began a 4 year apprenticeship with painter and sculptor Steffen Thomas. After serving in World War II, he enrolled at Yale University (B.F.A. 1951) as a sculpture student, but soon switched to the painting department where he studied with Josef Albers and Willem de Kooning. After graduation, Stewart began receiving mural commissions and enrolled in classes at Columbia University School of Architecture (1951-1953). His interest in architecture was tied to understanding how to work effectively with architects on mural projects. Later, Stewart developed an interest in graffiti which he pursued through graduate study at New York University (M.A., 1975 and Ph.D., 1989).

Stewart created murals in ceramic tile, mixed media and stained glass. In addition to mosaic murals, he designed tables with mosaic tops. As an outgrowth of his mosaic work, Stewart developed a technique for laminating stained glass onto plate glass that, by eliminating the need for lead, opened new design possibilities. Mural commissions included work for Hamilton Hotel in Chicago, Versailles Hotel in Miami Beach, Public School 28 in New York City, and several ocean liners. The most unusual mural, Raw Material commissioned by Cluett Peabody and Company, was composed of shirt labels embedded in acrylic.

Beginning in 1950 Stewart participated regularly in group shows and enjoyed solo exhibitions mainly in the New York City area. He also showed in Philadelphia, Georgia, Rhode Island, Mexico and Italy, and was included in exhibitions circulated by the American Federation of Arts.

Stewart taught at the college level for nearly thirty years, including: The New School (art and architecture, 1953-1958); Pratt Institute (interior architectural design, 1955-1960); The Cooper Union for the Advancement of Science and Art (painting, drawing, human anatomy, art history, 1960-1976; Art Department Chairman, 1971-1976); International Center of Mythymna, American Division, Lesbos, Greece (summer school, 1962-1965); Columbia University (M.F.A. program instructor, 1966-1976); and New York University (drawing, 1967-1975). In 1976 he was appointed Vice President and Provost of the Rhode Island School of Design.

Stewart was active in several professional organizations. He served as New York Artists Equity Association Secretary (1986-1987) and President (1987-1989); President of the National Society of Mural Painters (1996-2000); member of the advisory board of the Steffen Thomas Museum and Archives, Buckhead, GA (1997- 2000s); and President of the Fine Arts Federation of New York (2003-2004). The National Academy of Design elected Jack Stewart an Academician in 1995.

Jack Stewart and Margot Schwarzhaupt, an artist, were married in 1947; they had one son, Brandon. Painter and arts administrator, Regina Serniak, became Jack Stewart's wife in 1976.

Jack Stewart died in New York City in 2005.
Provenance:
Donated in 2010 by Regina Stewart, widow of Jack Stewart.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. This collection is copyright restricted.
Rights:
The Jack Stewart papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Street art  Search this
Muralists -- New York (State) -- New York  Search this
Mail art  Search this
Art -- Study and teaching  Search this
Painters -- New York (State) -- New York  Search this
Graffiti  Search this
Graffiti artists  Search this
Arts administrators -- New York (State) -- New York  Search this
Designers -- New York (State) -- New York  Search this
Genre/Form:
Sketches
Drawings
Sound recordings
Paintings
Photographs
Sketchbooks
Illustrated letters
Interviews
Transcripts
Color slides
Video recordings
Greeting cards
Designs
Citation:
Jack Stewart papers, 1926-2010. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.stewjack
See more items in:
Jack Stewart papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-stewjack

The Cooper Union for the Advancement of Science and Art

Collection Creator:
Stewart, Jack, 1926-2005  Search this
Container:
Box 1, Folder 26
Type:
Archival materials
Date:
1961-1976
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. This collection is copyright restricted.
Collection Rights:
The Jack Stewart papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Jack Stewart papers, 1926-2010. Archives of American Art, Smithsonian Institution.
See more items in:
Jack Stewart papers
Jack Stewart papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-stewjack-ref47

Ellen Lanyon papers

Creator:
Lanyon, Ellen  Search this
Names:
Cooper Union for the Advancement of Science and Art -- Faculty  Search this
Landfall Press  Search this
Ox-Bow Summer School of Painting  Search this
Chicago, Judy, 1939-  Search this
Golub, Leon, 1922-2004  Search this
Grooms, Red  Search this
Hunt, Richard, 1935-  Search this
Kozloff, Joyce  Search this
Lippard, Lucy R.  Search this
Nilsson, Gladys, 1940-  Search this
Petlin, Irving, 1934-  Search this
Plunkett, Ed (1922-)  Search this
Rockburne, Dorothea  Search this
Schapiro, Miriam, 1923-2015  Search this
Spector, Buzz  Search this
Stevens, May  Search this
Stuart, Michelle, 1933-  Search this
Extent:
62.6 Linear feet
Type:
Collection descriptions
Archival materials
Electronic records (digital records)
Sketches
Interviews
Collages
Paintings
Sound recordings
Prints
Video recordings
Sketchbooks
Diaries
Transcriptions
Photographs
Scrapbooks
Date:
circa 1880-2014
bulk 1926-2013
Summary:
The papers of artist Ellen Lanyon measure 62.6 linear feet and date from circa 1880-2014, bulk 1926-2013. Biographical material; correspondence; interviews; writings; journals; project files; teaching files; exhibition files; personal business records; printed and broadcast material; scrapbooks; photographic material; artwork; sketchbooks; as well as sound and video recordings and electronic records, provide a comprehensive view of Lanyon's career and of art circles in Chicago and New York. Correspondence with artists and friends make up a significant portion of the collection. Project and exhibition files reflect her professional and artistic career. Thousands of slides and photographs document her life and artwork over seven decades, and over seventy sketchbooks are filled with student sketches, portraits of friends and family, and preliminary drawings.
Scope and Contents:
The papers of artist Ellen Lanyon measure 62.6 linear feet and date from circa 1880-2014, bulk 1926-2013. Biographical material; correspondence; interviews; writings; journals; project files; teaching files; exhibition files; personal business records; printed and broadcast material; scrapbooks; photographic material; artwork; sketchbooks; as well as sound and video recordings and electronic records, provide a comprehensive view of Lanyon's career and of art circles in Chicago and New York.

Biographical material documents Lanyon's major life events and includes calendars; addresses and contacts; life documents; awards; diplomas and school records; resumes; horoscope readings and natal chart; residence documents; personal memorabilia; family papers and memorabilia; and items relating to Lanyon's memorial.

Correspondence, both personal and professional, consists of letters, postcards, holiday and greeting cards exchanged with family, friends, artists, collectors, publishers, print shops, museums, galleries, and cultural and educational institutions. Notable correspondents include Judy Chicago, Leon Golub, Red Grooms, Richard Hunt, Joyce Kozloff, Lucy Lippard, Gladys Nilsson, Irving Petlin, Edward Plunkett, Dorothea Rockburne, Miriam Schapiro, Buzz Spector, May Stevens, and Michelle Stuart.

Fourteen interviews are with Ellen Lanyon conducted by various interviewers on behalf of a number of organizations and consist of transcripts, sound recordings, and video recordings.

Writings include general writings, lectures, presentations, and thirty-seven notebooks by Lanyon. A few writings by others about Lanyon and several sound recordings of lectures by other artists are also found here.

Twenty-five journals intermittently record Lanyon's reflections on her day-to-day life including her work, obligations, and relationships.

Project files include professional activities and files documenting projects and commissions. Files may contain project proposals, correspondence, printed material, applications, contracts, research notes, invoices, receipts, notebooks, sketches, plans, organizational records, and photographic material. Three multi-year projects are extensively documented, including theMiami Metamorphosis mural, Riverwalk Gateway mural, and Hiawatha Rail Line mural.

Teaching files consist of correspondence, memoranda, course descriptions and proposals, rosters, administrative documents, and printed material from a number of institutions, including Cooper Union, where Lanyon taught from the 1970s to her retirement in 1993.

Exhibition files include files for individual exhibitions, exhibitions by women artists, and chronological files. Files may contain correspondence, inventories, consignment records, layout plans, printed material, and photographic material.

Personal business, inventory, and estate records document the financial and administrative history of Lanyon's career and artworks.

Printed material, broadcast material, and published video recordings document Lanyon's career, art movements in Chicago and New York, and the women's movement in art. Files may contain books, booklets, broadsides, radio and television broadcasts, brochures, exhibition announcements and catalogs, lecture announcements, news and magazine clippings, newspapers and newsletters, periodicals, press releases, programs, video recordings, source material, and posters.

Eight scrapbooks contain predominantly clippings and exhibition material documenting Lanyon's career.

Photographic material consists of thousands of prints, slides, transparencies, and negatives of Lanyon, family, friends, artists, places, and artwork.

A small number of artworks include a self-portrait Lanyon carved in wood, a childhood painting, a photo collage, sketches, and one folder of assignments for an art course. Artworks by others are a hand colored photograph album by Marcia Palazzolo and prints distributed by Landfall Press.

Seventy-one sketchbooks are filled with student sketches, portraits of friends and family, and preliminary drawings done in pencil, watercolor, and colored pencil.

The content of the sound and video recordings, and electronic records in the last series remains unidentified and existing labeling is insufficient for further description.
Arrangement:
The collection is arranged as fifteen series

Series 1: Biographical Material, circa 1880-2014, bulk 1926-2013 (5.3 linear feet; Box 1-6, 62)

Series 2: Correspondence, 1936-2013 (14.3 linear feet; Box 6-20)

Series 3: Interviews, circa 1975-2012 (0.7 linear feet; Box 20-21)

Series 4: Writings, Lectures, and Notebooks, circa 1947-2013 (3.2 linear feet; Box 21-24)

Series 5: Journals, 1967-2013 (1 linear foot; Box 24-25)

Series 6: Project Files, 1952-2014 (5.8 linear feet; Box 25-31, 62, OV 66)

Series 7: Teaching Files, 1953-2010 (0.9 linear feet; Box 31)

Series 8: Exhibition Files, circa 1944-2013 (2.7 linear feet; Box 32-34, 63)

Series 9: Personal Business, Inventory, and Estate Records, circa 1950-2014 (3 linear feet; Box 34-37)

Series 10: Printed and Broadcast Material, and Published Video Recordings, 1937-2013 (13.3 linear feet; Box 37-49, 63, OV 67-77)

Series 11: Scrapbooks, 1946-2013 (0.6 linear feet; Box 49-50)

Series 12: Photographic Material, circa 1920-2013 (7.7 linear feet; Box 50-57, 63)

Series 13: Artwork, circa 1938-1979 (0.2 linear feet; Box 58, 63)

Series 14: Sketchbooks, circa 1940-2010 (3.4 linear feet; Box 58-60, 64, 65)

Series 15: Unidentified Sound and Video Recordings, and Electronic Records, circa 1974-2013 (0.5 linear feet; Box 60-61)
Biographical / Historical:
Ellen Lanyon (1926-2013) was an American painter and printmaker working in Chicago and New York. She was born in Chicago, Illinois to Howard and Ellen (Nellie) Lanyon. Lanyon received her BFA from the School of the Art Institute of Chicago in 1948 and married classmate and artist Roland Ginzel that same year. In 1950, she received her MFA from the University of Iowa. As part of her post graduate work, Lanyon studied at the Courtauld Institute, University of London on a Fulbright Fellowship.

In the late 1940s, Lanyon began exhibiting her work and was featured in several Chicago and Vicinity Annual shows as well as the Momentum exhibitions. Influenced by surrealism, magic realism, and the work of the Chicago Imagists and the Hairy Who, Lanyon's subjects range from portraits of friends and family, to objects from her collection of curios, to flora and fauna. She produced paintings, drawings, print editions, artist's books, and some ceramics. In addition to her own artwork, Lanyon took on numerous commissions including the Riverwalk Gateway murals in Chicago, the Hiawatha Transit murals in Minneapolis, Minnesota, and a variety of illustration work.

Lanyon was active in many professional organizations and women's organizations including the College Art Association (CAA) and the Women's Caucus for Art. She organized panels at CAA, contributed writings and editing to journals, including Heresies, and served on a variety of panels and juries. Lanyon was also on the Board of the Ox-Bow Summer School of Painting, which she attended in her youth. Over the course of her career, she taught at many colleges and universities, including Cooper Union, where she was Associate Professor.

Throughout her career, Lanyon participated in exhibitions around the country, including a retrospective of her work at the National Museum for Women in the Arts in 1999. She was also the recipient of many awards and grants including the Logan Price and a National Endowment for the Arts grant.

Lanyon and Ginzel had two children, Andrew and Lisa Ginzel.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Ellen Lanyon conducted by James Crawford in 1975.
Provenance:
A majority of the collection was donated in 2015 by Andrew Ginszel, Ellen Lanyon's son and executor. Lanyon also donated material in 1990. Portions of the collection were lent for microfilming from 1977-1981 by Lanyon and subsequently donated.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Ellen Lanyon papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Muralists -- New York (State) -- New York  Search this
Women artists  Search this
Painters -- New York (State) -- New York  Search this
Painters -- Illinois -- Chicago  Search this
Printmakers -- Illinois -- Chicago  Search this
Feminism and the arts  Search this
Art -- Illinois -- Chicago  Search this
Painting, Modern -- 20th century -- Illinois -- Chicago  Search this
Art -- New York (State) -- New York  Search this
Art -- Study and teaching  Search this
Feminism and art  Search this
Muralists -- Illinois -- Chicago  Search this
Genre/Form:
Electronic records (digital records)
Sketches
Interviews
Collages
Paintings
Sound recordings
Prints
Video recordings
Sketchbooks
Diaries
Transcriptions
Photographs
Scrapbooks
Citation:
Ellen Lanyon papers, circa 1880-2014, bulk 1926-2013. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.lanyelle
See more items in:
Ellen Lanyon papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-lanyelle
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