Search Results

Collector:

James G. Swan  Search this

Donor Name:

Accession Number Unknown  Search this

Height - Object:

69 cm

36 cm

Depth - Object:

69 cm

Width - Object:

4.1 m

Culture:

Haida (?)  Search this

Object Type:

Crest Column

Place:

Laskeek (Tanu) (not certain), Queen Charlotte Islands (Haida Gwaii) / Louise Island (not certain), British Columbia, Canada, North America

Collection Date:

1875

Topic:

Ethnology  Search this

Accession Number:

000000

USNM Number:

E54299-0

See more items in:

Anthropology

Data Source:

NMNH - Anthropology Dept.

GUID:

http://n2t.net/ark:/65665/3562610cd-1696-494f-aa18-40a6e31e0b4a

EDAN-URL:

edanmdm:nmnhanthropology_8468540

Collector:

Rev. Heinrich R. Voth  Search this

Donor Name:

World's Columbian Exposition  Search this

Culture:

Cheyenne (Tsitsistas, Suhtai)  Search this

Object Type:

Game Dart

Place:

Not Given, Cheyenne And Arapaho Reservation, Oklahoma, United States, North America

Accession Date:

25 Dec 1893

Topic:

Ethnology  Search this

Accession Number:

026674

USNM Number:

E165871-0

See more items in:

Anthropology

Data Source:

NMNH - Anthropology Dept.

GUID:

http://n2t.net/ark:/65665/34ed7a4cc-76a4-43bb-aee3-eb6742e6f5e3

EDAN-URL:

edanmdm:nmnhanthropology_8346470

Collector:

William J. McGee  Search this

Donor Name:

Bureau Of American Ethnology  Search this

Culture:

Papago (Tohono O'odham)  Search this

Object Type:

Ball

Place:

Not Given, San Xavier Reservation / Pima County, Arizona, United States, North America

Accession Date:

14 Feb 1895

Topic:

Ethnology  Search this

Accession Number:

029025

USNM Number:

E174520-0

See more items in:

Anthropology

Data Source:

NMNH - Anthropology Dept.

GUID:

http://n2t.net/ark:/65665/3d4bc0f0d-c7d2-4aef-8ae8-b7f0b71f44ba

EDAN-URL:

edanmdm:nmnhanthropology_8349771

Collector:

Mr. James Mooney  Search this

Donor Name:

Bureau Of American Ethnology  Search this

Culture:

Arapaho (Inunaina, Hinono'ei)  Search this

Object Type:

Game Dart

Place:

United States, North America

Accession Date:

15 Feb 1896

Topic:

Ethnology  Search this

Accession Number:

030341

USNM Number:

E175621-0

See more items in:

Anthropology

Data Source:

NMNH - Anthropology Dept.

GUID:

http://n2t.net/ark:/65665/37b0e61e2-dbcf-438c-bc62-6120fb204f36

EDAN-URL:

edanmdm:nmnhanthropology_8350972

Collector:

Emile Granier  Search this

Donor Name:

Emile Granier  Search this

Culture:

Arapaho (Inunaina, Hinono'ei)  Search this

Object Type:

Game Dart

Place:

Wyoming, United States, North America

Accession Date:

14 Sep 1898

Topic:

Ethnology  Search this

Accession Number:

034005

USNM Number:

E201015-0

See more items in:

Anthropology

Data Source:

NMNH - Anthropology Dept.

GUID:

http://n2t.net/ark:/65665/30de96931-9135-4b64-b550-8af6edf33972

EDAN-URL:

edanmdm:nmnhanthropology_8355345

Collector:

Edward H. Smith Jr.  Search this

Mrs. Edward H. Smith  Search this

Donor Name:

Edward H. Smith Jr.  Search this

Length:

73 cm

Culture:

Javanese  Search this

Object Type:

Puppet

Place:

West Java, Indonesia, Asia

Accession Date:

10 Aug 1989

Collection Date:

1974 to 1976

Topic:

Ethnology  Search this

Accession Number:

361230

USNM Number:

E431803-0

See more items in:

Anthropology

Data Source:

NMNH - Anthropology Dept.

GUID:

http://n2t.net/ark:/65665/3f5efb12d-2e6d-4f58-8e8f-0208a9160f83

EDAN-URL:

edanmdm:nmnhanthropology_8548690

Creator:

White, Charles (1918-1979)  Search this

Names:

Belafonte Enterprises  Search this

Heritage Gallery  Search this

Otis Art Institute  Search this

Barthé, Richmond, 1901-1989  Search this

Catlett, Elizabeth, 1915-2012  Search this

White, Frances Barrett  Search this

Extent:

12.9 Linear feet

Type:

Collection descriptions

Archival materials

Interviews

Sound recordings

Scrapbooks

Date:

1933-1987

bulk 1960s-1970s

Summary:

The papers of Los Angeles painter, printmaker, and educator, Charles W. White, measure 12.9 linear feet and date from 1933 to 1987, with the bulk of the material dating from the 1960s to the 1970s. The collection contains biographical material, including a sound recording of an interview with White; personal and professional correspondence; writings by White and others about his philosophy of art, his life, and career; professional files documenting White's participation in a variety of boards, committees, juries, symposiums, professional projects, and commissions; teaching files documenting White's tenure at Otis Art Institute; extensive printed material charting White's career from the 1930s until his death; scrapbooks primarily documenting his early career; and a small series of photographs.

Scope and Contents:

The papers of Los Angeles painter, printmaker, and educator, Charles W. White, measure 12.9 linear feet and date from 1933 to 1987, with the bulk of the material dating from the 1960s to the 1970s. The collection contains biographical material including a sound recording of an interview with White; personal and professional correspondence; writings by White and others about his philosophy of art, his life, and career; professional files documenting White's participation in a variety of boards, committees, juries, symposiums, professional projects, and commissions; teaching files documenting White's tenure at Otis Art Institute; extensive printed material charting White's career from the 1930s until his death; scrapbooks primarily documenting his early career; and a small series of photographs.

Biographical material includes documentation of awards received by White, biographical notes, resumes, White's high school report cards, interview transcripts and a sound recording of an interview, and records related to Elizabeth Catlett from the 1940s.

Correspondence includes scattered letters from family and friends but is primarily professional. White's correspondence was often conducted by Benjamin Horowitz and, occasionally, by Frances White, although some scattered original drafts of letters by White can also be found in this series. The series documents many aspects of White's career including: his relationship with Horowitz and Heritage Gallery as his representative; sales, loans, and exhibitions of White's artwork at many museums, galleries, and art institutions; the publication of his work in journals, magazines, and books, and it's use in the film and music industries; and his relationships with others in the arts and the entertainment industry including Richmond Barthé, Margaret Burroughs, Bing Davis, David Driskell, Lorraine Hansberry, and Harry Belafonte's company, Belafonte Enterprises.

Writings by White include two addresses made to the Annual Conference of Negro Artists, statements on his philosophy of art, and an autobiographical essay. Writings by others include drafts of Benjamin Horowitz's book Images of Dignity:The Drawings of Charles White.

White's professional activities are further documented through records related to the many boards, committees, and exhibition and art contest juries he served on, as well as lectures he delivered, and panels and symposiums he participated in. White's professional files also contain records relating to fellowships he received and document projects such as designs for books, films, and magazines.

White's teaching files primarily relate to Otis Art Institute and contain some records related directly to his work there as well as general faculty and board material. The records document, to some extent, White's role as spokesperson for the faculty and students during the transfer of the Otis charter to Parsons School of Design in 1979. Documentation of White's association with Howard University is minimal and includes letters related to his appointment and resignation in 1978-1979.

Gallery and exhibition files document specific solo and group exhibitions and include records on two visits White made to Germany in 1974 and 1978.

Printed material includes announcements, exhibition catalogs, articles in journals, magazines, and news clippings, and publications with artwork by White that provide extensive coverage of White's career from the 1930s to his death. Also found is printed material collected by White on other artists, and on subjects of interest to him.

Three disbound scrapbooks provide compilations of printed material and occasional letters further documenting White's career. A small series of photographs includes holiday card photos of White, Frances White, and their two children, and photos of White and others taken at a workshop in 1969.

Throughout the collection there are folders containing notes written by Frances White, circa 1980-1981, which provide important contextual information about people, organizations and subjects in the collection, and sometimes highlight the racism White encountered, particularly during his early career. The dates of these notes are not included in folder dates.

Arrangement:

The collection is arranged as nine series.

Series 1: Biographical Material, circa 1934-1979 (Box 1; 0.2 linear feet)

Series 2: Correspondence, 1937-1984 (Boxes 1-4, 13; 3.64 linear feet)

Series 3: Writings, 1936-circa 1981 (Boxes 4-5; 0.45 linear feet)

Series 4: Professional Activities, circa 1942-1982 (Boxes 5-6, 13, OV 15; 1.81 linear feet)

Series 5: Teaching Files, 1950-1979 (Boxes 6, 13; 0.72 linear feet)

Series 6: Gallery and Exhibition Files, 1946-1980 (Box 7, Box 14; 0.98 linear feet)

Series 7: Printed Material, 1933-1987 (Boxes 8-14, OVs 15-17; 4.8 linear feet)

Series 8: Scrapbooks, 1936-1970s (Box 12; 0.15 linear feet)

Series 9: Photographic Material, 1940-1976 (Box 12; 0.15 linear feet)

Biographical / Historical:

Painter, printmaker, and educator, Charles W. White (1918-1979), was a prominent figure in the Chicago Black Renaissance and became one of the most celebrated and influential African American artists of the twentieth century. Born and raised in Chicago, Illinois, White lived and worked in California beginning in 1956, and taught at the Otis Art Institute from 1965 until his death.

White began painting at a young age, earning first prize in a nationwide high school art contest. He studied at the School of the Art Institute of Chicago, where he was awarded a full scholarship, from 1937-1938. After graduating from the school, White worked as a muralist for the Illinois Federal Arts Project sponsored by the Works Progress Administration from 1939 to 1940. He then received two fellowships from the Julius Rosenwald Foundation in 1942 and 1943 and created the mural The Contribution of the Negro to American Democracy at the Hampton Institute. From 1943-1945 he taught at the George Washington Carver School in New York City, and was artist-in-residence at Howard University in Washington, D.C., in 1945.

White's first marriage to Elizabeth Catlett ended in divorce and he married Frances Barrett in 1950. The couple relocated to Los Angeles where White was represented by Benjamin Horowitz's Heritage Gallery. White was widely exhibited in Los Angeles, and at the Art Institute of Chicago, the Metropolitan Museum of Art, the Whitney Museum of American Art, the Newark Museum, the Santa Barbara Museum of Art, and elsewhere. Working primarily in black and white or sepia and white drawings, paintings, and lithographs, White's artwork was primarily figurative and depicted African American history, socio-economic struggles, and human relationships.

Charles White received a number of awards and honors and in 1972 he was the third African American artist to be elected a full member of the National Academy of Design.

Related Materials:

The Archives of American Art also holds the Charles W. and Frances White letters and photographs to Melvin and Lorraine Williamson, the Lucinda H. Gedeon research material on Charles W. White, and an oral history interview with Charles W. White conducted by Betty Hoag, March 9, 1965.

Separated Materials:

The Archives of American Art also holds microfilm of loaned materials (reels LA7 and 3099). Reel LA7 includes photographs of White, his work, and a career resume. Reel 3099 contains 31 items consisting of three travel diaries kept by Frances White, photographs and a recording of their trip to Russia in 1950, and 11 record album covers designed by Charles White. Loaned materials were returned to the lenders after microfilming and are not described in the collection container inventory.

Charles White's "Black Experience Archive," originally received with the papers, was donated to Howard University's Moorland-Springarn Research Center in 1985 at the request of Frances White.

Provenance:

Photographs on reel LA7 and material on reel 3099 were lent to the Archives of American Art for microfilming in 1965 and 1982, by Benjamin Horowitz, White's dealer, and by Frances White. Material on reel 2041 was donated by the George Arents Research Library, Syracuse University, 1976, who had originally received it from Horowitz. The remainder of the papers were donated by Charles White, 1975-1978, and after his death by Frances White and Benjamin Horowitz, 1981-1989.

Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Painters -- California -- Los Angeles  Search this

Printmakers -- California -- Los Angeles  Search this

Educators -- California -- Los Angeles  Search this

Topic:

African American artists  Search this

African American educators  Search this

African American painters  Search this

African American printmakers  Search this

Genre/Form:

Interviews

Sound recordings

Scrapbooks

Citation:

Charles W. White papers, 1933-1987. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Henry Luce Foundation. Funding for the digitization was provided by the Roy Lichtenstein Foundation and the Alice L. Walton Foundation.

Identifier:

AAA.whitchar

See more items in:

Charles W. White papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9280ca62a-d068-4695-872f-041df8333648

EDAN-URL:

ead_collection:sova-aaa-whitchar

Maker:

unknown  Search this

Physical Description:

painted (overall production method/technique)

fabric, pressed felt (overall material)

multicolored (decoration (eagle) color)

eagle (decoration (eagle) motif)

brown (overall color)

green; black (underbrim color)

gold (lettering color)

yellow (decoration (banner) color)

paint (overall material)

Measurements:

overall: 6 1/4 in x 12 in x 13 3/8 in; 15.875 cm x 30.48 cm x 33.9725 cm

Object Name:

hat, fire

Place made:

United States

Date made:

1810-1860

Subject:

Anchors  Search this

Eagles  Search this

Fire Fighting  Search this

Fraternal Associations  Search this

Related Publication:

McCosker, M.J.. The Historical Collection of the Insurance Company of North America

Credit Line:

Gift of CIGNA Museum and Art Collection

ID Number:

2005.0233.0029

Catalog number:

2005.0233.0029

Accession number:

2005.0233

See more items in:

Home and Community Life: Fire Fighting and Law Enforcement

Cultures & Communities

Clothing & Accessories

Fire Hats

Work

Firefighting Collection

Art

Data Source:

National Museum of American History

GUID:

http://n2t.net/ark:/65665/ng49ca746ac-06c3-704b-e053-15f76fa0b4fa

EDAN-URL:

edanmdm:nmah_1318657

Creator:

White, Charles, 1918-1979  Search this

Subject:

White, Frances Barrett  Search this

Catlett, Elizabeth  Search this

Barthé, Richmond  Search this

Heritage Gallery  Search this

Otis Art Institute  Search this

Belafonte Enterprises  Search this

Type:

Interviews

Sound recordings

Scrapbooks

Citation:

Charles W. White papers, 1933-1987, bulk 1960s-1970s. Archives of American Art, Smithsonian Institution.

Topic:

African American artists  Search this

African American educators  Search this

African American painters  Search this

African American printmakers  Search this

Theme:

Diaries  Search this

African American  Search this

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)9350

(DSI-AAA_SIRISBib)211546

AAA_collcode_whitchar

Theme:

Diaries

African American

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_211546

Medium:

Opaque watercolor and gold on paper

Dimensions:

H x W (overall): 47 × 52.1 cm (18 1/2 × 20 1/2 in)

H x W x D (display mat): 62.2 × 67.3 × 0.5 cm (24 1/2 × 26 1/2 × 3/16 in)

Type:

Painting

Origin:

Mewar, Rajasthan state, India

Date:

ca. 1670-1675

Topic:

elephant  Search this

India  Search this

South Asian and Himalayan Art  Search this

Catherine and Ralph Benkaim Collection  Search this

Credit Line:

Purchase and partial gift from the Catherine and Ralph Benkaim Collection — funds provided by the Friends of the National Museum of Asian Art

Accession Number:

S2018.1.57

Restrictions & Rights:

CC0

See more items in:

Freer Gallery of Art and Arthur M. Sackler Gallery Collection

Data Source:

Freer Gallery of Art and Arthur M. Sackler Gallery

GUID:

http://n2t.net/ark:/65665/ye33c4529eb-5c35-47c7-9a8d-e85378140d8a

EDAN-URL:

edanmdm:fsg_S2018.1.57

Creator:

Friends of the National Zoo  Search this

Type:

YouTube Videos

Uploaded:

2015-03-31T18:56:46.000Z

YouTube Category:

People & Blogs  Search this

Topic:

Zoology;Animals  Search this

See more by:

Friends of the National Zoo

Data Source:

Friends of the National Zoo

YouTube Channel:

Friends of the National Zoo

EDAN-URL:

edanmdm:yt_T77KDwqtUwg

Artist:

Jack Davis, 2 Dec 1924 - 27 Jul 2016  Search this

Sitter:

Joseph R. Biden, born 20 Nov 1942  Search this

Winton Malcolm Blount, 1 Feb 1921 - 24 Oct 2002  Search this

James Caleb Boggs, 15 May 1909 - 26 Mar 1993  Search this

Christopher Bond, born 6 Mar 1939  Search this

John Hubbard Chafee, 22 Oct 1922 - 24 Oct 1999  Search this

Edward L. Dowd Sr., 1918 - 20 Jan 2004  Search this

John Henry Heinz, III, 23 Oct 1938 - 4 Apr 1991  Search this

Claiborne de Borda Pell, 22 Nov 1918 - 1 Jan 2009  Search this

John Jackson Sparkman, 20 Dec 1899 - 16 Nov 1985  Search this

Douglas Walgren, born 28 Dec 1940  Search this

Medium:

Watercolor, gouache, graphite and colored pencil on paperboard

Dimensions:

64.8cm x 37.5cm (25 1/2" x 14 3/4"), Accurate

Type:

Painting

Date:

published November 6, 1972

Topic:

Nature & Environment\Animal\Donkey  Search this

Exterior\Waterscape\Seascape  Search this

Nature & Environment\Water\Ocean  Search this

Vehicle\Ship\Sailing ship  Search this

Weapon\Sword  Search this

Weapon\Canon  Search this

Caricature  Search this

Nature & Environment\Animal\Elephant  Search this

Weapon\Club  Search this

Symbols & Motifs\Flag\Pennant  Search this

Symbols & Motifs\Banner\Political  Search this

Joseph R. Biden: Male  Search this

Joseph R. Biden: Law and Crime\Lawyer  Search this

Joseph R. Biden: Politics and Government\Vice-President of US  Search this

Joseph R. Biden: Politics and Government\President of US  Search this

Joseph R. Biden: Politics and Government\US Senator\Delaware  Search this

Winton Malcolm Blount: Male  Search this

Winton Malcolm Blount: Society and Social Change\Philanthropist  Search this

Winton Malcolm Blount: Politics and Government\Government official\Postmaster\Postmaster General  Search this

James Caleb Boggs: Male  Search this

James Caleb Boggs: Law and Crime\Lawyer  Search this

James Caleb Boggs: Law and Crime\Judge  Search this

James Caleb Boggs: Politics and Government\US Senator\Delaware  Search this

James Caleb Boggs: Politics and Government\US Congressman\Delaware  Search this

James Caleb Boggs: Military and Intelligence\Army  Search this

James Caleb Boggs: Politics and Government\Governor\Delaware  Search this

Christopher Bond: Male  Search this

Christopher Bond: Politics and Government\US Senator\Missouri  Search this

Christopher Bond: Politics and Government\Governor\Missouri  Search this

John Hubbard Chafee: Male  Search this

John Hubbard Chafee: Politics and Government\US Senator\Rhode Island  Search this

John Hubbard Chafee: Politics and Government\Governor\Rhode Island  Search this

Edward L. Dowd Sr.: Male  Search this

Edward L. Dowd Sr.: Law and Crime\Lawyer  Search this

Edward L. Dowd Sr.: Politics and Government\Politician  Search this

John Henry Heinz, III: Male  Search this

John Henry Heinz, III: Business and Finance\Businessperson  Search this

John Henry Heinz, III: Politics and Government\US Congressman\Pennsylvania  Search this

John Henry Heinz, III: Military and Intelligence\Air Force\Officer  Search this

John Henry Heinz, III: Politics and Government\US Senator\Pennsylvania  Search this

Claiborne de Borda Pell: Male  Search this

Claiborne de Borda Pell: Literature\Writer  Search this

Claiborne de Borda Pell: Business and Finance\Banking and Finance\Banker\Investment banker  Search this

Claiborne de Borda Pell: Politics and Government\US Senator\Rhode Island  Search this

John Jackson Sparkman: Male  Search this

John Jackson Sparkman: Law and Crime\Lawyer  Search this

John Jackson Sparkman: Politics and Government\Vice-Presidential Candidate  Search this

John Jackson Sparkman: Politics and Government\US Congressman\Alabama  Search this

John Jackson Sparkman: Politics and Government\US Representative to United Nations  Search this

John Jackson Sparkman: Politics and Government\US Senator\Alabama  Search this

Douglas Walgren: Male  Search this

Douglas Walgren: Politics and Government\US Congressman\Pennsylvania  Search this

Portrait  Search this

Credit Line:

National Portrait Gallery, Smithsonian Institution; gift of Time magazine

Object number:

NPG.78.TC153

Restrictions & Rights:

Usage conditions apply

Copyright:

© Jack Davis

See more items in:

National Portrait Gallery Collection

Location:

Currently not on view

Data Source:

National Portrait Gallery

GUID:

http://n2t.net/ark:/65665/sm4c6cbef55-53b2-4ed6-808f-3b0090667309

EDAN-URL:

edanmdm:npg_NPG.78.TC153

Creator:

National Air and Space Museum  Search this

Type:

YouTube Videos

Uploaded:

2016-10-18T20:12:33.000Z

YouTube Category:

Education  Search this

Topic:

Aeronautics;Flight;Space Sciences  Search this

See more by:

airandspace

Data Source:

National Air and Space Museum

YouTube Channel:

airandspace

EDAN-URL:

edanmdm:yt_gQNH9nKAuiE

Creator:

National Zoo  Search this

Type:

YouTube Videos

Uploaded:

2011-01-18T20:39:17.000Z

YouTube Category:

Education  Search this

Topic:

Zoology;Animals;Veterinary medicine;Animal health  Search this

See more by:

SmithsonianNZP

Data Source:

National Zoo

YouTube Channel:

SmithsonianNZP

EDAN-URL:

edanmdm:yt_WpNqOzVDMI8

Photographer:

Doggett, Drew  Search this

Extent:

1 Photographic print (b&w; matted, 12 x 18 in. (print); 21 x 24 in. (matted))

1 Photographic print (b&w; matted, 10 x 12 in. (print); 16 x 18 in. (matted))

18 Photographic prints (b&w; matted, 12 x 18 in. (print); 18 x 24 in. (matted))

Container:

Box 1

Map-case M4

Type:

Collection descriptions

Archival materials

Photographs

Photographic prints

Place:

Africa

Ethiopia

Omo River Valley (Ethiopia and Kenya)

Date:

February 2011

Summary:

The collection consists of twenty matted black and white photographs taken in February 2011 that were used in Doggett's series, Omo: Expressions of a People (2012). These artistic photographs were taken in Omo Valley, Ethiopia, and depict Suri, Hamar, Dhassanac and Karo peoples.

Scope and Contents:

The collection consists of twenty matted black and white photographs taken in February 2011 that were used in Doggett's series, Omo: Expressions of a People (2012). These artistic photographs were taken in Omo Valley, Ethiopia, and depict Suri, Hamar, Dhassanac and Karo peoples. Many of the photos emphasize individuals' adornments, including headdresses, ear plates, necklaces, loin coverings, body painting and scarification and lip piercings. There are also several photographs of village scenes, cattle herding and rites of ceremonies, particularly the Hamar peoples' Jumping of the Bulls.

Arrangement:

The collection is arranged in one series by title.

Biographical / Historical:

Photographer and filmmaker Drew Doggett (b. 1984 in Maryland) received his BA from Vanderbilt University (2006), majoring in Human & Organization Development. In addition to working from 2006-2012 under prominent fashion and portrait photographers, including Steven Klein, Annie Leibovitz, Mark Seliger, Ruven Afanador and Craig McDean, Doggett has photographed remote regions in the Himalayas, Africa, France, Canada, and other areas. Solo exhibitions include Slow Road to China (2010-2011), Omo: Expressions of a People (2012), Discovering the Horses of Sable Island (2013), Dunes: Landscapes Evolving (2014-2015) and Sail: Majesty at Sea (2015). His work has garnered awards at the Px3 Prix de la Photographie Paris (2014, 1st place in Culture Photography category), Px3 White Color Trilogy Photography Competition (2015, 2nd place in Nature category) and the Nikon Photo Contest (2015, 3rd prize for Dunes: Abstract Expressions short film). In 2016 he was honored as an Associate from the Royal Photographic Society. His work is held in private collections globally and is also in the permanent collections of several museums.

Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Rights:

Drew Doggett is the owner of copyright and other intellectual properties. Permission to reproduce requires written consent from Doggett. Any commercial exploitation of any of the works in the collection that include a person identifiable in the work is explicitly prohibited unless Doggett grants a publicity release. Contact the Archives staff for more information.

Topic:

Suri (African people)  Search this

Karo (African people)  Search this

Hamar (African people)  Search this

Citation:

Drew Doggett Photographs, EEPA 2015-009, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution, Washington, D.C.

Identifier:

EEPA.2015-009

See more items in:

Drew Doggett Photographs

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

GUID:

https://n2t.net/ark:/65665/xo776fcecca-899e-4e5b-aa78-907bc21a5a80

EDAN-URL:

ead_collection:sova-eepa-2015-009

Creator:

Nordic Ware Division, Northland Aluminum  Search this

Donor:

Dalquist, H. David  Search this

Dalquist, Dorothy  Search this

Extent:

28 Cubic feet (53 boxes and 25 oversize folders )

Type:

Collection descriptions

Archival materials

Correspondence

Photographs

Legal records

Catalogs

Financial records

Design drawings

Place:

Minneapolis (Minn.)

Date:

1940-2006

Summary:

Records of a family-owned manufacturing firm, best known for kitchenware products including the Bundt Pan and Micro-Go-Round. The collection richly documents the entrepreneurial spirit of the Minnesota firm and its history of product innovation through technical files, marketing materials, and administrative and financial records.

Scope and Contents:

The Nordic Ware collection consists of approximately twenty-eight cubic feet of records from the Northland Aluminum Company, most dealing with its Nordic Ware business. The Dalquist family recognized the importance of record keeping, and this collection documents very well the evolution of an entrepreneurial, family-owned American business from its earliest years.

Of particular interest for researchers may be the Pillsbury and Bundt Cake Pan dual marketing strategies, showcased mainly in Series 3, Marketing and Sales Records, 1948-2004, the introduction of ethnic cookware into American Culture through such dishes as the Rosettes and Timbales set and Taco dinner kit, the segmentation of product lines by price level to target consumers of differing incomes, and the issue of a trademarked term like "Bundt" becoming generic as seen in Series 6, Legal Records, 1962-1978. Series 4, Engineering Department Records, 1950-1994, provide in-depth documentation of the technical development of several of Nordic Ware's innovative products.

Series 1: Historical and Background Materials, 1940s-2006

These materials provide a history of Dave Dalquist as an entrepreneur and how this led to his ownership of Northland Aluminum Products and the Nordic Ware brand. There are histories put together by the company as well financial summaries for some years. The series contains The Nordic Ware Saga, a book edited and produced by the Dalquist family, and America at Home: A Celebration of Twentieth-Century Housewares. Both books have valuable background information on the company and how it fits into the housewares industry. There also are materials from the original business, Plastics for Industry. An undated marketing booklet, published about 1990, briefly describes the company's history and its product line and corporate structure. Additional company history is found in six installments written by Dave Dalquist under the title "From the Skipper" and covering the years 1946 to l985.

Series 2: David Dalquist Files, 1963-1993

David Dalquist, the president and founder of the company, kept these files in his office and home. Dalquist had no formal filing system and preferred to group records together as he used them. This order has been maintained as much as possible to the folder level. Several files contain information and notes from Dalquist's attendance at the National Housewares Shows and the meetings held there with his sales representatives. The annual Housewares Shows in Chicago were key events in this industry and Nordic Ware made them a high priority. The sales meetings materials include speeches Dalquist delivered. This series reveals Dalquist's involvement with every aspect of the company. It portrays an entrepreneur who began with an engineering degree, very limited capital, and no business experience. Dalquist built a multi-million dollar company while insisting on high ethical and business standards.

The several companies owned by the Dalquist family are documented in these files. There is a merger agreement between Northland Metal Finishers and Northland Aluminum. The records show the company went through several phases and had several brands besides Nordic Ware, including Minnesota Ware, DuNord, and Norcast.

Series 3: Marketing and Sales Records, 1948-2004 The Marketing and Sales Records focus mainly on the promotion of the Nordic Ware Brand and the sale and distribution of products, especially to the retail trade industry. There is evidence of how Nordic Ware presented its products to the industry and of other types of promotions to build brand awareness. These records are divided into three subseries: Subseries 1, General and Department Records, 1967-1995; Subseries 2, Promotional and Trade Sales Materials, 1958-2004; and Subseries 3, Public Relations, 1948-1992

Subseries 3.1: General and Department Records, 1967-1995

Dave Dalquist initially handled most of the company's marketing and sales, but as the company grew, a separate department was created. Among other things, this department created sketches of new product ideas that employees submitted as part of the New Product Idea meetings periodically scheduled by Dave Dalquist. Several files contain this artwork and a design notebook. There are also the files of Doug White, a Vice President of Marketing and Sales. Other art renderings, such as line art used in catalogs, are in this series.

Subseries 3.2: Promotional and Trade Sales Materials, 1958-2004

This subseries consists both of advertising geared towards the trade industry and that aimed at the consumer to promote brand image and sales. A 1970s scrapbook is a record of cross-promotional offers in which Nordic Ware and other firms advertised their products together in a single advertisement. The scrapbook also documents Nordic Ware products offered as sales premiums. The advertisements are organized by the brand co-featured in the advertisement. The Bundt Pan was the predominant Nordic Ware product in these advertisements. The Pillsbury file is especially important as it shows the building of the dual marketing arrangement which allowed Bundt Pans to be packaged with Pillsbury mixes. Nordic Ware received national publicity that it would otherwise have been difficult to generate. The Bundt Pan was integrated into magazine recipes and articles and included in mentions of other brands. These records document the remarkably brief time in which the Bundt Pan achieved national recognition.

The trade market was critical to Nordic Ware. The Sales Guides, 1982-2004, were given to regional sales representatives with information on sales promotions and incentives to representatives for sales of Nordic Ware products in specific markets. The Guides also have product descriptions, so that each representative was fully familiar with the products. Along with these guides, Nordic Ware put out trade catalogs, also found in this subseries. Although there is no master list of the catalogs, many have been hand-dated by Nordic Ware employees. Many of the models in the catalogs and the advertisements were members of the Dalquist family, neighbors, and other acquaintances.

Subseries 3.3: Public Relations, 1948-1992

These materials mainly document a series of campaigns created by Sara Jean Thomas, a public relations contractor. She worked with the marketing and sales department to build the Nordic Ware brand and to create a series of television and radio product promotions in the form of household hints. Several scripts are included here along with details of the overall campaigns. There also are files documenting the reach of these promotions. Other materials include a press kit for Chef Tell, a celebrity chef who represented Nordic Ware products for several years and who made appearances at its booth at the National Housewares Shows. New product press releases (with photographs) and general public relations files (1986-1989), along with the Marketing Communication Plans (1987-1989), give details on the planning of other public relations efforts. The trade press clippings scrapbook documents mentions of Nordic Ware and its products, competitors' advertising, and general developments in the house wares industry. Trade press clippings also are found in Series 8, subseries 4.

Series 4: Engineering Department Records, 1950-1994

The Engineering Department was vital to the success of Nordic Ware. Records in this series reveal the process by which a new product idea was developed, built, tested, and turned into a saleable product. Museum staff members selected the records in this series, occupying about five cubic feet, from a much larger group of files, roughly twenty-five feet in extent. The criteria for selection included substantive information on the design development of new products, especially those requiring substantial engineering work, and on product re-design to create cost efficiencies and resolve product problems.

Subseries 4.1: General Records, 1969-1992

These records deal with general departmental business and include incoming and outgoing correspondence and general files kept by individual engineers. They also provide operational information such as source for production materials, work orders processing, and treatment of employee issues in the department.

Subseries 4.2: Laboratory Notebooks, 1972, 1984-1993

Engineers in the department kept these notebooks mainly for developing design ideas and working out the technical logistics of bringing the designs into production. The notebooks also served as evidential records for patent disputes. The engineers signed and dated the pages of their notebooks as proof of when ideas were conceptualized and who recorded them.

Subseries 4.3: Product Files, 1976-1993, undated

These records originally were organized by product number, but no index to the numbering system accompanied the records so files of like products were grouped together. The Micro-Go-Round, Oven-Aire, and Wok are the most thoroughly documented. The records include blueprints at various stages of the products development, work orders for research and development, outside quotations, invoices, quality control tests and guidelines, memoranda to and from other company offices about product development, and other types of operational materials. Most of these products had multiple versions, and evidence of ongoing testing and modification is seen in the records.

These records document some of the innovation that made Nordic Ware an important presence in the housewares industry. The Micro-Go-Round was a particularly revolutionary product at the time, and the records show how the company recognized a need for the product and did what was necessary to develop it, although it had little or no experience with microwave technology. Micro-Go-Round records also are found in Subseries 5 of this series. The Oven-Aire required extensive development efforts to bring to fruition. The idea behind this product was to make conventional ovens cook more evenly and operate like a convection oven. The records include photographs of the original working model, tests done in some of the engineers' home kitchens, and comparison photographs of foods cooked with and without the device. Though the product never took off in the market, the invention and development process is documented here from the perspective of the several parties who worked on it. To a much more limited degree, records for some of the other products -- like the Popgun Popcorn Popper and the Supremer Ice Creamer --demonstrate the design and development process. There is even information about packaging design for some of the products.

Subseries 4.4: New Product Ideas Files, 1976-1993

These records document Nordic Ware's efforts to identify and develop a stream of new products and to involve employees in that process. They include product ideas submitted from outside the firm but primarily relate to New Product Meetings at which employees shared their own ideas. The meetings often included voting for the best ideas and for those that would be most feasible to manufacture. Most of the files contain original artwork, usually brought to the meeting by the marketing department. They also include lists of product ideas and who submitted them, ballots for the voting on the best ideas, and notes taken at the meetings. Several files have memoranda to the employees encouraging submission of ideas outside the annual meeting cycle. Related materials are found in Series 3, Marketing and Sales Records, 1948-2004, Subseries 1, General and Department Records, 1967-1995.

Subseries 4.5: General Research and Development, 1976-1993

This subseries mainly contains files on the development of microwave cookware products and the Micro-Go-Round. Dr. T.K. Ishii, a leading researcher in microwave technologies from Marquette University, served as a consultant to Nordic Ware. He advised on technical problems and explained processes to the Nordic Ware engineers to enable them to develop products. Other materials deal with the application and certification process for Underwriters Laboratories, an independent organization that tested products and certified them as meeting its safety standards.

Subseries 4.6: Patent Materials, 1950-1994

Many records in this subseries deal with the patent application process. An outside legal firm submitted Nordic Ware's applications and negotiated with the Patent Office. The records include correspondence surrounding patent disputes and sworn affidavits by engineers submitted as proof of their work. Several reference files of non-Nordic Ware patents are in this subseries. Many were sent by the law office to Nordic Ware engineers to keep them current on new developments.

Subseries 4.7: Trade Associations, 1977-1994

These records reflect the participation of Engineering Department staff in trade associations, especially The Society of the Plastics Industry, Inc. Lloyd Keleny and several others were involved with the Microwave Oven Cookware Committee. The Society was concerned with the absence of standards for microwave ovens and the resulting problem that cookware used in these ovens was not always effective. The Committee gathered data and encouraged the microwave industry to recognize that consistency was needed. There also are files from the Frankfurt International Housewares Fair, 1994. Nordic Ware tried to build its presence internationally, and fairs such as this were opportunities to meet foreign manufacturers and distributors. They also enabled the company to see what was happening on a global level.

Series 5: Financial Records, 1948-1982

These records include financial information for Nordic Ware and other Dalquist interests, including Maid of Scandinavia Company, when it was still joined with Northland Aluminum Products, and the Minnesota Brand of Cookware. The intermixing of financial reports, invoices and receivables, petty cash receipts, and bank statements for the various enterprises demonstrates the close relationship of all of the beginning operations of the Dalquist family. There are many examples of consolidated financial information in the records including the balance sheets, combined financial reports, income statements, and the audit reports. Of particular interest is the accounting ledger (1949-1950) for Plastics for Industry, the Dalquist brothers' original company. It has handwritten entries and shows the company's simplified bookkeeping system. It also provides important financial data on the startup capital and the progress in the first year of business.

Reports created by the research firm Dunn and Bradstreet contain information submitted by the Dalquists to prove their credit worthiness to lenders. Several loan agreements document the company's practice of borrowing money on future earnings in order to meet operating expenses and finance innovation. Machinery owned by Nordic Ware is listed in several factory inventories. The firm also leased machinery instead of buying in order to save money. Inventory summaries (1950-1978) detail the numbers and value of the unsold product then on hand.

Though Nordic Ware stock was never traded publically, there was an employee shareholder plan that included profit sharing. Records in this subseries document the evolution and operation of the plan, including one employee's case for a public offering of the company stock. At some point Dave Dalquist did consider making the company public but decided to maintain private ownership. The emphasis on taking pride and ownership in the company was often repeated in memoranda that Dalquist wrote to employees about stock options. The records show that he was very conscious of morale and high standards of work within the company.

Series 6: Legal Records, 1962-1978

The bulk of these records deals with trademark issues, especially Nordic Ware's creation, licensing, and protection of the "Bundt" mark. Included are copies of correspondence with the law firms that handled applications to the Patent and Trademark Office and correspondence from that office. Correspondence and legal papers document licensing negotiations with Pillsbury and others. In several instances Nordic Ware took legal steps when the Bundt Pan trademark was being misused.

Series 7: Recipes and Cookbooks, 1966-2004, undated

This series is comprised of a large selection of cookbooks and recipe files maintained by Dotty Dalquist and reflect her active role in business activities. She did much of her cooking and experimenting in a test kitchen in her own home and was integral to the preparation of foods to be photographed in Nordic Ware products. These photographs demonstrated the use of the products and were included in the advertisements, catalogs, and product or recipe brochures.

Subseries 7.1: Dotty Dalquist Recipe Files, bulk 1950s-1970s, mainly undated

Dotty Dalquist kept recipes, product booklets, notes, and other materials to aid in the development of her own recipes. She organized much of the material by food type, but she also had several files for specific Nordic Ware products. The Bundt Pan was a major product, and the files on it reflect that. As Nordic Ware sought new ways to promote the use of its products, Dalquist's development of new and inventive recipes was a major part of that effort.

Subseries 7.2: Bundt Pan Cookbooks, 1966-2004

Nordic Ware published several books by Dotty Dalquist to promote use of the Bundt Pan. Pillsbury and other firms also published their own books. Pillsbury incorporated its products into the recipes to promote the dual product relationship between the Bundt Pan and the Pillsbury brand of cake mixes. These books were sold in stores and added as premiums to go along with the purchase of the other products.

Subseries 7.3: Other Recipe and Public Relations Materials, 1970-1996, undated

Recipe contests and a cookbook were among the efforts to involve employees with the Nordic Ware products and to generate new recipes and ideas. These files include photographs and entries and correspondence about these employee activities.

A file of correspondence, mainly to and from Dotty Dalquist, concerns problems consumers encountered using specific recipes that she had published. Consumers also wrote about recipes they had tried on their own and could not get satisfactory results with a Nordic Ware product. Dalquist's problem-solving efforts were an example of the personal customer service in which Nordic Ware took pride.

Series 8: Non-Nordic Ware Reference Materials, 1940-2001, undated

The materials in this series were used by Nordic Ware as reference resources. They have been organized into subseries by type.

Subseries 8.1: Sponsored Cookbooks, 1943-1996, undated

Dotty Dalquist collected cookbooks published by a wide range of manufacturers and trade organizations. The cookbooks are arranged in alphabetical order by the name of the sponsor. Many companies, such as Pillsbury and General Foods, put out these kinds of books to promote their own brands. This may have influenced Dalquist's creation of her own Bundt Pan cookbook.

Subseries 8.2: Product Guides (some with recipes), 1940-1992, undated

These product guides, for appliances and other items used in Dotty Dalquist's kitchen, include use instructions and, often, recipes. Nordic Ware often included recipes in the print materials packaged with its products and associated with its advertising.

Subseries 8.3: Home and Food Related Ephemera, 1950-1980, undated

These materials include booklets of general household hints, recipe cards published by various organizations, and information on food processes.

Subseries 8.4: Periodicals, 1967-2001

Several scrapbooks in this subseries contain clippings from various trade publications. Some focus on Nordic Ware and Northland Aluminum Products in articles or advertisements while others contain industry, including competitors', product advertisements. There are several issues of trade periodicals with Nordic Ware related stories. Trade press clippings also are found in Series 3, Marketing and Sales Records, 1948-2004, Subseries 3, Public Relations, 1948-1992.

Subseries 8.5: Newsletters, 1961, 1973-1987, undated

Most of these newsletters were for reference use with Nordic Ware's microwave cookware projects. With its extensive line of these microwave products, there was an active effort to stay up to date with the field. The firm also tried to find different kinds of foods and recipes that could be prepared using a microwave oven.

Series 9: Photographs, 1940s-2006, undated

This series consists of a wide range of photographic prints re-housed in archival sleeves and assembled into a single binder. The photographs are arranged roughly by image content and document the Dalquist family and employees; factory and offices scenes, including a series of black and white images by Mel Jacobsen, a commercial photographer; and product displays at trade shows and other locations. The photographs also include a few images of Nordic Ware products and of baked foods and black and white images of plastic molds created by Plastics for Industry. Most of the photographs are undated and many are unidentified. There is a View Master viewer with one viewing card containing photographs assembled for Nordic Ware's sixtieth anniversary in 2006. Series 2, David Dalquist Files, includes five photographs of foods baked in Bundt Pans. Series 3, Marketing and Sales Records, Subseries 1, General and Department Records, 1967-1995, has photographs of a factory outlet store and product displays.

Arrangement:

The collection is divided into nine series.

Series 1: Historical and Background Materials, 1940s-2006

Series 2: David Dalquist Files, 1963-1993

Series 3: Marketing and Sales Records, 1948-2004

Subseries 1, General and Department Records, 1967-1995

Subseries 2, Promotional and Trade Sales Materials, 1958-2004

Subseries 3, Public Relations, 1948-1992

Series 4: Engineering Department Records, 1950-1994

Subseries 1, General Records, 1969-1992

Subseries 2, Laboratory Notebooks, 1972, 1984-1993

Subseries 3, Product Files, 1976-1993, undated

Subseries 4, New Product Ideas Files, 1976-1993

Subseries 5, General Research and Development, 1950-1994

Subseries 6, Patent Materials, 1950-1994

Subseries 7, Trade Associations, 1977-1994

Series 5: Financial Records

Series 6: Legal records

Series 7: Recipes and Cookbooks

Subseries 1, Dotty Dalquist Recipe Files, 1950s-1970s, undated

Subseries 2, Bundt Pan Cookbooks, 1966-2004

Subseries 3, Other Recipe and Public Relations Materials, 1970-1996, undated

Series 8, Non-Nordic Ware Reference Materials

Subseries 1, Sponsored Cookbooks, 1943-1996, undated

Subseries 2, Product Guides (with some recipes), 1940-1992, undated

Subseries 3, Home and Food Related Ephemera, 1950-1980, undated

Subseries 4, Periodicals, 1967-2001

Subseries 5, Newsletters, 1961, 1973-1981, undated

Series 9: Photographs, 1940s-2006, undated

Biographical / Historical:

In 1946, the year he returned from Navy service in the Pacific, H. David (Dave) Dalquist (1918-2005) joined his brother Mark to launch a new manufacturing firm, Plastics for Industry, in Minneapolis. The two University of Minnesota graduates soon were making foundry patterns and industrial plastic products for area businesses, as well as aluminum consumer cookware. Among their earliest products were ebelskiver pans, krumkake irons, and rosette irons, essential kitchen tools for the area's large Scandinavian population. Their first employee, Donald Nygren, remained as head designer for many decades.

In 1950, the brothers bought Northland Aluminum Products, a small firm with a line of "Nordic Ware" products including griddles and steak platters. The same year, Dave Dalquist created a cast aluminum, fluted cake pan at the request of two local women, members of the Hadassah organization. The women sought to replicate a heavy mold used in Europe. Northland Aluminum registered the trademark "Bundt" for the new product and began to sell it to local department stores. (The women sold manufacturing "seconds" as a fund raiser for their group.) Mark Dalquist created a firm, Maid of Scandinavia, to market products by mail. It separated from Northland Aluminum in 1963. Over the years, Northland Aluminum increasingly used "Nordic Ware" to identify itself for marketing and public relations purposes.

Northland Aluminum created a subsidiary finishing and coating firm, Northland Color Anodizing Company, in 1962. In 1964, Northland became one of the first to license the use of Teflon from its inventor, DuPont, and non-stick products became an important part of the company's line. Northland also did coating work for many industries including medical, computer, and commercial food processing. For many years Northland also had a division to produce heads for video recording machines. Product sales reached $1,000,000 in 1964.

During the 1960s, Nordic Ware grew slowly, gradually increasing its product line to include specialty baking and cookware items and stove-top cookware. The company also expanded its production capacity and built its sales and marketing capabilities, including a national network of sales representatives working on commission. Dorothy Dalquist, Dave's wife, played a vital role in the company's history. She joined him at crucial annual sales conventions to demonstrate products, tested new products, and developed recipes for them in her home kitchen. Additionally, she represented the firm in public relations activities.

Although the Bundt Pan was only one of many Nordic Ware products, it became a national celebrity in 1966 when a Texas woman used it for her prize-winning Tunnel of Fudge Cake in the immensely popular Pillsbury Bake-Off Contest. In 1970, Nordic Ware licensed the Bundt trademark to Pillsbury for use with a line of cake mixes. Customers received a cake pan at a small additional price with the purchase of the packaged mix. Although this pan was spun of light aluminum, not cast like the original models, the Pillsbury promotion was very successful. In addition to the classic Bundt design, the company began producing special designs, including a cathedral, a castle, a rose, a heart, and, in 2006, a stadium shaped pan. The Bundt Pan continues to be the most popular cake pan in America, and the company estimates it has sold sixty million pans over the past six decades.

Despite the steady popularity of the Bundt Pan, Dalquist and his firm knew that the spike in Bundt Pan sales resulting from the Pillsbury promotion was temporary, and they continued their strategy of seeking new products to buoy overall sales revenues. In 1978 Nordic Ware developed a "new thermoset plastic molding technology to create an extensive line of cookware designed to work in both conventional and microware ovens." In these same years, as microwave oven use rapidly spread, Nordic Ware developed its second celebrity product. Designed by the company's own engineers, the Micro-Go-Round was promoted in print and television advertising and is still its most successful product. Since then, Nordic Ware has introduced a wide range of new products, some of them successful (for example, nonstick Barbecue Grill Cookware), others not (including a device to create convection currents in a baking oven and a bicentennial cake platter). Northland Aluminum holds at least twenty-five patents for its products.

Today David Dalquist (born 1949) -- son of founder "Dave Dalquist" and, like his father, an engineer -- heads Nordic Ware. He has been involved with the company for his entire working life with major executive responsibilities since the early 1980s. David Dalquist's mother, Dotty, is on the Board of Directors and serves as Corporate Secretary. David's three sisters—Corrine, Linda, and Susan—are also involved in the business. The firm employs between 200 and 400 people and continues, as a point of pride, to manufacture its products in the United States. The family has refused numerous buyout offers. Nordic Ware has managed to design and market products for the large, low price retailers, including Wal-Mart, and for the upscale, specialty gourmet market. Williams-Sonoma, a leader in the latter field, has exclusive sales for a small number of new Nordic Ware products each year.

For its sixtieth anniversary, Nordic Ware produced a company history, H. David Dalquist, The Nordic Ware Saga: An Entrepreneur's Legacy (Kirk House Publishers, Minneapolis, 2006). The volume provides edited recollections of "Dave," many family members, and other employees drawn from oral history interviews. This finding aid is based largely on that information, other historical sources within the collection, and visits to Nordic Ware offices by National Museum of American History staff members Paula Johnson and Nanci Edwards (June 2006) and Paula Johnson and John Fleckner (August 2006).

Related Materials:

The Division of Work and Industry holds thirty-six objects from Nordic Ware (Accession # 2007.0034), including Bundt Pans in a variety of shapes, foundry patterns and molds for Nordic Ware products, a wood panel display of products manufactured by Plastics for Industry, three versions of the Micro-Go-Round, and other kitchenware products.

Provenance:

This collection was donated by Dorothy M. Dalquist and H. David Dalquist in 2007.

Restrictions:

Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning intellectual property rights. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Ethnic food industry  Search this

Cookery, American  Search this

Kitchen utensils  Search this

Aluminum  Search this

Kitchen utensil industry  Search this

Baked products  Search this

Bakery equipment and supplies industry  Search this

Baking pans  Search this

Baking  Search this

Genre/Form:

Correspondence -- 1950-2000

Photographs -- 2000-2010

Legal records

Catalogs

Correspondence -- 2000-2010

Financial records

Photographs -- 20th century

Design drawings -- 1950-2000

Citation:

Nordic Ware Collection, 1942-2006, Archives Center, National Museum of American History.

Sponsor:

Processing of this collection made possible, in part, by a gift from Nordic Ware.

Identifier:

NMAH.AC.0980

See more items in:

Nordic Ware records

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep894dc31f0-f3a9-457d-9097-4906863295b5

EDAN-URL:

ead_collection:sova-nmah-ac-0980

Collection Creator:

Nordic Ware Division, Northland Aluminum  Search this

Collection Donor:

Dalquist, H. David  Search this

Dalquist, Dorothy  Search this

Container:

Box 35, Folder 12

Type:

Archival materials

Date:

July 30, 1996

Collection Restrictions:

Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning intellectual property rights. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Nordic Ware Collection, 1942-2006, Archives Center, National Museum of American History.

Sponsor:

Processing of this collection made possible, in part, by a gift from Nordic Ware.

See more items in:

Nordic Ware records

Nordic Ware records / Series 7: Recipes and Cookbooks / 7.3: Other Recipe and Public Relations Materials

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8a877d3ca-c775-4e3a-a561-4916c447602e

EDAN-URL:

ead_component:sova-nmah-ac-0980-ref672

Issued by:

United States Army, American, founded 1775  Search this

Received by:

Henry Ossian Flipper, American, 1856 - 1940  Search this

Medium:

ink on paper

Dimensions:

H x W: 7 1/8 x 4 3/4 in. (18.1 x 12.1 cm)

Type:

orders (military records)

Place depicted:

Fort Davis, Jeff Davis County, Texas, United States, North and Central America

Place printed:

Washington, District of Columbia, United States, North and Central America

Date:

June 17, 1882

Topic:

African American  Search this

American West  Search this

Justice  Search this

Military  Search this

Race discrimination  Search this

U.S. History, 1865-1921  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture

Object number:

2011.155.16

Restrictions & Rights:

Public domain

Proper usage is the responsibility of the user.

See more items in:

National Museum of African American History and Culture Collection

Classification:

Documents and Published Materials-Published Works

Exhibition:

Double Victory: The African American Military Experience

On View:

NMAAHC (1400 Constitution Ave NW), National Mall Location, Community/Third Floor, 3 053

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd503b9a593-40b2-4db8-b6dd-259f6efb2c69

EDAN-URL:

edanmdm:nmaahc_2011.155.16

Creator:

Curtis, Edward S., 1868-1952  Search this

Extent:

16 Linear feet (23 document boxes, 5 oversize flat boxes)

1,950 Photographic prints (Gelatin Silver Chloride and Platinum)

Type:

Collection descriptions

Archival materials

Photographic prints

Date:

1899-1927

Summary:

The collection comprises series 2 of Photo Lot 59, the Library of Congress Copyright Office photographs of Native Americans and contains the photographs of Edward S. Curtis, primarily from his major publication, The North American Indian.

Scope and Contents:

The Library of Congress Copyright Office photos, Series 2 comprise almost 2000 prints submitted by Edward S. Curtis to the copyright office. Most of the photographs relate to his major 20-volume publication, The North American Indian. Included are photographs from all of the volumes with the exception of Volume 20, which focuses on Alaska and the North American arctic, which is not represented.

The photographs include portraits of individuals, village and landscape views, dances and ceremonies, day to day activities, and events.

Please see Photo Lot 59, the Library of Congress Copyright Office photographs of Native Americans for other photographs in Photo Lot 59.

Arrangement:

The Collection forms series 2 of Photo Lot 59, the Library of Congress Copyright Office Photographs. It is arranged in 19 subseries based on the volumes of Curtis's publication, The North American Indian (NAI). There is one subseries, "Other photographs" that contain photos not related to NAI.

Biographical note:

Edward Sherriff Curtis (1868-1952) was an American photographer famous for his photographs of the indigenous peoples of North America. His work was highly influential in shaping a sympathetic yet romantic view of cultures that he and many others believed to be "vanishing." Over the course of 30 years, Curtis visited more than 80 Native American communities and published his photographs and ethnographies in the twenty-volume North American Indian (NAI) (1907-1930).

Curtis was born in Whitewater, Wisconsin, to Ellen and Johnson Curtis in 1868. In about 1874, his family moved to a farm in Cordova, Minnesota. At a young age, Curtis built a camera, and it is possible that he may have worked in a Minneapolis photography studio for a time. In 1887, Curtis and his father moved West and settled on a plot near what is now Port Orchard, Washington, with the rest of the family joining them the following year. When Johnson Curtis died within a month of the family's arrival, 20-year-old Curtis became the head of the family.

In 1891, Curtis moved to Seattle and bought into a photo studio with Rasmus Rothi. Less than a year later, he and Thomas Guptill formed "Curtis and Guptill, Photographers and Photoengravers." The endeavor became a premier portrait studio for Seattle society and found success in photoengraving for many local publications. In 1892, Curtis married Clara Phillips (1874-1932) and in 1893 their son Harold was born (1893-1988), followed by Elizabeth (Beth) (1896-1973), Florence (1899-1987) and Katherine (Billy) (1909-?). Around 1895, Curtis made his first photographs of local Native people, including the daughter of Duwamish chief Seattle: Kickisomlo or "Princess Angeline." Curtis submitted a series of his Native American photographs to the National Photographic Convention, and received an award in the category of "genre studies" for Homeward (later published in volume 9 of the NAI). In 1896, the entire Curtis family moved to Seattle, which included Curtis's mother, his siblings Eva and Asahel, Clara's sisters Susie and Nellie Phillips, and their cousin William Phillips. Most of the household worked in Curtis's studio along with other employees. Curtis became sole proprietor of the studio in 1897, which remained a popular portrait studio but also sold his scenic landscapes and views of the Seattle Area. Curtis also sent his brother Asahel to Alaska and the Yukon to photograph the Klondike Gold Rush, and sold those views as well. Asahel went on to become a well-known photographer in his own right, primarily working in the American Northwest.

Curtis was an avid outdoorsman and joined the Mazamas Club after his first of many climbs of Mount Rainier. On a climb in 1898, Curtis evidently met a group of scientists, including C. Hart Merriam, George Bird Grinnell, and Gifford Pinchot, who had lost their way on the mountain, and led them to safety. This encounter led to an invitation from Merriam for Curtis to accompany a group of over 30 well-known scientists, naturalists, and artists as the official photographer on a maritime expedition to the Alaskan coast. Funded by railroad magnate Edward Harriman, the Harriman Alaska Expedition left Seattle in May of 1899, and returned at the end of July. Curtis made around 5000 photographs during the trip, including photographs of the indigenous peoples they met as well as views of mountains, glaciers, and other natural features. Many of the photographs appeared in the expedition's 14 published volumes of their findings.

In 1900, Curtis accompanied Grinnell to Montana for a Blackfoot Sundance. Here, Curtis made numerous photographs and became interested in the idea of a larger project to document the Native peoples of North America. Almost immediately upon returning from the Sundance, Curtis set off for the Southwest to photograph Puebloan communities. By 1904, Curtis had already held at least one exhibit of his "Indian pictures" and his project to "form a comprehensive and permanent record of all the important tribes of the United States and Alaska that still retain to a considerable degree their primitive customs and traditions" (General Introduction, the NAI) had taken shape and already received some press coverage. With his fieldwork now increasing his absences from home, Curtis hired Adolph Muhr, former assistant to Omaha photographer Frank Rinehart, to help manage the Seattle studio.

In 1904, Curtis was a winner in the Ladies Home Journal "Prettiest Children In America" portrait contest. His photograph of Marie Fischer was selected as one of 112 that would be published and Fischer was one of 12 children selected from the photographs who would have their portrait painted by Walter Russell. Russell and Curtis made an acquaintance while Russell was in Seattle to paint Fischer's portrait, and not long afterwards, Russell contacted Curtis to make photographic studies of Theodore Roosevelt's children for portraits he would paint. Curtis subsequently photographed the entire Roosevelt family, and developed a social connection with the President. Several important outcomes came of this new friendship, including Roosevelt eventually writing the foreword to the NAI, as well as making introductions to influential people.

Key among these introductions was one to wealthy financier John Pierpont Morgan, in 1906. After a brief meeting with Curtis during which he viewed several of Curtis's photographs of Native Americans, Morgan agreed to finance the fieldwork for the NAI project for five years, at $15,000.00 per year. It was up to Curtis to cover publishing and promotion costs, with the publication being sold as a subscription. In return, Morgan would receive 25 sets of the 20-volume publication. The ambitious publication plan outlined 20 volumes of ethnological text, each to be illustrated with 75 photogravure prints made from acid-etched copper plates. Each volume would be accompanied by a companion portfolio of 35 large photogravures. With high-quality papers and fine binding, a set would cost $3000.00. 500 sets were planned. Under Morgan, the North American Indian, Inc. formed as body to administer the monies. Also around this time, Frederick Webb Hodge, Director of the Smithsonian Institution's Bureau of American Ethnology, agreed to edit the publications.

Curtis then began more systematic fieldwork, accompanied by a team of research assistants and Native interpreters. In 1906, Curtis hired William E. Myers, a former journalist, as a field assistant and stenographer. Over the years, Myers became the lead researcher on the project, making enormous contributions in collecting data and possibly doing the bulk of the writing for the first 18 volumes. Upon meeting a new community, Curtis and his team would work on gathering data dealing with all aspects of the community's life, including language, social and political organization, religion, food ways, measures and values, and many other topics. (See box 2 folder 1 in this collection for Curtis's list of topics.) Curtis and his assistants, especially Myers, brought books and papers to the field relating to the tribes they were currently concerned with, and often wrote from the field to anthropologists at the Bureau of American Ethnology and other institutions for information or publications. In addition to fieldnotes and photographs, the team also employed sound recording equipment, making thousands of recordings on wax cylinders. Curtis also often brought a motion picture camera, although few of his films have survived.

The first volume of the NAI was published towards the end of 1907. Already, Curtis was encountering difficulty in finding subscribers to the publication despite great praise in the press and among those who could afford the volumes. Curtis spent progressively more of his time outside the field season promoting the project through lectures and in 1911, presenting his "Picture Musicale"—a lecture illustrated with lantern slides and accompanied by an original musical score—in major cities. After the initial five funded years, only eight of the twenty volumes had been completed. However, Morgan agreed to continue support for the fieldwork and publication continued.

Starting in 1910, Curtis and his team worked among the Kwakwaka'wakw First Nation on Vancouver Island, and in 1913 began to develop a documentary film project featuring the community in Alert Bay. In 1914, Curtis produced the feature-length film, In the Land of the Headhunters. The film showcased an all-indigenous cast and included an original musical score. Screened in New York and Seattle, it received high praise. However after this initial success, it did not receive the attention Curtis had hoped for, and resulted in financial loss.

Meanwhile, Curtis's prolonged absences from home had taken a toll on his marriage and in 1919 Clara and Edward divorced. The Seattle studio was awarded to Clara, and Curtis moved to Los Angeles, opening a photography studio with his daughter Beth and her husband Manford "Mag" Magnuson. Daughters Florence and Katherine came to Los Angeles sometime later. Curtis continued with fieldwork and promotion of the project, and in 1922 volume 12 of the NAI was published. Also in 1922, Curtis was accompanied during the field season in California by his daughter Florence Curtis Graybill, the first time a family member had gone to the field with him since the Curtis children were very small.

Curtis continued to push the project and publications along, yet never without financial struggle and he picked up work in Hollywood as both a still and motion picture photographer. John Pierpont Morgan, Jr., continued to provide funding for the fieldwork in memory of his father, but with the various financial upsets of the 1910s and 1920s, Curtis had a difficult time getting subscribers on board. In 1926, Myers, feeling the strain, regretfully resigned after the completion of volume 18. Anthropologist Frank Speck recommended Stewart Eastwood, a recent graduate from the University of Pennsylvania, to replace Myers as ethnologist for the final two volumes.

In 1927, Curtis and his team, along with his daughter Beth Curtis Magnuson, headed north from Seattle to Alaska and Canada on a final field season. Harsh weather and a hip injury made the trip difficult for Curtis, but he was very satisfied with the season's work. The party returned to Seattle, and upon arrival Curtis was arrested for unpaid alimony. He returned exhausted to Los Angeles, and in 1930 the final two volumes of NAI were published without fanfare. Curtis spent the next two years recovering from physical and mental exhaustion. Beth and Mag continued to run the Curtis studio in LA, but for the most part, Curtis had set down his camera for good. With the NAI behind him and his health recovered, Curtis pursued various interests and employment, eventually, settling down on a farm outside Los Angeles. he later moved in with Beth and Mag. Curtis died at home in 1952.

Sources Cited Davis, Barbara. Edward S. Curtis: the life and times of a shadowcatcher. San Francisco: Chronicle Books, 1984. Gidley, Mick. The North American Indian, Incorporated. New York: Cambridge University Press, 1998.

Related Materials:

The National Anthropological Archives holds additional Curtis material in Photo Lot 59, the Library of Congress Copyright Offie photographs, MS 2000-18, Curtis's research into Battle of Little Bighorn 2010-28, the Edward Curtis papers and photographs, 2022-12, Christopher Cardozo collection of Edward S. Curtis photographs and ephemera, and 2022-04, Edward S. Curtis photogravure printing plates.

The Archives of Traditional Music at Indiana University holds Curtis's wax cylinder audio recordings from 1907-1913.

The Braun Research Library at the Autry Museum of the American West holds the Frederick Webb Hodge papers (1888-1931), which contain substantial correspondence from Curtis. The Braun also holds a small amount of Curtis papers and photographs, including some of Curtis's cyanotypes.

The Getty Research Institute holds the Edward S. Curtis papers (1900-1978), which include the original manuscript scores for the Curtis Picture Musicale and film In the Land of the Headhunters.

The Palace of the Governors at the New Mexico History Museum holds original Curtis negatives pertaining to the southwest.

The Pierpont Morgan Library holds the Edward S. Curtis papers (1906-1947), which contain the records of the North American Indian, Inc., as well as Curtis's correspondence to librarian, and later library director, Belle Da Costa Greene. The library also holds a large collection of Curtis's lantern slides, used in his Picture Musicale.

The Seattle Public Library holds correspondence of Curtis to Librarian Harriet Leitch (1948-1951), pertaining to his career.

The Seaver Center for Western History Research at the Los Angeles County Museum of Natural History holds collection GC 1143, which contains Curtis's field notes as well as manuscript drafts for the North American Indian.

The Smithsonian's National Museum of the American Indian holds NMAI.AC.080, the Edward S. Curtis photogravure plates and proofs, as well as NMAI.AC.053, the Mary Harriman Rumsey collection of Harriman Alaska Expedition photographs.

The University of Washington Libraries Special Collections holds the Edward S. Curtis papers (1893-1983). Additionally, the Burke Museum holds papers and photographs of Edmund Schwinke, which relate to Curtis's work with the Kwakwaka'wakw community.

Provenance:

This set of Edward S. Curtis photographs form part of the Library of Congress Copyright Office photographs collection. The collection was formed from submissions made to the Library of Congress as part of the copyright registration process. Two copies of each item were required. Eventually the copyright submission photographs were sent to the Prints and Photographs division at the Library of Congress. In the late 1950s, arrangements were made to transfer the duplicate set of photographs relating to Native Americans to the Smithsonian Institution.

Restrictions:

The collection is open for research. On-site access to the collection requires an appointment.

Rights:

Contact the repository for terms of use.

Citation:

Photo Lot 59, Library of Congress Copyright Office photographs, Series 2: Edward S. Curtis, National Anthropological Archives, Smithsonian Institution.

Identifier:

NAA.PhotoLot.59.Series2

See more items in:

Library of Congress Copyright Office photographs of Native Americans, Series 2: Edward S. Curtis

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw3331cd47e-5933-44e6-a961-6511262d3f21

EDAN-URL:

ead_collection:sova-naa-photolot-59-series2

Physical Description:

metal (overall material)

wood (overall material)

Measurements:

overall: 8 in x 3 3/4 in x 7 1/2 in; 20.32 cm x 9.525 cm x 19.05 cm

Object Name:

trophy

Date made:

1963

Credit Line:

Richard B. Siday

ID Number:

1994.0046.01

Accession number:

1994.0046

Catalog number:

1994.0046.01

See more items in:

Work and Industry: Transportation, Road

Fisher Body Craftsman’s Guild

Transportation

Data Source:

National Museum of American History

GUID:

http://n2t.net/ark:/65665/ng49ca746a5-0d9e-704b-e053-15f76fa0b4fa

EDAN-URL:

edanmdm:nmah_692208