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Thomas Downing papers

Creator:
Downing, Thomas, 1928-1985  Search this
Names:
Osuna Gallery (Washington, D.C.)  Search this
Downing, Thomas, 1928-1985  Search this
Romero, Phillip  Search this
Wordell, Sidney  Search this
Extent:
1.4 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Photographs
Sketchbooks
Date:
circa 1946-1995
Summary:
The papers of painter Thomas Downing measure 1.4 linear feet and date from circa 1946 to 1995. The papers document his career as an artist in Washington, D.C. and Provincetown, Massachusetts through biographical material, correspondence, writings, personal business records, printed material, photographic material and artwork.
Scope and Contents:
The papers of painter Thomas Downing measure 1.4 linear feet and date from circa 1946 to 1995. The papers document his career as an artist in Washington, D.C. and Provincetown, Massachusetts through biographical material, correspondence, writings, personal business records, printed material, photographic material and artwork.

Biographical material consists of Downing's college diploma, resume, biographical outlines, birth and death certificates, travel documents, passports and other miscellaneous documents.

Correspondence is between Thomas Downing and his family, friends, and colleagues. Notable correspondents include Phillip Romero, Osuna Galleries and Sidney Wordell.

Writings include notes, notebooks, annotated calendars and essays. There are a few writings by others such as poems by Sidney Wordell and Philip Romero's essay about Thomas Downing.

Personal business records consist of a few legal records, shipping and transportation invoices, and professional certificates.

Printed material includes clippings, exhibition catalogs and announcements, two books and an auction catalog.

Photographic material depict Thomas Downing, friends, family, travel, and artwork.

Artwork consists of sketchbooks and drawings by Thomas Downing, plus some drawings by the artist's son, Aaron Downing.
Arrangement:
The collection is arranged as seven series.

Series 1: Biographical Material, 1949-1995 (Box 1; 7 folders)

Series 2: Correspondence, circa 1948-circa 1987 (Box 1; 0.3 linear feet)

Series 3: Writings, 1969-1986 (Box 1; 0.4 linear feet)

Series 4: Personal Business Records, 1950-1986 (Box 1; 5 folders)

Series 5: Printed Material, circa 1946-1987 (Boxes 1-2; 0.3 linear feet)

Series 6: Photographs, circa 1950-1988 (Box 2; 0.2 linear feet)

Series 7: Artwork, circa 1950-1984 (Box 2; 0.2 linear feet)
Biographical / Historical:
Thomas Downing (1928-1985) was a painter based in Washington, D.C., and Provincetown, Massachusetts, who was associated with the Washington Color School.

Thomas Downing was born in Suffolk, Virginia, in 1928. He received his undergraduate degree from Randolph Macon College in Virginia in 1948, then attended Pratt Institute in New York from 1948 to 1950. He traveled to Europe for one year in 1950 to 1951 on a grant from Virginia Museum of Fine Arts.

After serving in the military, Downing moved to Washington, D.C., for a teaching job in 1953. He enrolled in a course at Catholic University and studied art under Kenneth Noland, who was a major influence on his work. Downing later shared a studio with Howard Mehring, with whom he founded the Origo, a cooperative gallery that operated from early 1959 to roughly mid-1960. During the 1960s, Downing also taught at the Corcoran School, numbering among his students Sam Gilliam, Rockne Krebs, and Michael Clark. Although he mostly resided in D.C., the last ten years of his life were spent in Provincetown, Massaschusetts, where he died in 1985.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming (reel 4058) including eleven letters from Thomas Downing to his son Aaron and seven photographs of Thomas Downing and others. Lent material was returned to the lender and is not described in the collection container inventory.
Provenance:
Material was first lent to the Archives of American Art for microfilming in 1988 by Downing's son, Aaron Downing, and then returned to the lender. His widow, Louise Downing, donated additional papers in 1988.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Occupation:
Painters -- Washington (D.C.)  Search this
Painters -- Massachusetts -- Provincetown  Search this
Topic:
Art, Modern -- 20th century -- Massachusetts -- Provincetown  Search this
Art, Modern -- 20th century -- Washington (D.C.)  Search this
Color-field painting  Search this
Genre/Form:
Drawings
Photographs
Sketchbooks
Citation:
Thomas Downing papers, circa 1946-1995. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.downthom
See more items in:
Thomas Downing papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw969e51349-750b-4965-8f0d-a30e323b47f4
EDAN-URL:
ead_collection:sova-aaa-downthom
Online Media:

[Television interviews of Marcella Brenner and Sybil and Robert Meyersburg] [videorecordings] /WETA ; producers and interviewers, Jeffrey Bieber and Jackson Frost

Creator:
Meyersburg, Sybil  Search this
Names:
WETA-TV (Television station : Washington, D.C.)  Search this
Brenner, Marcella, 1912-2007  Search this
Louis, Morris, 1912-1962  Search this
Meyersburg, Robert  Search this
Interviewer:
Bieber, Jeffrey  Search this
Frost, Jackson  Search this
Extent:
8 Videocassettes (U-matic) ((ca. 15 min. each), sd., col., 3/4 in.)
Type:
Collection descriptions
Archival materials
Videocassettes (u-matic)
Date:
1987
Scope and Contents:
Unedited interviews produced for a WETA public television program "Washington Colorists," including one of Marcella Brenner (4 videocassettes) concerning her husband, painter Morris Louis, conducted by Jackson Frost, and one of artists Sybil and Robert Meyersburg conducted by Jeffrey Bieber. The program aired April 15, 1987.
Publication, Distribution, Etc. (Imprint):
Washington, D.C. : WETA, 1987.
Provenance:
Donated 1989 by Sybil Meyersburg.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Rights:
Authorization to quote, publish, or reproduce requires written permission from GWETA (Greater Washington Educational Television Association). Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Painting, Modern -- 20th century -- Washington (D.C.)  Search this
Color in art  Search this
Color-field painting  Search this
Identifier:
AAA.biebjeff
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9225fca53-afa6-4210-b46e-8ab41495fee3
EDAN-URL:
ead_collection:sova-aaa-biebjeff

Frankenthaler, Helen

Collection Creator:
Reinhardt, Ad, 1913-1967  Search this
Container:
Box 1, Folder 57
Type:
Archival materials
Date:
1966-1967
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Ad Reinhardt papers, 1927-1968. Archives of American Art, Smithsonian Institution.
See more items in:
Ad Reinhardt papers
Ad Reinhardt papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw962961f1f-0646-4066-9a96-9466727f864c
EDAN-URL:
ead_component:sova-aaa-reinad-ref73

Clippings

Collection Creator:
Davidovich, Jaime, 1936-2016  Search this
Container:
Box 2, Folder 27
Type:
Archival materials
Date:
circa 1970-1986
Scope and Contents:
Includes articles about Davidovich, SoHo, garbage art, and art events.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jaime Davidovich papers, 1949-2014. Archives of American Art, Smithsonian Institution.
See more items in:
Jaime Davidovich papers
Jaime Davidovich papers / Series 7: Printed Materials
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9bf5c2d6b-fa28-489c-ad01-900bac4d13c7
EDAN-URL:
ead_component:sova-aaa-davijaim-ref62
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  • View Clippings digital asset number 1

Frankenthaler, Helen

Collection Creator:
Solomon, Alan R., 1920-1970  Search this
Container:
Box 1, Folder 72
Type:
Archival materials
Date:
circa 1966
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Alan R. Solomon papers, 1907-1970, bulk 1944-1970. Archives of American Art, Smithsonian Institution.
See more items in:
Alan R. Solomon papers
Alan R. Solomon papers / Series 3: Interviews
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93c1c6858-aaca-4374-89e6-f33a6231a7ad
EDAN-URL:
ead_component:sova-aaa-soloalan-ref51

Motherwell, Robert and Helen Frankenthaler

Collection Creator:
Hofmann, Hans, 1880-1966  Search this
Container:
Box 2, Folder 138
Type:
Archival materials
Date:
1958-1964
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Collection Rights:
Max Spoerri interview: Authorization to quote or reproduce for purposes of publication requires written permission from Max Spoerri. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Hans Hofmann papers, circa 1904-2011, bulk 1945-2000. Archives of American Art, Smithsonian Institution.
See more items in:
Hans Hofmann papers
Hans Hofmann papers / Series 1: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f4f83309-2ebc-42c0-a46a-49827b82b94d
EDAN-URL:
ead_component:sova-aaa-hofmhans-ref384

Jules Olitski notes to Joan Olitski

Creator:
Olitski, Joan C., 1937-  Search this
Olitski, Jules, 1922-2007  Search this
Extent:
0.02 Linear feet
Type:
Collection descriptions
Archival materials
Illustrated letters
Date:
1981-2004
Summary:
The notes of painter and sculptor Jules Olitski to Joan Olitski measure 0.02 linear feet and date from 1981-2004. The collection comprises of ten humorous love notes, some illustrated, written by Jules Olitski to his wife, Joan. Olitski wrote the notes to his wife (also known as Kristina) in the morning when he left his studio after working through the night.
Scope and Contents:
The notes of painter and sculptor Jules Olitski to Joan Olitski measure 0.02 linear feet and date from 1981-2004. The collection comprises of ten humorous love notes, some illustrated, written by Jules Olitski to his wife, Joan. Olitski wrote the notes to his wife (also known as Kristina) in the morning when he left his studio after working through the night.
Arrangement:
The collection is arranged as 1 series.

Series 1: Notes, 1981-2004 (0.1 linear feet; Box 1)
Biographical / Historical:
Painter and sculptor Jules Olitski (1922-2007) lived and worked from New York City; Meredith, New Hampshire; and Islamorada, Florida and was known for his color field abstractions and painted metal sculptures. Born Jevel Demikovsky in Snovsk, Russia (now Shchors, Ukraine), Olitski's father was politically executed months after his birth, and his mother and grandmother moved with him to the United States in 1923. Showing an early propensity for art, Olitski trained at both New York's National Academy of Design and the Beaux-Arts Institute of Design and furthered his art studies in Paris. After returning to New York, Olitski received a master's in art education from NYU in 1954 and subsequently taught at C.W. Post College (1956-1963) and Bennington College (1963-1967).

His first solo show of abstract impastos at the Alexander Iolas Gallery in 1958 caught the attention of art critic Clement Greenberg, who continued to champion him throughout his career. In the 1960s, Olitski came to prominence with color field paintings that used stain and spray methods to emphasize the broad, flat plane of the canvas. By the 1970s, he began producing and painting large scale abstract aluminum sculptures and returned to painting in the more textured style he had used in the 1950s.

Olitski, along with Roy Lichtenstein, Helen Frankenthaler, and Ellsworth Kelly, was selected to represent the United States at the 1966 Venice Biennale and was also the first living artist invited to exhibit a one-person show at the Metropolitan Museum of Art in 1969. A prolific artist, he exhibited in over 150 solo shows and was elected to the National Academy of Design in 1994. Olinski continued painting and exhibiting new abstractions of monochrome landscapes late into his career and died of cancer in New York.
Related Materials:
The Archives of American Art also holds the Jules Olitski papers.
Provenance:
The notes were donated in 2014 by Olitski's wife, Joan Olitski, also known as Kristina.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Painters -- New York (State) -- New York  Search this
Genre/Form:
Illustrated letters
Citation:
Jules Olitski notes to Joan Olitski, 1981-2004. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.olitjoan
See more items in:
Jules Olitski notes to Joan Olitski
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw949c1754d-18c5-4990-b970-7e955a471580
EDAN-URL:
ead_collection:sova-aaa-olitjoan
Online Media:

Blues

Artist:
Adolph Gottlieb, born New York City 1903-died New York City 1974  Search this
Medium:
oil on canvas
Dimensions:
48 1/8 x 36 in. (122.3 x 91.4 cm)
Type:
Painting
Date:
1962
Topic:
Abstract  Search this
Credit Line:
Smithsonian American Art Museum, Gift of the Woodward Foundation
Object number:
1977.128
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Painting and Sculpture
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk73fada908-25b2-4f5e-bb5b-2d3d32b1cb20
EDAN-URL:
edanmdm:saam_1977.128

Black Grey Beat

Artist:
Gene Davis, born Washington, DC 1920-died Washington, DC 1985  Search this
Medium:
acrylic on canvas
Dimensions:
90 3/4 x 187 in. (230.5 x 475.0 cm.)
Type:
Painting
Date:
1964
Topic:
Abstract\geometric  Search this
Credit Line:
Smithsonian American Art Museum, Gift from the Vincent Melzac Collection
Object number:
1980.6.15
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Painting and Sculpture
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7e5a94def-213a-4d6a-8ef4-bab4e375c46b
EDAN-URL:
edanmdm:saam_1980.6.15

Cadmium Orange of Dr. Frankenstein

Artist:
Jules Olitski, born Snovsk, U.S.S.R. 1922-died New York City 2007  Search this
Medium:
acrylic on canvas
Dimensions:
90 3/8 x 80 in. (229.5 x 203.2 cm)
Type:
Painting
Date:
1962
Topic:
Abstract  Search this
Credit Line:
Smithsonian American Art Museum, Gift from the Vincent Melzac Collection
Object number:
1980.6.6
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Painting and Sculpture
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk76920ce96-75c2-4a34-909e-c697e50680fb
EDAN-URL:
edanmdm:saam_1980.6.6

An installation view of works by Morris Louis at the Andre Emmerich Gallery

Photographer:
Emmerich, Andre, 1924-2007  Search this
Subject:
Emmerich, Andre  Search this
Louis, Morris  Search this
André Emmerich Gallery  Search this
Type:
Photographs
Date:
1966 Mar
Citation:
Andre Emmerich. An installation view of works by Morris Louis at the Andre Emmerich Gallery, 1966 Mar. Morris Louis and Morris Louis Estate papers, circa 1910s-2007. Archives of American Art, Smithsonian Institution.
Topic:
Color-field painting  Search this
Exhibitions  Search this
Painting  Search this
Painting, Abstract  Search this
Painting, American  Search this
Record number:
(DSI-AAA)16777
See more items in:
Morris Louis and Morris Louis Estate papers, circa 1910s-2007, bulk 1965-2000
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_16777
Online Media:

An installation view of works by Morris Louis at the Andre Emmerich Gallery

Photographer:
Emmerich, Andre, 1924-2007  Search this
Subject:
Emmerich, Andre  Search this
Louis, Morris  Search this
André Emmerich Gallery  Search this
Type:
Photographs
Date:
1966 Mar
Citation:
Andre Emmerich. An installation view of works by Morris Louis at the Andre Emmerich Gallery, 1966 Mar. Morris Louis and Morris Louis Estate papers, circa 1910s-2007. Archives of American Art, Smithsonian Institution.
Topic:
Color-field painting  Search this
Exhibitions  Search this
Painting  Search this
Painting, Abstract  Search this
Painting, American  Search this
Record number:
(DSI-AAA)16778
See more items in:
Morris Louis and Morris Louis Estate papers, circa 1910s-2007, bulk 1965-2000
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_16778
Online Media:

An installation view of Morris Louis' Veils show at the Andre Emmerich Gallery

Subject:
Emmerich, Andre  Search this
Louis, Morris  Search this
André Emmerich Gallery  Search this
Type:
Photographs
Date:
1969
Citation:
An installation view of Morris Louis' Veils show at the Andre Emmerich Gallery, 1969. Morris Louis and Morris Louis Estate papers, circa 1910s-2007. Archives of American Art, Smithsonian Institution.
Topic:
Color-field painting  Search this
Exhibitions  Search this
Painting  Search this
Painting, Abstract  Search this
Painting, American  Search this
Record number:
(DSI-AAA)16779
See more items in:
Morris Louis and Morris Louis Estate papers, circa 1910s-2007, bulk 1965-2000
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_16779
Online Media:

An installation view of Morris Louis' Veils show at the Andre Emmerich Gallery

Subject:
Emmerich, Andre  Search this
Louis, Morris  Search this
André Emmerich Gallery  Search this
Type:
Photographs
Date:
1969
Citation:
An installation view of Morris Louis' Veils show at the Andre Emmerich Gallery, 1969. Morris Louis and Morris Louis Estate papers, circa 1910s-2007. Archives of American Art, Smithsonian Institution.
Topic:
Color-field painting  Search this
Exhibitions  Search this
Painting  Search this
Painting, Abstract  Search this
Painting, American  Search this
Record number:
(DSI-AAA)16780
See more items in:
Morris Louis and Morris Louis Estate papers, circa 1910s-2007, bulk 1965-2000
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_16780
Online Media:

Clippings and Press

Collection Creator:
Zarina  Search this
Container:
Box 1, Folder 17
Type:
Archival materials
Date:
1970-1999
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of electronic records requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Zarina Hashmi papers, 1950-2015. Archives of American Art, Smithsonian Institution.
See more items in:
Zarina Hashmi papers
Zarina Hashmi papers / Series 5: Printed Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e927291f-99dd-404f-97bd-88056991af47
EDAN-URL:
ead_component:sova-aaa-zarina-ref27
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Clippings and Press digital asset number 1

Howard Mehring papers

Creator:
Mehring, Howard, 1931-  Search this
Extent:
0.2 Linear feet
Type:
Collection descriptions
Archival materials
Date:
circa 1931-1978
Summary:
The papers of painter Howard Mehring measure 0.2 linear feet and date from circa 1931-1978. This small collection of documentation on Mehring's career includes graduation and birth certificates; letters to Mehring from his mother, dealers, lawyers and clients; and childhood photographs.
Scope and Contents:
The papers of painter Howard Mehring measure 0.2 linear feet and date from circa 1931-1978. This small collection of documentation on Mehring's career includes graduation and birth certificates; letters to Mehring from his mother, dealers, lawyers and clients; and childhood photographs.
Arrangement:
Due to the small size of this collection the papers are arranged as one series.
Biographical / Historical:
Howard Mehring (1931-1978) was a painter in Washington, D.C., considered one of the six core members of the Washington Color School, which also included his instructor at Catholic University, Kenneth Noland. His mature work, all abstract, ranged from loose Abstact Expressionism to a more structured geometic style of Color Field Painting.
Provenance:
The papers were donated in 2018 by Patricia and William Taffe Driscoll, friends of Mehring, who had held the documents on Mehring's behalf.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Washington (D.C.)  Search this
Topic:
Washington Color School (Group of artists)  Search this
Citation:
Howard Mehring Papers, circa 1931-1978. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.mehrhowa
See more items in:
Howard Mehring papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e3657251-9754-45cc-87db-f77dd67ca0a2
EDAN-URL:
ead_collection:sova-aaa-mehrhowa

Barnett Newman : the late work, 1965-1970 / Bradford A. Epley, Michelle White ; with a contribution by Sarah K. Rich

Artist:
Newman, Barnett 1905-1970  Search this
Writer of added commentary:
Epley, Bradford  Search this
White, Michelle 1979-  Search this
Rich, Sarah K.  Search this
Host institution:
Menil Collection (Houston, Tex.)  Search this
Subject:
Newman, Barnett 1905-1970  Search this
Physical description:
141 pages : illustrations (chiefly color) ; 31 cm
Type:
Books
Exhibitions
Exhibition catalogs
Date:
2015
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1049013

Color : an exhibition / organized by a graduate seminar of the Department of Art ; sponsored by the UCLA Art Council ; presented by the UCLA Art Galleries ; [artists] Ron Davis ... [et al.]

Author:
California University University at Los Angeles Department of Art  Search this
Davis, Ronald 1937-  Search this
UCLA Art Galleries  Search this
UCLA Art Council  Search this
Physical description:
48 p. : col. ill. ; 31 cm
Type:
Exhibitions
Place:
United States
Date:
1969
1969?]
20th century
Topic:
Color  Search this
Painting, American  Search this
Color-field painting  Search this
Call number:
ND212.5.C6 C15
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_87068

Color as field : American painting, 1950-1975 / Karen Wilkin ; with an essay by Carl Belz

Author:
Wilkin, Karen 1940-  Search this
Belz, Carl  Search this
Denver Art Museum  Search this
Smithsonian American Art Museum  Search this
Frist Center for the Visual Arts (Nashville, Tenn.)  Search this
American Federation of Arts  Search this
Physical description:
127 p. : ill. (some col.) ; 31 cm
Type:
Exhibitions
Place:
United States
Date:
2007
20th century
Topic:
Color-field painting  Search this
Painting, American  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_897169

The great decade of American abstraction; modernist art 1960 to 1970; inaugural exhibition for the Brown Pavilion, the Museum of Fine Arts, Houston, January 15-March 10, 1974. With an introductory note by Philippe de Montebello, and text and catalogue by E. A. Carmean, Jr

Author:
Carmean, E. A  Search this
Museum of Fine Arts, Houston  Search this
Physical description:
138 p. illus. (part col.) 24 x 28 cm
Type:
Exhibitions
Place:
United States
Date:
1974
1974]
Topic:
Color-field painting  Search this
Minimal sculpture  Search this
Call number:
ND212.5.C6 C37X
ND212.5.C6C37X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_41150

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